Sampaguita Projects

Sampaguita Projects Studio + Artist-run space
Quezon City, PH

DM to schedule a visit/for inquiries

31/12/2025

๐Ÿค๐Ÿข๐Ÿค๐Ÿง โœจ

๐˜—๐˜ข๐˜ด๐˜ข๐˜ด๐˜ข๐˜ญ๐˜ข๐˜ฎ๐˜ข๐˜ต ๐˜ด๐˜ข ๐˜ฎ๐˜จ๐˜ข ๐˜ฃ๐˜ข๐˜จ๐˜ฐ๐˜ฏ๐˜จ ๐˜ฏ๐˜ข๐˜ฌ๐˜ช๐˜ญ๐˜ข๐˜ญ๐˜ข,
๐˜ด๐˜ข ๐˜ฎ๐˜จ๐˜ข ๐˜ด๐˜ถ๐˜ฎ๐˜ถ๐˜ด๐˜ถ๐˜ฑ๐˜ฐ๐˜ณ๐˜ต๐˜ข ๐˜ข๐˜ต ๐˜ด๐˜ข ๐˜ฎ๐˜จ๐˜ข ๐˜ฌ๐˜ข๐˜ช๐˜ฃ๐˜ช๐˜จ๐˜ข๐˜ฏ ๐Ÿซ‚

Kita kita next year!

๐—ฆ๐—ฃ

๐˜›๐˜ฉ๐˜ข๐˜ฏ๐˜ฌ ๐˜บ๐˜ฐ๐˜ถ ๐˜ข๐˜ญ๐˜ญ ๐˜ง๐˜ฐ๐˜ณ ๐˜ท๐˜ช๐˜ด๐˜ช๐˜ต๐˜ช๐˜ฏ๐˜จ ๐„๐‘๐Ž๐’๐ˆ๐Ž๐ ๐Ž๐… ๐Œ๐ˆ๐๐ˆ๐Œ๐€๐‹ ๐’๐„๐‹๐…-๐„๐—๐๐„๐‘๐ˆ๐„๐๐‚๐„ organized by Allan Balisi.๐†๐š๐›๐ž ๐“๐ข๐š๐ง๐จ, on the other hand, a...
07/12/2025

๐˜›๐˜ฉ๐˜ข๐˜ฏ๐˜ฌ ๐˜บ๐˜ฐ๐˜ถ ๐˜ข๐˜ญ๐˜ญ ๐˜ง๐˜ฐ๐˜ณ ๐˜ท๐˜ช๐˜ด๐˜ช๐˜ต๐˜ช๐˜ฏ๐˜จ ๐„๐‘๐Ž๐’๐ˆ๐Ž๐ ๐Ž๐… ๐Œ๐ˆ๐๐ˆ๐Œ๐€๐‹ ๐’๐„๐‹๐…-๐„๐—๐๐„๐‘๐ˆ๐„๐๐‚๐„ organized by Allan Balisi.

๐†๐š๐›๐ž ๐“๐ข๐š๐ง๐จ, on the other hand, although appearing dark and diabolic, still grounds his works in universal themes: time, death, suffering, and change. These common and almost banal themes appear in his drawings as metaphysical and metaphorical symbolsโ€”like magical, hand-drawn cards that explain the fate and circumstance of their bearer.

The title of the show itself, ๐„๐‘๐Ž๐’๐ˆ๐Ž๐ ๐Ž๐… ๐Œ๐ˆ๐๐ˆ๐Œ๐€๐‹ ๐’๐„๐‹๐…-๐„๐—๐๐„๐‘๐ˆ๐„๐๐‚๐„, refers to a kind of disruption and deterioration of identity. This seemingly anachronisticโ€”out of time and out of placeโ€”approach to image-making might also construe that same detachment against the bombardment of multisensorial and multifaceted digital images. The way the works try to detach themselves from the slew of capitalist media and platforms is contradictorily refreshing and bold. Within the realm of mysticism, nostalgia, and ritual, Alamillo and Tiano are on their way to finding new visual languages and motifs, hoping also to find themselves amid the crisis of modern afflictions to which they have succumbed in their own personal experiences. And these expressions, although transcendental or supernatural in nature, come from deep, personal, and creative manifestations of the self.

Words by CLJ

I-X
๐˜‹๐˜ฆ๐˜ข๐˜ต๐˜ฉ
16.5 x 23.4 inches
Ink, Acrylic, Graphite on paper
2025

๐˜š๐˜ข๐˜ค๐˜ณ๐˜ช๐˜ง๐˜ช๐˜ค๐˜ฆ
7 x 9.5 inches
Ink and Graphite on vintage paper
2025

๐˜ˆ๐˜ฑ๐˜ฐ๐˜ค๐˜ข๐˜ญ๐˜บ๐˜ฑ๐˜ด๐˜ฆ
9.5 x 7 inches
Ink and Graphite on vintage paper
2025

๐˜Œ๐˜ณ๐˜ข๐˜ฅ๐˜ช๐˜ค๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ
8.5 x 6 inches
Graphite, Acrylic on vintage paper
2025

๐˜‹๐˜ณ๐˜ฐ๐˜ถ๐˜จ๐˜ฉ๐˜ต
23.4 x 16.5 inches
Ink, Acrylic, Graphite on vintage paper
2025

๐˜ˆ๐˜จ๐˜ฐ๐˜ฏ๐˜บ
6.5 x 10 inches
Ink on vintage paper
2025

๐˜›๐˜ช๐˜ฎ๐˜ฆ
7 x 9.5 inches
Ink and Graphite on vintage paper
2025

๐˜๐˜ฐ๐˜ช๐˜ฅ
9.5 x 7 inches
Ink, Acrylic, Graphite on parchment paper
2025

๐˜Œ๐˜ฏ๐˜ช๐˜จ๐˜ฎ๐˜ข
9.5 x 7 inches
Ink and Graphite on vintage paper
2025

๐˜›๐˜ช๐˜ฎ๐˜ฆ
23.4 x 16.5 inches
Ink, Acrylic, Graphite on paper
2025

๐„๐‘๐Ž๐’๐ˆ๐Ž๐ ๐Ž๐… ๐Œ๐ˆ๐๐ˆ๐Œ๐€๐‹ ๐’๐„๐‹๐…-๐„๐—๐๐„๐‘๐ˆ๐„๐๐‚๐„๐‘จ๐‘ช๐‘ฌ ๐‘จ๐‘ณ๐‘จ๐‘ด๐‘ฐ๐‘ณ๐‘ณ๐‘ถI๐˜š๐˜ฆ๐˜ญ๐˜ง-๐˜๐˜ฆ๐˜ฆ๐˜ฅ๐˜ช๐˜ฏ๐˜จ29.25 x 23.25 inches (Framed)Collage and Ink on Canvas panel2...
01/12/2025

๐„๐‘๐Ž๐’๐ˆ๐Ž๐ ๐Ž๐… ๐Œ๐ˆ๐๐ˆ๐Œ๐€๐‹ ๐’๐„๐‹๐…-๐„๐—๐๐„๐‘๐ˆ๐„๐๐‚๐„

๐‘จ๐‘ช๐‘ฌ ๐‘จ๐‘ณ๐‘จ๐‘ด๐‘ฐ๐‘ณ๐‘ณ๐‘ถ

I
๐˜š๐˜ฆ๐˜ญ๐˜ง-๐˜๐˜ฆ๐˜ฆ๐˜ฅ๐˜ช๐˜ฏ๐˜จ
29.25 x 23.25 inches (Framed)
Collage and Ink on Canvas panel
2025

II-XI
๐˜›๐˜ณ๐˜ข๐˜ฏ๐˜ด๐˜ช๐˜ต๐˜ช๐˜ท๐˜ช๐˜ด๐˜ฎ
๐˜Œ๐˜ฎ๐˜ฆ๐˜ณ๐˜จ๐˜ฆ๐˜ฏ๐˜ค๐˜ฆ, ๐˜—๐˜ญ๐˜ข๐˜ต๐˜ฆ๐˜ข๐˜ถ, ๐˜ข๐˜ฏ๐˜ฅ ๐˜‹๐˜ฆ๐˜ค๐˜ญ๐˜ช๐˜ฏ๐˜ฆ
๐˜—๐˜ณ๐˜ช๐˜ฎ๐˜ข๐˜ณ๐˜บ-๐˜—๐˜ฐ๐˜ด๐˜ช๐˜ต๐˜ช๐˜ท๐˜ฆ ๐˜Š๐˜ฐ๐˜ฏ๐˜ต๐˜ณ๐˜ฐ๐˜ญ
๐˜‹๐˜ฆ๐˜ข๐˜ญ๐˜ช๐˜ฏ๐˜จ ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜๐˜ฆ๐˜ข๐˜ณ๐˜ด
๐˜‹๐˜ฆ๐˜ด๐˜ต๐˜ณ๐˜ถ๐˜ค๐˜ต๐˜ช๐˜ท๐˜ฆ ๐˜Š๐˜ฐ๐˜ฏ๐˜ง๐˜ญ๐˜ช๐˜ค๐˜ต
๐˜๐˜ฏ๐˜ช๐˜ต๐˜ช๐˜ข๐˜ต๐˜ช๐˜ท๐˜ฆ ๐˜๐˜ฆ๐˜ณ๐˜ด๐˜ถ๐˜ด ๐˜Ž๐˜ถ๐˜ช๐˜ญ๐˜ต
๐˜”๐˜ฐ๐˜ฅ๐˜ช๐˜ง๐˜บ๐˜ช๐˜ฏ๐˜จ ๐˜‰๐˜ฆ๐˜ฉ๐˜ข๐˜ท๐˜ช๐˜ฐ๐˜ณ
๐˜‹๐˜ช๐˜ท๐˜ช๐˜ฏ๐˜ฆ ๐˜—๐˜ฐ๐˜ด๐˜ช๐˜ต๐˜ช๐˜ฐ๐˜ฏ
๐˜›๐˜ฆ๐˜ฎ๐˜ฑ๐˜ฐ๐˜ณ๐˜ข๐˜ญ ๐˜‹๐˜ช๐˜ด๐˜ค๐˜ฐ๐˜ฏ๐˜ฏ๐˜ฆ๐˜ค๐˜ต๐˜ช๐˜ฐ๐˜ฏ
๐˜“๐˜ฐ๐˜ด๐˜ด ๐˜ฐ๐˜ง ๐˜ˆ๐˜จ๐˜ฆ๐˜ฏ๐˜ค๐˜บ
16.5 x 13 inches (Framed)
Collage and Ink on Kraft paper
2025

29/11/2025

๐˜“๐˜ˆ๐˜š๐˜› ๐˜ž๐˜Œ๐˜Œ๐˜’ to view ๐„๐‘๐Ž๐’๐ˆ๐Ž๐ ๐Ž๐… ๐Œ๐ˆ๐๐ˆ๐Œ๐€๐‹ ๐’๐„๐‹๐…-๐„๐—๐๐„๐‘๐ˆ๐„๐๐‚๐„, A two-man show by ๐™‚๐™–๐™—๐™š ๐™๐™ž๐™–๐™ฃ๐™ค ๐™–๐™ฃ๐™™ ๐˜ผ๐™˜๐™š ๐˜ผ๐™ก๐™–๐™ข๐™ž๐™ก๐™ก๐™ค

The title of the show itself, Erosion of Minimal Self-Experience, refers to a kind of disruption and deterioration of identity. This seemingly anachronisticโ€”out of time and out of placeโ€”approach to image-making might also construe that same detachment against the bombardment of multisensorial and multifaceted digital images. The way the works try to detach themselves from the slew of capitalist media and platforms is contradictorily refreshing and bold. Within the realm of mysticism, nostalgia, and ritual, Alamillo and Tiano are on their way to finding new visual languages and motifs, hoping also to find themselves amid the crisis of modern afflictions to which they have succumbed in their own personal experiences. And these expressions, although transcendental or supernatural in nature, come from deep, personal, and creative manifestations of the self.

Words by CLJ

๐Ÿ“ฅ ๐˜‹๐˜” to set a visit / inquiries

๐“๐“ป๐“ฝ๐“ผ๐“ฌ๐“ฑ๐“ธ๐“ธ๐“ต๐“ท๐“ธ๐”€ ๐“ข๐“ช๐“ต๐“ธ๐“ท๐Œ๐€๐Š๐ˆ๐๐† ๐“๐ˆ๐Œ๐„(๐˜›๐˜ฉ๐˜ฆ ๐˜๐˜ฏ๐˜ต๐˜ช๐˜ฎ๐˜ข๐˜ค๐˜บ ๐˜ฐ๐˜ง ๐˜š๐˜ฆ๐˜ฆ๐˜ช๐˜ฏ๐˜จ ๐˜›๐˜ณ๐˜ถ๐˜ญ๐˜บ ๐˜Œ๐˜ข๐˜ค๐˜ฉ ๐˜–๐˜ต๐˜ฉ๐˜ฆ๐˜ณ)I-VIII๐“๐š๐ง๐ฒ๐š ๐•๐ข๐ฅ๐ฅ๐š๐ง๐ฎ๐ž๐ฏ๐šI-II๐˜—๐˜ด๐˜บ๐˜ค๐˜ฉ๐˜ธ๐˜ข๐˜ณ๐˜ฅ ๐˜—๐˜ข๐˜ช๐˜ฏ๐˜ต๐˜ช๐˜ฏ๐˜จ๐˜ด8.27 ...
25/11/2025

๐“๐“ป๐“ฝ๐“ผ๐“ฌ๐“ฑ๐“ธ๐“ธ๐“ต๐“ท๐“ธ๐”€ ๐“ข๐“ช๐“ต๐“ธ๐“ท
๐Œ๐€๐Š๐ˆ๐๐† ๐“๐ˆ๐Œ๐„(๐˜›๐˜ฉ๐˜ฆ ๐˜๐˜ฏ๐˜ต๐˜ช๐˜ฎ๐˜ข๐˜ค๐˜บ ๐˜ฐ๐˜ง ๐˜š๐˜ฆ๐˜ฆ๐˜ช๐˜ฏ๐˜จ ๐˜›๐˜ณ๐˜ถ๐˜ญ๐˜บ ๐˜Œ๐˜ข๐˜ค๐˜ฉ ๐˜–๐˜ต๐˜ฉ๐˜ฆ๐˜ณ)

I-VIII
๐“๐š๐ง๐ฒ๐š ๐•๐ข๐ฅ๐ฅ๐š๐ง๐ฎ๐ž๐ฏ๐š

I-II
๐˜—๐˜ด๐˜บ๐˜ค๐˜ฉ๐˜ธ๐˜ข๐˜ณ๐˜ฅ ๐˜—๐˜ข๐˜ช๐˜ฏ๐˜ต๐˜ช๐˜ฏ๐˜จ๐˜ด
8.27 x 11.69 inches
Watercolor on paper

III-IV
๐˜›๐˜ฐ ๐˜ญ๐˜ฐ๐˜ฐ๐˜ฌ ๐˜ช๐˜ฏ๐˜ต๐˜ฐ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฎ๐˜ช๐˜ณ๐˜ณ๐˜ฐ๐˜ณ ๐˜ข ๐˜ญ๐˜ช๐˜ต๐˜ต๐˜ญ๐˜ฆ ๐˜ญ๐˜ฐ๐˜ฏ๐˜จ๐˜ฆ๐˜ณ
Synthetic hair, plastic gemstones, fabric, metal clasps

Hair ribbons and bows: 500-1000 php
Bejewelled clips: 400 php pair

๐˜ˆ๐˜ต๐˜ฆ ๐˜—๐˜ณ๐˜ช๐˜ฏ๐˜ค๐˜ฆ๐˜ด๐˜ด
Synthetic hair, ear hook
500 php

V
๐˜›๐˜ช๐˜ต๐˜ข ๐˜”๐˜ข๐˜ญ๐˜ฐ๐˜ถ
Epoxy, mother of pearl, beads , metal ring
300 php

VII
๐˜‰๐˜ฆ๐˜ข๐˜ถ๐˜ต๐˜บ ๐˜ช๐˜ด ๐˜ข ๐˜ฃ๐˜ข๐˜ด๐˜ช๐˜ค ๐˜ณ๐˜ช๐˜จ๐˜ฉ๐˜ต ๐˜ด๐˜ฉ๐˜ช๐˜ณ๐˜ต
700 php

IX-X
๐€๐๐ž๐ฅ๐š
๐˜ˆ๐˜ญ๐˜ข๐˜บ
Ceramics

XI-XII
๐‰๐จ๐ซ๐ž๐ฆ ๐๐ข๐š๐๐จ๐ฆ๐š
๐˜๐˜ญ๐˜ฐ๐˜ธ๐˜ช๐˜ฅ ๐˜, ๐˜๐˜
Mixed media

XIV
๐‘๐š๐ฅ๐ฉ๐ก ๐๐š๐ซ๐ซ๐ข๐ž๐ง๐ญ๐จ๐ฌ
Oil on shaped canvas

MAKING TIME THE INTIMACY OF SEEING TRULY EACH OTHER runs until December 6, 2025.

๐Ÿ“ฅ ๐˜‹๐˜” ๐˜ต๐˜ฐ ๐˜ท๐˜ช๐˜ด๐˜ช๐˜ต / ๐˜ช๐˜ฏ๐˜ฒ๐˜ถ๐˜ช๐˜ณ๐˜ช๐˜ฆ๐˜ด

๐“๐“ป๐“ฝ๐“ผ๐“ฌ๐“ฑ๐“ธ๐“ธ๐“ต๐“ท๐“ธ๐”€ ๐“ข๐“ช๐“ต๐“ธ๐“ท๐Œ๐€๐Š๐ˆ๐๐† ๐“๐ˆ๐Œ๐„(๐˜›๐˜ฉ๐˜ฆ ๐˜๐˜ฏ๐˜ต๐˜ช๐˜ฎ๐˜ข๐˜ค๐˜บ ๐˜ฐ๐˜ง ๐˜š๐˜ฆ๐˜ฆ๐˜ช๐˜ฏ๐˜จ ๐˜›๐˜ณ๐˜ถ๐˜ญ๐˜บ ๐˜Œ๐˜ข๐˜ค๐˜ฉ ๐˜–๐˜ต๐˜ฉ๐˜ฆ๐˜ณ)I-II๐…๐ซ๐š๐ง๐œ๐ข๐ง๐ž ๐‹๐ข๐ฆ๐š๐˜๐˜ฐ๐˜ญ๐˜ฅ ๐˜ ๐˜ฐ๐˜ถ๐˜ณ ๐˜›๐˜ฉ๐˜ฐ๐˜ถ๐˜จ๐˜ฉ๐˜ต๐˜ดIII-XI๐‰๐จ๐ซ๐ž๐ฆ ๐๐ข๐š...
21/11/2025

๐“๐“ป๐“ฝ๐“ผ๐“ฌ๐“ฑ๐“ธ๐“ธ๐“ต๐“ท๐“ธ๐”€ ๐“ข๐“ช๐“ต๐“ธ๐“ท
๐Œ๐€๐Š๐ˆ๐๐† ๐“๐ˆ๐Œ๐„(๐˜›๐˜ฉ๐˜ฆ ๐˜๐˜ฏ๐˜ต๐˜ช๐˜ฎ๐˜ข๐˜ค๐˜บ ๐˜ฐ๐˜ง ๐˜š๐˜ฆ๐˜ฆ๐˜ช๐˜ฏ๐˜จ ๐˜›๐˜ณ๐˜ถ๐˜ญ๐˜บ ๐˜Œ๐˜ข๐˜ค๐˜ฉ ๐˜–๐˜ต๐˜ฉ๐˜ฆ๐˜ณ)

I-II
๐…๐ซ๐š๐ง๐œ๐ข๐ง๐ž ๐‹๐ข๐ฆ๐š
๐˜๐˜ฐ๐˜ญ๐˜ฅ ๐˜ ๐˜ฐ๐˜ถ๐˜ณ ๐˜›๐˜ฉ๐˜ฐ๐˜ถ๐˜จ๐˜ฉ๐˜ต๐˜ด

III-XI
๐‰๐จ๐ซ๐ž๐ฆ ๐๐ข๐š๐๐จ๐ฆ๐š
๐˜›๐˜ฉ๐˜ฆ ๐˜—๐˜ถ๐˜ณ๐˜ท๐˜ฆ๐˜บ๐˜ฐ๐˜ณ
Mixed media, detachable wearable art on canvas
2025

IV-VII
๐˜ก๐˜ฐ๐˜ฆ ๐˜ฃ๐˜ข๐˜จ๐˜ด
Textile
1500 - 1800 php

VIII-IX
๐˜”๐˜ถ๐˜ญ๐˜ต๐˜ช-๐˜ธ๐˜ข๐˜บ ๐˜š๐˜ฒ๐˜ถ๐˜ข๐˜ณ๐˜ฆ ๐˜ฃ๐˜ข๐˜จ๐˜ด
Textile
2500 php each

X
๐˜—๐˜ฆ๐˜ฏ๐˜ฅ๐˜ถ๐˜ญ๐˜ถ๐˜ฎ

XII-XIII
๐‹๐ข๐ฐ๐š๐ฒ๐ฐ๐š๐ฒ
๐˜”๐˜ข๐˜ฅ๐˜ข๐˜ฎ๐˜ฆ ๐˜Ÿ ๐˜ค๐˜ฐ๐˜ญ๐˜ญ๐˜ฆ๐˜ค๐˜ต๐˜ช๐˜ฐ๐˜ฏ (๐˜”๐˜ฆ๐˜ด๐˜ฉ ๐˜ฉ๐˜ฆ๐˜ข๐˜ณ๐˜ต)
Mesh, Thread, Textile paint
1000 php

MAKING TIME THE INTIMACY OF SEEING TRULY EACH OTHER runs until December 6, 2025.

๐Ÿ“ฅ ๐˜‹๐˜” ๐˜ต๐˜ฐ ๐˜ท๐˜ช๐˜ด๐˜ช๐˜ต / ๐˜ช๐˜ฏ๐˜ฒ๐˜ถ๐˜ช๐˜ณ๐˜ช๐˜ฆ๐˜ด

In line with ๐˜”๐˜ˆ๐˜’๐˜๐˜•๐˜Ž ๐˜›๐˜๐˜”๐˜Œ (๐˜›๐˜ฉ๐˜ฆ ๐˜๐˜ฏ๐˜ต๐˜ช๐˜ฎ๐˜ข๐˜ค๐˜บ ๐˜ฐ๐˜ง ๐˜›๐˜ณ๐˜ถ๐˜ญ๐˜บ ๐˜š๐˜ฆ๐˜ฆ๐˜ช๐˜ฏ๐˜จ ๐˜Œ๐˜ข๐˜ค๐˜ฉ ๐˜–๐˜ต๐˜ฉ๐˜ฆ๐˜ณ) exhibition by ๐’œ๐“‡๐“‰๐’ฎ๐’ธ๐’ฝ๐‘œ๐‘œ๐“๐’ฉ๐‘œ๐“Œ ๐’ฎ๐’ถ๐“๐‘œ๐“ƒ, ๐˜š๐˜ข๐˜ฎ๐˜ฑ๐˜ข๐˜จ๐˜ถ๐˜ช๐˜ต๐˜ข ๐˜—๐˜ณ๐˜ฐ๐˜ซ๐˜ฆ๐˜ค๐˜ต๐˜ด...
12/11/2025

In line with ๐˜”๐˜ˆ๐˜’๐˜๐˜•๐˜Ž ๐˜›๐˜๐˜”๐˜Œ (๐˜›๐˜ฉ๐˜ฆ ๐˜๐˜ฏ๐˜ต๐˜ช๐˜ฎ๐˜ข๐˜ค๐˜บ ๐˜ฐ๐˜ง ๐˜›๐˜ณ๐˜ถ๐˜ญ๐˜บ ๐˜š๐˜ฆ๐˜ฆ๐˜ช๐˜ฏ๐˜จ ๐˜Œ๐˜ข๐˜ค๐˜ฉ ๐˜–๐˜ต๐˜ฉ๐˜ฆ๐˜ณ) exhibition by ๐’œ๐“‡๐“‰๐’ฎ๐’ธ๐’ฝ๐‘œ๐‘œ๐“๐’ฉ๐‘œ๐“Œ ๐’ฎ๐’ถ๐“๐‘œ๐“ƒ, ๐˜š๐˜ข๐˜ฎ๐˜ฑ๐˜ข๐˜จ๐˜ถ๐˜ช๐˜ต๐˜ข ๐˜—๐˜ณ๐˜ฐ๐˜ซ๐˜ฆ๐˜ค๐˜ต๐˜ด will transform into a salon this weekend, ๐๐จ๐ฏ๐ž๐ฆ๐›๐ž๐ซ ๐Ÿ๐Ÿ“ / ๐Ÿ’๐ฉ๐ฆ ๐Ÿ’…๐Ÿฝ

Services offered:
๐Ÿง˜๐Ÿฝโ€โ™€๏ธ๐˜ ๐˜ฐ๐˜จ๐˜ข by Apol ()
๐Ÿ’‡๐Ÿปโ€โ™€๏ธ๐˜๐˜ข๐˜ช๐˜ณ๐˜ค๐˜ถ๐˜ต๐˜ด by Tanya ()
๐Ÿ‘‚๐Ÿฝ๐˜“๐˜ช๐˜ด๐˜ต๐˜ฆ๐˜ฏ๐˜ช๐˜ฏ๐˜จ ๐˜ด๐˜ฆ๐˜ณ๐˜ท๐˜ช๐˜ค๐˜ฆ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ต๐˜ข๐˜ณ๐˜ฐ๐˜ต ๐˜ณ๐˜ฆ๐˜ข๐˜ฅ๐˜ช๐˜ฏ๐˜จ by (.art.of.journaling)
๐Ÿต๐˜›๐˜ฆ๐˜ข ๐˜ค๐˜ฆ๐˜ณ๐˜ฆ๐˜ฎ๐˜ฐ๐˜ฏ๐˜บ by ()
๐Ÿชก๐˜Œ๐˜ฎ๐˜ฃ๐˜ณ๐˜ฐ๐˜ช๐˜ฅ๐˜ฆ๐˜ณ๐˜บ ๐˜ด๐˜ฆ๐˜ณ๐˜ท๐˜ช๐˜ค๐˜ฆ by ()
๐Ÿ“ธ๐˜๐˜ฆ๐˜ฏ๐˜ฏ๐˜ข ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฑ๐˜ฉ๐˜ฐ๐˜ต๐˜ฐ๐˜ฃ๐˜ฐ๐˜ฐ๐˜ต๐˜ฉ by ()

๐˜“๐˜๐˜”๐˜๐˜›๐˜Œ๐˜‹ ๐˜š๐˜“๐˜–๐˜›๐˜š for yoga ๐Ÿง˜๐Ÿฝโ€โ™€๏ธ
Link in bio to register!

See you!๐ŸŽ€

๐“๐“ป๐“ฝ๐“ผ๐“ฌ๐“ฑ๐“ธ๐“ธ๐“ต๐“ท๐“ธ๐”€ ๐“ข๐“ช๐“ต๐“ธ๐“ท๐Œ๐€๐Š๐ˆ๐๐† ๐“๐ˆ๐Œ๐„ (๐˜›๐˜ฉ๐˜ฆ ๐˜๐˜ฏ๐˜ต๐˜ช๐˜ฎ๐˜ข๐˜ค๐˜บ ๐˜ฐ๐˜ง ๐˜š๐˜ฆ๐˜ฆ๐˜ช๐˜ฏ๐˜จ ๐˜›๐˜ณ๐˜ถ๐˜ญ๐˜บ ๐˜Œ๐˜ข๐˜ค๐˜ฉ ๐˜–๐˜ต๐˜ฉ๐˜ฆ๐˜ณ)I-II๐‹๐ข๐ฅ๐š๐ฒ๐˜‹๐˜ข๐˜ฎ๐˜ช๐˜ต ๐˜ฏ๐˜ช ๐˜•๐˜ข๐˜ฏ๐˜ข๐˜บTextile4560 phpIII-VI๐˜”๐˜ฐ๐˜ฅ๐˜ฆ๐˜ณ...
06/11/2025

๐“๐“ป๐“ฝ๐“ผ๐“ฌ๐“ฑ๐“ธ๐“ธ๐“ต๐“ท๐“ธ๐”€ ๐“ข๐“ช๐“ต๐“ธ๐“ท
๐Œ๐€๐Š๐ˆ๐๐† ๐“๐ˆ๐Œ๐„ (๐˜›๐˜ฉ๐˜ฆ ๐˜๐˜ฏ๐˜ต๐˜ช๐˜ฎ๐˜ข๐˜ค๐˜บ ๐˜ฐ๐˜ง ๐˜š๐˜ฆ๐˜ฆ๐˜ช๐˜ฏ๐˜จ ๐˜›๐˜ณ๐˜ถ๐˜ญ๐˜บ ๐˜Œ๐˜ข๐˜ค๐˜ฉ ๐˜–๐˜ต๐˜ฉ๐˜ฆ๐˜ณ)

I-II
๐‹๐ข๐ฅ๐š๐ฒ
๐˜‹๐˜ข๐˜ฎ๐˜ช๐˜ต ๐˜ฏ๐˜ช ๐˜•๐˜ข๐˜ฏ๐˜ข๐˜บ
Textile
4560 php

III-VI
๐˜”๐˜ฐ๐˜ฅ๐˜ฆ๐˜ณ๐˜ฏ ๐˜š๐˜ค๐˜ข๐˜ฑ๐˜ถ๐˜ญ๐˜ข๐˜ณ (2/9, 4/9, 6/9, 9/9)
1111 php

VII
๐˜—๐˜ฐ๐˜ค๐˜ฌ๐˜ฆ๐˜ต ๐˜ˆ๐˜ญ๐˜ต๐˜ข๐˜ณ
1222 php

VIII
๐Š๐š๐ญ๐ซ๐ข๐ง๐š ๐‘๐ž๐ฒ๐ž๐ฌ
๐˜Š๐˜ข๐˜ฏ ๐˜ ๐˜Ž๐˜ฆ๐˜ต ๐˜ˆ ๐˜๐˜ถ๐˜จ?
Polyester and cotton fabric
3000 php

X-XI
๐๐ซ๐ข๐ง๐œ๐ž๐ฌ๐ฌ ๐˜๐›๐š๐ง๐ž๐ณ
๐˜Ž๐˜ถ๐˜ฎ๐˜ข๐˜ฎ๐˜ฆ๐˜ญ๐˜ข 2-๐˜ต๐˜ฐ๐˜ฏ๐˜ฆ ๐˜”๐˜ข๐˜ญ๐˜ฐ๐˜ฏ๐˜จ
Cotton Linen blend fabric with plastic snaps
3333 php

XII-XIV
๐’๐ข๐ฅ๐ข-๐’๐ž๐ž
350 php

XV-XVI
๐ƒ๐ž๐ง๐ฏ๐ž๐ซ ๐†๐š๐ซ๐ณ๐š / ๐„๐ฏ๐ž๐ซ๐ฒ ๐›๐ฒ ๐’๐ฅ๐จ๐ฐ๐ญ๐ž๐š๐ซ
๐˜‰๐˜ˆ๐˜Ž 100 (2025)
Tote bag with embroidered canvas on embroidery hoop mounted on canvas

XVII-XX
๐˜Ž๐˜ณ๐˜ข๐˜ฏ๐˜ฏ๐˜บ ๐˜š๐˜ฒ๐˜ถ๐˜ข๐˜ณ๐˜ฆ ๐˜›๐˜ฐ๐˜ฑ
2300 php

๐˜Œ๐˜น๐˜ฉ๐˜ช๐˜ฃ๐˜ช๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐˜ณ๐˜ถ๐˜ฏ๐˜ด ๐˜ถ๐˜ฏ๐˜ต๐˜ช๐˜ญ ๐˜‹๐˜ฆ๐˜ค๐˜ฆ๐˜ฎ๐˜ฃ๐˜ฆ๐˜ณ 6.

๐•๐ข๐ฌ๐ข๐ญ๐ข๐ง๐  ๐ก๐จ๐ฎ๐ซ๐ฌ:
Monday - Friday, 2 - 6 pm
๐Ÿ“ฅ ๐ƒ๐Œ to visit / inquiries

๐“๐“ป๐“ฝ๐“ผ๐“ฌ๐“ฑ๐“ธ๐“ธ๐“ต๐“ท๐“ธ๐”€ ๐“ข๐“ช๐“ต๐“ธ๐“ท๐Œ๐€๐Š๐ˆ๐๐† ๐“๐ˆ๐Œ๐„(๐˜›๐˜ฉ๐˜ฆ ๐˜๐˜ฏ๐˜ต๐˜ช๐˜ฎ๐˜ข๐˜ค๐˜บ ๐˜ฐ๐˜ง ๐˜š๐˜ฆ๐˜ฆ๐˜ช๐˜ฏ๐˜จ ๐˜›๐˜ณ๐˜ถ๐˜ญ๐˜บ ๐˜Œ๐˜ข๐˜ค๐˜ฉ ๐˜–๐˜ต๐˜ฉ๐˜ฆ๐˜ณ)๐ƒ๐š๐ง๐ง๐š ๐„๐ฌ๐ฉ๐ข๐ง๐จ๐ฌ๐š๐˜๐˜ฏ๐˜ฏ๐˜ฆ๐˜ณ ๐˜š๐˜ข๐˜ฏ๐˜ค๐˜ต๐˜ถ๐˜ข๐˜ณ๐˜บ12 x 12 inColored pen...
04/11/2025

๐“๐“ป๐“ฝ๐“ผ๐“ฌ๐“ฑ๐“ธ๐“ธ๐“ต๐“ท๐“ธ๐”€ ๐“ข๐“ช๐“ต๐“ธ๐“ท
๐Œ๐€๐Š๐ˆ๐๐† ๐“๐ˆ๐Œ๐„(๐˜›๐˜ฉ๐˜ฆ ๐˜๐˜ฏ๐˜ต๐˜ช๐˜ฎ๐˜ข๐˜ค๐˜บ ๐˜ฐ๐˜ง ๐˜š๐˜ฆ๐˜ฆ๐˜ช๐˜ฏ๐˜จ ๐˜›๐˜ณ๐˜ถ๐˜ญ๐˜บ ๐˜Œ๐˜ข๐˜ค๐˜ฉ ๐˜–๐˜ต๐˜ฉ๐˜ฆ๐˜ณ)

๐ƒ๐š๐ง๐ง๐š ๐„๐ฌ๐ฉ๐ข๐ง๐จ๐ฌ๐š
๐˜๐˜ฏ๐˜ฏ๐˜ฆ๐˜ณ ๐˜š๐˜ข๐˜ฏ๐˜ค๐˜ต๐˜ถ๐˜ข๐˜ณ๐˜บ
12 x 12 in
Colored pencils on watercolor paper

๐˜‰๐˜ข๐˜ต๐˜ฉ ๐˜š๐˜ข๐˜ญ๐˜ต๐˜ด, ๐˜—๐˜ณ๐˜ฐ๐˜ต๐˜ฆ๐˜ค๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐˜š๐˜ข๐˜ญ๐˜ต๐˜ด
Love and rejuvenate, black salt, Venus, Pluto, Eclipse blend
155 - 265php

๐๐š๐ญ๐ซ๐ข๐œ๐ค๐ค๐š๐ง
๐˜›๐˜ฉ๐˜ฆ ๐˜”๐˜ข๐˜ณ๐˜ณ๐˜ช๐˜ข๐˜จ๐˜ฆ ๐˜ฐ๐˜ง ๐˜‹๐˜ข๐˜ณ๐˜ฌ ๐˜ข๐˜ฏ๐˜ฅ ๐˜“๐˜ช๐˜จ๐˜ฉ๐˜ต
10.6 x 11.8 in
Acrylic on canvas

๐˜ ๐˜ฆ๐˜ข๐˜ณ๐˜ฏ๐˜ช๐˜ฏ๐˜จ, ๐˜‰๐˜ฆ๐˜ค๐˜ฌ๐˜ฐ๐˜ฏ๐˜ช๐˜ฏ๐˜จ, ๐˜๐˜ฆ๐˜ข๐˜ณ๐˜ช๐˜ฏ๐˜จ, ๐˜Œ๐˜ฏ๐˜ฅ๐˜ถ๐˜ณ๐˜ช๐˜ฏ๐˜จ, ๐˜š๐˜ถ๐˜ด๐˜ต๐˜ข๐˜ช๐˜ฏ๐˜ช๐˜ฏ๐˜จ
10 x 10 in
Print on canvas

๐˜Œ๐˜ฏ๐˜ฅ ๐˜š๐˜ต๐˜ณ๐˜ช๐˜ง๐˜ฆ
10 x 10 in
Print on canva

A makeshift structure painted pink hangs the various art pieces authored by the collectiveโ€™s members: the group chat and online spreadsheet accommodating and encouraging โ€“ โ€œMatagal pa yung exhibit puwede magsabit ng work anytime.โ€ Each item on display obscures text on the front-facing walls of the sculptural installation in the artist-run space, talking about the artist-run space and the market โ€“ a navigation of what โ€˜marketโ€™ even means at the scale at which ๐“๐“ป๐“ฝ๐“ผ๐“ฌ๐“ฑ๐“ธ๐“ธ๐“ต๐“ท๐“ธ๐”€ moves.

Paintings hang closely beside protection salts in bottles. Hair clips, rings, bangles โ€“ there is a flattening of valuation that makes the interconnectedness visible: Yas Sehobโ€™s Spiritlogs, egghead-shaped wishing candles a few cells away in the spreadsheet from Lilayโ€™s Modern Scapular(s) and Pocket Altars, on display with Every by Slowtearโ€™s Bag 100. The work is in dialogue: inspired by everyday ritual and the everyday navigation of bridging oneโ€™s art practice with oneโ€™s audience. The space responds, and every purchase reveals more of the wink wink message as it turns the corner of the structure: ๐“๐ก๐ž ๐š๐ซ๐ญ๐ข๐ฌ๐ญโ€“ ๐ซ๐ž๐ฌ๐ข๐ฌ๐ญ ๐ญ๐ก๐ž ๐ฉ๐š๐ซ๐ญ ๐จ๐Ÿ (!), then now talking of ๐ญ๐ก๐ž ๐š๐ซ๐ญ๐ข๐ฌ๐ญ-๐ซ๐ฎ๐ง ๐ฌ๐ฉ๐š๐œ๐ž, ๐š๐ฌ ๐š ๐ฐ๐š๐ฒ ๐ญ๐จ ๐ซ๐ž๐ฌ๐ข๐ฌ๐ญ ๐š๐ง๐ ๐›๐ž ๐ฉ๐š๐ซ๐ญ ๐จ๐Ÿ ๐ญ๐ก๐ž ๐š๐ซ๐ญ ๐ฆ๐š๐ซ๐ค๐ž๐ญ (๐˜ธ๐˜ฉ๐˜ช๐˜ค๐˜ฉ ๐˜ฎ๐˜ข๐˜ณ๐˜ฌ๐˜ฆ๐˜ต?) alive, and for art, not working hard, intersecting.

MAKING TIME THE INTIMACY OF SEEING TRULY EACH OTHER runs until December 6, 2025.

๐Ÿ“ฅ ๐˜‹๐˜” ๐˜ต๐˜ฐ ๐˜ท๐˜ช๐˜ด๐˜ช๐˜ต / ๐˜ช๐˜ฏ๐˜ฒ๐˜ถ๐˜ช๐˜ณ๐˜ช๐˜ฆ๐˜ด

๐“๐“ป๐“ฝ๐“ผ๐“ฌ๐“ฑ๐“ธ๐“ธ๐“ต๐“ท๐“ธ๐”€ ๐“ข๐“ช๐“ต๐“ธ๐“ท๐Œ๐€๐Š๐ˆ๐๐† ๐“๐ˆ๐Œ๐„(๐˜›๐˜ฉ๐˜ฆ ๐˜๐˜ฏ๐˜ต๐˜ช๐˜ฎ๐˜ข๐˜ค๐˜บ ๐˜ฐ๐˜ง ๐˜š๐˜ฆ๐˜ฆ๐˜ช๐˜ฏ๐˜จ ๐˜›๐˜ณ๐˜ถ๐˜ญ๐˜บ ๐˜Œ๐˜ข๐˜ค๐˜ฉ ๐˜–๐˜ต๐˜ฉ๐˜ฆ๐˜ณ)๐˜๐š๐ฌ ๐’๐ž๐ก๐จ๐›๐˜š๐˜ฑ๐˜ช๐˜ณ๐˜ช๐˜ต๐˜ญ๐˜ฐ๐˜จ๐˜ดCandle wax mix, fragrance, wick...
01/11/2025

๐“๐“ป๐“ฝ๐“ผ๐“ฌ๐“ฑ๐“ธ๐“ธ๐“ต๐“ท๐“ธ๐”€ ๐“ข๐“ช๐“ต๐“ธ๐“ท
๐Œ๐€๐Š๐ˆ๐๐† ๐“๐ˆ๐Œ๐„(๐˜›๐˜ฉ๐˜ฆ ๐˜๐˜ฏ๐˜ต๐˜ช๐˜ฎ๐˜ข๐˜ค๐˜บ ๐˜ฐ๐˜ง ๐˜š๐˜ฆ๐˜ฆ๐˜ช๐˜ฏ๐˜จ ๐˜›๐˜ณ๐˜ถ๐˜ญ๐˜บ ๐˜Œ๐˜ข๐˜ค๐˜ฉ ๐˜–๐˜ต๐˜ฉ๐˜ฆ๐˜ณ)

๐˜๐š๐ฌ ๐’๐ž๐ก๐จ๐›
๐˜š๐˜ฑ๐˜ช๐˜ณ๐˜ช๐˜ต๐˜ญ๐˜ฐ๐˜จ๐˜ด
Candle wax mix, fragrance, wick, egg carton
180 each / 5000 whole tray

A makeshift structure painted pink hangs the various art pieces authored by the collectiveโ€™s members: the group chat and online spreadsheet accommodating and encouraging โ€“ โ€œMatagal pa yung exhibit puwede magsabit ng work anytime.โ€ Each item on display obscures text on the front-facing walls of the sculptural installation in the artist-run space, talking about the artist-run space and the market โ€“ a navigation of what โ€˜marketโ€™ even means at the scale at which ๐“๐“ป๐“ฝ๐“ผ๐“ฌ๐“ฑ๐“ธ๐“ธ๐“ต๐“ท๐“ธ๐”€ moves.

Paintings hang closely beside protection salts in bottles. Hair clips, rings, bangles โ€“ there is a flattening of valuation that makes the interconnectedness visible: Yas Sehobโ€™s Spiritlogs, egghead-shaped wishing candles a few cells away in the spreadsheet from Lilayโ€™s Modern Scapular(s) and Pocket Altars, on display with Every by Slowtearโ€™s Bag 100. The work is in dialogue: inspired by everyday ritual and the everyday navigation of bridging oneโ€™s art practice with oneโ€™s audience. The space responds, and every purchase reveals more of the wink wink message as it turns the corner of the structure: ๐“๐ก๐ž ๐š๐ซ๐ญ๐ข๐ฌ๐ญโ€“ ๐ซ๐ž๐ฌ๐ข๐ฌ๐ญ ๐ญ๐ก๐ž ๐ฉ๐š๐ซ๐ญ ๐จ๐Ÿ (!), then now talking of ๐ญ๐ก๐ž ๐š๐ซ๐ญ๐ข๐ฌ๐ญ-๐ซ๐ฎ๐ง ๐ฌ๐ฉ๐š๐œ๐ž, ๐š๐ฌ ๐š ๐ฐ๐š๐ฒ ๐ญ๐จ ๐ซ๐ž๐ฌ๐ข๐ฌ๐ญ ๐š๐ง๐ ๐›๐ž ๐ฉ๐š๐ซ๐ญ ๐จ๐Ÿ ๐ญ๐ก๐ž ๐š๐ซ๐ญ ๐ฆ๐š๐ซ๐ค๐ž๐ญ (๐˜ธ๐˜ฉ๐˜ช๐˜ค๐˜ฉ ๐˜ฎ๐˜ข๐˜ณ๐˜ฌ๐˜ฆ๐˜ต?) alive, and for art, not working hard, intersecting.

Island Time as me-time, MAKING TIME as us-time, ๐“๐“ป๐“ฝ๐“ผ๐“ฌ๐“ฑ๐“ธ๐“ธ๐“ต๐“ท๐“ธ๐”€ makes a space for a slowing down, to a speed that allows a forging of connections at sustainable temperatures. The practice of art as a giving-specialness to whoever avails a service or picks an object to take home is relational terrain. โ€œMore than a reflection of the artist, it is a beauty mirror for the audience. A bit of a longer gaze into oneโ€™s self.โ€

MAKING TIME THE INTIMACY OF SEEING TRULY EACH OTHER runs until December 6, 2025.

๐Ÿ“ฅ ๐˜‹๐˜” ๐˜ต๐˜ฐ ๐˜ท๐˜ช๐˜ด๐˜ช๐˜ต / ๐˜ช๐˜ฏ๐˜ฒ๐˜ถ๐˜ช๐˜ณ๐˜ช๐˜ฆ๐˜ด

๐‘ป๐’‰๐’‚๐’๐’Œ ๐’š๐’๐’– ๐’‚๐’๐’ for visiting and celebrating with us last night๐Ÿฉต
26/10/2025

๐‘ป๐’‰๐’‚๐’๐’Œ ๐’š๐’๐’– ๐’‚๐’๐’ for visiting and celebrating with us last night๐Ÿฉต

24/10/2025

๐˜š๐˜ข๐˜ฎ๐˜ฑ๐˜ข๐˜จ๐˜ถ๐˜ช๐˜ต๐˜ข ๐˜—๐˜ณ๐˜ฐ๐˜ซ๐˜ฆ๐˜ค๐˜ต๐˜ดโ€˜ 8th year presents ๐„๐ซ๐จ๐ฌ๐ข๐จ๐ง ๐จ๐Ÿ ๐Œ๐ข๐ง๐ข๐ฆ๐š๐ฅ ๐’๐ž๐ฅ๐Ÿ-๐„๐ฑ๐ฉ๐ž๐ซ๐ข๐ž๐ง๐œ๐ž exhibition by ๐˜ˆ๐˜ค๐˜ฆ ๐˜ˆ๐˜ญ๐˜ข๐˜ฎ๐˜ช๐˜ญ๐˜ญ๐˜ฐ and ๐˜Ž๐˜ข๐˜ฃ๐˜ฆ ๐˜›๐˜ช๐˜ข๐˜ฏ๐˜ฐ, organized by Allan Balisi will open tomorrow at 6pm!

Kita kita! โœจ

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