Kalaw-Ledesma Foundation, Inc.

Kalaw-Ledesma Foundation, Inc. Purita Kalaw-Ledesma believed that art criticism was a vital force in the development of culture.

To remember a cornerstone of modern Philippine sculpture, we look back at an early work by Napoleon Abueva  , Rice Plant...
20/07/2026

To remember a cornerstone of modern Philippine sculpture, we look back at an early work by Napoleon Abueva , Rice Planters, which he sculpted in 1952 when he was only 22 years old.

Carved from native santol wood, the sculpture stands 143 cm (4’8.3”) tall. It depicts two farmers in synchronized bending posture forming an almost contorted arch, with their salakot and taut musculature rendered in classical precision. Abueva reveals the material’s own relationship to his subject by letting the wood’s grain and lines trace the farmer’s garments and arching motion. Rice Planters offers an accurate visual representation of the drudgery that is required of the peasantry to produce food for wide consumption. Unlike the often idyllic representation of the peasantry during that time, Abueva avoided a romanticized and individualized image of a farmer and chose to depict national modern aspirations by highlighting agricultural labor in all its honesty.

Considered the Father of Modern Philippine Sculpture, Napoleon Abueva was awarded as National Artist in 1976 at the age of 46, the youngest to have been given the honor. Known to utilize various kinds of hardwood, from molave to bamboo, and other materials like adobe, metal and brass, Abueva helped shape local sculptural practices to what it is now. A close acquaintance to the Kalaw-Ledesma family, he once housed his studio in a property in Quezon City developed by the family in the 1970s.

While Abueva would revisit Rice Planters years after, creating iterations in bronze, the 1952 santol wood version remains as the earliest expression of his early vision. The then-22-year-old Napoleon Abueva vividly captured the essence of Filipino peasant labor, agile yet unyielding.

This post was prepared by KLFI Intern, Sarrah Ann Alejaga.

About the artwork: Napoleon Abueva. Rice Planters. 1952. KLFI Collection.

References:

BusinessWorld. (2018, February 28). CCP to honor National Artist Napoleon Abueva.
BusinessWorld Online.
https://www.bworldonline.com/editors-picks/2018/02/28/137562/ccp-honor-national-artist-napoleon-abueva/

National Commission for Culture and the Arts. (n.d.). Napoleon Abueva. In National artists for visual arts. Retrieved May 25, 2026, from https://web.archive.org/web/20051226023253/http://www.ncca.gov.ph/culture&arts/profile/natlartists/visual-arts/abueva.htm

Salcedo Auctions. (n.d.). Napoleon Abueva [Auction listing]. https://members.salcedoauctions.com/item/14933

01/07/2026

WATCH: Pie Tiausas reads an excerpt from their winning entry to the : Purita Kalaw-Ledesma Prizes in Art Criticism

Read their full Shortlisted Essay from the English Category at go.ateneo.net/PKLPrizes2025.

Pie Tiausas (he/they) is a nonbinary illustrator and art writer currently pursuing a graduate degree in Art Studies: Histories and Theories of Art in UP Diliman. Pie loves psychological horror, anime, emo, and pop punk.

The Ateneo Art Awards 2025 exhibition is on view at the 3F Ateneo Art Gallery (Fredesvinda Almeda Consunji Gallery, Ambeth R Ocampo Gallery, Elizabeth Gokongwei Gallery, and Alicia P Lorenzo Gallery) until 7 December 2025.

Learn more about the Shortlisted Artists and Writers at https://www.ateneo.edu/news/2025/08/19/meet-shortlisted-artists-writers-ateneo-art-awards-2025

01/07/2026

WATCH: Eric Jhon Bituin reads an excerpt from his shortlisted entry to the : Purita Kalaw-Ledesma Prizes in Art Criticism

Read his full Shortlisted Essay from the Filipino Category at go.ateneo.net/PKLPrizes2025.

Si Eric Jhon Bituin ay manunulat at mananaliksik mula sa Tondo, Maynila. Naging fellow siya ng ilang pambansang palihan, at miyembro ng Ateneo Press Review Crew. Mababasa ang kaniyang mga akda sa Liwayway, Likhaan, at Agos Journal. Kabilang sa kaniyang mga interes ang panitikang q***r, panitikang pambata, at mga kuwentong medikal. Kasalukuyan siyang nag-aaral sa Unibersidad ng Pilipinas Diliman.

[trans.: Eric Jhon Bituin is a writer and critic from Tondo, Manila. He was a fellow in a few National workshops, and is a member of the Ateneo Press Review Crew. His works can be read at Liwayway, Likhaan, and Agos Journals. His interests include q***r literature, children’s literature, and medical stories. He is currently a student at the University of the Philippines Diliman.]

The Ateneo Art Awards 2025 exhibition is on view at the 3F Ateneo Art Gallery (Fredesvinda Almeda Consunji Gallery, Ambeth R Ocampo Gallery, Elizabeth Gokongwei Gallery, and Alicia P Lorenzo Gallery) until 7 December 2025.

Learn more about the Shortlisted Artists and Writers at https://www.ateneo.edu/news/2025/08/19/meet-shortlisted-artists-writers-ateneo-art-awards-2025

01/07/2026

WATCH: MJ Rafal reads an excerpt from his shortlisted entry to the : Purita Kalaw-Ledesma Prizes in Art Criticism

Read his full Shortlisted Essay from the Filipino Category at go.ateneo.net/PKLPrizes2025.

Nagtapos si MJ Rafal ng AB History at MA Filipino sa Politeknikong Unibersidad ng Pilipinas kung saan din siya nagtuturo ng mga asignaturang Filipino, Panitikan, at Malikhaing Pagsulat. Siya ang kasalukuyang punong patnugot ng Entrada, ang pampanitikang dyornal ng Sentro para sa Malikhaing Pagsulat ng PUP. Nanunungkulan din siya ngayon bilang NCR Representative sa National Committee on Literary Arts (NCLA) ng National Commission for Culture and the Arts (NCCA) para sa taong 2023 hanggang 2025, at binubuno ang programang PhD Malikhaing Pagsulat sa UP Diliman. Kasapi siya ng Kilometer 64 Writers Collective at Concerned Artists of the Philippines.

[trans. MJ Rafal obtained a Bachelor’s Degree in AB History and a Master’s Degree in Filipino from the Polytechnic University of the Philippines (PUP), wherein he also teaches Filipino, Literature, and Creative Writing. He is currently the Editor-in-Chief of Entrada, the literary journal of the Center of Creative Writing of PUP. He is also the incumbent NCR Representative of the National Committee on Literary Arts (NCLA) of the National Commission for Culture and the Arts (NCCA) from 2023 to 2025. Currently, he is completing a Doctorate degree in Creative Writing at the University of the Philippines Diliman. He is a member of the Kilometer 64 Writers Collective and the Concerned Artists of the Philippines.]

The Ateneo Art Awards 2025 exhibition is on view at the 3F Ateneo Art Gallery (Fredesvinda Almeda Consunji Gallery, Ambeth R Ocampo Gallery, Elizabeth Gokongwei Gallery, and Alicia P Lorenzo Gallery) until 7 December 2025.

Learn more about the Shortlisted Artists and Writers at https://www.ateneo.edu/news/2025/08/19/meet-shortlisted-artists-writers-ateneo-art-awards-2025

𝗢𝗡𝗘 𝗪𝗘𝗘𝗞 𝗟𝗘𝗙𝗧 📣 Submit entries now for the 2026 Ateneo Art Awards – Purita Kalaw-Ledesma Prizes in Art Criticism ✍️The 1...
01/07/2026

𝗢𝗡𝗘 𝗪𝗘𝗘𝗞 𝗟𝗘𝗙𝗧 📣 Submit entries now for the 2026 Ateneo Art Awards – Purita Kalaw-Ledesma Prizes in Art Criticism ✍️

The 13th year of the Purita Kalaw-Ledesma Prizes in Art Criticism welcomes entries on the theme of “𝙁𝙪𝙩𝙪𝙧𝙞𝙩𝙞𝙚𝙨.”

📖 𝗥𝗘𝗔𝗗 𝗔𝗕𝗢𝗨𝗧 𝗧𝗛𝗜𝗦 𝗬𝗘𝗔𝗥’𝗦 𝗧𝗛𝗘𝗠𝗘 𝗔𝗡𝗗 𝗧𝗛𝗘 𝗙𝗨𝗟𝗟 𝗠𝗘𝗖𝗛𝗔𝗡𝗜𝗖𝗦 𝗮𝘁 go.ateneo.net/PKL2026Mechanics

📝 𝗦𝗨𝗕𝗠𝗜𝗧 𝗘𝗡𝗧𝗥𝗜𝗘𝗦 𝗮𝘁 go.ateneo.net/PKL2026Entry 𝘂𝗻𝘁𝗶𝗹 𝟯𝟬 𝗝𝗨𝗡𝗘 𝟮𝟬𝟮𝟲, 𝗧𝘂𝗲𝘀𝗱𝗮𝘆, 𝟭𝟭:𝟱𝟵 𝗽𝗺

The Purita Kalaw-Ledesma Prizes in Art Criticism will have English and Filipino categories. A panel of jurors will shortlist a maximum of six (6) writers from each category. From this shortlist, winners will be selected by the editors of partner publications.

For further inquiries, email [email protected].



The Ateneo Art Awards - Purita Kalaw-Ledesma Prizes in Art Criticism is co-presented with the Kalaw-Ledesma Foundation, Inc., in partnership with The Philippine Star, ArtAsiaPacific, Katipunan: Journal ng mga Pag‑aaral sa Wika, Panitikan, Sining at Kulturang Filipino, Orange Project Naranja Writer’s Residency, The White House Writer’s Residency, and Indeks.

𝗧𝗛𝗥𝗘𝗘 𝗗𝗔𝗬𝗦 𝗟𝗘𝗙𝗧 📣 Submit entries now for the 2026 Ateneo Art Awards – Purita Kalaw-Ledesma Prizes in Art Criticism ✍️The...
01/07/2026

𝗧𝗛𝗥𝗘𝗘 𝗗𝗔𝗬𝗦 𝗟𝗘𝗙𝗧 📣 Submit entries now for the 2026 Ateneo Art Awards – Purita Kalaw-Ledesma Prizes in Art Criticism ✍️

The 13th year of the Purita Kalaw-Ledesma Prizes in Art Criticism welcomes entries on the theme of “𝙁𝙪𝙩𝙪𝙧𝙞𝙩𝙞𝙚𝙨.”

📖𝗥𝗘𝗔𝗗 𝗔𝗕𝗢𝗨𝗧 𝗧𝗛𝗜𝗦 𝗬𝗘𝗔𝗥’𝗦 𝗧𝗛𝗘𝗠𝗘 𝗔𝗡𝗗 𝗧𝗛𝗘 𝗙𝗨𝗟𝗟 𝗠𝗘𝗖𝗛𝗔𝗡𝗜𝗖𝗦 𝗮𝘁 go.ateneo.net/PKL2026Mechanics

📝 𝗦𝗨𝗕𝗠𝗜𝗧 𝗘𝗡𝗧𝗥𝗜𝗘𝗦 𝗮𝘁 go.ateneo.net/PKL2026Entry
𝘂𝗻𝘁𝗶𝗹 𝟯𝟬 𝗝𝗨𝗡𝗘 𝟮𝟬𝟮𝟲, 𝗧𝘂𝗲𝘀𝗱𝗮𝘆, 𝟭𝟭:𝟱𝟵 𝗽𝗺 𝗼𝗻𝗹𝘆

The Purita Kalaw-Ledesma Prizes in Art Criticism will have English and Filipino categories. A panel of jurors will shortlist a maximum of six (6) writers from each category. From this shortlist, winners will be selected by the editors of partner publications.

𝗧𝘄𝗼 𝘄𝗶𝗻𝗻𝗲𝗿𝘀 𝘄𝗶𝗹𝗹 𝗯𝗲 𝘀𝗲𝗹𝗲𝗰𝘁𝗲𝗱 𝗳𝗿𝗼𝗺 𝘁𝗵𝗲 𝗘𝗻𝗴𝗹𝗶𝘀𝗵 𝗰𝗮𝘁𝗲𝗴𝗼𝗿𝘆: one for the Purita Kalaw-Ledesma Prize for The Philippine Star (), who will be awarded a regular column under ‘Platforms’ in the Arts and Culture section of the paper, to be published once a month with a total of 12 articles for a year, and one for the Purita Kalaw-Ledesma Prize for ArtAsiaPacific (), who will be contributing to the bi-monthly publication, with a total of 6 articles for a year.

𝗢𝗻𝗲 𝘄𝗶𝗻𝗻𝗲𝗿 𝘀𝗲𝗹𝗲𝗰𝘁𝗲𝗱 𝗳𝗿𝗼𝗺 𝘁𝗵𝗲 𝗙𝗶𝗹𝗶𝗽𝗶𝗻𝗼 𝗰𝗮𝘁𝗲𝗴𝗼𝗿𝘆 will be awarded the Purita Kalaw-Ledesma Prize for the Katipunan Journal and will be contributing a total of two (2) articles to the bi-annual research publication.

In addition to the opportunity to have their written works published, winning writers will be eligible for month-long residencies with our partners: Orange Project Naranja Writer’s Residency (Bacolod, Negros Occidental), The White House Writer’s Residency (San Antonio, Zambales), and Indeks (Bandung, Indonesia).

The Ateneo Art Awards - Purita Kalaw-Ledesma Prizes in Art Criticism is co-presented with the Kalaw-Ledesma Foundation, Inc. (.ph)

For further inquiries, email [email protected].

𝗧𝗪𝗢 𝗗𝗔𝗬𝗦 𝗟𝗘𝗙𝗧 📣 Submit entries now for the 2026 Ateneo Art Awards – Purita Kalaw-Ledesma Prizes in Art Criticism ✍️The 1...
01/07/2026

𝗧𝗪𝗢 𝗗𝗔𝗬𝗦 𝗟𝗘𝗙𝗧 📣 Submit entries now for the 2026 Ateneo Art Awards – Purita Kalaw-Ledesma Prizes in Art Criticism ✍️

The 13th year of the Purita Kalaw-Ledesma Prizes in Art Criticism welcomes entries on the theme of “𝙁𝙪𝙩𝙪𝙧𝙞𝙩𝙞𝙚𝙨.”

📖𝗥𝗘𝗔𝗗 𝗔𝗕𝗢𝗨𝗧 𝗧𝗛𝗜𝗦 𝗬𝗘𝗔𝗥’𝗦 𝗧𝗛𝗘𝗠𝗘 𝗔𝗡𝗗 𝗧𝗛𝗘 𝗙𝗨𝗟𝗟 𝗠𝗘𝗖𝗛𝗔𝗡𝗜𝗖𝗦 𝗮𝘁 go.ateneo.net/PKL2026Mechanics

📝 𝗦𝗨𝗕𝗠𝗜𝗧 𝗘𝗡𝗧𝗥𝗜𝗘𝗦 𝗮𝘁 go.ateneo.net/PKL2026Entry
𝘂𝗻𝘁𝗶𝗹 𝟯𝟬 𝗝𝗨𝗡𝗘 𝟮𝟬𝟮𝟲, 𝗧𝘂𝗲𝘀𝗱𝗮𝘆, 𝟭𝟭:𝟱𝟵 𝗽𝗺 𝗼𝗻𝗹𝘆

The Purita Kalaw-Ledesma Prizes in Art Criticism will have English and Filipino categories. A panel of jurors will shortlist a maximum of six (6) writers from each category.

From this shortlist, winners will be selected by the editors of partner publications. Two winners will be selected from the English category, namely for the PKL Prize for The Philippine Star () and the PKL Prize for ArtAsiaPacific (), and one from the Filipino category under the PKL Prize for Katipunan Journal ().

In addition to the opportunity to have their written works published, winning writers will be eligible for month-long residencies with our partners: Orange Project Naranja Writer’s Residency (Bacolod, Negros Occidental), The White House Writer’s Residency (San Antonio, Zambales), and Indeks (Bandung, Indonesia).

The Ateneo Art Awards - Purita Kalaw-Ledesma Prizes in Art Criticism is co-presented with the Kalaw-Ledesma Foundation, Inc.

For further inquiries, email [email protected].

𝗢𝗡𝗘 𝗗𝗔𝗬 𝗧𝗢 𝗚𝗢 📣 Submission of entries for the 2026 Ateneo Art Awards – Purita Kalaw-Ledesma Prizes in Art Criticism ✍️ i...
01/07/2026

𝗢𝗡𝗘 𝗗𝗔𝗬 𝗧𝗢 𝗚𝗢 📣 Submission of entries for the 2026 Ateneo Art Awards – Purita Kalaw-Ledesma Prizes in Art Criticism ✍️ is only 𝘂𝗻𝘁𝗶𝗹 𝘁𝗼𝗺𝗼𝗿𝗿𝗼𝘄, 𝟯𝟬 𝗝𝘂𝗻𝗲 𝟮𝟬𝟮𝟲, 𝟭𝟭:𝟱𝟵 𝗣𝗠. Submit entries now!

The 13th year of the Purita Kalaw-Ledesma Prizes in Art Criticism welcomes entries on the theme of “𝙁𝙪𝙩𝙪𝙧𝙞𝙩𝙞𝙚𝙨.”

📖𝗥𝗘𝗔𝗗 𝗔𝗕𝗢𝗨𝗧 𝗧𝗛𝗜𝗦 𝗬𝗘𝗔𝗥’𝗦 𝗧𝗛𝗘𝗠𝗘 𝗔𝗡𝗗 𝗧𝗛𝗘 𝗙𝗨𝗟𝗟 𝗠𝗘𝗖𝗛𝗔𝗡𝗜𝗖𝗦 𝗮𝘁 go.ateneo.net/PKL2026Mechanics

📝 𝗦𝗨𝗕𝗠𝗜𝗧 𝗘𝗡𝗧𝗥𝗜𝗘𝗦 𝗮𝘁 go.ateneo.net/PKL2026Entry
𝘂𝗻𝘁𝗶𝗹 𝟯𝟬 𝗝𝗨𝗡𝗘 𝟮𝟬𝟮𝟲, 𝗧𝘂𝗲𝘀𝗱𝗮𝘆, 𝟭𝟭:𝟱𝟵 𝗽𝗺 𝗼𝗻𝗹𝘆

The Purita Kalaw-Ledesma Prizes in Art Criticism will have English and Filipino categories. A panel of jurors will shortlist a maximum of six (6) writers from each category.

From this shortlist, winners will be selected by the editors of partner publications. Two winners will be selected from the English category, namely for the PKL Prize for The Philippine Star () and the PKL Prize for ArtAsiaPacific (), and one from the Filipino category under the PKL Prize for Katipunan Journal ().

In addition to the opportunity to have their written works published, winning writers will be eligible for month-long residencies with our partners: Orange Project Naranja Writer’s Residency (Bacolod, Negros Occidental), The White House Writer’s Residency (San Antonio, Zambales), and Indeks (Bandung, Indonesia).

The Ateneo Art Awards - Purita Kalaw-Ledesma Prizes in Art Criticism is co-presented with the Kalaw-Ledesma Foundation, Inc.

For further inquiries, email [email protected].

𝗟𝗔𝗦𝗧 𝗗𝗔𝗬 𝗧𝗢𝗗𝗔𝗬 📣 Submit entries now for the 2026 Ateneo Art Awards – Purita Kalaw-Ledesma Prizes in Art Criticism ✍️Acce...
01/07/2026

𝗟𝗔𝗦𝗧 𝗗𝗔𝗬 𝗧𝗢𝗗𝗔𝗬 📣 Submit entries now for the 2026 Ateneo Art Awards – Purita Kalaw-Ledesma Prizes in Art Criticism ✍️

Accepting submissions until 𝗧𝗢𝗡𝗜𝗚𝗛𝗧, 𝟯𝟬 𝗝𝗨𝗡𝗘 𝟮𝟬𝟮𝟲, 𝗧𝘂𝗲𝘀𝗱𝗮𝘆, 𝟭𝟭:𝟱𝟵 𝗣𝗠 𝗢𝗡𝗟𝗬!

The 13th year of the Purita Kalaw-Ledesma Prizes in Art Criticism welcomes entries on the theme of “𝙁𝙪𝙩𝙪𝙧𝙞𝙩𝙞𝙚𝙨.”

📖𝗥𝗘𝗔𝗗 𝗔𝗕𝗢𝗨𝗧 𝗧𝗛𝗜𝗦 𝗬𝗘𝗔𝗥’𝗦 𝗧𝗛𝗘𝗠𝗘 𝗔𝗡𝗗 𝗧𝗛𝗘 𝗙𝗨𝗟𝗟 𝗠𝗘𝗖𝗛𝗔𝗡𝗜𝗖𝗦 𝗮𝘁 go.ateneo.net/PKL2026Mechanics

📝 𝗦𝗨𝗕𝗠𝗜𝗧 𝗘𝗡𝗧𝗥𝗜𝗘𝗦 𝗮𝘁
go.ateneo.net/PKL2026Entry
go.ateneo.net/PKL2026Entry
go.ateneo.net/PKL2026Entry
𝘂𝗻𝘁𝗶𝗹 𝗧𝗢𝗡𝗜𝗚𝗛𝗧, 𝟯𝟬 𝗝𝗨𝗡𝗘 𝟮𝟬𝟮𝟲, 𝟭𝟭:𝟱𝟵 𝗽𝗺 𝗼𝗻𝗹𝘆

The Purita Kalaw-Ledesma Prizes in Art Criticism will have English and Filipino categories. A panel of jurors will shortlist a maximum of six (6) writers from each category.

From this shortlist, winners will be selected by the editors of partner publications. Two winners will be selected from the English category, namely for the PKL Prize for The Philippine Star () and the PKL Prize for ArtAsiaPacific (), and one from the Filipino category under the PKL Prize for Katipunan Journal ().

In addition to the opportunity to have their written works published, winning writers will be eligible for month-long residencies with our partners: Orange Project Naranja Writer’s Residency (Bacolod, Negros Occidental), The White House Writer’s Residency (San Antonio, Zambales), and Indeks (Bandung, Indonesia).

The Ateneo Art Awards - Purita Kalaw-Ledesma Prizes in Art Criticism is co-presented with the Kalaw-Ledesma Foundation, Inc.

For further inquiries, email [email protected].

It started with her thesis. For us, the team in Kalaw-Ledesma Foundation, we started conceptualizing this exhibit with a...
01/07/2026

It started with her thesis. For us, the team in Kalaw-Ledesma Foundation, we started conceptualizing this exhibit with an object from our collection: Purita Kalaw-Ledesma’s master’s thesis “A Critical Analysis of Modern Painting in the Philippines Today”, with today situated around 1955 when she submitted the document. Arising from the various roles within the team – an office administrative assistant, a coordinator, a director, and an intern – our engagement with the text surfaced similar themes from layered interpretations.

From these topics that materialized from our reading – knowledge, time, legacy, hands – we all contributed to the selection of the artworks and objects to be included in the exhibit. Similar to examining the thesis, our different levels of familiarity with the PKL Collection brought ease and freshness to the selection, including artworks by Purita Kalaw-Ledesma, Pura Villanueva-Kalaw, Ofelia Gelvezon-Tequi, Lyd Arguilla, Victorio Edades, and Romeo Tabuena.

Traces of Purita’s hands – physically and metaphorically – also punctuate the space. There are ceramic pieces she created in the 1970s, around the time she stepped back from organizing and focused on writing. Speaking of organizing, we can also hear her in a restored interview with art critic Cid Reyes at her home, where she spoke about how the Art Association of the Philippines started, as well as her thoughts on the artists at the time, which is a companion to her texts included in the exhibit. A scrapbook volume is also present — a manifestation of her quiet but steadfast dedication to reading, selecting, cutting, and pasting articles she has maintained for five decades.

Another marker of Purita’s spirit is the building where the foundation was and is housed, with the letters corresponding to her last name. Found in the vitrine nearest to the entrance is her black-and-white photo, with the old KL Tower in the background, where the Asean Institute of Art was located, the institution where she got her second master’s degree when she was “already pushing 70,” as she has put it in her memoir.

It now ends with her memoir. On the glass windows of the research center are the last paragraphs written by Purita in her 1994 memoir, “And Life Goes On,” with the last sentence being the title of the exhibit, “All this is out of my hands now.” Indeed it was — but we do not end; we continue.

———

𝓐𝓵𝓵 𝓽𝓱𝓲𝓼 𝓲𝓼 𝓸𝓾𝓽 𝓸𝓯 𝓶𝔂 𝓱𝓪𝓷𝓭𝓼 𝓷𝓸𝔀
Opening July 1, 2026
Purita Kalaw-Ledesma Center, Makati City

The exhibit is free and open to the public. To visit, please register first through this link: https://bit.ly/klfi-hands-reg

For questions, please email [email protected].

Exhibit curation by KLFI Team: Clavel Sagao, Mayumi Hirano, Lk Rigor, Alyssa Chloe Ricaflanca, and Sarrah Ann Alejaga

Artwork in the poster: Study for Portraiture (Detail) by Victorio Edades, 1977.

Address

Kalaw Ledesma Foundation Inc. KL Tower 117 Gamboa Street Legaspi Village
Makati
1229

Opening Hours

Monday 9am - 5pm
Tuesday 9am - 5pm
Wednesday 9am - 5pm
Thursday 9am - 5pm

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