10/04/2026
THE BUILDER OF ONE OF BAGUIO'S ICONIC LANDMARK - THE LION'S HEAD
Anselmo Bayang Day-ag (1934–1980) was a distinguished Filipino sculptor whose monumental works have become integral to the Philippines' cultural and historical landscape. Born on April 21, 1934, in Bambang, Nueva Vizcaya, Day-ag was of Ilongot-Igorot and Isinay descent. Orphaned at a young age, he was raised by his aunt, Joaquina Day-ag, in the scenic environment of Bambang, which profoundly influenced his artistic sensibilities. From an early age, he exhibited a natural talent for carving, often creating figures from hardwood barks using his left hand, a skill that later evolved into ambidextrous artistry.
Day-ag pursued his passion for art at the University of the Philippines, where he studied Fine Arts, majoring in sculpture and minoring in ceramics. Under the mentorship of National Artist Guillermo Tolentino, renowned for the UP Oblation and the Bonifacio Monument, Day-ag honed his craft and developed a distinctive style that blended indigenous themes with modernist techniques. His exceptional talent was recognized early on, earning him the Magsaysay Award in Composition in 1956 and a second prize in sculpture for his modernist piece "Gooze" in 1957.
Among Day-ag's most iconic works is the Lion's Head along Kennon Road in Baguio City. Commissioned by the Baguio Lions Club, the 40-foot limestone sculpture was conceptualized in the late 1960s and completed in 1972. While initial carving was undertaken by Ifugao artist Reynaldo Lopez Nanyac, Day-ag was responsible for the detailed sculpting of the lion's features, transforming the natural rock formation into a realistic and enduring symbol of Baguio's identity. In recent years, Day-ag's daughter has advocated for proper recognition of her father's contributions to this landmark, emphasizing the importance of acknowledging the true artists behind such cultural icons.
Another significant creation by Day-ag is the "Eagle of the North" in Agoo, La Union. This majestic concrete sculpture, depicting an eagle with outstretched wings poised for flight, symbolizes the aspirations and strength of the northern Philippines. Located along the Jose D. Aspiras Highway, the monument stands as a testament to Day-ag's ability to infuse nationalistic themes into his art.
Day-ag also undertook the ambitious project of sculpting the Bust of Ferdinand Marcos in Tuba, Benguet. Intended as the centerpiece of a proposed Marcos Park, the 30-meter-high concrete monument was designed to be visible from miles away.
Beyond these prominent works, Day-ag's artistic contributions include the "First Mass" mural on wood displayed at the capitol of Tacloban City, the design of the Philippines Plaza's waterfall, slide, and pool, the Japanese garden at the Manila Garden Hotel, the Kiangan War Memorial Park in Ifugao, and the Dalton Pass Memorial in Santa Fe, Nueva Vizcaya. His versatility in working with various materials, stone, wood, metal, and synthetic substances, allowed him to create pieces that were both aesthetically compelling and culturally resonant.
Anselmo Day-ag's legacy endures through his monumental sculptures that continue to inspire and evoke national pride. His works are not merely artistic expressions but are integral to the Philippines' historical and cultural narrative, reflecting the country's rich heritage and the enduring spirit of its people.
Photo Courtesy || Photo Courtesy || Day-ag Legacy
