Baguio Writers Group

Baguio Writers Group We exist to celebrate Cordilleran literature and nurture the souls of Cordilleran writers. We write to live and we live in Baguio.

Guide ti Readers and Writers Festival
13/08/2026

Guide ti Readers and Writers Festival

LITERARY TUESDAY: Culture, Indigenous Peoples
13/08/2026

LITERARY TUESDAY: Culture, Indigenous Peoples

Deadline approaching on Aug. 15
12/08/2026

Deadline approaching on Aug. 15

11/08/2026

Instead of banning generative AI from his classroom, UP professor emeritus and Philippine literature titan Jose “Butch” Dalisay Jr. is bringing it into his writing course—“to see what it does and what we can do differently or better.”

In his Aug. 10 column, “Qwertyman No. 210: A Grand Experiment with AI,” Dalisay said he will use generative AI in his Creative Writing 198: Special Topics (Professional Writing) class at the University of the Philippines Diliman this semester, which started Tuesday, Aug. 11.

The 72-year-old argued that the technology is not going away and “will keep getting smarter,” with young people likely to use it “with neither guilt nor shame” in the years to come.

His plan is straightforward: students will do in-class writing “to establish benchmarks,” after which they will ask AI to produce its own version of the same work.

The AI version “won’t be the standard by which papers will be scored,” Dalisay said, although it might be “superior in some mechanical ways like grammar and spelling.” Instead, the class will examine how AI “shapes its arguments” compared with how students approach a topic and present examples.

Dalisay said the class will put a premium on original thinking and individuality, “focusing not so much on ‘getting it right’ and more on ‘making it mine.’”

In sharing his column on Facebook, Dalisay didn’t mince words, saying that “ignoring or banning AI outright” would be “stupid and futile.”

The approach comes as Philippine universities take different positions on generative AI. The University of Santo Tomas recently added AI to its academic-integrity rules, requiring students to use the technology responsibly alongside plagiarism and grammar-checking tools, although its updated provision does not specify which uses of AI constitute violations.

Meanwhile, Mapúa Malayan Digital College has taken a more integration-focused approach, building AI fluency into its curriculum to prepare students for workplaces where the technology is increasingly used.

Dalisay designed CW 198 and first taught it more than 20 years ago to give English, literature, and creative writing majors the “practical writing skills they hardly learn in school,” including application letters, news reports, feature stories, brochures, speeches, audio-visual scripts, and interviews.

Now, he is using the course to confront a question facing educators: how to teach writing in the age of AI.

“The last time I taught CW 198, AI was still something of a joke,” Dalisay wrote. “I do recall, however, saying even then that AI was bound to catch up in time. That time has come, and we’re no longer laughing.”

Dalisay admitted he “frankly” doesn’t know “how this will all work out.” For now, he is willing to find out with his students.

Dalisay’s work spans fiction, poetry, drama, nonfiction, and screenwriting. His writing has earned him multiple recognitions, including the Palanca Hall of Fame, a shortlist spot for Hong Kong’s Man Asian Literary Prize, Italy’s Premio Cervara di Roma, National Book Awards, the Ten Outstanding Young Men award, and several Cultural Center of the Philippines awards.

Beyond literature, he has also worked as a presidential speechwriter and biographer.

(✍️: Nikko Miguel Garcia)

Book buying is different from book reading.
11/08/2026

Book buying is different from book reading.

𝐅𝐢𝐥𝐢𝐩𝐢𝐧𝐨𝐬 𝐫𝐞𝐚𝐝. 𝐅𝐢𝐥𝐢𝐩𝐢𝐧𝐨𝐬 𝐛𝐮𝐲 𝐛𝐨𝐨𝐤𝐬. 𝐒𝐨 𝐰𝐡𝐨 𝐞𝐱𝐚𝐜𝐭𝐥𝐲 𝐚𝐫𝐞 𝐰𝐞 𝐭𝐚𝐥𝐤𝐢𝐧𝐠 𝐚𝐛𝐨𝐮𝐭 𝐰𝐡𝐞𝐧 𝐰𝐞 𝐬𝐚𝐲 𝐅𝐢𝐥𝐢𝐩𝐢𝐧𝐨𝐬 “𝐜𝐚𝐧𝐧𝐨𝐭 𝐚𝐟𝐟𝐨𝐫𝐝 𝐭𝐨 𝐛𝐞𝐜𝐨𝐦𝐞 𝐛𝐨𝐨𝐤 𝐥𝐨𝐯𝐞𝐫𝐬”?

Look at the sales of romance and romantasy, the success of publishers like Precious Pages, and the crowds at the Manila International Book Fair and Philippine Book Festival. There is clearly a substantial and active book market in the Philippines.

But here's an important distinction: 𝐛𝐨𝐨𝐤 𝐛𝐮𝐲𝐢𝐧𝐠 𝐢𝐬 𝐧𝐨𝐭 𝐭𝐡𝐞 𝐬𝐚𝐦𝐞 𝐚𝐬 𝐛𝐨𝐨𝐤 𝐫𝐞𝐚𝐝𝐢𝐧𝐠. Sales tell us about purchasing; readership surveys tell us what, how often, and why people read. We shouldn't conflate the two—or use either to make sweeping claims about an entire population.

We should also be more careful about saying that books are simply “𝑡𝑜𝑜 𝑒𝑥𝑝𝑒𝑛𝑠𝑖𝑣𝑒” for Filipinos. Price points vary considerably. Several Philippine publishers deliberately price books in the ₱𝟏𝟐𝟎–₱𝟐𝟖𝟎 𝐫𝐚𝐧𝐠𝐞, making locally published books accessible to a much wider market. Of course, a ₱500–₱800 book can be expensive for many Filipino families. But that doesn't mean the entire Philippine book market operates at those price points.

The Philippines' own 𝟐𝟎𝟐𝟓 𝐈𝐒𝐁𝐍 𝐫𝐞𝐠𝐢𝐬𝐭𝐫𝐚𝐭𝐢𝐨𝐧 𝐝𝐚𝐭𝐚 suggests a substantial publishing industry: 𝟏𝟔,𝟎𝟎𝟏 𝐭𝐢𝐭𝐥𝐞𝐬 𝐰𝐞𝐫𝐞 𝐚𝐩𝐩𝐫𝐨𝐯𝐞𝐝 𝐟𝐨𝐫 𝐈𝐒𝐁𝐍 𝐫𝐞𝐠𝐢𝐬𝐭𝐫𝐚𝐭𝐢𝐨𝐧 𝐭𝐡𝐚𝐭 𝐲𝐞𝐚𝐫. The latest NBDB figures also paint a different picture from the narrative that Filipinos simply don't have a reading market. NBDB-registered publishers reported ₱𝟏𝟑.𝟕𝟔 𝐛𝐢𝐥𝐥𝐢𝐨𝐧 𝐢𝐧 𝐠𝐫𝐨𝐬𝐬 𝐫𝐞𝐯𝐞𝐧𝐮𝐞 𝐢𝐧 𝟐𝟎𝟐𝟒. The Philippine Book Festival has also attracted more than 𝟏𝟐𝟎,𝟎𝟎𝟎 𝐯𝐢𝐬𝐢𝐭𝐨𝐫𝐬 𝐬𝐢𝐧𝐜𝐞 𝟐𝟎𝟐𝟑.

These figures don't mean that everyone has equal access to books. They mean we should be more precise about the problem.

Yes, access remains unequal. Remote and underserved communities need more libraries, more books, and better distribution. But 𝑡ℎ𝑎𝑡 𝑖𝑠 𝑛𝑜𝑡 𝑡ℎ𝑒 𝑠𝑎𝑚𝑒 𝑎𝑠 𝑠𝑎𝑦𝑖𝑛𝑔 𝐹𝑖𝑙𝑖𝑝𝑖𝑛𝑜𝑠 𝑑𝑜𝑛'𝑡 𝑟𝑒𝑎𝑑—𝑜𝑟 𝑡ℎ𝑎𝑡 𝑏𝑜𝑜𝑘𝑠 𝑎𝑟𝑒 𝑢𝑛𝑖𝑣𝑒𝑟𝑠𝑎𝑙𝑙𝑦 𝑢𝑛𝑎𝑓𝑓𝑜𝑟𝑑𝑎𝑏𝑙𝑒.

We also need to stop assuming that people read books the same way.

𝐑𝐞𝐚𝐝𝐢𝐧𝐠 𝐜𝐮𝐥𝐭𝐮𝐫𝐞 𝐝𝐨𝐞𝐬𝐧'𝐭 𝐡𝐚𝐯𝐞 𝐨𝐧𝐞 𝐥𝐨𝐨𝐤. Some buy new releases at bookstores. Others buy secondhand books, borrow from libraries, share books with friends, read ebooks, download public-domain works, or read on their phones. Some read romance and romantasy; others read textbooks, comics, religious books, biographies, or books in Filipino and other Philippine languages.

A person who doesn't post a photograph of a curated bookshelf isn't necessarily a non-reader. And someone who doesn't regularly buy books isn't necessarily excluded from reading.

So perhaps the more useful question isn't “𝑊ℎ𝑜 𝑔𝑒𝑡𝑠 𝑡𝑜 𝑏𝑒 𝑎 𝑏𝑜𝑜𝑘 𝑙𝑜𝑣𝑒𝑟?”

𝐈𝐭'𝐬 𝐰𝐡𝐚𝐭 𝐚𝐫𝐞 𝐅𝐢𝐥𝐢𝐩𝐢𝐧𝐨𝐬 𝐫𝐞𝐚𝐝𝐢𝐧𝐠—𝐚𝐧𝐝 𝐚𝐫𝐞 𝐰𝐞 𝐩𝐫𝐨𝐝𝐮𝐜𝐢𝐧𝐠 𝐞𝐧𝐨𝐮𝐠𝐡 𝐛𝐨𝐨𝐤𝐬 𝐟𝐨𝐫 𝐭𝐡𝐞𝐦?

This is where the real problem lies. We need more locally produced titles, stronger distribution, more books in Philippine languages, and more ways to put those books into readers' hands.

𝑇ℎ𝑒 𝑚𝑎𝑟𝑘𝑒𝑡 𝑖𝑠 𝑡ℎ𝑒𝑟𝑒. 𝑇ℎ𝑒 𝑟𝑒𝑎𝑑𝑒𝑟𝑠 𝑎𝑟𝑒 𝑡ℎ𝑒𝑟𝑒. 𝑇ℎ𝑒 𝑏𝑢𝑦𝑒𝑟𝑠 𝑎𝑟𝑒 𝑡ℎ𝑒𝑟𝑒.

The challenge isn't to convince Filipinos to become book lovers.

The challenge is to build a stronger ecosystem that gives more Filipinos more books to love.

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