27/08/2026
FUN FACT AND DRESSAGE RULES
UPDATED FOR 2026
ANY RULES QUOTED REFER TO ESNZ (NEW ZEALAND) RULES
Musicals – what does your horse like to boogie to?
So what are the rules around musicals. For the most part it’s the same as riding a normal test, except you’re the only one who knows where you are going.
From the time the bell rings you have 45secs to get into the arena, so don’t faff about too much getting to your “music starting” place. From the time your music starts you have 20secs to enter the arena. The time starts for your musical, when you move off from your entry halt, and stops at your final halt…. All going well, at the same time as your music ends.
Each level will state what the time allowed will be, and yes there could be someone timing it. You will receive penalties for going over or under the time. There is usually a 10sec buffer.
Each level has a set of movements you will have to show, you can also add into your test any other movement that is performed in any normal test at the level you are riding or lower, for example a level 3 rider could put leg yielding (level 2 movement) into their test, but not half pass (level 4 movement) If you deliberately show a movement not allowed, there are tough penalties. However, “deliberately” is the key word, if in your counter canter at level 3, your super keen steed does a super flying change, clearly that isn’t deliberate, however if you then do a flying change back to correct, that one is. So always be careful of the correction.
The other movement that seems to trip people up is leg yield left to right in level 2 (or vice versa). You cannot go from one direction to the other without clear straight line steps in between.
Just for a moment put yourselves in the judge’s car seat and think…. If I didn’t know where I was going would this be clear. While the judges have a sheet telling them the list of movements you must do, they are blind as to when or where you are going to do them… and to be honest, at times are still wondering that when the test has finished. Its up to you as the rider to make the movements as clear and as obvious as you can so the judges aren’t left wondering what movement it was supposed to be. Also, we are too tired from all the thinking to have to keep getting out the cars to check with other judges as to where in the test you may have hidden that secret shoulder in left! And this might come as a surprise but occasionally the judges blink, and if in your leg yield zig zag you only had one stride of straight, well then we will have missed it. So make things clear, it’s a fine line between super fancy and just too busy.
You need to know your music extremely well, not only so you know where you should be during the test so you are to time with the music, but also should something go wrong with your music during your test, you can recognise it doesn’t sound right and stop.
If your music is skipping and doing weird things and you choose to carry on, you will get marked for the music that played, remember the judges don’t know that its not suppose to sound like that. So should things with your music go wrong, stop and go talk to the C judge, its their job to talk to the music person.
Should your music go wrong or stop completely during the test you have a few options. If they can get the music playing correctly again without too much delay, then you can either start from the beginning or from the point where you stopped, or anywhere in between. If you choose to start from the beginning of your test again, the movements and marks already been done will not be marked again.
Should the music not be able to be sorted quickly, with consultation with the C judge, you will be given another time to come back and re-ride your test, either at the end of the class or in a break. And again, its your choice where you start the test from and again marks given on movements already ridden will not change.
Something that has cropped up recently is hearing stories of riders asking the music person to stop the music when they finish the test…. Well, that is a big ole no. The music person will start your music when you give the signal, as to when the music finishes is up to you, that is all part of the marks, keeping in time with your music. Same applies if something is not right with your music, do not call out to the music person, go and talk to the C judge.
Musicals are suppose to be fun, so try to keep the elevator music to a minimum and show off you and your horses best moves.
Happy training everyone😃