Tatchero

Tatchero A group of visual storytellers, using phone photography and filmmaking to document, educate, inspire, and transform.

They blend art and activism, focusing on underrepresented voices and tackling issues like inequality, and identity erasure.

“The Bridge Remembers Everyone Who Forgot It”You’ve never used it. Don’t lie.You’ve crossed that highway on foot at leas...
30/03/2026

“The Bridge Remembers Everyone Who Forgot It”
You’ve never used it. Don’t lie.
You’ve crossed that highway on foot at least thirty times this year alone. Dodging danfo, almost getting clipped by a okada, one hand on your bag, one eye on the traffic, heart doing things hearts shouldn’t do at 7am. And the whole time the bridge was right there. Same place it’s always been. You just looked at the stairs and thought, no! Too far. Too much. I’ll manage.
We always manage. That’s the Lagos way.
So the bridge just stands there collecting our excuses and the sun’s abuse. The blue paint is peeling. The concrete is splitting in places nobody has reported because who has time to report a bridge when NEPA hasn’t given you light for like 3 days, no water and your landlord is calling. There’s a man who has turned the space underneath into something like a home. Mattress, bags, a small organisation of things that belong to someone who ran out of options. The government built the bridge to protect pedestrians. It’s protecting somebody sha, just not in the way they planned.
And then five o’clock hits.
Suddenly everybody remembers the bridge exists. The stairs are full, shoulders are touching, somebody’s pressing you from behind because they’re late and you’re in the way. For one hour this bridge is everything it was supposed to be! Packed, alive, doing its job, holding Lagos on its back. You’re up there moving with the crowd and the sun is going down and the whole city spreads out golden and loud beneath you and for a second you think uhmm why don’t I do this every day?
Then you get to the other side and forget immediately………

Continued on my Substack

Help, I’m in a Toxic Relationship with Lagos. She does this thing where she’s terrible to you all week and then right be...
28/03/2026

Help, I’m in a Toxic Relationship with Lagos.

She does this thing where she’s terrible to you all week and then right before you’re ready to leave, she turns golden.
The traffic, the noise, the heat sitting on your chest like debt and you spend days building a case against her. Solid arguments. Reasonable conclusions. And then evening comes and the light shifts and suddenly you’re standing somewhere with a camera you almost left at home, watching the city become something you don’t have words for.

You don’t plan these moments. You can’t. Lagos doesn’t give you a schedule. She just ambushes you with golden hour and ordinary people doing ordinary things in front of skies that look borrowed from films nobody could afford to make. Power lines cutting through clouds. Orange walls catching the last of the sun. Dust turning into light.

That’s the manipulation. She waits until you’re almost done and then she shows you something that breaks your whole argument apart.
I keep making plans to leave. I keep finding myself outside at sunset instead, pointing a camera at a city that gives me just enough beauty to cancel out everything else. That’s the deal she offers and it shouldn’t work. It keeps working.
I think I’m stuck here, am I?
Honestly, I think I’m fine with it.​​​​​​​​​​​​​​​ or maybe not.
̇phone

I wish Lagos didn’t hate cameras.
22/03/2026

I wish Lagos didn’t hate cameras.

Orimalade looked at his brother with sad eyes. Adejiyan stared back with fiery respect. Then, the music of their clashin...
23/02/2026

Orimalade looked at his brother with sad eyes. Adejiyan stared back with fiery respect. Then, the music of their clashing swords began.
Adejiyan took the lead. He spun and struck, fast and strong, moving to a wild, pounding beat. Orimalade simply followed his steps. He stayed perfectly calm, gliding out of the way and matching his brother’s fierce rhythm with quiet grace.
Then, Adejiyan went for the grand finale. He leaped high into the air, launching a massive, flying kick. It was a bold, risky move meant to end the show.
But Orimalade was a shepherd. He understood the natural rhythm of the earth and the flow of movement. Instead of trying to stop the heavy hit, he just tilted his shield and took a smooth step to the side. He didn’t break the dance; he just changed the beat.
Adejiyan’s own speed carried him into empty air. He stumbled, completely losing his balance. In one fluid spin, Orimalade stepped in and rested his blade softly against his brother’s throat.
The music stopped. The dance was over.

“Ijó naa”The two princes walked from opposite ends of the field, meeting in the center under the vast, impartial sky. Fo...
20/02/2026

“Ijó naa”

The two princes walked from opposite ends of the field, meeting in the center under the vast, impartial sky. For a long moment, they stood motionless, forehead to forehead, a breath apart. It was a moment of intense, silent confrontation, two opposing worlds colliding.

Orimalade was ready. He had been touched by Ara Orun and nothing could stop him. It was time to dance…..
19/02/2026

Orimalade was ready. He had been touched by Ara Orun and nothing could stop him.
It was time to dance…..

Mgbe ōchie Take me back to the primordial times. Times when the sun birthed Sons And Natures Hue painted Humans in scul...
17/02/2026

Mgbe ōchie

Take me back to the primordial times.
Times when the sun birthed Sons 
And Natures Hue painted Humans in sculptured flamboyance.
Times when the creator’ss essence and human sense intertwined in God’s Presence.
Times when traditions and social status were etched in hearts and tattooed as symbolic statues.
Times when food was raw and hunts were brawls.
Times when sleep were peaceful and mornings were beautiful……

New work“Dance”
16/02/2026

New work
“Dance”

This is not the National Theatre!I repeat! This is not the National Theatre!
14/02/2026

This is not the National Theatre!

I repeat!

This is not the National Theatre!

Road trips deepen our understanding of how we see things. They are pockets of perceived illusions of time that remind us...
14/02/2026

Road trips deepen our understanding of how we see things.

They are pockets of perceived illusions of time that remind us that we are all on a journey.

Every turn, trail of light, sound of humans and animals alike, smell of the wind, trees, and hard concrete is a stinging recollection of past events unfolding in a timeless loop of visible light that our brains define as reality.

Exploring film style photography.
19/01/2026

Exploring film style photography.

Happy to announce that our very first international magazine publication is live. Huge thanks to  for this wonderful opp...
03/11/2025

Happy to announce that our very first international magazine publication is live. Huge thanks to for this wonderful opportunity.
Their efforts in creating a beautiful showcase for artists like us are invaluable, and we are honored to be part of this issue.

The print edition is up for sale through links on the “Issues” page and at the end of the Interview section at magcloud.com

Dek Unu Magazine is live online at https://www.dekunumag.com

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