ThinkLiberia

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Supporting the rights and welfare of those facing hardship in Liberia, with emphases on women and children

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14/03/2026

I have been listening to what has transpired in the case involving the death of Mr. Samuel Jackson’s wife in Liberia. The situation is very disturbing.

I am horrified by the posting of pictures of the late victim’s body on social media.

Her death might have been prevented if her immediate neighbors—who are now coming forward to say that she was a victim of domestic violence—had spoken up sooner.

As a community, we need to engage in more preventive action and do less talking after situations have already gone in the wrong direction.

Please, the posts showing pictures of her lifeless remains on social media need to be taken down immediately. This is also a violation of respect toward her family. Let’s give law enforcement the time they need to conduct their investigation. Rosana Schaack

Coming Soon: Chosen Warrior—From a Dragon's Curse
09/03/2026

Coming Soon: Chosen Warrior—From a Dragon's Curse

MARCH 2026

Our 2025 Year-End Update
31/12/2025

Our 2025 Year-End Update

DECEMBER 2025

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10/12/2025

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30/11/2025

https://www.facebook.com/share/p/1Cpd3kYSX8/?mibextid=wwXIfr

She was born in the Somali desert in 1965.
One of twelve children in a nomadic family that herded goats across some of the harshest landscape on earth.
By age six, Waris Dirie was responsible for sixty goats and sheep.
She walked them into the desert each day to graze.
Water was scarce. Food was scarce. Everything was about survival.
Her name means "desert flower."
At five years old, an old woman came for her.
She used a broken, bloodied razor blade. No anesthesia. No sterilization.
Waris was blindfolded. Given a tree root to bite down on. Held down by her mother while her aunt helped restrain her.
Then the cutting began.
Female ge***al mutilation.
Type III—the most extreme form. Everything removed. Everything stitched shut with acacia thorns and white thread, leaving an opening the size of a matchstick.
The pain was indescribable.
One of her sisters died from complications. So did two of her cousins.
But Waris survived.
Her mother explained it had to happen. In the name of Allah. In the name of tradition. All girls must endure it.
This was Somalia, where an estimated 98 percent of women undergo FGM.
At thirteen, her father made an announcement.
He'd arranged her marriage.
To a sixty-year-old man.
The bride price: five camels.
Waris's mother quietly helped her daughter escape in the night.
She fled alone across the desert.
A thirteen-year-old girl walking through one of the most dangerous landscapes on earth, with no map, no money, no protection.
She made it to Mogadishu.
From there, an uncle who'd just been appointed Somali ambassador to the United Kingdom agreed to take her to London—as his maid.
She was illiterate. She spoke no English. She worked for her uncle's family without pay.
When his term ended in 1985, the family returned to Somalia.
Waris stayed.
Illegally.
She rented a room at the YMCA. Found work cleaning at McDonald's. Took English classes in the evenings.
She was eighteen years old. Alone in a foreign city. Learning to read and write for the first time.
Then one day in 1987, a photographer walked into that McDonald's.
Terence Donovan.
One of the most famous fashion photographers in the world.
He saw something in her face. Her striking beauty. Her unique presence.
He asked if she'd model.
She said yes.
That year, he photographed her for the Pirelli Calendar alongside a then-unknown model named Naomi Campbell.
Overnight, everything changed.
Waris Dirie went from scrubbing floors to walking runways in Paris, Milan, London, and New York.
She became the face of Chanel. Levi's. L'Oréal. Revlon.
She was the first Black woman to appear in an Oil of Olay advertisement.
She graced the covers of Vogue, Elle, and Glamour.
In 1987, she played a Bond girl in The Living Daylights.
She was living the dream.
But the nightmare never left her.
Every day, she carried the physical and emotional scars of what had been done to her at five years old.
She suffered chronic pain. Struggled with intimacy. Endured the lifelong consequences of FGM.
For years, she said nothing.
Then in 1997, at the height of her modeling career, a journalist named Laura Ziv from Marie Claire magazine interviewed her.
They were supposed to talk about her "African Cinderella" story. The rags-to-riches transformation.
But Waris changed the subject.
"All of that fashion model stuff's been done a million times," she said. "If you promise to publish it, I'll give you a real story."
Laura agreed.
And Waris poured her truth into a tape recorder.
She told the world what had happened to her. What happened to millions of girls like her. What continued to happen every single day.
Female ge***al mutilation.
The interview was published under the headline "The Tragedy of Female Circumcision."
It triggered a worldwide response.
Barbara Walters interviewed her on NBC. Media outlets across the globe picked up the story.
For the first time, FGM had a face. A name. A voice.
That same year, 1997, UN Secretary-General Kofi Annan appointed her as the UN Special Ambassador for the Elimination of Female Ge***al Mutilation.
Waris retired from modeling at thirty-two.
At the peak of her career, when she could have kept the glamorous life going, she walked away.
She had a bigger mission.
She traveled the world on behalf of the UN. Met with presidents, Nobel Prize winners, Hollywood stars. Gave hundreds of interviews. Spoke at international conferences.
She wasn't just the supermodel with the beautiful face anymore.
She was the survivor who refused to stay silent.
In 1998, she published her autobiography, Desert Flower.
It became an international bestseller, selling over eleven million copies worldwide in more than fifty languages.
People finally understood what FGM really was. Not a "harmless cultural tradition" but a brutal violation of human rights.
In 2001, she founded the Desert Dawn Foundation to raise money for schools and clinics in Somalia.
In 2002, she founded the Desert Flower Foundation in Vienna—an organization dedicated to eradicating FGM worldwide.
She opened the first holistic medical centers for FGM victims in Berlin, Stockholm, Paris, and Amsterdam.
She wrote more books: Desert Dawn (2002), Desert Children (2005), Letter to My Mother.
In 2009, her life story was made into a film, Desert Flower, starring Ethiopian supermodel Liya Kebede.
The film won the Bavarian Film Award for Best Movie. It was shown in over twenty countries.
But Waris's greatest victory wasn't awards or bestsellers.
It was change.
Real, measurable change.
When she started speaking out in 1997, more than 130 million girls and women had undergone FGM.
The World Health Organization estimated that 8,000 girls faced it every single day.
Many people didn't even know it existed.
Today, thanks to Waris and countless activists like her, FGM is recognized globally as a human rights violation.
A British Medical Journal study found that in East Africa, the rate of FGM in girls under fourteen dropped from 71 percent in 1995 to 8 percent in 2017.
In West Africa: from 73 percent to 25 percent.
In North Africa: from 57 percent to 14 percent.
In 2003, fifteen African Union member countries ratified the Maputo Protocol, which promotes the eradication of FGM.
In 2019, a London court sentenced a mother to eleven years in prison for circumcising her three-year-old daughter—the first such conviction in British history.
Countries around the world have passed laws criminalizing FGM.
Education campaigns reach millions.
And girls who would have faced the blade are being saved.
Waris Dirie is now in her late fifties.
She continues to fight.
"I want to end FGM once and for all in my lifetime," she says.
From a five-year-old girl held down by her mother while an old woman cut her with a dirty blade.
To a thirteen-year-old fleeing marriage across the desert.
To an eighteen-year-old cleaning floors at McDonald's.
To one of the world's most famous supermodels.
To the woman who broke the silence on one of humanity's most brutal practices.
Waris Dirie didn't just survive.
She transformed her pain into purpose.
Her trauma into a global movement.
Her silence into a voice that reached millions.
Every girl saved from FGM is a testament to her courage.
Every law passed against it carries her story.
Every survivor who finds help at a Desert Flower Center walks in her footsteps.
She was born a desert flower in the harshest conditions imaginable.
Not only did she survive.
She bloomed.
And she made damn sure millions of other girls would get the chance to bloom too.
Not as victims.
But as the powerful, whole, unbroken women they were always meant to be.

26/11/2025
In Liberia, every day without the Women and Girls Protection Bill is another day girls remain unprotected.The time for s...
14/11/2025

In Liberia, every day without the Women and Girls Protection Bill is another day girls remain unprotected.
The time for silence is over.
Pass the Women and Girls Protection Bill now.



Until this bill is passed, .
Stand with us. Speak out. Protect her.

12/10/2025
03/09/2025

Story Time

31/08/2025

Enjoy this Liberian tale.

"Chosen Warrior" by Rosana Schaack—Excerpt from chapter 20: Night Crawlers"Once Dad shut down the generator at night and...
30/08/2025

"Chosen Warrior" by Rosana Schaack—Excerpt from chapter 20: Night Crawlers
"Once Dad shut down the generator at night and the last of us headed to bed, the scratching began, soft at first, like fingernails brushing across a chalkboard. Then came the thumps, the scurrying sound in the attic, and the sharp clatter of metal pots in the kitchen.
We had night crawlers—destructive rodent nuisances—nothing like pets. These invaders crept into the house, multiplied quickly, attacked our food supply, and disrupted our sleep.

One night, I cracked open the bedroom door to find the source of the noise that had awakened me. Flicking on my flashlight, I aimed it down the hall. There, near the pantry, at the end of the hall, a creature as thick as my forearm sat on the rice bag like it owned the place. Its fur was patchy, its tail long and scaly, and its eyes black as coal. It did not flinch in the beam of the flashlight. Just stared. The size of it frightened me. I stumbled back into the room, crawled under the covers, and pulled them tight over my head.

How could we get rid of them?

The intruders were giant, stretching ten to twelve inches long and probably weighing a couple of pounds. They were not the monstrous Gambian breed, but close enough. I never bothered to learn their exact species. I did not care.

The rats took over the house. Schaackay and Dad set metal traps, but the rodents outsmarted them every time. Dad found heavy-duty glue at a local shop and spread it thickly on cardboard. However, we woke one morning to a grotesque sight—a rat dragging itself across the dining room, a torn glue trap clinging to its hindquarters like a backpack.
Nothing worked.
Desperate, Dad wrote to Mom in the States with a strange request—Purina Rat Killer. It turned out to be just what we needed. Only then did the rats begin to disappear.
By final count, we had cleared out fifty-one of those hairy monsters..."

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