Arab Image Foundation - المؤسّسة العربيّة للصورة

  • Home
  • Lebanon
  • Beirut
  • Arab Image Foundation - المؤسّسة العربيّة للصورة

Arab Image Foundation - المؤسّسة العربيّة للصورة The Arab Image Foundation (AIF) works at the intersection of photographic, artistic, research, and preservation practices.

For International Archives Week, we reflect on one of this year's sub-themes: Archives for Accountability. We look back ...
12/06/2026

For International Archives Week, we reflect on one of this year's sub-themes: Archives for Accountability. We look back on the Armenian photographers and studio owners who are extensively present in the region's photographic history, and within the AIF collections. Through their photographs and teachings, during periods of political change, violence, and upheaval, these photographers affected the development of photography in the region, and impacted the manner in which communities self-preserve.

بمناسبة الأسبوع العالمي للأرشيف، نتأمل في أحد المواضيع المطروحة لهذا العام: الأرشيف في سبيل المساءلة. ننظر إلى الأثر الكبير الذي تركه المصورون الأرمن في تاريخ التصوير في منطقتنا، والحاضر بدرجة كبيرة في مجموعات المؤسسة العربية للصورة. من خلال الممارسة والتعليم، وخلال حقبة مفصلية من العنف والنزاعات في التاريخ السياسي للمنطقة، كان لهؤلاء المصورين دور أساسي في أرشيف الصور في بلاد الشام.

لقراءة النص الوارد في المنشور باللغة العربية، انظروا للتعليقات.

**Arabic caption is in the comments**18 years of living under the tyranny of israeli occupation came to an end when the ...
25/05/2026

**Arabic caption is in the comments**

18 years of living under the tyranny of israeli occupation came to an end when the people of South Lebanon reclaimed their land on May 25, 2000, through the power of their fists and the sacrifice of their blood.
A moment that remains, to this day, etched in the memory of every Lebanese person, a memory cherished deep within their souls, defying the passage of time. An entire generation experienced the moment of liberation, shedding tears of pride and pure happiness.
Who among us does not remember how the people of the South broke the gates of Al Khiam prison, where the israeli occupier tortured prisoners and committed some of its ugliest crimes against humanity? Who among us can forget how the liberated prisoners emerged and bowed to kiss the soil of their beloved land for the first time in years? Who among us can forget the women’s ululations of joy?
The people of the South have never relinquished their right to their land, despite the displacement and segregation they endured. Today, more than ever, this land remains an inseparable part of their very being, in every place to which they were forcibly displaced under the threat of the recent israeli occupation.
How can a hand forget the land it sowed, watered, and harvested?

Many thanks to Assafir Newspaper for providing the images from their valued archive:

The family of Abbas Alawieh in a tent they built on the site where their house once stood in Arnoun, photographed by Tabaja Adnan – May 27, 2000 – Lebanon, South Lebanon, Arnoun – Courtesy of Assafir Newspaper.

Citizens waving the Lebanese flag in celebration of the Liberation of South Lebanon, photographed by Selman Abbas – May 25, 2000 – Lebanon, South Lebanon, Al Khiam – Courtesy of Assafir Newspaper.

You can browse the archive by visiting their website: https://www.assafir.com/ #/home.

Tomorrow, May 15, we commemorate the 1948 Nakba.In April 1948, six weeks before the end of the British Mandate over Pale...
14/05/2026

Tomorrow, May 15, we commemorate the 1948 Nakba.

In April 1948, six weeks before the end of the British Mandate over Palestine, Zionist leadership put into action Plan Dalet in order to secure control over the territories “allocated” to the future Israeli state, expand beyond them, and ethnically cleanse the land of the indigenous Palestinian population.

What followed was a series of military operations and a countrywide psychological campaign aimed at mongering fear and expelling Palestinians into exile. Of these so-called operations was the Deir Yassin Massacre, whose aftermath saw a mass exodus of Palestinians. By land and sea, they fled to Lebanon, Syria, Jordan, and Egypt.

In mid-April, Tiberias was the first city to fall into the hands of Zionist militias. Then, Haifa. By the end of 1948, residents of an estimated 400 Palestinian villages had been forcibly displaced. They remain prohibited from returning to their homes, their land to this day.

On May 14, 1948, the British High Commissioner departed Jerusalem. The state of Israel materialised and was quickly recognised by U.S. President Harry Truman. The seeds of the Israeli monster were sewn, irrigated with the blood of Palestinians. And, religious and historical fallacies propagated.

0059ne00017. Tiberias. Unidentified photographer. 1900 - 1910. Tiberias, Palestine. Gelatin silver negative on glass. 8.2 × 10.7 cm. 0059ne - Rami al Nemr Collection. Courtesy of the Arab Image Foundation.

To read more about this, subscribe to AIF newsletter by clicking the link in our bio. In the May edition of the Arab Image Foundation's newsletter, we share a historical reflection on two significant dates in the political history of our region: the 1948 Nakba, commemorated on May 15, and the Liberation of South Lebanon, commemorated on May 25.

Wishing all workers a restful Labour Day.In the face of political injustice and failing institutions, workers continue t...
30/04/2026

Wishing all workers a restful Labour Day.

In the face of political injustice and failing institutions, workers continue to bear the brunt of oppressive economic policies and struggle to secure their most basic needs. May all workers be met with dignity, protection, and fair compensation for their labour.

The Common Library at AIF is closed tomorrow.

نتمنى لكم يوم عيد عمالٍ مفعمًا بالراحة.

يبقى العمال، المتضررون الأوائل من السياسات الاقتصادية القمعية، وما ينتج عنها من لاعدالة سياسية وانهيار مؤسساتي؛ هم حتى اليوم لا يزالوا يقاتلون للحصول على أبسط حقوقهم. نأمل أن تُكرّس الكرامة، الحماية، والمردود العادل، كمبادئ أساسية في كافة بيئات العمل.

المكتبة المشتركة مغلقة غدًا الجمعة.

0195na00011. Portrait of workers and Bezbina residents, including Gerges Abdallah Hazim and Spiridon Hazim, commemorating the completion of Bezbina Road. Unidentified photographer. 1923. Bezbina, Akkar (governorate), Lebanon. Gelatin silver developing-out paper print. 19.6 x 29.8cm. 0195na - Paul Nassar Collection. Courtesy of the Arab Image Foundation.

The 24th of April marks 111 years since the Armenian Genocide, perpetrated by the Ottomans. We share with you a photogra...
24/04/2026

The 24th of April marks 111 years since the Armenian Genocide, perpetrated by the Ottomans.

We share with you a photograph of the Antoura Saint Joseph School. From 1915 to 1918, Ottoman forces turned the school into an orphanage for Armenian children.

Ottoman forces erected orphanages across the region in order to “Turkify” Armenian children. These children were torn away from their families and forced to change their name, their language, and their religion. Many children died due to starvation, disease, and abuse.

At the end of WWI, following the Ottoman defeat, the Antoura orphanage was taken over by the Near East Foundation. Unable to repatriate the children due to Turkish attacks, the Near East Foundation transferred the children to an orphanage in Jbeil, Lebanon.

During renovations of the Antoura Convent in 1993, a mass grave of the remains of an estimated 300 children was found. A memorial was subsequently built at the site to preserve their memory.

The story of this orphanage reflects a broader dimension of the Armenian Genocide: beyond corporeal killings, Ottoman forces aimed to erase Armenians culturally, through the fragmentation of families and so-called re-education.

0087ch-al001-045,00101. View of the Antoura Saint Joseph School clocktower. Unidentified photographer. 1920-1930. Aintoura, Lebanon. Gelatin silver printing-out paper print, mounted on album page. 9x12cm. 0087ch - Simone Chemali Collection. Courtesy of the Arab Image Foundation.

Today, we revisit an excerpt from a text we wrote last September. While we witnessed the systematic targeting of journal...
23/04/2026

Today, we revisit an excerpt from a text we wrote last September. While we witnessed the systematic targeting of journalists and photojournalists in Gaza, we asked: Can the camera mourn?

“The camera that was once shielded is now a target to the zionist entity. In the ruins of homes, pressed against a hospital wall, they frame what remains. Their photographs do not promise redemption. They are the last will of a people that insists on visibility in a world that has already decided to look away.
[…] Perhaps the answer is that the camera mourns through interruption. Each absent photographer leaves a silence in the visual archive, a frame that cannot be taken. What remains is the unfinished gesture, the photo we will never see, the testimony cut short.”

The criminal targeting of journalists by the zionist entity hasn’t stopped. Since the beginning of the Israeli aggression on Lebanon 2023, we have lost: Issam Abdallah, Farah Omar, Rabih Al Maamari, Hussein Aqeel, Hadi Al-Sayyed, Kamel Karaki, Safaa Ahmad, Hussein Safa, Mohammad Ghadboun, Ali Alhadi Yassine, Mohammad Bitar, Ghassan Najjar, Mohammed Rida, Wissam Qassim, Ali Hassan Ashour, Susanne Khalil, Ghada Dayekh, Mohamad Sherri, Hussein Hammoud, Fatima Ftouni, Mohammed Ftouni, Ali Shuaib, Amal Khalil and countless others who bore witness and reported on the atrocities committed.

On Wednesday, April 22, 2026, an Israeli airstrike targeted the car of journalists Amal Khalil and Zainab F***j while they were reporting from the southern village of Al-Tiri. When they fled to take refuge in a nearby house, the belligerent israeli occupation forces struck again targeting the house. After rescuing Zainab, the paramedics and Lebanese Army were forbidden from entering the area under threat of fire to retrieve Amal. She remained under the rubble of the house for four hours. They were later permitted to enter and recover her body late last night.
*****
0304ta-co061-006. View of hunters standing in a grass field photographed by Roland Sidawy. 1955-1970. Bint Jbeil, Lebanon. Gelatin silver negative on cellulose acetate film base. 6.5x6.2cm. 0304ta - Samir Tabet Collection. Courtesy of the Arab Image Foundation.

The screening of Buffer Zone and November Means Olives, scheduled for this Thursday, February 26, has been postponed to ...
25/02/2026

The screening of Buffer Zone and November Means Olives, scheduled for this Thursday, February 26, has been postponed to a later date.

Please keep an eye on our social media platforms to stay informed about the new dates.

لقد تمّ تأجيل عرض منطقة عازلة وتشرين الأول أي الزيتون الذي كان مخططًا لهذا الخميس ٢٦ شباط.

ترقبوا صفحاتنا على وسائل التواصل الاجتماعي لمعرفة المواعيد الجديدة.

24/02/2026

Join us this Thursday February 26, at 7:30PM at the Shared Auditorium, for a screening of:

October Means Olive
2023, 5'

and

Buffer Zone
2025, 18'
by Farrah Berrou.

The screening is followed by a discussion with Rayyane Tabet.

Free entrance. First come first seated.

We look forward to seeing you there!

انضموا إلينا هذا الخميس ٢٦ شباط، في القاعة المشتركة لحضور:

تشرين الأول، أي الزيتون
٢٠٢٣، ٥ د.
و
منطقة عازلة
٢٠٢٥، ١٨ د.
للمخرجة فرح برّو

يلي العروض حوار مع ريان تابت.

الدخول مجاني. تأكدوا من الوصول مبكرًا لحجز مقاعدكم.

نتطلّع لرؤيتكم!

𝗹𝗶𝗾𝗮’𝗮 𝘀𝗵𝗮𝗵𝗿𝗶 𝟵 | 𝗦𝗰𝗿𝗲𝗲𝗻𝗶𝗻𝗴 𝗼𝗳 𝗕𝘂𝗳𝗳𝗲𝗿 𝗭𝗼𝗻𝗲Thursday, February 26 at 7:30PM in the Shared Auditorium at AIFThis month’s li...
18/02/2026

𝗹𝗶𝗾𝗮’𝗮 𝘀𝗵𝗮𝗵𝗿𝗶 𝟵 | 𝗦𝗰𝗿𝗲𝗲𝗻𝗶𝗻𝗴 𝗼𝗳 𝗕𝘂𝗳𝗳𝗲𝗿 𝗭𝗼𝗻𝗲

Thursday, February 26 at 7:30PM in the Shared Auditorium at AIF

This month’s liqa’a shahri features a screening of October Means Olive and Buffer Zone by Farrah Berrou, followed by a discussion with visual artist Rayyane Tabet.

October Means Olives
2023, 5’

Buffer Zone
2025, 18’

About Buffer Zone:

In this short film, part documentary, part memoir, Farrah Berrou takes us to her ancestral border village of Kfarkila in Southern Lebanon for the first time since October 8, 2023, the day Lebanon became a support front to Gaza and Palestine in the aftermath of October 7.

About Farrah Berrou:

Farrah Berrou is a Lebanese-American writer and artist based in Beirut. Her work explores themes of identity as they appear in everyday minutiae, personal archives, and memory. She currently writes Aanab News, a newsletter on Lebanese culture.

About Rayyane Tabet:

Rayyane Tabet is a visual artist living and working in Beirut.He holds a Bachelor’s degree in Architecture from Cooper Union, New York, and an MFA from the University of California, San Diego. Tabet’s work explores the relationship between history and the built environment. His multifaceted installations often reconfigure perceptions of physical and temporal distance.

Free entrance. First come first seated.

We look forward to seeing you there!

02/02/2026

The film programme “Visions of Capture,” curated by the Cinematheque Beirut team, was presented on 25 October 2025 at the Arab Image Foundation as part of the “Violence and Visuality” conference organised by the Media Studies programme at the American University of Beirut (AUB). After the sc...

Address

Aresco Bldg/GF/Justinien Street, Hamra
Beirut

Opening Hours

Monday 10:00 - 17:00
Tuesday 10:00 - 17:00
Wednesday 10:00 - 17:00
Thursday 10:00 - 17:00
Friday 10:00 - 17:00

Telephone

+961 1 569 373

Alerts

Be the first to know and let us send you an email when Arab Image Foundation - المؤسّسة العربيّة للصورة posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Contact The Organization

Send a message to Arab Image Foundation - المؤسّسة العربيّة للصورة:

Share