Arts & Globalization

Arts & Globalization Arts & Globalization organizes int. conferences, performance and talk programs and artist residencies The Western canons in the art history have come to an end.

A global, contemporary art of diverse origins has taken its place. What are the implications for curators, artists and museums? Who are the new auteurs? What is cultural translation in the arts? The conference Arts & Globalization – Achieving Intercultural Dialogue Through the Arts aims to engage with the complexities of the new status of arts and visuality in contemporary art practice and art the

ory in the context of “globalization”. It will address the complex interplay between cultural policy making, art curation and art production. This is the first conference of its kind taking place in the city of Copenhagen, Denmark. The purpose of the conference is to create an artistic and intellectual platform for the different stakeholders of the arts and to create an international and interdisciplinary conversation on the role of the different positions in the arts today. The conference is also intended to be a platform that can generate new artistic and curatorial ideas and new international networks, collaborations and friendships. We hope to see you for three inspiring days this spring in the city of Copenhagen from May 26-28, 2015! What will happen? This year´s theme ”Achieving Intercultural Dialogue Through The Arts” is inspired by the UNESCO “Convention on the Protection and Promotion of the Diversity of Cultural Expressions”. The program will present leading and emerging curators, artists, cultural communicators and policy makers from across the world who can show us best practices on how to enhance intercultural dialogue through the arts. The conference is intended as an international meeting place for critical engagement, examination and experimentation of ideas that connect the discussion of interculture and the arts with cultural policy making and the global society. You will meet experts and learn about best practices in intercultural collective making, global curatorial movements and participatory strategy, site-specific art and community art. Focusing on the paradigms of identity, alterity, memory, locality and interculturality, as well as on new ways of understanding the political, ecological, technological, economical and scientific dimensions of the current age, the conference seeks to locate links between theoretical concepts and innovative work methodologies. The conference format has a strong focus on dialogue and participation. You will be invited to participate in exciting dialogues with arts professionals and there will be live performance art, roundtable discussions, workshops, an art party, guided tours and exhibitions.

17/05/2026

No Jury , No Prize . from Venice Biennale

Presented by Arts & Globalization as a satellite of the Nauru National Pavilion at the 61st Venice Biennale, Ọ́mọ̀ Ọba (...
17/05/2026

Presented by Arts & Globalization as a satellite of the Nauru National Pavilion at the 61st Venice Biennale, Ọ́mọ̀ Ọba (Prince) Adétòmíwá A. Gbadébò unveiled new works rooted in Yoruba culture, spirituality, sustainability, and the enduring truth that “Water No Get Enemy.” 🌊

Hosted at CREA Venice, the dialogue “Water No Get Enemy” brought together artists and audience across borders to reflect on resilience, cultural memory, water, our shared future and dialogue through contemporary art. At the CREA Venice terrace at Giudecca, Gbadébò expanded the conversation on water, sustainability, spirituality and resilience, together with Italian-American artist Lisa Mara Batacchi and Danish‑French conceptual artist Thierry Geoffroy (aka Colonel).

Sustainability YorubaCulture Spirituality CREAVenice

16/05/2026
16/05/2026
After the "Water No Get Enemy" dialogue at the 61st Venice Biennale, Ọ́mọ̀ Ọba (Prince) Adétòmíwá A. Gbadébò unveiled se...
15/05/2026

After the "Water No Get Enemy" dialogue at the 61st Venice Biennale, Ọ́mọ̀ Ọba (Prince) Adétòmíwá A. Gbadébò unveiled several brand‑new artwork rooted in heritage, sustainability, and the enduring truth of the proverb “Water No Get Enemy.”

Adetomiwa is born into royal lineages across Egba, Ilé‑Ifẹ̀, Lagos, and Nupe, he transforms ancestry into living, breathing contemporary practice. His work bridges past and future, activating Yoruba cultural memory while imagining more just and interconnected worlds.

From Nigeria to the United States, his voice resonates globally — as an artist, cultural diplomat, and founder of ÒRÍIFÁÁ and the Prince Adetomiwa Gbadebo Cultural Foundation.

At the CREA Venice terrace at Giudecca he expanded the conversation on water, sustainability, spirituality and resilience, together with Italian-American artist Lisa Mara Batacchi and Danish‑French conceptual artist Thierry Geoffroy (aka Colonel).

Organized by Arts & Globalization. Hosted by CREA Cantieri del Contemporaneo. Satellite event under the Nauru National Pavilion: https://www.nauru-biennalevenezia.com/events/

🌊 Water has no enemy. Art has no borders.

The first Nauru Pavillion at La biennale di Venezia!
18/02/2026

The first Nauru Pavillion at La biennale di Venezia!

Nauru, the world's smallest island country, debuts with a national pavilion at the 61st Venice Biennale titled AIM Inundated, Imagining Life After Land and curated by Khaled Ramadan, which positions the South Pacific Ocean microstate as an early and universal example of loss, adaptation, and resilie...

15/02/2026
13/02/2026

Achille Mbembe
August 15-20
Saas-Fee, Switzerland

Indirizzo

Calle Bosello 3683
Venice
30122

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