04/03/2026
Among the artists who indigo-dyed ‘sleeves’, contributing to ‘s “Boro: The Hidden and the Visible in Japanese Mended Textiles” exhibition, this one was created in Nigeria by artist Marcia Kure , a dear friend of Yoshiko’s for over 25 years, in collaboration with master dyer Ibrahim Hamisu Ibrahim (Baballiya) at the historic Kofar Mata dye pits in Kano, established around 1498.
Marcia opened a window into her process:
“The indigo-dyed display sleeve was produced in Nigeria by Marcia Kure, in collaboration with master dyer Ibrahim Hamisu Ibrahim (Baballiya), using traditional indigo dyeing methods at the historic Kofar Mata dye pits in Kano (established around 1498). When an initial stitched-resist technique proved incompatible with the material, a clamping-resist method structurally comparable to Japanese itajime shibori was adopted. This approach was informed by knowledge shared within the Kofar Mata dyeing community, research, and hands-on experimentation. The textile was folded, compressed between rigid forms, and repeatedly immersed in indigo, allowing dye to seep through points of resistance. This process produced a graduated tonal field, shifting from deep indigo to lighter hues, visibly recording repetition, pressure, and material constraint. Positioned in the Ura section of the exhibition’s concealed interior, the indigo-dyed display sleeve aligns its layered surface with histories of labor, repair, and everyday indigo use shared across cultures.”
Now, as boro is recognized as art, Marcia Kure and Ibrahim Hamisu Ibrahim have become part of boro’s continuing story.
Exhibited in “Boro, The Hidden and the Visible in Japanese Mended Textiles” at the International Quilt Museum.
**Virtual gallery by link in bio.
Images:
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