Noema

Noema Nel 2003 Noema è stato selezionato da RAI International come miglior sito culturale italiano. ISSN 2283-3145

[ITA] Noema è un magazine online (ISSN 2283-3145) sulle relazioni tra tecnologie, scienza, cultura e società.
[ENG] Noema is a magazine online (ISSN 2283-3145) about the relationships between technology, science, culture, and society. Italiano [English below]

Noema (nóēma, dal greco νόημα, “pensiero”, “concetto”, “idea”) è un magazine online (ISSN 2283-3145) sulle relazioni tra tecnologie, scien

za, cultura e società. La parola “cultura” significa anche “abitudini”, “modi di vita”, “comunicazione”, “arte”, “società”, “economia”, “media”, “filosofia”, “crisi climatica”, “ambiente”, “problematiche del post-umano e del non umano”…, mentre il termine “tecnologie” va inteso in maniera più estesa della sola accezione digitale. Noema è online dal Marzo 2000 ma le sue radici risalgono agli anni ’90: nel Marzo 1994 un piccolo gruppo dell’Università di Bologna pubblicava NetMagazine/MagNet (1994-98), primo magazine online in Italia, citato in libri, corsi e conferenze. Noema è sempre stato un riferimento nell’esplorazione e nell’analisi delle trasformazioni culturali grazie alla sua rete di autori, agli articoli e ai saggi multilingua che pubblica, ai progetti e alle ricerche che sostiene. Del suo Comitato Scientifico e dell’Advisory Board fanno parte ricercatori, studiosi ed esperti di livello internazionale. Noema ha fondato, guidato o supportato progetti ed eventi internazionali dall’arte alla didattica, dall’innovazione al cambiamento climatico, dall’editoria alla comunicazione. Tra questi fivewordsforthefuture, Noema Media & Publishing, art*science, Dialogues across the Seas, , Noema Online Education/e-learning.lab. Noema è partner di SciArt: Science, Art Society Project, progetto del Joint Research Center della Commissione Europea e della piattaforma europea EMAP (European Media Art Platform). Noema è una testata giornalistica registrata presso il Tribunale di Ravenna n. 1211 del 17/07/2003. ISSN 2283-3145


English


Noema (nóēma, from Greek νόημα, “thought”, “concept”, “idea”) is an online magazine (ISSN 2283-3145) about the relationships between technology, science, culture, and society. The word “culture” also means “habits”, “lifestyles”, “communication”, “art”, “society”, “economy”, “media”, “philosophy”, “climate crisis”, “environment”, “post-human and non-human issues”…, while the term “technologies” should be understood more broadly than just in the digital sense. Noema has been online since March 2000, but its roots go back to the 90s: in March 1994, a small group from the University of Bologna published NetMagazine/MagNet (1994-98, see also here), the first online magazine in Italy, cited in books, courses, and conferences. In 2003, Noema was selected by RAI International as the best Italian cultural website. Noema has always been a reference in exploring and analyzing cultural transformations thanks to its network of authors, the multilingual articles and essays it publishes, and the projects and research it supports. Its Scientific Committee and Advisory Board include internationally renowned researchers, scholars, and experts. Noema has founded, led, or supported international projects and events ranging from art to education, from innovation to climate change, from publishing to communication. These include fivewordsforthefuture, Noema Media & Publishing, art*science, Dialogues across the Seas, , Noema Online Education/e-learning.lab. Noema is a partner of SciArt: Science, Art Society Project, a project of the European Commission’s Joint Research Center, and the European platform EMAP (European Media Art Platform). Noema is a journal registered at the Court of Ravenna, n.1211 – 17/07/2003.

"What happens to creativity when it is no longer bound to a living body?Situated within debates around human agency and ...
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"What happens to creativity when it is no longer bound to a living body?
Situated within debates around human agency and generative AI, Revivification attempts to posthumously extend the artistic life of experimental composer Alvin Lucier (1931-2021). Departing earth at the age of 90, his donated biological material becomes the basis of a living system – a new kind of biological performer that continues his artistic and cellular journey."

Situated within debates around human agency and generative AI, Revivification attempts to posthumously extend the artistic life of experimental composer Alvin Lucier (1931-2021). Departing earth at…

"Ars Biologica is a living laboratory for shared ecological futures – an experimental space where art and science meet t...
08/08/2026

"Ars Biologica is a living laboratory for shared ecological futures – an experimental space where art and science meet to explore ways of caring for the world we live in.
The ArtXScience residency is one part of the Ars Biologica project, a key pillar of České Budějovice – European Capital of Culture 2028. The aim is to explore how art and science can collaborate to address urgent environmental challenges, with a special focus on climate emergence, sustainable agriculture, geoengineering, permaculture, water resource management, and the broader ecological impacts on local communities."

We are looking for artistic proposals for (1) a spatial ArtXScience artwork that goes beyond screen-based explorations and (2) public engagement formats involving the local community connected to t…

Noema è media partner di questa iniziativa."Temi globali come cambiamenti climatici, transizione energetica, intelligenz...
08/08/2026

Noema è media partner di questa iniziativa.
"Temi globali come cambiamenti climatici, transizione energetica, intelligenza artificiale riguardano da vicino le nostre vite e richiedono consapevolezza, spirito critico e capacità di districarsi tra le innumerevoli informazioni che abbiamo a disposizione. Oggi più che mai la comunicazione scientifica deve riuscire a essere chiara e accessibile e fornire oltre alle conoscenze gli strumenti per orientarsi.
Per rispondere a questa sfida, “F***e di Scienza – Strambinaria” raduna a Strambino la comunità delle divulgatrici e dei divulgatori scientifici italiani, che si ritrovano per scambiare idee, esperienze e buone pratiche, per poi mettersi in gioco di fronte al pubblico. È diventato un punto di riferimento per la divulgazione in Italia. Giunto quest’anno alla nona edizione, vedrà la partecipazione di oltre 200 professioniste e professionisti, confermandosi punto di riferimento per la divulgazione in Italia."

Temi globali come cambiamenti climatici, transizione energetica, intelligenza artificiale riguardano da vicino le nostre vite e richiedono consapevolezza, spirito critico e capacità di districarsi …

A new article by Rob van Kranenburg, "Disclosure"https://noemalab.eu/ideas/disclosure/"IoT is the best basis, not object...
28/07/2026

A new article by Rob van Kranenburg, "Disclosure"
https://noemalab.eu/ideas/disclosure/
"IoT is the best basis, not objective, not neutral for active decision making for ‘now’ and factoring in the repercussions of that act in ten years time. I too end on pragmatic cybernetics as the only form of governance that will keep us from ‘total breakdown of society because of the inability of the state to deal with the digital’."

IoT is the best basis, not objective, not neutral for active decision making for ‘now’ and factoring in the repercussions of that act in ten years time. I too end on pragmatic cybernetics as the on…

Interview of Oriana Persico on fivewordsforthefuture"Oriana Persico is an artist, cyber-ecologist, and director of the r...
08/07/2026

Interview of Oriana Persico on fivewordsforthefuture
"Oriana Persico is an artist, cyber-ecologist, and director of the research center HER she Loves Data, she explores the relationship between humans, technology, and society by investigating data as cultural phenomena that make us sensitive to complexity and the environment. Her latest work, “pneumOS. The Knowkedge of the Air is Open Source” was exhibited at the Italian Pavilion at Expo 2025 in Osaka."

Oriana Persico is an artist, cyber-ecologist, and director of the research center HER she Loves Data, she explores the relationship between humans, technology, and society by investigating data as …

Noema's Call for Papers "The Wound of the Possible. Art, Futurity, and Non-Human Agency" is open!  Link in the first com...
22/06/2026

Noema's Call for Papers "The Wound of the Possible. Art, Futurity, and Non-Human Agency" is open! Link in the first comment.
"We invite to reflect on the relationship between art and futurity in all its complexity, including its post-anthropocentric dimensions. We are interested in art that anticipates, interprets, and imagines, but also in art that resists and keeps open the wound of the possible against the pressure of the inevitable. We are interested in the aesthetics of survival and the poetics of catastrophe, in the archive as a form of construction of the future and the algorithm as aesthetic agent. We are interested in voices from the margins of the dominant technocultural imaginary, and in the stubborn and necessary work of imagining otherwise."

We are interested in art that anticipates, interprets, and imagines, but also in art that resists and keeps open the wound of the possible against the pressure of the inevitable. We are interested …

In Noema a new test by Leonel Moura"Sapiens-AI is not a future possibility, a technological project or a speculative fic...
21/06/2026

In Noema a new test by Leonel Moura
"Sapiens-AI is not a future possibility, a technological project or a speculative fiction. It already inhabits the present, though largely unnamed and unrecognized. Previous centuries witnessed the emergence of new social classes, new political subjects and new forms of consciousness. Our century witnesses the emergence of a new cognitive being. We are not witnessing the arrival of a new technology. We are witnessing the emergence of a new condition of existence."

Sapiens-AI is not a future possibility, a technological project or a speculative fiction. It already inhabits the present, though largely unnamed and unrecognized. Our century witnesses the emergen…

"MAM — Media Art Museum is a new space dedicated to media art, audiovisual performance and digital culture, home to one ...
21/06/2026

"MAM — Media Art Museum is a new space dedicated to media art, audiovisual performance and digital culture, home to one of the largest immersive rooms in Europe. Founded by FLxER (Gianluca Del Gobbo & Co), MAM dedicates its immersive room entirely to live performance, making it the world’s first permanent immersive venue designed specifically for live performance. In addition to the immersive room, MAM hosts several spaces for installations and workshops, as well as a permanent exhibition dedicated to media art tracing its history over the last thirty years."

MAM — Media Art Museum is a new space dedicated to media art, audiovisual performance and digital culture, home to one of the largest immersive rooms in Europe.

"The S+T+ARTS AQUA MOTION project is set to transform water management in Europe by merging artistic experimentation wit...
21/06/2026

"The S+T+ARTS AQUA MOTION project is set to transform water management in Europe by merging artistic experimentation with cutting-edge technological innovations. Over 24 months, artists will collaborate with researchers, policymakers, businesses, and local communities to develop sustainable, creative solutions for pressing water challenges. The project focuses on four major European water basins—Atlantic-Arctic, Baltic-North Sea, Mediterranean, and Danube-Black Sea—ensuring regionally relevant interventions that align with local needs and broader European objectives."

The S+T+ARTS AQUA MOTION project is set to transform water management in Europe by merging artistic experimentation with cutting-edge technological innovations.

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