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ANALOGICA ANALOGICA is a platform for the investigation and dissemination of analog practices in visual and son ANALOGICA is a free-of-charge and self-financed festival.

ANALOGICA, the festival for analog technology, is conceived and run by Resistenza Analogica as a natural follow-up and evolution of our many screenings shown during the past years. The festival usually takes place during a weekend in September and showcases a selection of:
cinema: super8 and 16mm films
photography: analog shots and camera obscura works
music: vinyl records, analog electronic sounds and live performances

ANALOGICA is an opportunity to get to know analog technologies of all kinds: film, photography or sound. Discover new (old) ways to experiment and recycle those uncontrollable materials that resist the standardized digital world. Analogica also aims at being a point of reference and meeting place for the world of creative analog technology. The festival is a meeting point for enthusiasts, experimenters and researchers dealing with slow and low-fi technologies. ANALOGICA's first editions have been run in the city of Rome in 2011 and 2012. In 2013 the festival moves to the South Tyrolean mountains. If you desire to donate to make this happen, please contact us.

12/10/2026

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ANALOGICA 16
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Film Without a Camera
Direct Animation with a Soundtrack
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workshop with Jan Rehwinkel
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14+15 NOV
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link in bio

11/10/2026

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ANALOGICA SELECTION 16 / PR 2
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Remembrance of Night Whispers
by Lucien Leung
super8, 35mm / 2026 / Canada / 7’ 43’’

A young man catches a glimpse into his late father’s enigmatic past.
Through a series of archival footage, with an interview inquiring into his father’s ominous past, the son, Lucien finds aspects of himself in his father.
Exploring dark topics of family heritage, mental illness, and haunting, it reaches simple yet resonant discoveries.
A linguist specialized in literary translation, “Remembrance of Night Whispers” is an act of mythologizing Lucien Leung’s family history. He took inspiration from various sources, such as Classic of Mountains and Seas and strange tales that were passed down from generations back in China.
He hopes to find answers to questions that may define his very existence through this documentary.

Born and raised in a multicultural environment, Lucien Leung has been exploring how different languages can shape one’s psychological landscape. After declining an offer to study in counselling psychology, he decided to focus on linguistics while remaining interested in analogue filmmaking. He is currently co-writing a feature film with a Canadian director.
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ANALOGICA 16
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11 > 15 NOV
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link in bio

10/10/2026

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ANALOGICA SELECTION 16 / PR 2
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Parallel Lands
by Steven Woloshen
16mm / 2025 / Canada / 7’ 11’’

With Parallel Lands, Steven Woloshen repurposes an old 35mm film print of Gypsies Are Found Near Heaven (1976) by Emil Loteanu, a work echoing his family’s own migrational journey from the Ukraine.
Meditating on more than 600 years of travel and displacement, Woloshen walks the lengths of the film, treating the act as an experimental performance paralleling that journey.
Equally haunting as it is energetic, Parallel Lands animates archival material, exploring its corporeal dimensions. The result is a record of this performance wherein Woloshen placed the print on top of IMAX raw stock film in a dark corridor, and walked its length, exposing it to bursts of light.

Steven Woloshen was born in Laval, Canada in 1960. He holds a master’s degree in Fine Arts from Concordia University. For more than 40 years, he has passionately created over 50 award-winning, abstract films and time-based installations for festivals, galleries and museums.
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ANALOGICA 16
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11 > 15 NOV BZ
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link in bio

10/10/2026

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ANALOGICA SELECTION 16 / PR 2
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Legacy
by Leyla Mandel
16mm / 2025 / United States / 4’ 53’’

Imagine finding an old film reel from the past, dated 2050. Instead of images of a thriving natural world, you uncover a decayed record of an altered landscape.
Sunlight filtering through trees is marred by bubbles and white blooms. Crashing ocean waves appear cracked, wrinkled, and blotched. Nothing is as we remember it. The environment we once knew has become a fading memory, aging, deteriorating, and uncertain. Was it ever real, or was it only a dream?

Leyla Mandel is an emerging visual artist and filmmaker. She is a recent graduate from Tufts University where she received a BFA in film and a BA in political science.
Her work explores the fragility of memory and loss in the wake of accelerated climate disaster. In her films she attempts to bring the abstract idea of climate catastrophe into intimate focus, connecting large-scale disaster to personal loss. She is currently studying montage at the Film and TV School of Academy of Performing Arts in Prague.
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ANALOGICA 16
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11 > 15 NOV BZ
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link in bio

09/10/2026

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ANALOGICA SELECTION 16 / PR 2
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In the Maritime Frequencies
by Greta M Snider
16mm / 2025 / United States / 15’

Greta Snider’s 2025 film In the Maritime Frequencies approaches climate change from a hyper-localized perspective, focusing on a stretch of San Francisco shoreline. Shot on celluloid, it was hand-processed using bay water, local fennel, and detergent runoff from the area.
The site, a spit of land on the city’s southeastern shore, embodies past, present, and future. This former landfill still surfaces Navy yard relics and tombstone fragments from the past.
Today it’s one of the city’s last undeveloped public spaces. And fennel, mallow, and poppies are already spreading across the ground, a glimpse of what’s next.
The film examines emotional representations of climate change, drawing on Susan Sontag’s “The Imagination of Disaster” (1965), Octavia E. Butler’s Parable of the Sower (1993), and Kimberly Nicholas’s Under the Sky We Make (2022), each linking climate disaster to the human psyche.

Greta Snider utilizes a combination of original and archival material to create nonfiction art cinema. Snider’s films, stereoscopic performances, and installations use the materiality of motion pictures to reshape themes of memory, loss, and personal histories in a more intimate, affective experience. Snider teaches experimental filmmaking at San Francisco State University, where she is faculty advisor to The Archive Project.
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ANALOGICA 16
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11 > 15 NOV BZ
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link in bio

08/10/2026

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ANALOGICA SELECTION 16 / PR 2
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Projectionist Please Focus
by Linda Izcali Scobie
35mm footage / 2026 / Usa / 1’

A film in which there appear START, FOCUS and END leader 35mm>16mm, color/b&w, sound

Linda Izcali Scobie is a filmmaker, programmer, and projectionist living in San Francisco.
Her 16mm film work has been exhibited nationally and internationally at film festivals and venues such as LA Film Forum, Antimatter, Centro de Cultura Digital in Mexico City, XCÈNTRIC - de Barcelona and the Ann Arbor Film Festival; receiving the 2026 Susan Dise Best Experimental Film Award. Her films are distributed by Canyon Cinema.
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ANALOGICA 16
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11 > 15 NOV BZ
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link in bio

07/10/2026

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ANALOGICA SELECTION 16
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Last Evenings On Earth
by Ralitsa Doncheva
found footage / 2026 / Canada / 13’

Drawing on images from Alexander Sokurov’s first feature and the filmmaker’s recollections of post-Soviet Bulgaria, Last Evenings on Earth meditates on the invisible traces of history in both image and body.

Ralitsa Doncheva is a Bulgarian artist and filmmaker based in Tiohtià:ke / Mooniyang / Montreal.
Her work blends 16mm experimental film traditions with nonfiction and poetic approaches, often drawing on her Balkan heritage and mythology.
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ANALOGICA 16
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11 > 15 NOV BZ
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link in bio

05/10/2026

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ANALOGICA SELECTION 16 / PR 1
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Explant / Implant
by Josh Weissbach
16mm / 2025 / Usa / 3’ 16’’

A lifetime of surgeries continues with an upgrade in battery life and a downgrade in scar tissue
when the filmmaker has his original pacemaker replaced after sixteen years.

Josh Weissbach is an experimental filmmaker. His films have been shown worldwide in such venues as Ann Arbor Film Festival, Light Field, Courtisane Festival, European Media Art Festival, 25 FPS Festival, First Look at Museum of the Moving Image, Alchemy Film and Moving Image Festival, Festival dei Popoli, and Festival des Cinémas Différents et Expérimentaux de Paris.
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ANALOGICA 16
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11 > 15 NOV BZ
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link in bio

04/10/2026

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ANALOGICA SELECTION 16 / PR1
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Audry Lornacle or 14 Days in DJ’s House
by Dagie Brundert
super8 / 2025 / Germany / 8’ 16’’

So now I’ve landed here. A bump of flat land at the tip of England with the most beautiful and roundest pebbles in the world. They’re called shingles here.
A cottage full of memories and ghosts, perhaps. I’m allowed to stay for 2 weeks. I have the cottage all to myself.

Dagie Brundert is a Super 8 filmmaker whose practice moves between the tactile and the intangible, part particle-finder, part wave-catcher, part storyteller. Her work draws on the strange and beautiful fragments of the world around her, reworking them into something new through process and material. She has developed a particular expertise in eco-processed Super 8 film, a practice that reflects her broader interest in the relationship between image-making and environmental consciousness.
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ANALOGICA 16
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11 > 15 NOV BZ
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link in bio

03/10/2026

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ANALOGICA SELECTION 16
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Seeds
by Elisa Gonzalez
16mm, digital / 2025 / Canada / 1’ 30’’

A conversation between mother and child about what happens after death. Comprised of phytograms and hand-processed 16mm film made in collaboration with organic matter, the film dives into the soil taking us underground and leading us back into an altered state of the garden, unearthly and in between.

Elisa González is an artist and filmmaker whose practice is centred with in creative nonfiction exploring our personal and cultural relationships with the natural world.
Working between analogue experimentation and digital form, process-based making and collaboration are at the root of her practice.
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ANALOGICA 16
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11 > 15 NOV BZ
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link in bio

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