18/07/2024
**Busting the Myths and Lies about Mithila Painting:**
The claim that Bhashkar Kulkarni introduced paper as a medium to Mithila artists is one of the biggest myths. Here are the facts to debunk this and other misconceptions:
1. **Sindur Kaagaz/Puriya:**
- **Fact:** Sindur Kaagaz/Puriya is a traditional Mithila painting on paper, used in marriage rituals where vermilion is wrapped. Artists paint four Naina-Jogin for the four corners of the Kohbar room. One such Naina Jogin on paper was collected by William G. Archer, which was later auctioned. This was done long before Kulkarni was even born.
2. **Historical Roots:**
- **Fact:** It is often claimed that Mithila Painting dates back to the Ramayan period. While this is plausible, it's not definitively proven. However, elements of primitive cave art and designs similar to those found on Indus Valley pottery are evident in old wall paintings and low relief murals of Mithila.
3. **Caste and Influence:**
- **Fact:** Historians often highlight the caste divide in Mithila painting, but there are significant overlaps. Godna tattoos, low relief murals, and Brahman and Kayasth paintings share similar elements and influences. This mutual flourishing is evident. For instance, Sita Devi (Brahman) supported Urmila Devi (Paswan/Dalit), and Karpoori Devi (Kayasth) taught Dulari Devi (Mallah/Dalit). These Dalit women have acknowledged this in various video and text interviews.