HART HAUS

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HART HAUS is a not-for-profit arts organisation dedicated to supporting artists and nurturing Hong Kong's creative community.

Founded in 2018, HART HAUS has become a vibrant home for artists and creatives, providing them with a much-needed platform to explore, experiment, and develop their practices. HART HAUS's core programme offers artists affordable, dedicated studio space in Hong Kong—a crucial catalyst for creativity and collaboration. Through grants, exhibitions, and residencies, HART HAUS also fosters both local and global artistic exchange, strengthening Hong Kong's arts ecosystem and building towards a sustainable, dynamic cultural landscape. HART HAUS 是一個非牟利藝術機構，致力支援藝術家及培育香港的創意社群。自2018年成立以來，HART HAUS 已成為藝術工作者與創意人才的社群網絡，為他們提供一個不可或缺助其探索、實驗及發展藝術實踐的平台。

HART HAUS 的核心項目為藝術家在香港提供實惠的工作室空間，以促進創意發展與合作。透過資助、展覽及駐留計劃，HART HAUS 將進一步推動本地與國際藝術交流，鞏固香港藝術生態系統，邁向可持續發展且充滿活力的文化景觀。

21/10/2026

[𝐇𝐇 𝐉𝐨𝐮𝐫𝐧𝐚𝐥 日誌] 𝐆𝐚𝐫𝐝𝐞𝐧 𝐖𝐡𝐢𝐬𝐩𝐞𝐫𝐞𝐫𝐬: 𝐎𝐩𝐞𝐧𝐢𝐧𝐠 𝐓𝐚𝐥𝐤 𝐇𝐢𝐠𝐡𝐥𝐢𝐠𝐡𝐭𝐬 幽園夜夢：開幕講座精華

“𝘎𝘢𝘳𝘥𝘦𝘯 𝘞𝘩𝘪𝘴𝘱𝘦𝘳𝘦𝘳𝘴 invites audiences to listen closely to the many ‘whisperers’ who dwell among us.”

On opening day, curator Mankit Lai and artist duo Benjamin Ryser (Benjamin Ryser) and Dorothy Wong (Dorothy Wong Ka Chung | 黃加頌) shared the stories behind 𝘎𝘢𝘳𝘥𝘦𝘯 𝘞𝘩𝘪𝘴𝘱𝘦𝘳𝘦𝘳𝘴—a love letter to nature, the night, and the delicate balance between the wild and man-made.

The duo revealed the “deeply immersive” process behind “Eyes Vanishing into the Night” (2026): thermal cameras set up in Hong Kong’s mountains, capturing wildlife that cautiously investigated the devices or passed by without a blink. “You need to use your imagination to see the road these animals walked,” they shared.

The exhibition’s auditory dimension was also discussed. Lai highlighted Chung Wong’s “A Secluded Trail towards an Unoccupied ___”(2023/2026), which features sound recordings collected from Lower Shing Mun Reservoir, Butterfly Valley Reservoir, and Mirror Pool Waterfall, extending the garden’s whispers into the city.

「『花園低語』邀請觀眾仔細聆聽棲居在我們身邊的眾多『低語者』。」

開幕當日，策展人賴文杰與藝術家組合 Benjamin Ryser 及黃加頌分享了「幽園夜夢」的幕後故事——一封寫給大自然、夜晚，以及野生與人造環境微妙平衡的情書。

藝術家組合揭曉《消失在夜色中的眼睛》（2026年）的「深度沉浸式」創作過程：於香港山區架設熱成像攝影機，記錄野生動物小心翼翼探索裝置或默默走過，連眼睛也不眨一下。「你需要發揮想像力，才能看見這些動物走過的路。」

展覽的聽覺維度亦是講座焦點。賴文杰特別提及黃頌恩的《通往幽僻小徑》（2023/2026年），作品採集自城門下城門水塘、蝴蝶谷水塘與鏡潭瀑布的聲音錄音，將花園的低語延伸至城市之中。

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𝐂𝐈𝐏 𝐅𝐢𝐧𝐚𝐥 𝐏𝐫𝐨𝐣𝐞𝐜𝐭 「策展培育計劃」成果展
𝐆𝐚𝐫𝐝𝐞𝐧 𝐖𝐡𝐢𝐬𝐩𝐞𝐫𝐞𝐫𝐬: 𝐀𝐭𝐭𝐮𝐧𝐢𝐧𝐠 𝐭𝐨 𝐄𝐜𝐨𝐥𝐨𝐠𝐢𝐞𝐬 𝐨𝐟 𝐂𝐨𝐞𝐱𝐢𝐬𝐭𝐞𝐧𝐜𝐞
幽園夜夢—輕語共生之調

📅 12.9 - 6.12.2026 (Mon to Sat 一至六)  🕛 12noon - 18:00 📍 HART HAUS G/F & 3/F
🔗 By appointment only 敬請預約
bit.ly/garden-whisperers-general

03/10/2026

𝐇𝐀𝐑𝐓 𝐂𝐮𝐫𝐚𝐭𝐨𝐫𝐬𝐡𝐢𝐩 𝐈𝐧𝐜𝐮𝐛𝐚𝐭𝐢𝐨𝐧 𝐏𝐫𝐨𝐠𝐫𝐚𝐦𝐦𝐞 𝟐𝟎𝟐𝟔 – Applications closing tomorrow!
策展培育計劃 𝟐𝟎𝟐𝟔 – 明天截止報名！

We are pleased to introduce our final two guest speakers for the HART Curatorship Incubation Programme 2026.

𝐃𝐫. 𝐀𝐬𝐡𝐥𝐞𝐲 𝐋𝐞𝐞 𝐖𝐨𝐧𝐠 is Assistant Professor of Cultural Studies and Associate Director of the MA Cultural Management programme at CUHK, as well as Co-Founder and Artistic Director of MetaObjects. Her work explores artistic practice, cultural economies, and the intersections of art and technology. She is the author of 𝘈𝘳𝘵𝘪𝘴𝘵𝘪𝘤 𝘗𝘳𝘢𝘤𝘵𝘪𝘤𝘦: 𝘙𝘦𝘵𝘩𝘪𝘯𝘬𝘪𝘯𝘨 𝘊𝘶𝘭𝘵𝘶𝘳𝘢𝘭 𝘌𝘤𝘰𝘯𝘰𝘮𝘪𝘦𝘴 𝘵𝘩𝘳𝘰𝘶𝘨𝘩 𝘈𝘳𝘵 𝘢𝘯𝘥 𝘛𝘦𝘤𝘩𝘯𝘰𝘭𝘰𝘨𝘺 (MIT Press, 2025).

𝐒𝐡𝐚𝐰𝐧 𝐏𝐚𝐤𝐡𝐢𝐧 𝐓𝐚𝐧𝐠 is a Hong Kong artist and Co-Founder of interval:in studio & production. Working across sculpture and installation, his practice brings together found objects, industrial materials, electronic waste, and analogue systems to examine the relations between technology, environment, and infrastructure.

Join us as they share perspectives on art, technology, cultural production, and contemporary practice.

Extended application deadline: Sunday, 𝗢𝗰𝘁 𝟰, 11:59pm. Apply via the link below.

我們很高興介紹 HART 策展培育計劃 2026 最後兩位嘉賓講者。

黃詠欣博士現任香港中文大學文化研究系助理教授及文化管理文學碩士課程副主任，亦為 MetaObjects 共同創辦人及藝術總監。她的研究聚焦藝術與科技交匯下的藝術實踐、文化經濟及當代文化生產，並著有《Ecologies of Artistic Practice: Rethinking Cultural Economies through Art and Technology》（MIT Press，2025）。

鄧伯軒是香港藝術家及 interval:in studio & production 共同創辦人。他的創作涵蓋雕塑及裝置藝術，結合日常物件、工業材料、電子廢棄物及類比系統，探索科技、人類足跡、環境與基礎設施之間的關係。

兩位講者將分享有關藝術、科技、文化生產及當代創作實踐的見解。

延長報名截止時間：10 月 4 日（星期日）晚上 11:59。請透過下列連結報名。

🔗 hart.haus/curatorship-incubation-2026

29/09/2026

𝐇𝐀𝐑𝐓 𝐂𝐮𝐫𝐚𝐭𝐨𝐫𝐬𝐡𝐢𝐩 𝐈𝐧𝐜𝐮𝐛𝐚𝐭𝐢𝐨𝐧 𝐏𝐫𝐨𝐠𝐫𝐚𝐦𝐦𝐞 𝟐𝟎𝟐𝟔 – 𝐃𝐞𝐚𝐝𝐥𝐢𝐧𝐞 𝐄𝐱𝐭𝐞𝐧𝐝𝐞𝐝!
策展培育計劃 𝟐𝟎𝟐𝟔 – 報名限期延長！

Look what our 2024 Advanced Programme Learner and Proposal Award winner, Mankit Lai, has to say about the programme!

The application deadline for the 2026 programme has been extended. If you have been waiting to apply, now’s your chance to join this year’s programme and learn directly from experienced curators about contemporary art, new media, and exhibition-making.

New deadline: Sunday, October 4, 11:59pm
Apply via the link below.

來看看 2024 年進階課程學員兼提案獎得主賴文杰對計劃的分享！

2026 年度計劃報名截止日期已延長。如果你一直想深入了解當代藝術策展、新媒體及展覽製作，現在就是把握機會的時候。

全新截止時間：10 月 4 日（星期日）晚上 11:59

請透過下列連結報名。

🔗 hart.haus/curatorship-incubation-2026

25/09/2026

📢 𝐇𝐀𝐑𝐓 𝐒𝐭𝐮𝐝𝐢𝐨 𝐎𝐩𝐞𝐧 𝐂𝐚𝐥𝐥 𝟐𝟎𝟐𝟕 工作室公開招募計劃 📢
Applications now open for 𝗥𝗲𝗴𝘂𝗹𝗮𝗿 𝗦𝘁𝘂𝗱𝗶𝗼 and 𝗦𝘁𝘂𝗱𝗶𝗼 𝗚𝗿𝗮𝗻𝘁.
現正接受一般工作室及工作室資助申請。

The HART Studio Programme supports artists as they develop their practice, exchange ideas, and explore new possibilities together.

More than a place to work, it offers emerging artists a space to learn through making, experiment with new ideas, and grow within a diverse community. Through studio life, conversations, exchanges and programme opportunities, HART HAUS creates an environment where artists can build connections beyond their own studios.

Whether you want to deepen your art practice, explore a new direction, or join an active artistic community, HART HAUS welcomes artists from different backgrounds and stages of their creative journey. Come experiment, learn and grow with HART HAUS!

HART 工作室計劃旨在支持藝術家發展創作實踐、交流想法，一起探索新的可能性。

工作室不只是一處創作地方，更為新晉藝術家提供一個透過創作學習、嘗試新想法，並與不同背景的藝術家共同成長的空間。透過工作室生活、對話、交流及各項藝術項目，HART HAUS 致力營造一個開放環境，讓藝術家建立超越個人工作室的連結。

無論你希望深化自己的藝術實踐、探索新的創作方向，或加入一個充滿活力的藝術社群，HART HAUS 都歡迎來自不同背景及處於不同創作階段的藝術家。加入 HART HAUS，一起實驗、學習及成長！

🗓️𝐀𝐩𝐩𝐥𝐢𝐜𝐚𝐭𝐢𝐨𝐧 𝐓𝐢𝐦𝐞𝐥𝐢𝐧𝐞 申請時間表�𝐒𝐮𝐛𝐦𝐢𝐬𝐬𝐢𝐨𝐧 𝐃𝐞𝐚𝐝𝐥𝐢𝐧𝐞 提交截止日期: 31.10.2026�𝐒𝐞𝐥𝐞𝐜𝐭𝐢𝐨𝐧 𝐀𝐧𝐧𝐨𝐮𝐧𝐜𝐞𝐦𝐞𝐧𝐭 入選公告: Mid Dec 2026 | 2026 年12月中旬
🔗 hart.haus/studio-open-call-2027

Schedule a visit to learn more about our studio and programme
如欲進一步了解我們的工作室及計劃，請預約參觀
📧 [email protected]

23/09/2026

𝐇𝐀𝐑𝐓 𝐂𝐮𝐫𝐚𝐭𝐨𝐫𝐬𝐡𝐢𝐩 𝐈𝐧𝐜𝐮𝐛𝐚𝐭𝐢𝐨𝐧 𝐏𝐫𝐨𝐠𝐫𝐚𝐦𝐦𝐞 策展培育計劃 𝟐𝟎𝟐𝟔 – 𝐌𝐞𝐞𝐭 𝐨𝐮𝐫 𝐆𝐮𝐞𝐬𝐭 𝐒𝐩𝐞𝐚𝐤𝐞𝐫 嘉賓講者介紹

We are delighted to introduce two of our guest speakers for the HART Curatorship Incubation Programme 2026, who will share insights on museum education, media art, and curatorial production.

𝐃𝐢𝐜𝐤𝐲 𝐘𝐞𝐮𝐧𝐠 is Curator, Teaching and Learning at M+, overseeing School Programmes and the M+ Academy. Since joining the museum’s founding team in 2015, he has curated learning projects including “M+ Rover: Travelling Creative Studio” (2016–2021), “Design Ah! Experience the Wonder of Everyday Design” (2026), and more.

𝐉𝐨𝐞𝐥 𝐊𝐰𝐨𝐧𝐠 is a media art curator and producer, Programme Director of Microwave Festival and Founder of SIBYLS. Her recent projects include “Pluriversal Futures” (Co-curated with Ars Electronica Export Team) , “Microwave Festival 2025”, “Arts Tech 3.0 – The Light House”, and more.

Their sessions will explore how curators engage audiences and realise new media practices, echoing this year’s theme: “𝗖𝘂𝗿𝗮𝘁𝗶𝗻𝗴 𝗶𝗻 𝘁𝗵𝗲 𝗔𝗴𝗲 𝗼𝗳 𝗡𝗲𝘄 𝗠𝗲𝗱𝗶𝗮, 𝗣𝗼𝘀𝘁-𝗠𝗲𝗱𝗶𝗮, 𝗮𝗻𝗱 𝗠𝗮𝗰𝗵𝗶𝗻𝗲 𝗜𝗻𝘁𝗲𝗹𝗹𝗶𝗴𝗲𝗻𝗰𝗲”.

我們很高興介紹 HART 策展培育計劃 2026 的其中兩位嘉賓講者，他們將分享博物館教育、媒體藝術及策展製作的實踐經驗。

楊柏匡現任 M+ 學與教策展人，主理學校活動及 M+ 學苑課程發展。自 2015 年加入 M+ 創館團隊以來，他策劃了多個學習項目，包括「M+敢探號：流動展覽及創作教室」（2016–2021）及特別展覽「設計啊！感受日常設計之奇妙」（2026）等。

鄺佳玲是媒體藝術策展人及監製，現任微波國際媒體藝術節項目總監及 SIBYLS 創辦人。其近期項目包括「多元未來」、「2025 微波藝術節」及「Arts Tech 3.0 燈塔」等。

他們的分享將呼應本年度主題「後人類時代的策展：新媒體、後媒體與機器智能的演進」，探討策展人如何連結觀眾並實現新媒體藝術實踐。

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Applications close 𝗦𝗲𝗽 𝟯𝟬, 𝟮𝟬𝟮𝟲. Link below for details and application.
報名截止：2026 年 9 月 30 日。詳情及報名請見下列連結。

https://www.hart.haus/curatorship-incubation-2026

21/09/2026

𝗜𝗡𝗦𝗜𝗗𝗘 𝗛𝗔𝗥𝗧: 𝗔𝗻𝗴𝗲𝗹𝗮 𝗛𝘂𝗮𝗻𝗴 黃𠘙儀

After a decade in consultancy, Angela Huang finally pursued art full-time. Art had occupied her heart “as long as she could remember,” but she never mustered the courage to believe it could be a career.

So she settled, slotting painting into breaks between deadlines.

“I told myself it was enough,” Huang explains. “Art didn’t have to be my career. It could simply be what I loved most.”

The choice seemed simple: certainty or creativity? Consultancy always had clear goals, the next deadline or promotion. Ultimately, Huang took the plunge, building her body of work as a painter and mixed media artist at HART HAUS. She explores familiarity and love, and all their strings and stickiness, using unconventional materials like wonton noodles.

十年諮詢工作後，黃𠘙儀終於全職投入藝術。藝術「從她能記憶起」就佔據她心中一席之地，但她始終無法鼓起勇氣相信這能成為職業。

於是她妥協，將繪畫排入工作期限之間的空檔。

「我告訴自己這已經足夠了，」黃氏解釋，「藝術不一定是我的職業，可以只是我最愛做的事。」

選擇看似簡單：穩定還是創造？諮詢工作總有明確目標，下一個工作期限或晉升。黃氏最終選擇縱身一躍，在 HART HAUS 建立畫家和混合媒介藝術家的身份。她探索熟悉與愛及伴隨的牽絆與糾結，並融入餛飩麵等非常規材料去進行創作。

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Discover more artists in the 𝗜𝗡𝗦𝗜𝗗𝗘 𝗛𝗔𝗥𝗧 series on our website and stay tuned to learn how to join our community!

瀏覽我們的網站去探索更多《𝗜𝗡𝗦𝗜𝗗𝗘 𝗛𝗔𝗥𝗧》系列藝術家並關注如何加入我們的社群！

hart.haus/journal/inside-hart-with-angela-huang

17/09/2026

𝗜𝗡𝗦𝗜𝗗𝗘 𝗛𝗔𝗥𝗧: 𝗗𝗼𝗻𝘆 𝗖𝗵𝗲𝗻𝗴 鄭虹

Multidisciplinary artist Dony Cheng’s process focuses on observation. With recurring motifs of lunar phases and light, she builds 3D models to study light-object interactions before painting.

HART HAUS matches her workflow perfectly. A lot of Cheng’s work, such as her airbrush projects, demands ventilation and space, as well as her mixed-media experimentation which involves materials such as sand. The open studio accommodates finished, unfinished and experimental pieces, leaving her with ample room to observe and reference 3D-printed models for her pieces.

“It’s much better than working all day in a windowless room,” Cheng jokes, “and I get to be one of the many artists at HART who work with just as many mediums.”

跨媒體藝術家鄭虹的創作極重觀察。她以月相和光線為反覆母題，常先建3D模型觀察光與物互動，再上畫布。

HART HAUS完美契合她的工作習慣。鄭氏的許多創作，如噴槍作品，都需要通風與空間，她的混合媒材實驗亦涉及沙子等物料。開放式工作室提供充足空間存放已完成、未完成和實驗性作品，讓她有充裕空間觀察和參考3D打印模型進行創作。

「比起整天在沒有窗戶的房間工作，這裡好太多了，」鄭氏笑道，「而且我能成為HART眾多使用不同媒材創作的藝術家之一。」

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Discover more artists in the 𝗜𝗡𝗦𝗜𝗗𝗘 𝗛𝗔𝗥𝗧 series on our website and stay tuned to learn how to join our community!

瀏覽我們的網站去探索更多《𝗜𝗡𝗦𝗜𝗗𝗘 𝗛𝗔𝗥𝗧》系列藝術家並關注如何加入我們的社群！

hart.haus/journal/inside-hart-with-dony-cheng

16/09/2026

𝐇𝐀𝐑𝐓 𝐂𝐮𝐫𝐚𝐭𝐨𝐫𝐬𝐡𝐢𝐩 𝐈𝐧𝐜𝐮𝐛𝐚𝐭𝐢𝐨𝐧 𝐏𝐫𝐨𝐠𝐫𝐚𝐦𝐦𝐞 策展培育計劃 𝟐𝟎𝟐𝟔 – 𝐊𝐞𝐲 𝐅𝐚𝐜𝐢𝐥𝐢𝐭𝐚𝐭𝐨𝐫𝐬 主要導師介紹

We are excited to introduce the two key facilitators guiding this year’s programme. With deep expertise in contemporary curatorial practice, archives, and large-scale production, they bring both theoretical insight and hands-on experience to the cohort.

Together, they will lead sessions on curatorial theory, exhibition-making, and production strategy as part of the 2026 edition themed “𝗖𝘂𝗿𝗮𝘁𝗶𝗻𝗴 𝗶𝗻 𝘁𝗵𝗲 𝗔𝗴𝗲 𝗼𝗳 𝗡𝗲𝘄 𝗠𝗲𝗱𝗶𝗮, 𝗣𝗼𝘀𝘁-𝗠𝗲𝗱𝗶𝗮, 𝗮𝗻𝗱 𝗠𝗮𝗰𝗵𝗶𝗻𝗲 𝗜𝗻𝘁𝗲𝗹𝗹𝗶𝗴𝗲𝗻𝗰𝗲”.

𝐃𝐫. 𝐕𝐞𝐧𝐧𝐞𝐬 𝐂𝐡𝐞𝐧𝐠 is a scholar and curator based in Hong Kong, currently a faculty member of the Division of Arts and Machine Creativity at HKUST. Formerly Associate Curator of Hong Kong Visual Culture at M+, her research spans modern and contemporary art in Hong Kong and China, diaspora studies, artist archives, new media archaeology, land historical and mnemonic contingency.

𝐙𝐨𝐢𝐞 𝐘𝐮𝐧𝐠 is a Hong Kong–based independent curator and production consultant with over a decade of experience in international and local art management. Her latest curation is the Creative Programme at Art Central 2026, and she specialises in translating conceptual visions into feasible, high-impact technical solutions for artists and institutions.

Applications are open until 𝗦𝗲𝗽𝘁𝗲𝗺𝗯𝗲𝗿 𝟯𝟬, 𝟮𝟬𝟮𝟲.
Apply before 𝗦𝗲𝗽𝘁𝗲𝗺𝗯𝗲𝗿 𝟭𝟴, 𝟮𝟬𝟮𝟲 to enjoy an early bird discount.

*For more details and to apply, please visit
hart.haus/curatorship-incubation-2026

我們很高興介紹本年度課程的兩位主要導師。她們在當代策展實踐、檔案研究及大型展覽製作方面擁有深厚經驗，將為學員帶來理論與實務並重的指導。

她們將共同帶領學員深入探索策展理論、展覽製作及生產策略，作為 2026 年度課程「後人類時代的策展：新媒體、後媒體與機器智能的演進」的核心導師團隊。

鄭秀慧博士是香港的學者及策展人，現任香港科技大學藝術與機器創造力學部一級講師。她曾於 M+ 博物館擔任香港視覺文化副策展人，研究範疇包括香港及中國的現代與當代藝術、離散研究、藝術家檔案、新媒體考古學，以及歷史與記憶的偶發性。

容穎怡是香港的獨立當代藝術策展人與製作顧問，擁有逾十年的國內外及本地藝術管理及策展資歷。她近期的策展項目是 Art Central 2026 創意單元，並長期為藝術家、機構及商業實體提供大型裝置及展覽製作顧問服務，將概念轉化成實際可執行方案。

報名截止日期：2026 年 9 月 30 日
於 2026 年 9 月 18 日前申請可享早鳥優惠。

*如需詳細資訊及報名表格，請瀏覽
hart.haus/curatorship-incubation-2026

07/09/2026

𝐇𝐀𝐑𝐓 𝐂𝐮𝐫𝐚𝐭𝐨𝐫𝐬𝐡𝐢𝐩 𝐈𝐧𝐜𝐮𝐛𝐚𝐭𝐢𝐨𝐧 𝐏𝐫𝐨𝐠𝐫𝐚𝐦𝐦𝐞 策展培育計劃 𝟐𝟎𝟐𝟔 – 𝐀𝐩𝐩𝐥𝐢𝐜𝐚𝐭𝐢𝐨𝐧𝐬 𝐍𝐨𝐰 𝐎𝐩𝐞𝐧! 現正接受申請！

We are excited to announce the return of the HART Curatorship Incubation Programme this Oct. The 2026 edition, themed “𝗖𝘂𝗿𝗮𝘁𝗶𝗻𝗴 𝗶𝗻 𝘁𝗵𝗲 𝗔𝗴𝗲 𝗼𝗳 𝗡𝗲𝘄 𝗠𝗲𝗱𝗶𝗮, 𝗣𝗼𝘀𝘁-𝗠𝗲𝗱𝗶𝗮, 𝗮𝗻𝗱 𝗠𝗮𝗰𝗵𝗶𝗻𝗲 𝗜𝗻𝘁𝗲𝗹𝗹𝗶𝗴𝗲𝗻𝗰𝗲”, is designed for art enthusiasts and aspiring curators who wish to deepen their expertise in contemporary curatorial practice.

This year, we are honoured to have Curators 𝐃𝐫. 𝐕𝐞𝐧𝐧𝐞𝐬 𝐂𝐡𝐞𝐧𝐠 (Vennes Cheng) and 𝐙𝐨𝐢𝐞 𝐘𝐮𝐧𝐠 (Zoiee Yung) as our key facilitators, alongside guest sessions led by professionals in the field. It is also with great pleasure to announce that 𝐨𝐧𝐞 𝐨𝐮𝐭𝐬𝐭𝐚𝐧𝐝𝐢𝐧𝐠 𝐞𝐱𝐡𝐢𝐛𝐢𝐭𝐢𝐨𝐧 𝐩𝐫𝐨𝐩𝐨𝐬𝐚𝐥 𝐝𝐞𝐯𝐞𝐥𝐨𝐩𝐞𝐝 𝐟𝐫𝐨𝐦 𝐭𝐡𝐞 𝐀𝐝𝐯𝐚𝐧𝐜𝐞𝐝 𝐏𝐫𝐨𝐠𝐫𝐚𝐦𝐦𝐞 𝐰𝐢𝐥𝐥 𝐛𝐞 𝐬𝐞𝐥𝐞𝐜𝐭𝐞𝐝 𝐟𝐨𝐫 𝐫𝐞𝐚𝐥𝐢𝐬𝐚𝐭𝐢𝐨𝐧 𝐚𝐭 𝐇𝐀𝐑𝐓 𝐇𝐀𝐔𝐒, 𝐬𝐮𝐩𝐩𝐨𝐫𝐭𝐞𝐝 𝐛𝐲 𝐚 𝐇𝐊$𝟏𝟎𝟎,𝟎𝟎𝟎 𝐞𝐱𝐡𝐢𝐛𝐢𝐭𝐢𝐨𝐧 𝐠𝐫𝐚𝐧𝐭* 𝐠𝐞𝐧𝐞𝐫𝐨𝐮𝐬𝐥𝐲 𝐬𝐩𝐨𝐧𝐬𝐨𝐫𝐞𝐝 𝐛𝐲 𝐭𝐡𝐞 𝐎𝐜𝐭𝐨𝐧𝐞 𝐅𝐨𝐮𝐧𝐝𝐚𝐭𝐢𝐨𝐧 (Octone Foundation).

If you are eager to explore both the theoretical and practical aspects of exhibition-making, this programme offers a valuable opportunity to learn directly from experienced curators.

Applications are open until 𝗦𝗲𝗽𝘁𝗲𝗺𝗯𝗲𝗿 𝟯𝟬, 𝟮𝟬𝟮𝟲.
Apply before 𝗦𝗲𝗽𝘁𝗲𝗺𝗯𝗲𝗿 𝟭𝟴, 𝟮𝟬𝟮𝟲 to enjoy an early bird discount.

*For more details and to apply, please visit
https://www.hart.haus/curatorship-incubation-2026

我們很高興宣佈 HART 策展培育計劃將於今年 10 月再度推出。2026 年度課程主題為「後人類時代的策展：新媒體、後媒體與機器智能的演進」，專為熱愛當代藝術及有志深化策展專業的人士而設。

今年，我們很榮幸邀請策展人鄭秀慧博士與容穎怡擔任主要導師，並邀請業界專業人士擔任嘉賓講座。我們亦欣然宣布，進階課程中一份最出色的展覽提案將獲選於 HART HAUS 實現，並獲得由拾壹慈善基金會慷慨贊助的 10 萬港元展覽獎助金*。

如果你有興趣深入了解策展的理論與實踐，本課程將是向專業策展人學習的寶貴機會。

報名截止日期：2026 年 9 月 30 日
於 2026 年 9 月 18 日前申請可享早鳥優惠。

*詳細資訊及報名表格：https://www.hart.haus/curatorship-incubation-2026

24/07/2026

We sincerely thank everyone who attended 𝙈𝙚𝙢𝙤𝙧𝙞𝙖 𝙤𝙛 𝙩𝙝𝙚 𝙎𝙚𝙖 — 𝘼 𝙇𝙞𝙫𝙞𝙣𝙜 𝘼𝙧𝙘𝙝𝙞𝙫𝙚 𝙋𝙧𝙤𝙟𝙚𝙘𝙩. Through the exhibition, talk, and workshop, we shared creative practice and reflection on the connections between the ocean, identity, community, and Hong Kong’s maritime history.

Presented at HART HAUS G/F from July 19 to 21, 2026, the installation was a collaboration between HART Studio Artist Gisèle Tchitchiama and The Foundry of The Harbour School led by Dean Lea, Foundry Specialist Teacher (Center of Excellence). As a living archive, it invited the public to share memories of the sea, weaving these stories into the artwork and extending it into an ongoing dialogue.

More than an exhibition, “Memoria of the Sea” became a space to reflect on and reconnect with Hong Kong’s maritime identity. The project will continue to tour, so please stay tuned for future updates. Thank you again for your support and participation.

衷心感謝各位蒞臨參與「海洋記憶——活檔案計畫」。透過展覽、講座及工作坊，我們以創作與反思，探索海洋、身份、社群與香港海洋歷史之間的連結。

裝置藝術於2026年7月19日至21日在 HART HAUS 地下展出，由HART工作室計劃藝術家 Gisèle Tchitchiama 及港灣學校 The Foundry 的專科老師Dean Lea 帶領同學共同創作。作為一個「活檔案」，作品邀請公眾分享與海洋相關的記憶，並將這些故事融入作品之中，延伸為持續的對話。

「海洋記憶」不僅是一個展覽，更是一個讓人重新思考並連結香港海洋身份的空間。計畫將繼續巡迴展出，敬請期待後續消息。再次感謝大家的支持與參與。

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