09/06/2026
‘I want to capture that urban moment of being blinded by the sun reflected from the face of a skyscraper. A moment of a powerful reminder of the planetary relationship we exist within.’ 🪞🌇
What if a skyscraper no longer stood upright but cantilevered horizontally on its side, freed from gravity? Stella Zhong ()’s commissioned installation ‘Warp Until Fearless’, brings this vision to life.
The glaring reflections act like artificial sun, momentarily blinding anyone who steps before them. Walk past the glare, small geometric and organic forms emerge across the glass slope—debris, molecules, or fragments from another world, shifting between stillness and action.
Drawing from Zhong’s experiences in Shenzhen, Hong Kong, and Jakarta, the work speaks to cities shaped by rapid transformation, where time feels warped and architecture constantly reinvents itself across different landscapes.
On view now at ‘Site-seeing’ until Sun 14 Jun 2026.
Para Site 22/F
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「我想捕捉的，正是城市裡的某個瞬間，陽光從摩天大樓的玻璃外牆折射過來，令人瞬間目眩。這個瞬間，強烈提醒着我們自身與所處星球之間密不可分的關係。」🪞🌇
假如一座摩天大樓不再垂直聳立，而是水平懸挑地橫臥一側、脫離重力束縛，會是怎樣的景象？鐘笛鳴的委約裝置作品《彎到無所畏懼為止》，將這個想像化為現實。
耀眼的反光如同一顆人造太陽，令任何走近它的人瞬間目眩。穿過那片刺眼的光芒，小型的幾何與有機物件沿著玻璃斜坡浮現——它們像是殘骸、分子，或來自另一個世界的碎片，在靜止與蓄勢待發之間游移。
這件作品汲取了鐘笛鳴在深圳、香港與雅加達的生活經驗，訴說着那些被急速轉變所塑造的城市——在那裡，時間的流動被扭曲，建築則在不同的地貌之間不斷重塑自身。
