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Monday 11:00 - 19:00 Tuesday 11:00 - 19:00 Wednesday 11:00 - 19:00 Thursday 11:00 - 19:00 Friday 11:00 - 19:00

Videotage

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Asia’s New Media Art Collective since 1986 To promote a free and open DIY culture, Videotage begins to host Dorkbot-HK in 2010.

With the continuous support from the Hong Kong Arts Development Council, Videotage organizes exhibitions, workshops, performances, artist-in-residencies and exchange programs to bring media art closer to our everyday life. Curatorial projects not only takes place at Videotage’s office at the Cattle Depot Artist Village, or formerly at the Oil Street Artist Village, but expands to different spheres

in the public – at shopping mall, at school, and in collaboration with museum and art centre locally and worldwide. VMAC (Videotage Media Art Collection) was officiated in 2008 with mission to collect, preserve and build an extensive archive of video and media art of Hong Kong. Representing more than 20 years of development in media art, VMAC, that is opened to general public in 2011, together with the eight volumes of The Best of Videotage, a publication series that captures over 100 artists’ work in print, are of high significant educational value to the discourse of media archeology and art history in Hong Kong. Videotage, a listed media art organisation in UNESCO, has been long-term collaborator with other media art organizations to for the betterment of video art and new media art locally and worldwide. Videotage has been the strategic partner of Microwave International New Media Arts Festival, that celebrates its 15th Anniversary in 2011. Videotage is also invited to participate in the Venice Biennale of Architecture, Gwangju Biennial, Guangzhou Triennial, ISEA Festival and etc. International exposure also appears in form of exchange programs with the British Arts Festival, the Goethe-Institut, also participated in Remake HK, Project Unlimited organised by the Guggenheim Museum and YouTube in 2010. Videotage conceives new media art as a cultural movement that brings art and technology productions to nodes of intersections in the digital and network era. The network will be a hotbed of creativity and innovation, where artist, technologist, academia, practitioner from both private and public spheres, actively engage with technology and address contemporary social, political and cultural concerns. With the success of Wikitopia in 2010, we will continue exploring how citizen media and social media reshape humankind in the era of network culture. We will also continue providing service and support to media artist and general public for the development of media art and strengthen the position of Videotage as a cultural hub of knowledge transfer for art, culture and technology in the local, regional and international regime. Please feel free to contact us at: [email protected]

03/08/2026

[ ] 公開招募駐留藝術家 Open Call for resident media artists
Now until 21/10/2026 | 1600 CEST

Videotage is recruiting a Netherlands-based designer, maker, or observer to participate in a digital culture residency in Hong Kong in Spring 2027.

Co-organised by Creative Industries Fund NL with Videotage, the residency offers the selected participants the opportunity to spend two or three months at Videotage’s studio space. They will have the space to conduct research, broaden their networks, develop new works drawing inspiration from Hong Kong, and present their findings or completed works.

Participants will have a chance to explore new methodologies, widen their creative practice, and produce work that pushes the boundaries of digital culture. The 2027 edition takes the technological “black box” phenomenon as a starting point and invites participants to respond to this theme within the context of the residency.

Please indicate your preferred period in your application. Depending on the duration of the residency, the selected artist will receive either €5,000 for 2 months or €6,500 for 3 months from Creative Industries Fund NL to cover travel costs, insurance policies, living expenses, compensation for time invested, and material and transportation costs. The costs for accommodation, use of the studio space and facilitation by Videotage will be directly covered by the Fund.

Are you a designer, maker or observer interested in this opportunity? Submit your proposal to Creative Industries Fund NL by 21 October, 2026.

Co-organised by: Creative Industries Fund NL, Videotage

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錄映太奇正在招募一位來自荷蘭的創作人 / 設計師 / 研究者，來港參與 2027 年春季之數碼文化駐留計劃。

計劃由 Creative Industries Fund NL 與錄映太奇合辦，參加者將於錄映太奇駐留兩或三個月，研究香港社會和城市動態，拓展人際網絡，並向公眾分享見聞或創作巧思。他們將有機會探索新的創作手法，擴展其創意實踐，並創作出突破數碼文化界限的作品。2027年，我們邀請參加者從科技層面的「黑盒現象」出發，以駐留方式探索這個主題。

申請者需註明參與月數。入選的申請者將從 Creative Industries Fund NL 獲得 €5,000（約HK$44,911，兩個月），或 €6,500（約HK$58384 ，三個月），以資助機票、保險、生活費、所投入的創作工時、材料和交通費用。荷蘭方面將資助住宿、工作空間、製作費用及由錄映太奇提供的統籌策劃開支。

駐留計劃歡迎創作人、設計師或研究者參與，有意者請於 2026 年 10 月 21 日或之前，向 Creative Industries Fund NL 提交計劃書。

參加詳情 How to Apply: https://www.stimuleringsfonds.nl/en/grants/open-call-videotage

合辦 Co-organised by: Creative Industries Fund NL, 錄映太奇 Videotage

14/07/2026

TIME-BASED LANES: BLIPS ON A DARK SEA《時基航道：暗海中的雷達光點》

🏆 Best Work 最佳作品🏆

let yourself leak a little
Jiawen Uffline | 2024 | 07’48”

立即觀賞 WATCH NOW 👀 https://d-normal-v-essay.floatingprojectscollective.net/video-zine/Video-Zine-7

leaks are ubiquitous, bursting gas, leaking pipes and oozing tears, and so ubiquitous that its figurative meaning sounds even more native, circulating gossips are leaks, whistleblowers are, too, leaks. Metaphorical leak, inheriting the brokenness from physical leak, is associated with illegality, immorality or at least shamefulness. Or, is it?

In the video essay, leak in the promiscuous machines and prurient governing entities is brought to the forefront as systemic vulnerabilities. A message you send out to your loved one over the TCP/IP protocol, as Chun noted, is slutty. Audio and video signal cables are constantly radiating RF emanations. Buffer overflows when data overwrites, memory leaks can be used to navigate into forbidden memory, software ages, like human beings, ageing leads to more leaks. In addition to that, our faces are reduced to facial features for machine learning, personal medical records end as image embedding in a training dataset. Our voices leak as analyzable waves, irises leak as unique high-contrast photographs. We, as users and as citizens, are encouraged by the tech giants and governments to leak, while the large language models trained from the data we leaked, refuse to “participate in or encourage any illegal activities, including leaking.”

'let yourself leak a little' leaks through the cracks on the leaking gas pipe, the space station, the express warehouse, into the leaking signals, leaky compression algorithms, leaky network packets, leaking categories, leaked tiny face and tiny activity dataset, to ask who is making it’s not ok to leak, who is capturing leak, how leak is weaponized and who is killing leak to stop solidarity from happening.

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Self-guided D-Normal / V-Essay Mini Cinema《平地數碼》自選影院

Date 日期：Now until 26 July 即日至7月26日
Opening Hours 開放時間：12:00 - 19:00（Wed to Sun 星期三至日）
Venue 地點：Videotage 錄映太奇（Unit 13, Cattle Depot Artist Village, To Kwa Wan 土瓜灣牛棚藝術村13號）

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Presented by 主辦：Videotage 錄映太奇
Initiated by 原始意念：Floating Projects 據點。句點
Supported by 資助：Hong Kong Arts Development Council 香港藝術發展局*
* Videotage is financially supported by the HKADC.
* The views and opinions expressed in this project do not represent the stand of the Hong Kong Arts Development Council.
錄影太奇為藝發局資助團體。本計劃內容並不反映香港藝術發展局的意見。

13/07/2026

TIME-BASED LANES: BLIPS ON A DARK SEA《時基航道：暗海中的雷達光點》

🏆 Best Work 最佳作品🏆

Analogue Natives
Bernd Lützeler | 2025 | 25’33”

立即觀賞 WATCH NOW* 👀 https://d-normal-v-essay.floatingprojectscollective.net/video-zine/Video-Zine-7

This experimental documentary circulates around interviews with four veterans who worked all their lives in analogue (=celluloid) film laboratories and animation studios in Mumbai, and who all lost their businesses and jobs around 2012–14, when the Hindi film industry went through a drastic shift to digital production. They reflect on the loss of their craftsmanship, but also on the philosophies of their handmade film practice versus readymade digital solutions. While the film drifts into various related and unrelated scenarios, shot on the streets of Mumbai, we learn about the art of living and working under precarious conditions in India and survival strategies in one of the most crowded and commercial cities in the world. Finally everything results in a futile collage of nostalgia and memories, mashed up with the absurd aesthetics of AI slop.

An expanded multi-genre documentary within the constraints of the so-called Masala Formula, popularly known from Indian cinema.

(Extracted from the artist’s website.)

*In response to the artist's copyright concern, this work is password protected on the website.

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Self-guided D-Normal / V-Essay Mini Cinema《平地數碼》自選影院

Date 日期：Now until 26 July 即日至7月26日
Opening Hours 開放時間：12:00 - 19:00（Wed to Sun 星期三至日）
Venue 地點：Videotage 錄映太奇（Unit 13, Cattle Depot Artist Village, To Kwa Wan 土瓜灣牛棚藝術村13號）

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Presented by 主辦：Videotage 錄映太奇
Initiated by 原始意念：Floating Projects 據點。句點
Supported by 資助：Hong Kong Arts Development Council 香港藝術發展局*
* Videotage is financially supported by the HKADC.
* The views and opinions expressed in this project do not represent the stand of the Hong Kong Arts Development Council.
錄影太奇為藝發局資助團體。本計劃內容並不反映香港藝術發展局的意見。

12/07/2026

TIME-BASED LANES: BLIPS ON A DARK SEA《時基航道：暗海中的雷達光點》

🏆 Best Work 最佳作品🏆

I Speak to the Data Ghosts
Guillaume Bois | 2026 | 16’43”

立即觀賞 WATCH NOW 👀 https://d-normal-v-essay.floatingprojectscollective.net/video-zine/Video-Zine-7

Will GriefBots become our new way of mourning? These artificial intelligences, created from the data of our deceased loved ones, allow us to keep talking to them, to extend the bond beyond death. Through an intimate story of loss, the film explores the afterlife of our data and the ways digital technology is reshaping our rituals, between memory and the commodification of emotion.

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Self-guided D-Normal / V-Essay Mini Cinema《平地數碼》自選影院

Date 日期：Now until 26 July 即日至7月26日
Opening Hours 開放時間：12:00 - 19:00（Wed to Sun 星期三至日）
Venue 地點：Videotage 錄映太奇（Unit 13, Cattle Depot Artist Village, To Kwa Wan 土瓜灣牛棚藝術村13號）

--------------------------------------

Presented by 主辦：Videotage 錄映太奇
Initiated by 原始意念：Floating Projects 據點。句點
Supported by 資助：Hong Kong Arts Development Council 香港藝術發展局*
* Videotage is financially supported by the HKADC.
* The views and opinions expressed in this project do not represent the stand of the Hong Kong Arts Development Council.
錄影太奇為藝發局資助團體。本計劃內容並不反映香港藝術發展局的意見。

11/07/2026

TIME-BASED LANES: BLIPS ON A DARK SEA《時基航道：暗海中的雷達光點》

🏆 Best Work 最佳作品🏆

A Bright Summer Diary《公園日記》
Lei Lei 雷磊 | 2020 | 27’47”

立即觀賞 WATCH NOW* 👀 https://d-normal-v-essay.floatingprojectscollective.net/video-zine/Video-Zine-7

In the summer of 2019, I returned to my hometown Jiangxi Province and traveled with friends to Lushan Mountain to escape the heat; this trip was the first time in more than 20 years that I had visited Lushan. As a child, my mother and grandparents frequently took me to Lushan during the summer. We would stay there for two months at a time. In the mountain, we would look at the scenery, go to the cinema and enjoy the time in the Kuling park.

*At the request of the artist, only the excerpted version of the work is available online. The full work is available for view at Videotage's exhibition space.

2019年的夏天，我回到故鄉江西，和朋友一起到廬山避暑；遊玩，這次旅行距離我上一次上廬山已經有二十多年了。兒時，母親和爺爺奶奶總會在夏天帶我一起來到廬山，一住就是兩個月，我們在山上看風景，在公園遊玩。回到城市後，母親從相簿中找到一張舊照片，這張照片保留完好，是1988年我和母親在廬山的合照。母親分享了我們當時在廬山上的故事，山中的神話，著名的建築，也懷念離世不久的爺爺奶奶。

*應藝術家要求，網站只提供作品選段。請到錄映太奇牛棚展覽空間，欣賞全作。

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Self-guided D-Normal / V-Essay Mini Cinema《平地數碼》自選影院

Date 日期：Now until 26 July 即日至7月26日
Opening Hours 開放時間：12:00 - 19:00（Wed to Sun 星期三至日）
Venue 地點：Videotage 錄映太奇（Unit 13, Cattle Depot Artist Village, To Kwa Wan 土瓜灣牛棚藝術村13號）

--------------------------------------

Presented by 主辦：Videotage 錄映太奇
Initiated by 原始意念：Floating Projects 據點。句點
Supported by 資助：Hong Kong Arts Development Council 香港藝術發展局*
* Videotage is financially supported by the HKADC.
* The views and opinions expressed in this project do not represent the stand of the Hong Kong Arts Development Council.
錄影太奇為藝發局資助團體。本計劃內容並不反映香港藝術發展局的意見。

10/07/2026

TIME-BASED LANES: BLIPS ON A DARK SEA《時基航道：暗海中的雷達光點》

🏆 Best Work 最佳作品🏆

How Orchids Think: Becom(e)ing Orchids《蘭花如何思考：成為蘭》
Qiheng Chen 陳啟恒 | 2025 | 26’29”

立即觀賞 WATCH NOW 👀 https://d-normal-v-essay.floatingprojectscollective.net/video-zine/Video-Zine-7

How Orchids Think: Becoming Orchid is an experimental documentary that steps away from established narratives of orchids and reconsiders how my ways of sensing and understanding are formed through encounters with them. The film brings together moving image, bodily performance, and text, not to produce knowledge about orchids, but to approach them as companions in thinking, as a form of life that continually reshapes how I look, move, and experience the world.

In the film, “becoming orchid” is neither imitation nor simple symbolism. It unfolds as a process that takes shape through walking, pausing, and bodily response. I move among orchids while remaining open to a state in between the human and the nonhuman, allowing thought to emerge not only through language, but through the interactions of body, objects, and environments.

(Excerpted from work synopsis)

《蘭花如何思考：成為蘭》是一部實驗性紀錄片，嘗試離開既有的蘭花敘述，重新思考我如何在與蘭花的相遇之中逐漸形成感知與理解。影片結合影像、身體表演與文字書寫，不是為了建立一套關於蘭花的知識，而是將蘭花視為一種同行的存在，一種會不斷改變我觀看、移動與感受世界方式的生命關係。「成為蘭」不是模仿，也不只是象徵。它更像是一個在行走、停下來、身體作出回應的瞬間慢慢展開的過程。我在蘭花之間移動，也讓自己停留在一種介於人與非人之間的開放狀態，使思考不只發生在語言之中，而是透過身體、物件與環境一點一點生成。

（節錄自作品簡介）

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Self-guided D-Normal / V-Essay Mini Cinema《平地數碼》自選影院

Date 日期：Now until 26 July 即日至7月26日
Opening Hours 開放時間：12:00 - 19:00（Wed to Sun 星期三至日）
Venue 地點：Videotage 錄映太奇（Unit 13, Cattle Depot Artist Village, To Kwa Wan 土瓜灣牛棚藝術村13號）

--------------------------------------

Presented by 主辦：Videotage 錄映太奇
Initiated by 原始意念：Floating Projects 據點。句點
Supported by 資助：Hong Kong Arts Development Council 香港藝術發展局*
* Videotage is financially supported by the HKADC.
* The views and opinions expressed in this project do not represent the stand of the Hong Kong Arts Development Council.
錄影太奇為藝發局資助團體。本計劃內容並不反映香港藝術發展局的意見。

09/07/2026

TIME-BASED LANES: BLIPS ON A DARK SEA《時基航道：暗海中的雷達光點》

🏆 Best Work 最佳作品🏆

Happiness
Firat Yücel | 2025 | 18’05”

立即觀賞 WATCH NOW 👀 https://d-normal-v-essay.floatingprojectscollective.net/video-zine/Video-Zine-7

Desktop films capture the time we spend in front of our screens. I realized that the mostly unpaid time and effort we invest in social media—along with the immense emotional and political labor involved— could serve as a subject for “desktop cinema.” People conduct research on their computers and phones, and this is one such study: it explores the natural resources extracted from the earth that are believed to boost our serotonin levels.

The idea is to reflect on the “screen time” of a hypothetical individual living in our era. This person watches the events unfolding in places like Palestine, Lebanon, Sudan, Rojava, and Congo, grappling with the world's complicity in crimes against humanity while struggling to sleep—like many of us. Would this premise make a documentary? Can we make a desktop documentary that reflects the collective anger and devastation experienced while watching the livestreamed genocide in Palestine? This question arose in my mind, and I pursued it. It took the form of what we might call a desktop-diary. However, this is not intended to be a first-person narrative; rather, it's an experimentation on 'desktop cinema': If we direct our gaze to these screens, would it tell a story about our times and our community?

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Self-guided D-Normal / V-Essay Mini Cinema《平地數碼》自選影院

Date 日期：Now until 26 July 即日至7月26日
Opening Hours 開放時間：12:00 - 19:00（Wed to Sun 星期三至日）
Venue 地點：Videotage 錄映太奇（Unit 13, Cattle Depot Artist Village, To Kwa Wan 土瓜灣牛棚藝術村13號）

--------------------------------------

Presented by 主辦：Videotage 錄映太奇
Initiated by 原始意念：Floating Projects 據點。句點
Supported by 資助：Hong Kong Arts Development Council 香港藝術發展局*
* Videotage is financially supported by the HKADC.
* The views and opinions expressed in this project do not represent the stand of the Hong Kong Arts Development Council.
錄影太奇為藝發局資助團體。本計劃內容並不反映香港藝術發展局意見。

08/07/2026

This Moment, That Time: Videotage at 40 – Ernest Fung
彼時當刻：錄映太奇四十週年訪問系列 —— 馮偉

Watch Now 立即觀賞：https://www.youtube.com/watch?v=H5kB0ivBJt8

As Videotage celebrates its 40th anniversary this year, we are launching an oral history series on YouTube. By interviewing various key figures and searching through our archives, we seek to map out the events that shaped Videotage’s path over the years.

For the first installment, we interviewed artist and video editor Ernest Fung. An active Videotage member in the 1990s, he shares his encounter with the artist collective, Videotage’s early collaboration with Zuni Icosahedron, and the advent of non-linear video editing with the Media 100 system.

As one of the first artists who received a HKADC grant for feature-length video production, he also explains the thought processes behind some of his signature works such as On the Road, as well as reflecting on transformations in the medium then and now.

Other installments are rolling out in the coming months. Stay tuned!

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為慶祝錄映太奇成立四十週年，我們將推出一系列口述歷史影片，第一集已上載至我們的 YouTube 頻道。我們透過訪問不同年代的活躍人物，並翻查庫藏資料，勾勒出錄映太奇走過的歷程和轉捩點。

系列第一集，我們請來藝術家兼剪接師馮偉。作為 1990 年代活躍於錄映太奇的成員，他將與我們分享與錄映太奇的初次接觸、和進念·二十面體合作的故事，以及引入非線性影像剪接系統 Media 100 的歷程。

馮偉也是首批得到香港藝發局資助製作長片的藝術家。在本次訪問中，他剖析了諸如《上路》等經典錄像作品的創作思路，並反思當時和今天的媒介習慣。

其他人物訪問將於未來幾個月陸續登場，敬請期待！

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Produced by | 製作：Videotage 錄映太奇

Supported by | 資助：Hong Kong Arts Development Council 香港藝術發展局*

We have made every effort to trace the copyrights of all materials featured in this video. Please contact us should there be any omission.

我們已盡力追溯片中各項資料之版權。如有遺漏，請與我們聯絡。

*Videotage is financially supported by the HKADC. 錄影太奇為藝發局資助團體。

*The views and opinions expressed in this project do not represent the stand of The Hong Kong Arts Development Council. 本計劃內容並不反映香港藝術發展局的意見。

27/06/2026

D-NORMAL/V-ESSAY: VIDEOTAGE EDITION | TIME-BASED LANES: BLIPS ON A DARK SEA 🌊
平地數碼：錄映太奇特刊｜時基航道：暗海中的雷達光點 🌊

The Videotage edition of D-Normal / V-Essay is now online!

Steering the video zine open call for the first time, we have received 480 entries from creators around the world. These tiny voices have accumulated to create a grand ocean full of narratives. To view the video zine and start your own voyage, please head to the video zine website.
https://d-normal-v-essay.floatingprojectscollective.net/video-zine/Video-Zine-7

We will also be hosting a physical showcase in Videotage’s exhibition space in Cattle Depot (Unit 13) from now until 26 July. Every Wednesday to Sunday (from 12 noon to 7pm), the public is welcome to select and appreciate works from the selected entries of this edition. Hope to see you both online and offline!

A huge thank you to the creators and jurors for making the video zine possible.

“Confronted with a tapestry of themes and audiovisual techniques, the vast sea of information weaved in the video essays often makes us feel as though we are on a boat, guided by the creators. Each work is a unique voyage of its own, unfolding, from 00:00 until the final frame, in its own curious way.”

“Here, the speed of your voyage is never the priority; your presence and your willingness to step beyond algorithmic recommendations to explore the unfamiliar are what we treasure most.”

We will also highlight each of the selected works on our social media channels – stay tuned!

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《平地數碼：錄映太奇特刊》現已推出！

本次是錄映太奇首次主理《平地》的公開徵集，從全球各地的創作者一共收集 480 件精彩作品，眾聲相積成論述的浩瀚汪洋。請即到《平地》網站，在聲影資訊的大海中淌漾：
https://d-normal-v-essay.floatingprojectscollective.net/video-zine/Video-Zine-7

從即日起至7月26日，我們也會在錄映太奇會址（牛棚藝術村13號單位）舉辦自選影院。逢週三至日（中午12點至晚上7點），觀眾可在我們的展覽空間隨意選擇精選作品觀賞。期望在線上線下，也能見到大家！

錄像雜誌得以順利推出，有賴各位創作者的踴躍參與和評審的敏銳視角，特此致謝。

「面對紛呈的題材及聲影手法，汪洋般的資訊讓我們彷彿隨創作者掌舵航行。每件作品都是一段獨特的旅程，由好奇促發，隨時間軸 00:00 展開，至尾段終結。」

「在這裡，航行的速度從非首要；你的在場，以及你嘗試跳脫演算法的推薦框架、去探尋陌生領域的意願，這才是我們最珍視的。」

我們隨後也會在社交平台逐一介紹本期作品，請大家密切留意！

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Self-guided D-Normal / V-Essay Mini Cinema
《平地數碼》自選影院

Date｜日期：6月27日至 7月26日
Opening Hours｜開放時間：12:00 - 19:00（Wed to Sun, except for public holidays | 星期三至日；公眾假期除外）
Venue｜地點：Videotage 錄映太奇（Unit 13, Cattle Depot Artist Village, To Kwa Wan ｜土瓜灣牛棚藝術村13號）

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COMPLETE SELECTION 完整入圍名單

🌊BEST WORK 最佳作品 🌊
- Happiness | Firat Yücel | 2025
- How Orchids Think: Becom(e)ing Orchids《蘭花如何思考：成為蘭》 | Qiheng Chen 陳啟恒 | 2025
- A Bright Summer Diary《公園日記》 | Lei Lei 雷磊 | 2020
- I Speak to the Data Ghosts | Guillaume Bois | 2026
- Analogue Natives | Bernd Lützeler | 2025
- let yourself l̴͓̥̠̼̏̑̃̂̂͘ḛ̷̺̟͓͈̜̓̋̍̄̆ä̸̞̝̳́̾̓̈̾k̷͎̰̓̒͘ a little | Jiawen Uffline | 2024

1. Save as… 另存新檔
- How Orchids Think: Becom(e)ing Orchids《蘭花如何思考：成為蘭》 | Qiheng Chen 陳啟恒 | 2025
- Birthday Cakes From China《生日蛋糕恭祝你福壽與天齊》 | Shengjia Zhang 張勝佳 | 2024
- Last May in Theaters | Arief Budiman | 2025
- Emergencies | Bart Seng Wen Long 成文龍 | 2025
- Fanfictional Politics | Pedro Gossler | 2026 **
- The "Superposition" of Paper《紙的「疊加態」》 | Sonic Liu 劉翰洋 | 2025 **

2. Processed Memories 經剪輯的記憶
- A Bright Summer Diary《公園日記》 | Lei Lei 雷磊 | 2020
- LIKE HIM | Leonardo Severino | 2026
- Silver | Zhang Lv 張綠 | 2025

3. Displaced Selves 是我也是你和他
- A Grand Affair | Rodrigo Moreira | 2024
- Thick & Sweet《甜膩膩》 | Yinan Wang 王一男 | 2026
- Open Tour《開放參觀》 | Kitman Yeung 楊洁雯 | 2025
- Tiger’s Head, Nail’s Tail: Yours Faithfully《虎頭鐵釘尾: 信》 | Serene Hui 許思樂 | 2024

4. Non-human Bodies 非人類是 bodies
- I Speak to the Data Ghosts | Guillaume Bois | 2026
- let yourself l̴͓̥̠̼̏̑̃̂̂͘ḛ̷̺̟͓͈̜̓̋̍̄̆ä̸̞̝̳́̾̓̈̾k̷͎̰̓̒͘ a little | Jiawen Uffline | 2024
- Parallel V | Hui Wai-Keung 許維強 | 2023
- *_001 | Ahmet Mete Balyan | 2025

5. Unsettled Emotions 揮之不去的情緒
- Happiness | Firat Yücel | 2025
- Analogue Natives | Bernd Lützeler | 2025
- Hangnail《倒刺》 | Hou Lam Tsui 徐皓霖 | 2024
- Class Outside | Aylin Kuryel, Fırat Yücel, Deniz Buga | 2026 **

** Juror’s SPECIAL MENTION 評審特别表揚

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Presented by 主辦：Videotage 錄映太奇
Initiated by 原始意念：Floating Projects 據點。句點
Supported by 資助：Hong Kong Arts Development Council 香港藝術發展局*
* Videotage is financially supported by the HKADC. The views and opinions expressed in this project do not represent the stand of the Hong Kong Arts Development Council.
錄影太奇為藝發局資助團體。本計劃內容並不反映香港藝術發展局意見。

25/06/2026

📼 [ ]
With the support of the Hong Kong Arts Development Council (HKADC)’s Intermediate Arts Administration Internship Programme, Videotage is seeking a full-time Project Manager (12-month contract)* with at least four years of experience in media art-related positions to join our team.

Working closely with the Videotage team, artists, and key stakeholders, the Project Manager will deliver a diverse range of media-art happenings, spanning screenings, exhibitions, performances, workshops, and online publications, etc. Reporting to the Programme Director, the successful candidate will drive coordination and ex*****on, collaborating with guest curators, artists, designers, and technicians to realise project deliverables in a resource-conscious and timely manner.

In addition to the opportunity to collaborate with cross-regional artists and cultural practitioners, this position offers potential overseas programming experience (screening/ exhibition overseas) and a 12-month contract with the possibility of renewal.

If you are passionate about media art and overseas curating, don’t miss this opportunity! Join our team and grow with us while contributing to Hong Kong's media art development!

☝️ Deadline is 20 July 2026 (Mon) at 5pm. Click the link below for details.
📌 https://www.videotage.org.hk/news/videotage-is-hiring-project-manager-position-funded-by-hkadc

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錄映太奇得到香港藝術發展局的「中級藝術行政人員實習計劃」資助，現正招聘項目經理（十二個月全職合約）。申請人需有至少四年媒體藝術相關工作經驗。

項目經理將與錄映太奇團隊、藝術和關鍵持分者緊密合作，製作一系列媒體藝術活動，包括放映、展覽、表演、工作坊、網上刊物等。成功申請者將向節目總監彙報，並在有限資源和時間下，與客席策展人、藝術家、設計師、技術人員合作，統籌並執行活動項目。

項目經理除了有機會與不同地區的藝術家和文化工作者合作外，亦將獲得策劃海外節目（放映或展覽）的機會。12個月合約期滿後，表現良好者可獲延長合約。

如果你喜愛媒體藝術，對海外策展有興趣，不要錯過這個機會！加入我們的團隊，一起成長，一起推動香港的媒體藝術發展！

☝️申請截止日期為 2026 年 7 月 20 日（一）下午5時，詳情請參閱以下連結。
📌 https://www.videotage.org.hk/news/videotage-is-hiring-project-manager-position-funded-by-hkadc

Address

Unit 13, Cattle Depot Artist Village, 63 Ma Tau Kok Road
Kowloon

Opening Hours

Monday	11:00 - 19:00
Tuesday	11:00 - 19:00
Wednesday	11:00 - 19:00
Thursday	11:00 - 19:00
Friday	11:00 - 19:00

Telephone

+85225731814

Website

http://videotage.org.hk/

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