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Dirt Play: A Circle of Growth, Decay, and Return埋泥睇,埋泥玩2026.9.4 Fri 五7:30 - 9:30pmWorkshop, conducted in English工作坊,英語主講...
26/08/2026

Dirt Play: A Circle of Growth, Decay, and Return
埋泥睇,埋泥玩

2026.9.4 Fri 五
7:30 - 9:30pm

Workshop, conducted in English
工作坊,英語主講

Reservation 登記留座(link in bio)

農業、考古、建造、採礦——現代社會與土地的關係,往往帶著剝削的意味。

我們開墾土地,總以粗暴的手法從中榨取資源,因為工業體系逼使我們不斷消耗各種物資:金屬、寶石、糧食、文物,以及其他被大規模開採的資源。我們按自己的意願改造這片土地,去餵養我們親手建立的系統。我們製造出過剩的「廢棄物」,引發連鎖的效應,而整套體系卻無意減少這些傷害。

儘管坊間已有不少試圖減少破壞、甚至滋養土壤的實踐(如再生農業、低度干擾林業),但亦有人受到召喚,選擇以更為親密、童趣、且某種程度上更具靈性的方式,與自然同樂。
是次工作坊邀請了四位嘗試以另類視角與大地重新連結的實踐者。他們對框限我們生活的體系投以好奇的目光,並以微小、開放的行動介入與抗衡——擾動現有循環、使天然物料免於落入堆填區,並邀請大家一同嬉戲,重拾與「自然」的連結:去觸碰、去嗅聞、去共存。

不同領域的知識體系究竟如何看待我們腳下的土地?土壤向地景藝術家、陶藝家、生態學家以及自然建築工匠揭示了什麼?而這些認知方式又能如何啟發我們與地球建立更具互惠性的關係?

Agriculture. Archaeology. Construction. Mining. Modern society’s relationship with the land is often exploitative.

We work the land and extract from it—often brutally—because industry demands we constantly consume goods: metals, gems, food, artefacts, and other resources drawn at industrial scale. We reshape the land to our will, feeding systems we have created, generating excess “waste” and consequences the system has no incentive to reduce.

While myriad practices exist to minimise disturbance to—and even enrich—the soil (regenerative farming, low-Impact forestry, among others), others have been called to delight and play with nature on a much more intimate, whimsical, and in some ways, spiritual level.

This workshop brings together four practitioners who each seek to reconnect with the earth through alternative ways of seeing. Casting a curious eye on the systems that frame our daily lives, they intervene and push back through small, simple, open-ended acts—disrupting existing cycles, diverting materials from landfill, and inviting everyone to play alongside them: to touch, to smell, to coexist.

How do different bodies of knowledge approach the ground beneath our feet? What does soil reveal to the land artist, the ceramicist, the ecologist and the natural builder working in the field? And what might these ways of knowing teach us about a more reciprocal relationship with the earth?

⛰️🍃香港近七至八成的土地被綠色植被覆蓋,但當中卻沒有一片「原始森林」?當中原生物種又有幾多?🐾 🌿🍄‍🟫🌺數百年的農耕採樵、加上二戰期間的毀滅性砍伐,讓香港的原生森林幾乎消失殆盡。戰後為了防止水土流失而大量種植的外來速生樹種,成功造就了我...
04/08/2026

⛰️🍃香港近七至八成的土地被綠色植被覆蓋,但當中卻沒有一片「原始森林」?
當中原生物種又有幾多?🐾 🌿🍄‍🟫🌺

數百年的農耕採樵、加上二戰期間的毀滅性砍伐,讓香港的原生森林幾乎消失殆盡。戰後為了防止水土流失而大量種植的外來速生樹種,成功造就了我們今日看到的綠意,卻也改變了本土的生態面貌。我們該如何透過保育,讓真正「土生土長」的生命重新扎根?

踏入八月,WMA與嘉道理農場暨植物園邀請大家參與「方土三部曲」第二部曲:「土生・土長」,一同穿梭於復育後的林地與梯田之間,探討何為「原生物種」——他們在生態系統重建中扮演什麼重要角色,又如何在人為干預與自然修復之間取得平衡?讓我們藉這次漫步,重新思考保育與復育的意義。

「方土三部曲」從作品《方土寸心》伸延而來,以「耕作」、「保育」及「時間」為題,展開三場在地考察。你將跟隨藝術家Coşkun Güçlü與潘子懷、嘉道理農場暨植物園的專家,以及WMA團隊,展開一場城市 × 郊野、藝術 × 生態的漫步,重新發掘「希冀」的土壤。

🔹Part 2: “Conservation” 第二部曲:「土生・土長」
Conducted in English 英語主講 |Free of charge 毋須費用
Limited places 名額有限|Register now 馬上報名(Link in bio)

2026.8.15 Sat(六)
9am - 1pm
Field walk: Kadoorie Farm and Botanic Garden
田野導賞:嘉道理農場暨植物園

2pm - 2:30pm
Exhibition tour: WMA Space at Sheung Wan
展覽導賞:上環WMA Space

⛰️🍃 Roughly 70–80% of Hong Kong‘s land is covered in green, yet none of it is “primary forest”?
So how many native species actually remain? 🐾 🌿🍄‍🟫🌺

Centuries of farming and woodcutting, compounded by severe deforestation during the Second World War, nearly wiped out Hong Kong’s native forests. Post-war reforestation relied heavily on fast-growing exotic tree species – creating today’s lush greenery, but also reshaping the local ecology. How can conservation help truly native life take root again?

This August, WMA and Kadoorie Farm and Botanic Garden (KFBG) invite you to Part 2 of the Guided Field Walks: ”Conservation“. Walking through restored woodlands and terraces, we will examine what defines ”native species“ – the role they play in ecosystem recovery, and how human intervention can be balanced with natural healing. Join us to rethink what conservation and restoration really mean.

Each walk is structured around one of the commissioning film’s key lines of enquiry: “Cultivation”, “Conservation”, and “Time”. Through each theme, artists Coşkun Güçlü & Pun Tsz Wai, together with KFBG and invited experts, and the WMA team, will lead participants through artistic research, ecological learning, and collective reflection on “hope”.

🔹節目預告
9月19日 | 第三部曲「時間」:一同「深時漫步」,探索自然史的書寫
_______________________
🔹Coming next:
19 Sept | Part 3 “Time” explores the historiography of nature through a Deep Time Walk tour

17/07/2026

❝ 當我們修補破損,卻忘記它原來的模樣時,我們在修補什麼?❞

#方土誌 將大帽山看待為一份有生命力的記憶檔案,它由不再存在的茶田、現在進行式的森林復修,與尚待發掘的歷史交織而成。身兼生態研究、歷史考察和藝術創作的潘子懷和Coşkun Güçlü,如何在泥土樣本、DNA編碼、文獻與口述歷史之間穿梭,從罅隙中拼湊新的想像和敍述?由此提問:當一個空間既已不復原初,在悲傷的本質上,我們如何立足破碎,並以此勾勒未來?

歡迎你踏入 #方土誌 ,找尋自己的答案。

🎥完整影片連結見於bio
🎥Full video link in bio

❝ When we restore what is broken, yet no longer remember its original form, what are we truly restoring? ❞

‘Bones of Our Land’ sees Tai Mo Shan as a living archive of memory, woven from vanished tea terraces, ongoing forest restoration, and histories still waiting to be uncovered. Through soil samples, DNA sequencing, archival research, and oral histories, Tsz Wai Pun and Coşkun Güçlü move through layers of fact, fragment, and uncertainty, piecing together new narratives from what lies between them. If a place can never return to its original state, how do we remain with its fracture, and imagine a future shaped by that loss?

Please visit ‘Bones of Our Land’ and discover your own reading of the land.

📙籌劃數年的電子書《光之時刻》現正式上線!Years in the making, the digital book Moments of Light is now online!本書由黃啟裕撰寫,匯集他二十多年來對香港當代攝影的書寫——最...
10/07/2026

📙籌劃數年的電子書《光之時刻》現正式上線!
Years in the making, the digital book Moments of Light is now online!

本書由黃啟裕撰寫,匯集他二十多年來對香港當代攝影的書寫——最早一篇寫於 1999 年,最新的則延伸至近年。《光之時刻》不僅是個人文集,更是理解香港攝影發展的重要線索。這些文字本身即是一種觀看的方式,記錄了香港攝影從 1980至90 年代側重寫實與紀錄的取向,走向 2000 年代以後更著重觀念、更具實驗性的創作路徑;見證攝影師如何從單純描繪城市天際線,轉而叩問身份認同、城市變遷,以及後殖民現實下的日常生活。

透過文字與影像的並置閱讀,本書讓讀者得以追蹤香港攝影的發展軌跡——不只在展覽與藝術群體之中,更在於理解和確立攝影的語言本身:文學的、反思的、極具地方性的攝影書寫。

特別感謝黃啟裕分享這些文字,以及一眾提供相片的藝術家。《光之時刻》是一冊關於「觀看」的靜默檔案,願大眾能透過賞析當中收錄的光、時間與地點,思索香港的城市影像如何被形塑。

完整閱讀 Explore the full book here (link in bio) :
👉 https://wma.hk/book/moments-of-light-2023/

Written by Blues Wong, the book draws together more than two decades of his writing on Hong Kong photography, beginning with an essay from 1999 and extending into recent years. It is a quiet record of looking — an attention to how light, time, and place shape what we notice, and fail to notice, in the city's images.
Moments of Light is more than a collection of essays. It offers a way into the history of Hong Kong photography itself, tracing a shift from the documentary sensibility that dominated the 1980s and 90s toward the more conceptual, experimental practices that followed. Across these decades, photographers moved from recording the skyline to interrogating identity, urban change, and the textures of daily life under conditions shaped by colonial departure.

Read alongside the images, Wong's essays let the reader follow this history along two paths at once — through exhibitions and the artists who made them, and through the language used, over time, to make sense of the work. That language is literary, reflective, and unmistakably local.

Our thanks to Blues Wong for these texts, and to the artists whose photographs appear throughout. Moments of Light asks, simply, that we look again — and consider how the images of this city came to look the way they do.

《北韓2012》攝影系列(2010-2012),余偉建
© 照片版權: 美聯社。
‘North Korea leader, Kim Jong II, and his son, Kim Jong Un, attend the biggest parade ever to mark the 65th anniversary of the communist nation’s ruling Worker’ Party in Pyongyang, North Korea.’ (2010), “North Korea 2012” Photo Series (2010-2012) , Vincent YU
© All images copyright: The Associated Press.

《人間山水》系列 (2014-2020),劉智聰
“My Kind of Landscape” Photo Series (2014 - 2020), LAU Chi Chung

〈百合花(外面的世界)〉,《靜物與海浪》(2011),馬琼珠
‘Lily (the outside world)’, “Still Lifes and Waves” (2011), Ivy MA

〈西瓜〉(1996),《物靜》系列,朱德華
‘Water Melon’ (1996), “Life Still” Photo Series, Almond CHU

🔎展覽導賞|走進方土的微縮世界 📝Exhibition Tour | Step into the diorama of The Bones of Our Land當一個地景不再只是被觀看,而是被多樣的物種、故事與記憶共同棲居時,它的形狀是怎...
07/07/2026

🔎展覽導賞|走進方土的微縮世界
📝Exhibition Tour | Step into the diorama of The Bones of Our Land

當一個地景不再只是被觀看,而是被多樣的物種、故事與記憶共同棲居時,它的形狀是怎樣的?
一個立體場景模型如何超越單純描繪一個地方,進而為整套關係生態系統搭建舞台?

在這個禮拜六,藝術家潘子懷與策展人周麗珊將帶領「方土誌」的導賞,帶大家更深入地觀賞展覽的立體場景模型。而這個空間正是不同生命群體、敍事與時間層交匯之處。它汲取自然史展覽的視覺語言,構築出一片既似被觀察又似被想像出來的景觀——在此處,土地不是一幀靜態的風景,而是一種由生態、記憶與變遷所形塑、充滿生命力且層次豐富的關係網絡。

📆 2026.7.11(六 Sat)2:00 – 2:30pm
💬 廣東話主講,輔以英文 Conducted in Cantonese, supplemented with English
🗿 加入成為會員,即可參加
⛰️ Join as a WMA member (link in bio) to enjoy hassle-free visit

What does a landscape become when it is not just seen, but inhabited by species, stories, and memory?
How can a diorama do more than depict a place — and instead set the stage for an entire ecology of relations?

This Saturday, artist Pun Tsz Wai and curator Chloe Chow will lead a guided tour of ‘The Bones of Our Land’, offering a closer look at the exhibition’s central diorama. The diorama anchors the project as a habitat space where different species, stories, and layers of time meet. Drawing on the visual language of natural history displays, it constructs a landscape that feels both observed and imagined — a place where land is not fixed scenery, but a living, layered relationship shaped by ecology, memory, and change.

☀️夏日到來,綁好你的鞋帶踏進山徑,一同細閱泥土故事🌿Get your boots ready and head up the trail 🥾誠邀大家加入WMA與嘉道理農場暨植物園共同策劃的方土三部曲!一齊回到WMA委約創作項目《方土誌》的...
30/06/2026

☀️夏日到來,綁好你的鞋帶
踏進山徑,一同細閱泥土故事🌿
Get your boots ready and head up the trail 🥾

誠邀大家加入WMA與嘉道理農場暨植物園共同策劃的方土三部曲!一齊回到WMA委約創作項目《方土誌》的起點——大帽山北坡,親身走入這段橫跨數百年、長達地質世的漫長故事!

這趟旅程從作品《方土寸心》伸延而來,以「耕作」、「保育」及「時間」為題開啟三場在地考察。你將跟隨藝術家Coşkun Güçlü與潘子懷、嘉道理農場暨植物園的專家,以及WMA團隊,展開一場城市 × 郊野、藝術 × 生態的漫步,重新發掘「希冀」的土壤。

🔹第一部曲:「耕作未來」
7月11日(六)
9am - 1pm
田野導賞:嘉道理農場暨植物園

2pm - 2:30pm
展覽導賞:上環WMA Space

中英雙語|毋須費用|預先登記

「方土誌」不僅是一場展覽,更是一種閱讀土地的方式。隨着一頁頁地閱讀土壤的層次、歷史與提示,我們開始理解它如何記錄、如何復原。在這片擁有四百年歷史、於2003年山火後重現的梯田山坡上,我們將探索「耕作」如何維繫整個生態系統與生物多樣性,讓土地得以療癒、抗逆並持續生長。

首場活動現已開放登記,歡迎加入!
_______________________
🔹節目預告
8月15日 | 第二部曲「保育」:在復育後的生態系統中,本地物種扮演什麼角色?
9月19日 | 第三部曲「時間」:一同「深時漫步」,探索自然史的書寫

Jointly organised with our programme partner Kadoorie Farm and Botanic Garden (KFBG), the Guided Field Walks series takes participants back to the northern slopes of Tai Mo Shan, a key ecological site that inspired the WMA Commission “Bones of Our Land”.

Each walk is structured around one of the commissioning film’s key lines of enquiry: “Cultivation”, “Conservation”, and “Time”. Through each theme, artists Coşkun Güçlü & Pun Tsz Wai, together with KFBG and invited experts, and the WMA team, will lead participants through artistic research, ecological learning, and collective reflection on “hope”.

🔹Part 1: “Cultivation”
11 July 2026 Sat
9am - 1pm
Field walk: Kadoorie Farm and Botanic Garden

2pm - 2:30pm
Exhibition tour: WMA Space at Sheung Wan

In Chinese and English|Free of charge | Registration in advance

Bones of Our Land is not just an exhibition, but a way of reading the land. As we learn to read its layers, its history, its warnings, we begin to understand how landscapes remember and recover. On the 400-year-old terraced hillside that re-emerged after the 2003 wildfire, this guided walk explores how the act of cultivation can support living ecosystems and biodiversity, for the land to heal, resist, and thrive.

The registration is now open to the public. Come walk with us!
_______________________
🔹Coming next:
15 Aug | Part 2 “Conservation” discusses the role of “native species” in a restored ecosystem
19 Sept | Part 3 “Time” explores the historiography of nature through a Deep Time Walk tour

🗣️藝術家與策展人對談|寸土迴聲💬Artist & Curator Talk|Listening to the Land誠邀你加入藝術家潘子懷、生態學家 Coşkun Güçlü,以及共同策劃「方土誌」展覽的 Louise Fedotov-...
05/06/2026

🗣️藝術家與策展人對談|寸土迴聲
💬Artist & Curator Talk|Listening to the Land

誠邀你加入藝術家潘子懷、生態學家 Coşkun Güçlü,以及共同策劃「方土誌」展覽的 Louise Fedotov-Clements 與周麗珊,一同細談《方土誌》的創作脈絡。作品以大帽山北面一片正在進行生態復修的山坡為出發點,透過田野調查、土壤採樣、影像、聲音、記憶與檔案研究,展開一場跨界合作的探索。

在這場對談中,講者將一同討論,假如我們破除自然史、土地使用與主觀記憶之間的藩籬,轉而考察它們在同一片脈絡中的交疊之處——可如何重新理解「復修」?或許它是一連串產生不同迴響的介入——從侏羅紀的火山物質、數百年的石砌梯田、近年的山火記憶,到推想中的未來,這些看似迥異的時間維度,其實都共存於這片土地之中,它怎樣改變我們對自主性、承擔以及「當下」的理解?當人類將科學方法、生命史及藝術實踐同等看待為聆聽土地的其中一種方式時,又如何滋養出新的希望想像?

📆 2026.6.13(六 Sat) 2:30 – 4pm
💬 英語主講 in English
🗿 加入成為會員,即可參加
⛰️ Join as a WMA member (link in bio)

Join artist Tsz Wai Pun, ecologist Coşkun Güçlü, and co-curators Louise Fedotov-Clements and Chloe Chow for a conversation on the making of Bones of Our Land. Centered on a single hillside undergoing ecological restoration on the Northern slopes of Tai Mo Shan, the talk explores how ecological fieldwork, soil sampling, moving image, memory, and archival research came together in an interdisciplinary collaboration.

Rather than treating natural history, land use, and subjective memory as separate issues, the conversation looks at where these concerns intersect across a single hillside. The speakers will unpack interwoven questions: How can we understand restoration as a spectrum of interventions? How does working across multiple temporalities—Jurassic volcanic matter, centuries-old terraces, recent hill fires, speculative futures—change how we think about agency, responsibility, and what counts as "now"? How might we cultivate new forms of hope by engaging scientific tools as one way of listening to the land alongside lived histories and artistic practice?

WMA發布以2025/26年度主題「希冀」為題的全新委約創作——《方土誌》。藝術家潘子懷與生態學家 Coşkun Güçlü以大帽山一片正在進行生態復修的山坡作為考察地,追溯其交織的生態與人文歷史,並視土壤為一種紀錄,承載生態演變與深層時間...
02/06/2026

WMA發布以2025/26年度主題「希冀」為題的全新委約創作——《方土誌》。藝術家潘子懷與生態學家 Coşkun Güçlü以大帽山一片正在進行生態復修的山坡作為考察地,追溯其交織的生態與人文歷史,並視土壤為一種紀錄,承載生態演變與深層時間的痕跡。作品重新理解「時間」如何在不同維度中累積與交錯,並進一步探討這種觀看方式如何促使我們在恆常的不確定中,仍彼此守望、共同協作。

透過影像和聲音創作、檔案、田野調查與土壤DNA分析,藝術家將這片土地視作一份反覆書寫的手稿——在跨越數百年乃至更長的時間裏、人與非人的角力下,火山地質、農耕歷史、山火記憶、殖民介入與當代修復共存於同一片地景中。在此,過去、現在與未來不再依序展開,而是彼此牽連、持續回響。《方土誌》邀請觀眾重新聆聽泥土、森林與深埋其下的活檔案。

展覽由Louise Fedotov-Clements 與周麗珊聯合策展,將於六月十三日(六)正式開幕,屆時將舉行一場藝術家與策展人對談,歡迎參加。一系列會員限定活動,包括在地考察與實驗表演等,將於稍後公布,請密切留意。

📌 展覽 Exhibition
> 2026.6.13 - 9.30
> 12nn-7pm (二至日 Tue-Sun)
🗿加入成為會員,隨時參觀
⛰️Become our member to enjoy hassle-free access (link in bio)

WMA presents ‘Bones of Our Land’, a new commissioned project for its 2025/26 theme Hope. Created by artist Tsz Wai Pun and ecologist Coşkun Güçlü, the project focuses on a single hillside undergoing ecological restoration on the Northern slopes of Tai Mo Shan, tracing its ecological and human history and reading its soil as a record of recent ecological change and deep evolutionary time.Through its layers and transformations, the project rethinks time as something that accumulates at multiple scales—and considers how this way of seeing might help us remain attentive to one another and move forward together, even in the midst of uncertainty.

Through film, sound, archival materials, fieldwork, and soil DNA analysis, the artists approach the hillside as a palimpsest—a landscape continuously rewritten across centuries and beyond. Volcanic geology, agricultural history, destructive hill fires, colonial intervention, and ongoing ecological restoration are all layered within the same landscape. In this reading, a single hillside becomes a site of entanglement, where past, present, and future do not unfold in sequence but coexist and refract through one another. ‘Bones of Our Land’ invites us to listen anew to the soil, the forest, and the living archive buried beneath our feet.

Co-curated by Louise Fedotov-Clements and Chloe Chow, the exhibition opens on Saturday, 13 June, with an artist and curator talk taking place. A series of members-only activities, including field visits and experimental performances, will be announced soon.

主視覺設計 Key Visual design

From ancient face reading to deep neural networks, humans have long tried to read the future from appearance—driven not ...
15/05/2026

From ancient face reading to deep neural networks, humans have long tried to read the future from appearance—driven not only by calculation, but by the desire to live with and manage uncertainty. Today, that impulse is encoded into facial recognition systems and large-scale simulation models, part of a prevailing statistical logic of late-capitalist technics that seeks to render the future computable even as contingency persists. This configuration of prediction, often trained on synthetic data, extends beyond facial recognition and into high-frequency trading, risk modelling, and algorithmic governance In this landscape of surveillance, digital identity, and AI-driven finance, what remains of the human, and what remains of the real?

WMA, in collaboration with encounters and presented in dialogue with Sheung Yiu’s solo exhibition “(Inter)faces of Predictions” at C/O Berlin — brings together Helsinki-based Hong Kong artist Sheung Yiu and artist, researcher, and strategist Felix Ansmann to examine how predictive logics operate across visual culture, biometric computation, and the socio-economic systems that increasingly depend on them, especially finance and risk management.

As a prelude to Sheung Yiu’s performative desktop lecture on 29 May at C/O Berlin , the evening features a screening of his video essay “It’s a Face-Eat-Face World”, followed by short presentations by Sheung Yiu and Felix Ansmann, a conversation on the rise of synthetic data—from deepfakes to 3D‑rendered identities used to train biometric and financial AI systems—and its implications across visual culture, artificial intelligence, and algorithmic governance, moderated by writer Mary Lee , and the launch of the publication “(Inter)faces of Predictions” (co-authored with Megan Williams), with an introduction by Chloe Chow , curator from WMA.

📅 2026.05.27 (Wed)
🕣 7:00-8:30pm
📍 encounters bookspace, Prinzenallee 60, 13359 Berlin
🗣️ Conducted in English

Photo courtesy of Sheung Yiu

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