09/06/2026
《生命的讚歌：世界著名作曲家黃安倫作品音樂會》成功舉辦
6月6日晚，一場內容豐富、感人至深的音樂會《生命的讚歌：世界著名作曲家黃安倫作品音樂會》在聖保羅堂成功舉辦。該場音樂會不僅因才華橫溢的器樂及聲樂演奏家們對黃安倫作品的動人演繹而令人難忘，對香港聖公會而言，亦是一場具有歷史意義的盛事。
兩支合唱團——聖保羅堂詩班及聖保羅書院校友會合唱團——登台獻唱了黃安倫的三首作品《詩篇100》、《主啊，誰敢不敬畏你》、《復活節大合唱：生命的讚歌》。管風琴獨奏《詩篇二十二「序曲」》由崇基學院禮拜堂音樂總監林芍彬博士演奏；鋼琴獨奏則由來自上海的19歲的陳恩佳演奏。其演奏了黃安倫《塞北小曲三十首》中的三首作品《山》、《駱駝》、《迎親人》。小提琴協奏曲《紅樓夢》（鋼琴伴奏版）由來自北京的卓驄首演，香港聖公會檔案館研究員陳睿文伴奏。黃安倫先生指揮了全場音樂會，並在此前與所有表演者進行了數次排練。
謝子和主教以禱告拉開當晚音樂會的序幕，陳謳明大主教則發表了熱情洋溢的致辭，表達了其對摯友兼音樂顧問黃安倫先生的敬意，並對當晚音樂會寄予厚望。擠滿禮拜堂的觀眾們一致認為，這些期望不僅得到了滿足，甚至超出了預期。許多人一直逗留至深夜，只為與作曲家、表演者見面交談。
香港聖公會檔案館正在收集黃安倫的樂譜及音樂相關文獻。6月6日的演出視頻即將發布，屆時可通過檔案館網站觀看。我們衷心感謝香港聖公會檔案館理事會成員林準祥博士擔任本次演出的官方攝像師。
(特別感謝《教聲》提供音樂會照片)
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"Ode to Life: Concert of World-Renowned Composer Huang Anlun" was held successfully.
On the evening of June 6, a rich and moving performance "Ode to Life: Concert of World-Renowned Composer Huang Anlun" was held at HKSKH St. Paul's Church in Hong Kong. This will be remembered as a moving interpretation of very talented instrumental and vocal musicians and an historic event for the Hong Kong Sheng Kung Hui.
Two choirs performed, the St. Paul’s Church Choir and the St. Paul’s College Alumni Choir, singing sacred music, hymns and cantata’s written by Huang Anlun. The organ soloist was Dr. Anne LAM, Director of Music at Chung Chi College Chapel. The piano soloist was a nineteen year old prodigy from Shanghai, Ms. CHEN Enjia, playing selections from Huang Anlun’s 30 Pieces in Saibei Folk Style. The world premier of the violin concerto with piano accompaniment, “The Dream of the Red Chamber,” was played by ZHUO Cong, the renowned violinist from Beijing, with Dr. Ruiwen CHEN, HKSKH Archives Researcher accompanying him on the piano. Mr. Huang Anlun, music advisor to the Archbishop, directed the choirs and spent many hours of rehearsal with all the performers.
Bishop Matthias Der opened the evening with prayer, and Archbishop Andrew Chan delivered a warm address on his regard for his friend and advisor Huang Anlun and his high expectations for the evening. The audience who had filled the sanctuary agreed that these hopes were more than fulfilled. Many lingered deep into the night to meet and speak with the performers.
The HKSKH Archives is collecting Huang Anlun’s sheet music and papers about music. A video of the June 6 performance is forthcoming and will be available through the Archives’ website. We are grateful to Dr. Otto Lam, member of the HKSKH Archives Board, who was the official videographer for the performance.
(Special thanks to Echo for photos of the concert)
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