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Did you know some buildings in Britain are still rented for a crab, a rose, or a single daffodil?A coastwatch station on...
13/08/2026

Did you know some buildings in Britain are still rented for a crab, a rose, or a single daffodil?

A coastwatch station on the Dorset coast holds its lease from the Encombe Estate for one crab per annum, if demanded. On the Isles of Scilly, the Wildlife Trust leases land from the Duchy of Cornwall for one daffodil a year. And every year the City of London pays its rent on Billingsgate fish market to Tower Hamlets with a single salmon, which is then given to a local charity.

These are peppercorn rents.

In English law, a contract needs consideration, something of value passing between the parties. A lease also has to reserve a rent. So when a landlord wants to charge almost nothing, they still need to charge something. A peppercorn, a crab, a salmon. It has almost no value, but it is not nothing, and that is the whole point.

Go back further and the payments get stranger.

A deed from 1291 set the rent as a pair of white gloves, a rose and a barbed arrow. One Yorkshire farm owed a snowball in summer and a red rose in winter, two things almost impossible to hand over on the day, which may well have been the joke. Two neighbouring farms each paid a single glove, one a right hand, one a left.

The oddest survivor is the Quit Rents ceremony, the oldest legal ceremony in England after the coronation. For a patch of Shropshire moorland the City of London pays the Crown two knives, one blunt and one sharp. For a forge near the Strand, six horseshoes and 61 nails. No one now knows exactly where either piece of land is. The same horseshoes are kept in a drawer, handed over each year, then quietly taken back.

The law has now caught up.

The Leasehold Reform Act of 2022 finally defined a peppercorn rent in statute, as one peppercorn. Centuries of whimsy, written into an Act of Parliament.

What is the oddest rent or covenant you have come across on a title?

Did you know that some of Britain's grandest old buildings were funded by betting on strangers to die?There is a red bri...
11/08/2026

Did you know that some of Britain's grandest old buildings were funded by betting on strangers to die?

There is a red brick hotel in Ironbridge, Shropshire, sitting right across from the world's first iron bridge. It is called the Tontine. Most people walk past the name without a second thought.

A tontine was an investment scheme. A group of people each paid into a shared fund. In return they drew an annual income. The catch was what happened when a subscriber died. Their share did not pass to their family. It was split among the survivors instead.

So your income went up every time one of your fellow investors died. The last one left alive took the largest payouts of all. It was part pension, part lottery, part quiet wager on outliving everyone else in the room.

Governments and towns loved them. You could raise money to build a coaching inn, an assembly hall or a hotel without raising taxes. The Cleveland Tontine in North Yorkshire was funded this way, with subscriptions totalling £2,500 to build a coaching inn at a turnpike junction.

This is a reminder that a building's origins are rarely just bricks and mortar. The money behind a building, and the human incentives tied to that money, shape what gets built, where, and why it survives. The finance is part of the fabric.

What struck me most was how respectable it all looked. Elegant Georgian frontages, polite society, coffee rooms and dances. And underneath, a scheme that paid out more the more of your neighbours were gone.

Every building also carries a financial and social story in its bones. Next time you spot a "Tontine" on an old frontage, you are looking at one of them.

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Did you know that Victorians painted their rooms in "Mummy Brown" from real Mummies?! Here are some unusual and bizarre ...
08/08/2026

Did you know that Victorians painted their rooms in "Mummy Brown" from real Mummies?!

Here are some unusual and bizarre features in Victorian homes that I discovered.

“𝗠𝘂𝗺𝗺𝘆 𝗕𝗿𝗼𝘄𝗻” paint : Victorian homes were sometimes decorated with ground-up Egyptian mummies in paint because of their rich brown tones until the supply of mummies began running out! 😯

“Dust Roads” in carpets: Victorian carpet patterns included strategically darker pathways in high-traffic areas to hide accumulating dust and soot from coal fires.

Fake book doors: Wealthy Victorian libraries often featured wooden blocks painted as book spines that concealed secret doors or storage spaces, one of my favourites.

Fainting rooms: Dedicated spaces with special daybeds/couch where corseted women could recover from oxygen deprivation and fainting spells due to their tight corsets. I'm thankful we no longer need these!

Blue glass “Witch Bottles”: Embedded in walls or windows to ward off evil spirits, based on the belief that witches would be compelled to count every ripple in the glass.

Seaweed Soundproofing: High-end homes used dried Zostera marina seaweed as fire-resistant, insect-repellent insulation between floors.

Class staircases: Servants’ stairs were intentionally built with different dimensions (higher risers, narrower treads) than the main staircases, reinforcing class distinctions through architecture. Servant staircases were also deadly due to their narrow and irregular sized steps.

Repurposed priest holes: Victorian homes sometimes incorporated or recreated the Catholic priest hiding places from the 16th-17th centuries.

Hidden darkrooms 📸: With photography becoming popular, some homes featured concealed spaces for developing photographs, often built under staircases.

Some of our history is quite dark

06/08/2026

This Is Surveying has now passed 5,000 downloads, with more than 6,000 views on YouTube, and both are climbing week on week.

That tells me one thing. Surveyors are listening.

So we are opening the podcast up to sponsorship, and there are two ways in.

Product Spotlight

A dedicated slot on a Thursday, alongside our Tuesday guest sessions. You get:

Recorded, edited and published to the same standard as our guest episodes
Full show notes
Your own permanent page in the Surveyors UK podcast section
Promotion across every social channel
Publication on YouTube

It runs as an interview, so it is a genuine conversation rather than an advert, but the hour is yours to talk to surveyors about what you do.

Podcast sponsorship

We are also pleased to welcome our first podcast sponsor, [tag Rebuild UK], who will be joining us shortly. This is a spoken sponsor slot produced within every Tuesday episode.

If you want your product, service or software in front of an engaged and relevant audience of surveyors, this is a clean way to do it.

Costs are straightforward and I will share them one to one. Message me or drop a comment below and I will get the details over to you.

The biggest AI questions facing surveyors aren't about the technology itself.I sat down with Nick Rains from Howden Insu...
04/08/2026

The biggest AI questions facing surveyors aren't about the technology itself.

I sat down with Nick Rains from Howden Insurance Brokers to discuss what AI means for professional indemnity insurance, claims, and the future of surveying. We explore how insurers are responding to AI, the risks and opportunities it presents, and why governance, clear policies, and professional judgment are becoming increasingly important for surveying firms.

Watch the full episode. Link in the comments.

03/08/2026

Good records could be one of your best defenses.

As AI becomes part of everyday surveying, keeping a clear record of how it's used is more important than ever. I sat down with Nick Rains from Howden Insurance Brokers to discuss why documentation, supervision, and firm processes can make all the difference if questions or claims arise.

New episode tomorrow. Link in the comments.

01/08/2026

Can surveyors really trust AI?

Nick Rains from Howden Insurance Brokers shares why AI adoption in surveying isn't as straightforward as it seems. We explore the challenges, the hesitation across the industry, and why human judgment still plays a critical role as AI continues to evolve.

New episode lands Tuesday. Link in the comments.

31/07/2026

Does using AI affect your professional indemnity insurance?

Nick Rains from Howden Insurance Brokers explores one of the biggest questions facing surveyors today. We discuss what PI insurance means for AI use, how insurers are approaching this rapidly evolving technology, and why every surveying practice should be paying attention.

Full episode on Tuesday. Link in the comments.

30/07/2026

AI isn't just changing how surveyors work. It's changing how claims begin.

I sat down with Nick Rains, Senior Contract and Wordings Executive at Howden Insurance Brokers, who specializes in professional indemnity insurance for construction professionals. We discuss how AI is making it easier for claimants to generate formal complaint letters, sometimes without realizing they've started the claims process, and what that means for surveyors, risk management, and professional indemnity insurance.

New episode lands Tuesday. Link in the comments.

Did you know the Shard is the tallest building in the UK at 1,016 feet? Renzo Piano first sketched the idea on a napkin....
29/07/2026

Did you know the Shard is the tallest building in the UK at 1,016 feet?

Renzo Piano first sketched the idea on a napkin. He was inspired by the masts of tall ships on the Thames and the church spires in Canaletto’s paintings. The concept was a glass shard rising out of the skyline, which is exactly what London ended up with.

Sustainability shaped the whole build. About 95 percent of construction materials were recycled. The triple-glazed façade, which spans the equivalent of eight football pitches, maximises natural light and uses built-in solar blinds to cut heat gain.

The building works as a vertical city. Offices, homes, restaurants, a hotel, and an observation deck all sit within a single acre of land, yet together they accommodate around 30 acres of floor space. On a clear day the views stretch 40 miles.

During construction, a fox was discovered living on the 72nd floor. The builders named him Romeo. He survived on food left behind by the crews and was later relocated. The Shard still sells a soft toy of him in its shop.

The construction itself broke new ground. Engineers used a top-down method that allowed the first 23 floors to rise before the basement had even been dug out. It was the first time this technique had been used in the UK.

The Shard’s glass changes throughout the day. Its low-iron panels reflect light differently depending on the weather, so the building never looks exactly the same twice.

In high winds the building sways slightly, up to around 50 centimetres at its tip. Dampers built into the structure control this movement and keep it comfortable for the people inside.

The name itself began as an insult. Critics called the design a shard of glass stuck into historic London. Piano kept the phrase and turned it into the official name.

The foundations needed the largest continuous concrete pour ever carried out in the UK. More than 700 lorry loads delivered around 5,500 cubic metres of concrete in one operation.

The Shard has become a symbol of modern London. I visited the top floor for a client event and watched the city shift from daylight into evening. It was a brilliant reminder of how much this building has changed the skyline

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