Redruth Antiquarians

Redruth Antiquarians llustrated talks showing the various antiquities in Cornwall that can be seen and explaining about their history.

The talks are suitable for a range of local groups to enjoy. Link to website: https://redruthantiquarians.wordpress.com/?

Visted recently by the RedAnts, our write up and photograph follows hereunder. The sketch though was by Arthur Langdon a...
05/06/2026

Visted recently by the RedAnts, our write up and photograph follows hereunder. The sketch though was by Arthur Langdon as it appeared in his book of 1896......

Choon Cross, St Buryan

Introduction

Choon Cross, also known as Choone Cross or Chyoone Cross, stands beside an ancient route South East of Saint Buryan in West Cornwall.

It occupies a prominent position at a junction where several old church paths once met, serving both as a religious monument and as a guide for travellers crossing the upland landscape.

The cross is a Scheduled Monument and is regarded as one of the most important early mediaeval crosses in Penwith.
Toponymy

The place name associated with Choon Cross has been discussed in detail by the late Cornish Craig Weatherhill who followed established Cornish toponymic scholarship in interpreting its linguistic origins.

His work places the name firmly within the native Cornish landscape vocabulary rather than attributing any meaning connected to the cross itself.

His research derived Choon, Choone and Chywoon from the Cornish elements ‘chy’ meaning ‘house’ or ‘dwelling’ and ‘goon’ meaning ‘downs’, ‘moor’ or ‘unenclosed upland pasture’.

The resulting compound, ‘chy goon’, would therefore signify ‘house on the downs’ or ‘dwelling on the upland’.

Over time, as Cornish place names were adapted through English spelling conventions and local pronunciation, the form gradually evolved through intermediate spellings such as ‘Chywoon’ to the shortened and anglicised forms ‘Choon’e and ‘Choo’n.

This interpretation reflects a wider pattern across West Penwith and Cornwall as a whole, where many ancient settlement names describe topographical position rather than ownership or function.

Elements such as ‘chy’ (house), ‘tre’ (farmstead or settlement) and ‘pen’ (head or promontory) are commonly combined with landscape descriptors like ‘goon’ (downland) to form descriptive place names rooted in early Cornish speech.

In the case of Choon Cross, Craig Weatherhill’s analysis indicates that the name does not refer to the monument itself but to the surrounding locality in which it stands.

The Cross

The cross takes its modern designation from this nearby place name tradition, rather than from any original dedication or inscription.

The monument is thus understood as part of a wider linguistic and archaeological landscape, in which early Christian stones were later incorporated into existing patterns of settlement and routeways.

Seen in this light, Choon Cross is not only a significant early mediaeval monument but also a marker within a deeply ancient naming landscape.

The survival of the Cornish derived place-name element preserves evidence of how the upland terrain above Saint Buryan was once described by its early inhabitants.

The surviving monument consists of a large granite cross-head set directly into a substantial granite base stone.

The original shaft has been lost possibly cut off to be used as a gate post.

The cross head is unusual in being of the Latin form with unenclosed arms and it carries a carved relief figure of Christ on one face.

On the reverse is a simple Latin cross in low relief.

This distinctive Christ figure links the monument to a small group of very early Cornish crosses associated with Saint Buryan and the surrounding district.

The cross-head is approximately two feet six inches high, two feet seven inches wide and just over 10 inches thick.

The carved figure of Christ is about one foot three inches high and one foot two inches across.

The base stone measures roughly four feet square and stands about one foot above the surrounding ground.

The cross is generally dated to the late 9th or early 10th century although the image of the head leaning to the left suggesting death may indicate it is of the 12th century.

Scholars believe it belongs to a formative period in Cornish stone carving and may have influenced the development of the more elaborate decorated crosses that appeared across West Cornwall during the 10th century.

The prolific antiquarian Arthur Langdon (b. 1853 d.1911), writing in ‘Old Cornish Crosses’ (1896), recorded somewhat critically:

“On the head is sculptured a grotesque little figure of our Lord, and it is difficult to imagine one that could be more primitive and severe in ex*****on.

The little round head inclines slightly to the left—an unusual direction; the arms are long, thin, and perfectly straight; while the hips are more like those of a female.

The legs are very short in proportion, and are terminated with immense feet, which turn outward at right angles.”

Often quoted, this comment reflects a distinctly Victorian aesthetic bias.

Arthur Langdon's sketch is seen below.

Langdon, as an architect, often valued neatness, symmetry and refinement of carving.

Modern archaeologists are generally more interested in chronology, symbolism and local artistic traditions and what Langdon described as ‘rude’ workmanship is now often understood as characteristic of an early and highly significant sculptural tradition.

The cross’s position beside ancient church paths highlights the importance of such monuments in marking routes used by parishioners, pilgrims and funeral processions.

The Saint Buryan District.

Historically, Saint Buryan was the centre of a major early Christian community and later a collegiate church of considerable importance.

The Choon Cross formed part of a wider network of religious markers radiating from the parish church across the surrounding countryside.

Although its shaft has disappeared, the monument remains in what is believed to be its original position, continuing to mark a route that has been used for many centuries and when on the shaft would certainly have been visible from Saint Buryan Church.

Unlike some Cornish crosses, Choon Cross is not associated with any well recorded local legend.

Its folklore is instead bound up with the sacred landscape of Saint Buryan, where ancient church paths, holy sites and early Christian monuments were long regarded as places of spiritual significance.

The unusual figure of Christ carved on the cross has contributed to its reputation as one of the earliest and most distinctive religious monuments in Penwith.

Local tradition and antiquarian interest have helped preserve its importance within the historic landscape of West Cornwall.

References:

Place Names in Cornwall and Scilly – Craig Weatherhill, Wessex Books, 2005

Stone Crosses in West Penwith - Andrew G. Langdon, Federation of Old Cornwall Societies, 1997

Old Cornish Crosses With an Article on Their Ornament by J. Romilly Allen, F.S.A. (Scot.) - Arthur G. Langdon, Joseph Pollard, 5 St Nicholas Street, Truro 1896

Crosses and Churchway Paths in the Land’s End Peninsula West Cornwall, Volume 3, St. Buryan – Ian McNeil Cooke, Men an Tol Studio, 2000

The 'RedAnts' (Redruth Antiquarians)

Visit our website for details of our activities, presentations and events: https://redruthantiquarians.wordpress.com/about/

A Day Out near the End of the Land......Link to the story: https://redruthantiquarians.wordpress.com/2026/06/02/a-day-ou...
02/06/2026

A Day Out near the End of the Land......

Link to the story: https://redruthantiquarians.wordpress.com/2026/06/02/a-day-out-near-the-end-of-the-land/

The 'RedAnts' (Redruth Antiquarians)

Visit our website for details of our activities, presentations and events: https://redruthantiquarians.wordpress.com/about/

On the tail end of a Bank Holiday heatwave, we headed for the far west and met up near Lands End, at Sennen. Sennen Church was apparently founded in 520 AD, though the oldest part of the current ch…

Visited by the 'Red Ants' a while ago......The Selus Stone: A Voice from Cornwall’s Lost Christian AgeThe Selus Stone in...
29/05/2026

Visited by the 'Red Ants' a while ago......

The Selus Stone: A Voice from Cornwall’s Lost Christian Age

The Selus Stone in St Just in Penwith Parish Church is one of the most important early Christian monuments in Cornwall, providing a rare and tangible link to the period immediately following the Roman withdrawal from Britain in the early 5th century.

Its presence reflects a time when Christianity was taking root in the far Southwest, blending late Roman traditions with emerging local identities.

The stone is generally dated to the late 5th or early 6th century, placing it within the Romano Celtic phase of early British Christianity.

During this time, Latin literacy and Christian burial practices remained closely tied to the legacy of Rome, even as Christianity began to blend with local traditions in the Celtic regions of Britain.

Stones like the Selus Stone often combined inscriptions with simple Christian symbols, most notably the cross, and, in some cases, the Chi Rho, the early Christogram formed from the first two Greek letters of Christos.

While the Selus Stone itself is primarily valued for its inscription, its form and context strongly suggest that it stood within a landscape where such sacred markings signified both faith and status.

The inscription on the Selus Stone reads “SELUS IC IACET,” usually translated as “Here lies Selus.”

The lettering is simple and direct, consistent with other early Christian memorials of western Britain.

Though no elaborate carved cross survives on its face today, scholars believe that stones like this were often accompanied by incised crosses or placed in proximity to wooden or painted markers now long vanished.

The absence of a visible cross does not diminish its Christian character, rather, it reflects the austerity of early insular practice, which favoured simple and unadorned memorials.

In the wider context of Cornish archaeology, the Selus Stone stands out because it preserves a clear inscription, remains within a church setting and is associated, however tentatively, with a named individual.

The name 'Selus' itself is rare and somewhat enigmatic, possibly of Celtic origin and it has invited speculation about whether he was a local leader, a landholder, or an early Christian convert of some standing.

While no concrete evidence can confirm these speculations, the presence of a personal name in the inscription provides a direct, human connection to the past.

The site at St Just in Penwith is deeply embedded in the spiritual landscape of West Cornwall, a region rich in early Saints and legend.

The area lies within the sphere traditionally associated with Saint Just, a figure linked in some traditions to early missionary activity in the region, although historical details remain obscure.

The influence of Celtic saints such as Saint Piran, the patron saint of Cornwall, is evident in local traditions, with many places nearby recalling the spread of Christianity in this region.

Saint Piran’s story of exile and arrival by sea echoes the broader pattern of Christian transmission along Atlantic routes.

Local folklore has occasionally woven the Selus Stone into a more legendary past.

Some traditions suggest that inscribed stones like this one marked not only burial places but also sites of boundary, oath-taking, or even the graves of warriors connected to the fading memory of Romano British rulers.

In this imaginative landscape, figures such as King Arthur and his contemporaries are sometimes evoked, not as historical certainties, but as part of the enduring mythic backdrop of post Roman Britain.

While no direct link can be established between Selus and such figures, the stone belongs to the same shadowy era from which these legends emerged.

Standing at roughly five feet six inches tall, the Selus Stone carries a simple message across nearly fifteen centuries.

Its restrained inscription, possibly once accompanied by a cross or understood within a sacred marked space, reflects a formative moment when identity, faith and memory were expressed with remarkable economy.

It marks the resting place of a man whose precise identity may never be fully known, yet whose commemoration endures as part of Cornwall’s early Christian story, quiet, enduring, and marked, in spirit if not in surviving form, by the sign of Christ.

The 'RedAnts' (Redruth Antiquarians)

Visit our website for details of our activities, presentations and events: https://redruthantiquarians.wordpress.com/about/

Antiquarians: William Copeland Borlase 1848-1899William Copeland Borlase, born in 1848 in Castle Horneck, near Penzance,...
19/05/2026

Antiquarians: William Copeland Borlase 1848-1899

William Copeland Borlase, born in 1848 in Castle Horneck, near Penzance, was the only son of Samuel Borlase and Mary Anne Copeland – an Essex girl.

The great-great-grandson of Dr William Borlase, William visited many of the sites in Cornwall documented by his ancestor before an education at Wi******er College and Trinity College, Oxford.

In 1863 he was asked (aged 15?) to supervise an excavation of the Iron Age village at Carn Euny, for which he in turn commissioned the antiquarian J T Blight to do many of the engravings for the subsequent report.

William married in 1870, to Alice (or Ellen) Lucy Kent, the wife of a minister.

In 1872 his major work “Nænia Cornubiæ: a descriptive essay, illustrative of the sepulchres and funereal customs of the early inhabitants of the county of Cornwall“, was published.

It has been estimated that Borlase excavated about 200 barrows in Cornwall but he has been criticised for poor archaeological practice, particularly in only writing accounts of a tenth of the barrows.

1878 saw publication of an account of his travels around the world from October 1874 to September 1875, entitled “Sunways: A Record of Rambles in Many Lands“, a journey on which his wife did not accompany him.

Standing for Parliament in the 1880 general election, Borlase was elected Liberal Member of Parliament for East Cornwall, until the seat was divided in the Redistribution of Seats Act 1885.

In the 1885 general election, he was elected MP for St Austell, and in 1886 he was made Parliamentary Secretary to the Local Government Board.

However, with all his standing, his tastes became ever more expensive.

By 1887 his effects were being sold off by auction and he resigned his seat in disgrace after his mistress revealed the extent of his debts, which brought him to bankruptcy.

He moved to Ireland to work, and subsequently managed tin mines in Spain and Portugal.

The move allowed him time to write however, and in 1895 he published “The Age of the Saints: a monograph of early Christianity in Cornwall with the legends of the Cornish saints and an introduction illustrative of the ethnology of the district” and followed this two years later with “The Dolmens of Ireland, their Distribution, Structural Characteristics, and Affinities in Other Countries; together with the folk-lore attaching to them and traditions of the Irish people” – a work in three volumes.

But sadly, the disgrace was too much, the rest of the family disowned him and he died aged just 51, in London on 31 March, 1899.

The 'RedAnts' (Redruth Antiquarians)

Visit our website for details of our activities, presentations and events: https://redruthantiquarians.wordpress.com/about/

Visited by the 'Red Ants' a while ago......St Crewenna’s Church, Crowan, Cornwall.Crowan and its SaintSt Crewenna’s Chur...
17/05/2026

Visited by the 'Red Ants' a while ago......

St Crewenna’s Church, Crowan, Cornwall.

Crowan and its Saint

St Crewenna’s Church stands at the heart of the parish of Crowan in West Cornwall and serves as a significant witness to the long continuity of Christian worship in this part of Britain.

The church is dedicated to Saint Crewenna, sometimes written as Crewen, a little known Celtic saint believed by tradition to have come from Ireland to Cornwall during the sixth century.

No reliable dates of birth or death survive for Saint Crewenna and her life is known only through later tradition.

She is associated with the early wave of Celtic missionary activity that shaped much of Cornwall’s spiritual identity.

Her feast is observed on the Sunday nearest to Candlemas, around 2nd February, and this celebration remains part of the parish’s tradition.

The Church

A church has occupied the site since at least the Norman period following the eleventh century. Very little visible fabric survives from that earliest structure, though fragments of masonry and the font bowl are often attributed to this period.

Around 1140 the church was granted by William FitzRobert, 2nd Earl of Gloucester (b. 1116 d. 1183), to St James’ Priory in Bristol, linking Crowan to wider ecclesiastical networks beyond Cornwall.

The greater part of the present building dates from the 15th century.

During this late mediaeval period many Cornish churches were rebuilt or enlarged in the Perpendicular Gothic style, reflecting both growing prosperity and strong local devotion.

At Crowan the nave, chancel and impressive West tower belong substantially to this phase.

The tower rises to approximately 70 feet and is built in three stages crowned with an embattled parapet and corner pinnacles. Its solid granite construction and balanced proportions make it the dominant external feature of the church.

The mediaeval nave and chancel are arranged beneath a single continuous roof, a characteristic feature of many Cornish parish churches.

A North aisle runs alongside the nave and retains much of its 15th century character.

The arcade between nave and North aisle consists of multiple bays with four centred arches carried on substantial piers.

The South aisle was enlarged in the 18th century when mining activity in the district brought increased population and prosperity.

Elements of classical taste were introduced at that time including simpler column forms reflecting the architectural fashion of the period.

A significant programme of restoration took place beginning in 1872 under the direction of the architect James Piers St Aubyn (b. 1828 d.1895). He was a member of the prominent St Aubyn family and became an influential church restorer of the nineteenth century. His work reshaped parts of the South aisle, introduced Gothic Revival detailing and added a vestry and organ chamber.

The South porch also dates from this restoration.

Further work continued into the late 19th century and by 1891 the principal restoration campaign had been completed.

The church is constructed primarily of local granite ashlar with slate roofs.

The interior preserves a range of historic fittings and memorials spanning several centuries.

The font bowl is commonly described as Norman in origin though it has undergone later alteration and reconstruction. The base includes later work possibly from the 19th century and incorporates carved decorative elements.

At the east end of the church the chancel contains a mosaic reredos dating from about 1871 depicting the Last Supper.

Granite sedilia and a piscina reflect the influence of Victorian liturgical renewal.

Stained glass windows form an important part of the church’s character.

In the South aisle at the West end is a window by Lavers Barraud and Westlake, a firm founded in 1855, installed in 1872 in memory of Nannie Bloomfield Johns who died in 1870 and depicting the Ascension.

In the North aisle a window dating from 1920 by Heaton Butler and Bayne, founded in 1855, portrays St Michael, St Crewenna and St George and serves as a memorial to twenty three men of the parish who lost their lives in the First World War between 1914 and 1918.

The West tower houses a ring of six bells which were rehung in 1896 during the later Victorian period.

The Mediaeval Cross

Within the churchyard, beside the South wall of the tower, stands a mediaeval granite wheel head cross that forms an important survival of early Christian stone carving in Cornwall.

The cross head is circular in form with the arms of the cross defined within the wheel on one face and the figure of Christ on the other.

Though now weathered and worn, the relief of the cross can still be discerned on its surface.

The cross head measures approximately one foot six inches in height and one foot eight inches in width. The thickness varies from about six and a half inches at the lower part to about five and a half inches toward the top. These dimensions indicate that the surviving head was once part of a larger monument.

Many Cornish crosses of this type originally stood between four and eight feet in total height when complete.

Following its find in a garden in Praze an Beeble, the cross was resited during 1955 and now stands on a short shaft near the tower wall.

The St. Aubyn Family

The St Aubyn family were long standing patrons of Crowan and their history is closely intertwined with the church.

The family rose to prominence in Cornwall in the 17th century and were created baronets in 1671.

Sir John St Aubyn, 1st Baronet (b. 1640 d. 1702) was followed by Sir John St Aubyn, 2nd Baronet (b.1673 d. 1734) and Sir John St Aubyn, 3rd Baronet (b. 1696 d. 1744).
Sir John St Aubyn, 4th Baronet (b. 1726 d. 1772) continued the family’s influence in Cornwall.

His successor Sir John St Aubyn, 5th Baronet (b.1758 d.1839) was an important landowner and Member of Parliament.

The baronetcy passed to Sir Edward St Aubyn, 6th Baronet (b.1799 d.1872). His son Sir John St Aubyn, (b.1820 d.1903) was elevated to the peerage as 1st Baron St Levan in 1887.

Members of this branch of the family supported church life in Crowan and were connected with the nineteenth century restoration.

James Piers St Aubyn, (b. 1828 d.1895), though from a related branch of the family, served as architect for the major Victorian works at Crowan and played a central role in shaping the building as it appears today.

Numerous memorial tablets, brasses and monuments within the church commemorate members of the St Aubyn family across several generations. These monuments range from the 17th through the 19th centuries and form a visual record of patronage, faith and local leadership.

Summary

St Crewenna’s Church was designated a Grade II star listed building in 1957, recognising it as particularly important and of more than special interest within the national heritage framework.

From its Norman origins through mediaeval rebuilding, 18th century enlargement and Victorian restoration, St Crewenna’s Church embodies nearly a thousand years of Cornish religious life.
Its dedication to a Celtic saint, its granite tower rising high above the surrounding landscape and its medieval wheel head cross standing quietly in the churchyard together form a layered record of faith, history and continuity in West Cornwall.

References:

• Place Names in Cornwall and Scilly – Craig Weatherhill, Wessex Books in association with Westcountry Books, Launceston, 2005
• The Cornish Church Guide and Parochial History of Cornwall – Charles Henderson, D. Bradford Barton 1964
• Norman Architecture In Cornwall – A Handbook To Old Cornish Ecclesiastical Architecture – Edmund H. Sedding FRIBA, Ward and Co. B.T. Batsford and Co. London and J. Pollard, Truro, 1909 https://archive.org/details/normanarchitectu00sedd/page/n5/mode/2up
• The Buildings of England: Cornwall – Nikolaus Pevsner, Yale University Press, Newhaven and London, 1951 et al. https://archive.org/details/isbn_9780300095890/mode/2up
• Stone Crosses in West Cornwall – Andrew Langdon, The Federation of Old Cornwall Societies, 1999

The 'RedAnts' (Redruth Antiquarians)

Visit our website for details of our activities, presentations and events: https://redruthantiquarians.wordpress.com/about/

Received and posted here for information:Arlodhes a Shalott, Summer 2026This summer there will be two performances of Ar...
15/05/2026

Received and posted here for information:

Arlodhes a Shalott, Summer 2026

This summer there will be two performances of Arlodhes a Shalott, the romantic era song cycle composed by Matthew Thomason featuring the Cornish translation by Elizabeth Ellis of Alfred, Lord Tennyson’s poem, The Lady of Shalott.

The first performance will be on Saturday 6th June at St Endellion Church, where it all began back in 2024 at the Endelienta Cornish Language Residency.

The second one will be on Thursday 25th June at Pendennis Castle, Falmouth. This unique event will take place within the castle's keep by candlelight.

Links for how to buy tickets for both performances in Cornwall can be found at www.matthewthomasonmusic.co.uk.

In September, the London premiere of Arlodhes a Shalott will take place, and later in the year a recording of the song cycle will be released.
Further information about the performance in London and the launch of the recording will follow soon.

Follow on Instagram.

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Arlodhes a Shalott, Hav 2026

Yn hav ma y fydh dew berformyans a Arlodhes a Shalott, an kan-gylgh romansek kompsys gans Matthew Thomason gans treylyans yn Kernewek gans Elizabeth Ellis a’n bardhonek gans Alfred, Lord Tennyson.

An kynsa performyans hevleni a vydh dy’ Sadorn 6ves a vis Metheven dhe Eglos S. Endelyens, le may hwrug pubtra dalleth dhe’n Annedhyans Yeth Kernewek Endelienta yn 2024.

An nessa anedha a vydh dy’ Yow 25es a vis Metheven dhe Gastel Penndinas, Aberfala. An huni ma a vydh synsys y’n kastel y honan, golowys gans kantolyow.

Kedhlow a-dro dhe ble hyllir kavos toknys rag an dhew berformyans yn Kernow yw kavadow orth www.matthewthomasonmusic.co.uk.

Mis Gwynngala, y fydh kynsa performyans a Arlodhes a Shalott yn Loundres, ha diwettha y’n vledhen y fydh rekordyans a’n kan-gylgh dyllys.

Pella kedhlow a-dro dhe’n performyans yn Loundres ha lonch a’n rekordyans a wra sewya yn skon.

Sewyewgh war Instagram.

Link: https://www.matthewthomasonmusic.co.uk/?fbclid=IwY2xjawRztSlleHRuA2FlbQIxMABicmlkETBZUE96VHlDdUdOSUpmdVprc3J0YwZhcHBfaWQQMjIyMDM5MTc4ODIwMDg5MgABHmrHqB8_w5MCK-6uYVnUg3GzbqWayHRfFZsJz3-Y7VXwMsu-TTaH5wXh2XSU_aem_P80f8mKdSs9aQ6VcqibzTA

"A ‘Kernow’copia of Cornish Placenames” talk given to the good folks of Illogan at the Old School CentreRead all about o...
12/05/2026

"A ‘Kernow’copia of Cornish Placenames” talk given to the good folks of Illogan at the Old School Centre

Read all about our latest talk here: https://redruthantiquarians.wordpress.com/2026/05/11/placenames-at-the-old-school-centre-illogan/

The 'RedAnts' (Redruth Antiquarians)

Visit our website for details of our activities, presentations and events: https://redruthantiquarians.wordpress.com/about/

Last week we appeared at the Old School Centre, Illogan to present our talk, “A ‘Kernow’copia of Cornish Placenames”. An audience of approximately 30 people listened attenti…

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