Genshin Kan

Genshin Kan Budo training in

Shinden Ryu Jujutsu. Myo Shin Ryu Jujutsu Do.

Musō Jikiden Eishin Ryu Iaijutsu (Japanese sword)

Shinto Musō Ryu Jojutsu ( Jo short staff or walking stick)

Kitano Hanshi is in Tirgu Mures, Romania from Monday till the 1st of October if anyone would like to go and train with S...
06/09/2026

Kitano Hanshi is in Tirgu Mures, Romania from Monday till the 1st of October if anyone would like to go and train with Sensei please get in touch. Jim.

17/07/2026
25/06/2026

Please remember to bring your water bottle or cup for water to class this evening. It will be very warm in the sports centre and its especially important with the current temperatures to stay well hydrated. Thank you 😊.

29/05/2026
From Kevin Walsh post about his trip to the Japan Butokusai in I would have liked to be going with him and Leanne Walsh ...
24/04/2026

From Kevin Walsh post about his trip to the Japan Butokusai in I would have liked to be going with him and Leanne Walsh have a great time.
Thanks for sharing the Tozando article, their Shogoin Shop is very close to the Butokuden where we have both performed Embu since 2002, this is a first time ID members were invited.
https://maps.app.goo.gl/UJuDKewAgcuze7rT7

** Tozando article **
Do You Enbu?
Martial arts demonstrations, known in Japan as embukai or enbu, occupy an important place in the history of budo. Long before modern tournaments and rankings, martial traditions were often presented publicly through formal displays of kata, etiquette, and paired technique. During the Edo period, schools of swordsmanship, archery, and jujutsu sometimes demonstrated before feudal lords, shrine audiences, or invited guests. These performances were not simply entertainment. They helped establish a school’s reputation, attract students, and affirm the discipline and lineage that gave a ryuha its authority. In many ways, an embukai was as much about character and legitimacy as it was about skill.

The modern shape of the embukai emerged in the Meiji period, when Japan rapidly modernized and many older martial traditions faced decline. A major turning point came in 1895 with the founding of the Dai Nippon Butoku Kai in Kyoto, an organization created to preserve and promote martial arts such as kenjutsu, jujutsu, kyudo, and later kendo and judo. Its headquarters, the Butokuden, became one of the country’s most important venues for martial demonstrations, gatherings, and examinations. Public exhibitions held there helped recast martial practice as part of national culture, physical education, and moral training rather than solely battlefield skill.

Shrines also became central homes for embukai culture. Annual demonstrations at places such as Heian Shrine in Kyoto and Meiji Jingu in Tokyo brought together practitioners of both classical and modern arts. These events often still do today. Watching them, one quickly notices that the atmosphere differs from competition. There is no scoreboard, no medal ceremony, and often no declared winner. Instead, attention falls on posture, timing, composure, and the quiet confidence that comes only through long training. For many spectators, that is where budo feels most alive.

After the Second World War, Japanese martial arts were reorganized and gradually reintroduced in educational and cultural settings. Demonstrations became an important way to present budo as a disciplined practice of self-cultivation and heritage rather than militarism. That role continues in the present day. Whether held in a grand hall, a shrine courtyard, or a local gymnasium, the embukai remains one of the clearest windows into how Japan has chosen to remember, preserve, and share its martial traditions.

** END **

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