Nicoletta Fiorucci Foundation

Nicoletta Fiorucci Foundation Operating as an archipelago of ideas, connections and projects, Nicoletta Fiorucci Foundation builds

Opening today in London: Nothing Personal by Alex Margo Arden, curated by Vittoria de Franchis.In Nothing Personal, Arde...
09/10/2026

Opening today in London: Nothing Personal by Alex Margo Arden, curated by Vittoria de Franchis.

In Nothing Personal, Arden restages the personal property of Amy Winehouse. Installed across all
rooms of the Foundation, the exhibition examines the effects of celebrity ownership and death on the
circulation of everyday objects, transforming them into sites of fetishisation and speculation.

Arden is the recipient of the inaugural Nicoletta Fiorucci Foundation Prize at Frieze London 2025.

Alex Margo Arden ‘Nothing Personal’
9 October 2026 - 23 January 2027
Opening 9 October, 6-8pm.

Assistant Curator: Tom Mouna

Nicoletta Fiorucci Foundation
Flat 3, 8 Chelsea Embankment
SW3 4LE London

Alex Margo Arden Nicoletta Russo De Li Galli .totale Tom Mouna Frieze Eva Herzog Studio

« A beaded curtain is familiar for anyone like me who grew up in the Mediterranean. Maybe at your grandmother’s house th...
06/10/2026

« A beaded curtain is familiar for anyone like me who grew up in the Mediterranean. Maybe at your grandmother’s house there would be a beaded curtain placed at the threshold of the house to the balcony or garden to keep the flies out. […]

I was thinking about manual labour in relation to industrial processes. Beading takes real time. And I thought a lot about time in relation to incarceration, waking up with that grey building in view each morning. So, I asked Il Cerchio to collaborate on the beaded curtain, which is named after Manuela, Margherita, Mariana, Monia and Patrizia, the women who beaded each string. » (Lydia Ourahmane)

‘5 Works’ by Lydia Ourahmane, curated by Polly Staple, is on view in Venice.

Opening hours:
Thursday to Monday, 11am - 6pm (September, October, November)

5 May – 22 November 2026

Nicoletta Fiorucci Foundation
Dorsoduro 2829
Venice, Italy

Nicoletta Russo De Li Galli Lydia Ourahmane .staple .totale
Ph Marco Cappelletti Marco Cappelletti Studio

We are happy to announce the book accompanying Lydia Ourahmane solo exhibition, ‘5 Works’, at the Nicoletta Fiorucci Fou...
23/09/2026

We are happy to announce the book accompanying Lydia Ourahmane solo exhibition, ‘5 Works’, at the Nicoletta Fiorucci Foundation in Venice, curated by Polly Staple. Published by Lenz Press.

Marking Ourahmane’s inaugural publication, it establishes a template for her future editorial projects. Central to this design is LL, a custom typeface developed by the artist in collaboration with graphic designer Lorenzo Mason.

The book brings together: 282 photographs that Ourahmane shot during her residency in Venice while preparing ‘5 Works’; an introduction to Ourahmane’s work and the exhibition, by Staple; a conversation between Ourahmane and Staple, structured as a walking tour of the exhibition; installation views, by photographer Marco Cappelletti, sequenced in the order visitors encounter the works; the floorplan of the exhibition - appearing on the book’s cover – and the accompanying list of works, and an endnote by Nicoletta Fiorucci.

Available on site at the Nicoletta Fiorucci Foundation in Venice and London, online via Lenz and in selected shops.

Editors: Lydia Ourahmane, Polly Staple.
Texts: Nicoletta Fiorucci, Lydia Ourahmane, Polly Staple.
Editorial Coordination: Vittoria de Franchis, Edoardo Bonaspetti.
Copyediting: Gordon Fisher
Design: Lorenzo Mason Studio.
Photographs: Lydia Ourahmane, Marco Cappelletti Studio.
Publisher: Lenz Press

Images: Nicola Gnesi

Nicoletta Russo De Li Galli Lydia Ourahmane Lenz Press .staple .totale Lorenzo Mason Studio Edoardo Bonaspetti Marco Cappelletti

We are happy to announce the second edition of Nicoletta Fiorucci Foundation Prize’s at Frieze London 2026.Continuing a ...
14/09/2026

We are happy to announce the second edition of Nicoletta Fiorucci Foundation Prize’s at Frieze London 2026.

Continuing a long-standing commitment to supporting artistic experimentation, the Prize supports presentations in the Focus section of Frieze London that actively work through the physical and conceptual context of the fair. The inaugural winner in 2025 was Alex Margo Arden with Ginny on Frederick.

The Jury of the second edition is composed of Nicoletta Fiorucci, Vittoria de Franchis, Hans Ulrich Obrist, Ivan Cheng, and Lina Lapelytė.

A £10,000 cash prize will be shared by the winning artist and their gallery, followed by a commission for the Library, a new section of the London space dedicated to experimental and intermedia practices, in 2027.

The winner will be announced on 14 October at Frieze London 2026.

On 31st July, Raheel Khan presented a new iteration of a piece written for three tubas as part of the Performance By Ser...
11/08/2026

On 31st July, Raheel Khan presented a new iteration of a piece written for three tubas as part of the Performance By Series in public spaces curated by Ben Broome, which we are happy to support.

Khan responded to the cavernous acoustics of French Ordinary Court in London with tubas, the brass instrument with the lowest tonal range, performed by Hanna Mbuya, Stuart Beard, and Nathan Mansell. This marked the first time French Ordinary Court has hosted a performance, taking advantage of a City of London bylaw allowing non-amplified music in public space, reclaiming it for performance and sound.

Photos by Isabelle Offer.

Nicoletta Russo De Li Galli BEN BROOME Raheel Khan Isabelle Offer . Photographer .totale

Congratulations to Ivan Cheng for ’16’, a new site-specific performance for AIR 2026: Figures in a Landscape in Aspen wh...
04/08/2026

Congratulations to Ivan Cheng for ’16’, a new site-specific performance for AIR 2026: Figures in a Landscape in Aspen which we are happy to have supported.

Conceived as one of his emblematic “live situations for camera” in which the artist is continuously filmed in real time, the work staged a feedback loop between action and documentation, where gestures, speech, and incidental encounters are immediately translated into image. As in much of Cheng’s practice, the act of filming actively structures the performance more than simply recording it, producing a work that exists simultaneously as live event and circulating document.

Working across performance, video, and installation, Cheng has long developed scenarios that test how behavior is shaped under conditions of observation, choreography, and circulation. In recent years, he has been actively compressing and mixing these past video registrations of performances for his exhibitions, recently with Hard Drive 1 (Nicoletta Fiorucci Foundation, 2025) and Hard Drive 2 (MUDAM Luxembourg, 2026).

Cheng masquerades as a performance artist with a structural approach, deliberately using the tricks of theatrical address to deliver tightly scripted monologues glued together by improvised banter that breaks the fourth wall. He insists on the presence of a camera operator, almost like a choreographic tool to introduce a second-order address, splitting attention between the live audience and its mediated future one.

Ivan Cheng’s work is held in the Nicoletta Fiorucci Collection.

The performance was curated by Daniel Merritt, Chief Curator, and Stella Bottai, Senior Curator-at-Large, with Gemma Goette, Curatorial Assistant.

Aspen Art Museum Daniel Merritt Arvo Leo g00dandbad alexander iezzi .totale

Ivan Cheng, 16, 2026. Production still from AIR 2026: Figures in a Landscape, Aspen, Colorado. Garments: God & Bad. Camera: Arvo Leo, Will Sardinsky. Photo: Maria Baranova. Courtesy the artist and Aspen Art Museum

Congratulations to Jasper Marsalis for ‘Still Life’ at Chisenhale, his first solo institutional show in the UK, which we...
22/07/2026

Congratulations to Jasper Marsalis for ‘Still Life’ at Chisenhale, his first solo institutional show in the UK, which we are happy to have supported.

For this new commission, Marsalis presents a large-scale audiovisual installation that accesses and reworks public broadcast signals, raising questions of transmission and attention in the systems that govern how images and sounds reach us.

Still Life examines broadcast technologies not as neutral infrastructure but as a saturating presence, the scale and relentless immediacy of which continually reshapes the texture of attention itself. Centred on live imagery, each moment of the exhibition is unique, mirroring the perpetual present tense of the broadcast cultures it interrogates.

Nicoletta Russo De Li Galli Jas Per Chisenhale Gallery Tosia Leniarska Emalin .totale

Photos: Installation view, Chisenhale Gallery, London, 2026. Commissioned and produced by Chisenhale Gallery, London, in partnership with Midway Contemporary, Minneapolis. Credits: Mark Blower. Courtesy of the artist.

Congratulations to Formafantasma for joining the Serpentine as Lead R&D Fellows, Ecology for a multi-year collaboration ...
08/07/2026

Congratulations to Formafantasma for joining the Serpentine as Lead R&D Fellows, Ecology for a multi-year collaboration we are happy to have made possible.

The partnership strengthens Serpentine’s long-term commitment to embedding environmental thinking across its programme, operations, and organisational culture. Formafantasma, the research-based design studio led by Andrea Trimarchi and Simone Farresin, explores the environmental, historical, political, and social forces shaping contemporary design. Working across Serpentine’s programmes and systems, they will help develop new approaches to integrating ecological thinking into Serpentine’s day-to-day activities and long-term strategy.

Beginning in summer 2026, the appointment will span curatorial guidance, institutional advisory, and knowledge-building across exhibition-making, daily operations, resource use, labour, and Serpentine’s civic role. The collaboration will begin with an in-depth research phase to map Serpentine’s existing processes and systems, from curatorial practices to operational structures, identifying opportunities for ecological intervention and long-term change.

Nicoletta Russo De Li Galli Formafantasma Serpentine

Congratulations to Tolia Astakishvili  for her solo show ‘Figure of the Child’ at mumok in Vienna which includes works p...
07/07/2026

Congratulations to Tolia Astakishvili for her solo show ‘Figure of the Child’ at mumok in Vienna which includes works produced for ‘to love and devour’ at the Foundation in Venice.

In keeping with a recurring motif in the work of artist Tolia Astakhishvili, the artist’s first solo museum exhibition will proceed from the concept of the “figure of the child.” In this context, the child embodies both a high degree of intellectual and creative autonomy and a profound dependence on others. This concept becomes an exercise in imagination, exploring the possibilities and limits of empathy, grounded in the fact that we were all children once. In relation to spatial environments, scale, and precariousness, the child represents a state of being in which invisibility is often experienced with great immediacy and intensity. Accordingly, Tolia Astakhishvili focuses on the experience of art itself, extending it to movement and touch and breaking with the conventions of museum presentation. The notion of the “first encounter,” as children experience it when initially perceiving a phenomenon, serves here as a key to a new kind of experience.

With works by Vito Acconci, Zurab Astakhishvili, Aurel, Ştefan Bertalan, Karl Blossfeldt, Kaucyila Brooke, Veronica Brovall, Günter Brus, Elene Chantladze, James Ensor, Nan Goldin, Yaryna Fedoriv, Irma Gubeladze, Ull Hohn, Joe Jones, Paul Joostens, Louise Lawler, Charlotte Moorman & Nam June Paik, Dylan Peirce, Pablo Picasso, Charlotte Posenenske, Alexandra Ranner, James Richards, Irena Rosc, Medardo Rosso, Dieter Roth, Maka Sanadze, Stefan Wewerka, Heimo Zobernig.

Curated by Fatima Hellberg and Manuela Ammer

On view until 1 November 2026.

Tolia Astakishvili’s work is held in the Nicoletta Fiorucci Collection. In 2025 the artist inaugurated our new space in Venice with ‘to love and devour’ curated by Hans Ulrich Obrist.

Photos: olia Astakishvili Studio

Congratulations to Alvaro Barrington for ‘92-01 ‘In Livin Color’ at Emalin, his third solo exhibition with the gallery. ...
01/07/2026

Congratulations to Alvaro Barrington for ‘92-01 ‘In Livin Color’ at Emalin, his third solo exhibition with the gallery.

This exhibition presents the artist’s new body of work that explores the impact of the crack co***ne epidemic on the Black community in the US during 1980s and 1990s. Through four unique environments, Barrington examines the rich cultural responses that emerged from this era and ways in which his community dealt with this condition through fashion, music, and other art forms.

On view until 15 August 2026 at Emalin’s Helmet Row gallery.

Alvaro Barrington’s work is held in the Nicoletta Fiorucci Collection.

Nicoletta Russo De Li Galli Alvaro Barrington Emalin

Photos: Arthur Gray, Stephen James

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