ARTANGEL

ARTANGEL Extraordinary art, unexpected places

Congratulations Anne Carson for winning the Nobel Prize for Literature 2026!We had the pleasure of working with Anne on ...
08/10/2026

Congratulations Anne Carson for winning the Nobel Prize for Literature 2026!

We had the pleasure of working with Anne on two Artangel projects, including a 2008 writers' residency in Roni Horn’s Vatnasafn/Library of Water in Iceland and our 2016 Inside project in Reading Prison.

Listen to Anne Carson read 'Cage a Swallow Can’t You But You Can’t Swallow a Cage', a poem written with Bob Currie during their residency, in honour of Roni Horn: https://soundcloud.com/artangel-2/podcast-4-vatnasafn-carson

Photograph by Anna Melstead-Stykkisholmsposturinn

06/10/2026

We’re delighted to have been able to bring Naeem Mohaiemen's 'THROUGH A MIRROR, DARKLY' to audiences in Glasgow. Don’t miss the opportunity to see this incredible piece of work.

With thanks to ARTANGEL for commissioning and producing the film, and to Film and Video Umbrella and Wexner Center for the Arts at Ohio State University.

'Naeem Mohaiemen: THROUGH A MIRROR, DARKLY'
5 June–11 October 2026
Hunterian Art Gallery
Free entry

'THROUGH A MIRROR, DARKLY' will be screened at the John Hansard Gallery, Southampton from 24 October.

22/09/2026

On sale now 🎟️ presents L’esprit d’accord, a new work unlike any he has created before.

Staged in Hackney’s , L’esprit d’accord invites audiences into an unusually close encounter with one of Britain’s most distinctive creative voices.

Marking the launch of Artangel’s Earth Rising Volume II, Nitin Sawhney will be accompanied by Aref Durvesh (tabla and dholak), Eos Counsell (violin), Shapla Salique (vocals), Ashwin Srinivasan (bansuri flute and vocals), YVA (vocals) plus a string sextet. Together, they’ll perform the title piece before opening the evening out into improvised spoken word and further music from Nitin’s extensive catalogue.⁠

🗓️ Friday 13 Nov 2026, 18:30 - 21:00⁠
📍 Round Chapel, London, E5 0LY
🎫 Tickets: £20
🔗 Head to ‘What’s on’ .ldn to book tickets⁠

🔊 1. Excerpt from Earth Rising Volume II, L’esprit d’accord by Nitin Sawhney

A huge thank you to  for previewing three Earth Rising Volume II tracks on BBC Radio 6 Music’s Someday Service show this...
20/09/2026

A huge thank you to for previewing three Earth Rising Volume II tracks on BBC Radio 6 Music’s Someday Service show this afternoon 🎧🌍

Earth Rising Volume II: Messages from the Pale Blue Dot brings twelve new tracks from artists, poets, writers and musicians across four continents. Rather than introducing humanity to extraterrestrial life, Artangel’s Earth Rising asks artists to re-introduce humanity to itself.

Listen back on BBC Sounds to Jarvis’ Someday Service show from today, Sunday 20 September, to hear Sharda Patasar’s (Sharda Patasar) Audacity of Black Water, TÄRA’s (TÄRA تارا) Speranza and Grubby Mitts’ () Giving up the Ghost 📻

Earth Rising Volume II will be released on Thursday 24 September, and Grubby Mitts’ show at Grand Junction on Thursday 29 October are on sale now: head to link in bio to find out more 🎫

🌍 Listen from 24 September at earth-rising.com, and on all major streaming platforms.

🎧 Subscribe to our newsletter at the link in bio to be the first to hear the album.

10/09/2026

Earth Rising Volume II: Messages from the Pale Blue Dot is out Thu 24 September 🌎🌍

Twelve new commissions from artists, poets, writers and musicians in Bolivia, France, Italy, Trinidad and Tobago, China and the UK, celebrate the sound of rebellion, movement through grief and life beyond borders.

From glitching folk to experimental steelpan, uncanny orchestras and anthemic choirs, this year’s artists are intent on establishing common ground, whether in the unifying thud of a house beat or the ubiquitous life force of Qi.

Fifty years ago, Carl Sagan and his team sent the Golden Record into space aboard Voyager 1 and 2: a snapshot of humanity for anyone out there who might be listening. Rather than introducing humanity to extraterrestrial life, Earth Rising asks artists to make a new contribution, re-introducing humanity to itself.

This year’s artists look unflinchingly at social justice, environmental collapse and displacement, sending forth new contributions to challenge, enthral and resonate.

Featuring Clara Arnaud, Duruo Wang 杜若, , milkweed, Nitin Sawhney, Sharda Patasar, TÄRA تارا, Theresa Lola, , 童文敏, t l k, 张文心 and Z A N E R O D U L F O.

Earth Rising Volume II: Messages from the Pale Blue Dot is commissioned and produced by Artangel.

International residency partners for Volume II are: ALICE YARD (Trinidad and Tobago), Artica Svalbard (Norway), KIOSKO (Bolivia), McCahon House (New Zealand), Organhaus Art Space (China) and PARTage (Mauritius).
Listen from 24 September at earth-rising.com, and on all major streaming platforms.

🎧Subscribe to our newsletter at the link in bio to be the first to hear the album.

28/08/2026

“It’s a kind of radical dematerialisation, this installation. It’s a pre-existing space, and then it’s just sound. There’s nothing else there. There’s no object, there’s no sculpture, there’s no perfume. It’s super reduced to these elements. Once you enter that audio, once the sound starts, then you enter this whole other kind of space.” – Terence Gower
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Created for The Original Cell, at the Maughan Library in the UK’s former Public Record Office, Enemies and Rascals brings together Gower's interest in site-specificity, archives and architectural environments. ⁠
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The installation encourages the public to wander between the empty shelves of the preserved storage room, while considering the limitations of the archive itself.⁠
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🎥 Watch the full artist interview here: https://www.youtube.com/watch?v=a-Pm9JZgmmU
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Plan your visit:⁠
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🗓️ Open from Wednesday – Sunday until 18 October 2026⁠
📍 Maughan Library, King’s College London, London WC2A 1LR⁠
🎫 Free to attend, booking recommended⁠
🔗 Book tickets via our website: https://www.artangel.org.uk/project/enemies-and-rascals/⁠
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Presentation Partners: King's College London

07/08/2026

“For years I’ve been interested in the condition of the ‘invaded’ party in a conflict. What offence did these people commit to become enemies? Their offence was to simply be in the way of someone else’s interests, whether land, trade, or resources.” – Terence Gower
⁠
As we pass the 250 year anniversary of the U.S. Declaration of Independence, Artangel launches a new polyphonic sound installation that revisits this moment in history. ⁠
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Gower's new site-responsive artwork, created for the Original Cell in the Maughan Library, examines a largely forgotten opening campaign of the American War of Independence: the Invasion of Quebec.⁠
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Visit: Enemies and Rascals by Terence Gower⁠
⁠
🗓️ Open from Wednesday – Sunday until 18 October 2026 ⁠
⁠
📍 The Original Cell, in the Maughan Library, King’s College London,⁠
WC2A 1LR ⁠
⁠
🎫 Free to attend, booking recommended ⁠
⁠
🔗 Book tickets: https://www.artangel.org.uk/project/enemies-and-rascals/
⁠
Presentation Partners: King's College London

🎥 Cinematography: Tilly Shiner

05/08/2026

"On 18 June 1984 I was watching the evening news and saw footage of a picket at the Orgreave coking plant in South Yorkshire in which thousands of men were chased up a field by mounted police. It seemed a civil war between the North and the South of the country was taking place in all but name." - Jeremy Deller

In 1984 the National Union of Mineworkers went on strike. In 2001, Artangel commissioned Jeremy Deller to produce The Battle of Orgreave, a spectacular re-enactment of what happened that day.

Captured on film, the enactment was staged at the original site of the 1984 clash between striking miners and police at Orgreave in South Yorkshire. More than 800 people participated in the re-enactment, many of them former miners, and a few former policemen, reliving the events from 1984 that they took part in.

Jeremy Deller's The Battle of Orgreave is now part of the Artangel Collection. The work is currently on show at Kunstmuseum Gelsenkirchen in Germany as part of Radical Hope, a group exhibition examining the themes of strikes and industrial disputes.

🗓️ Open Tuesday – Sunday until 4 Oct 2026⁠
📍 Kunstmuseum Gelsenkirchen, Gelsenkirchen, Germany
🔗 Find out more here: https://www.artangel.org.uk/project/the-battle-of-orgreave/

Video credits: Jeremy Deller, The Battle of Orgreave, 2001. Excerpt from The Battle of Orgreave. Filmed by Mike Figgis.

Earlier this month we returned to Yto Barrada’s The Mothership in Tangier with a group of our supporters, known as Angel...
03/08/2026

Earlier this month we returned to Yto Barrada’s The Mothership in Tangier with a group of our supporters, known as Angels.⁠
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The Mothership launched in 2024, and two years later, it’s remarkable to see how this eco-campus has developed. Across the dye house and dye lab there are traces of making everywhere: splashes of dried yellow dye on the walls, indigo staining the floors, and library shelves steadily filling with books. The Mothership feels ever more rooted in its purpose – a place for artists, makers and communities to gather, learn and experiment together.⁠
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Founded with the support of Artangel through the Artangel International Circle, The Mothership is led by artist Yto Barrada. The dye house works to create new opportunities for local communities and artists from around the world to experiment, learn, and exchange knowledge about natural dyes. Residents and participants share new approaches and techniques while keeping endangered traditions alive. ⁠
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A heartfelt thank you to Yto Barrada, her family and The Mothership team, including colour anthropologist Arnaud Dubois, master dyer Charlotte Marembert, Sean, Vega, Kuralai and Munia for hosting us.⁠
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Our Angels programme brings supporters closer to the artists and projects they help make possible. ⁠
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Find out more about The Mothership here: https://www.artangel.org.uk/project/mothership/

Find out more about the Angels programme here: https://www.artangel.org.uk/be_an_angel/
⁠
And if you’re headed to Venice, don’t miss Yto Barrada’s latest project Comme Saturne at the French Pavilion, as part of the 61st La Biennale di Venezia. Drawing inspiration from the myth of Cronos and the textile technique of dévoré, each room presents an entirely new environment. The Study Room is rooted in The Mothership and features materials naturally dyed on-site in Tangier. Open until 22 November 2026.

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