The Stained Glass Museum

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The Stained Glass Museum The Stained Glass Museum is the only museum dedicated to the art of stained glass in the UK. Located in the heights of Ely Cathedral, Ely, Cambridgshire.

The Stained Glass Museum is the only museum in the UK dedicated to displaying and interpreting the art of stained glass to the public. The Stained Glass Museum is an independent museum and registered charity (no. 1169842) in the UK. The museum was founded in 1972 initially to rescue windows from redundant churches. The Museum first opened to the public in the north triforium of Ely Cathedral in 1979. In 1997 an Appeal was set up to rebuild the Museum in the south triforium of Ely Cathedral. Our collection spans an enormous chronological range, showing the development of stained glass from the thirteenth to the twenty-first century. The Museum also has a growing collection of tools, and stained glass designs and cartoons related to the design and making of stained glass windows. A specialist library is available to researchers by appointment.

There’s just 1 space available on tomorrow’s ’autumn days’ themed SGMinis: Fun for Under 5s at The Stained Glass Museum ...
06/10/2026

There’s just 1 space available on tomorrow’s ’autumn days’ themed SGMinis: Fun for Under 5s at The Stained Glass Museum session at the museum tomorrow - we’ve got lots of great activities, stories, crafts and songs ready for a fun morning inspired by the museum’s collection 🍁🍂🍁

Book your place here: https://the-stained-glass-museum.myshopify.com/products/sg-minis

It's just a few days now until the next talk in our autumn series: David Evans: The Use of Published Prints For His Desi...
05/10/2026

It's just a few days now until the next talk in our autumn series: David Evans: The Use of Published Prints For His Designs with Jeff Hopewell which take place on Wednesday, 7 October at 7pm

In this talk, Canon Jeff Hopewell explores how David Evans drew on existing artworks for his stained glass designs, a practice widely accepted in the late Georgian and early Victorian periods. More than 67 sources have been identified, ranging from celebrated masterpieces to lesser-known works spanning four centuries. The talk considers how these artworks were adapted for glass and what they reveal about Evans’s artistic methods and influences.

Jeff Hopewell has long had an interest in stained glass and is a retired priest in the Church of England. He is also the Stained Glass Advisor to the Leicester Diocesan Advisory Committee, as well as the author of a book on the Glaswegian stained glass artist Douglas Hamilton and his next work The Stained Glass of the Horwood Brothers: the Life and Times of a Provincial Victorian Firm is due for publication next month. He has also written an article for the BSMGP Journal on the sources used by David Evans of Shrewsbury for his stained glass, which forms the basis for this talk

Book your tickets online here: https://the-stained-glass-museum.myshopify.com/products/david-evans-the-use-of-published-prints-for-his-designs-with-jeff-hopewell-wednesday-7-october

Create a bespoke glass artwork at our Screen Printing on Glass Masterclass at The Stained Glass Museum  this October!Exp...
01/10/2026

Create a bespoke glass artwork at our Screen Printing on Glass Masterclass at The Stained Glass Museum this October!

Explore the technique of screen printing on glass as award winning artist James Cockerill guides you in making a beautiful, personal artwork. You will create unique collages made from layers of your own digital photographs and with access to James’s archive of images. Your composition will be kiln-fired onto glass to create a finished panel that is animated by coloured light and truly your own.

The last few spaces are now available - please book via our website here: https://the-stained-glass-museum.myshopify.com/products/screen-printing-on-glass-masterclass-with-james-cockerill/

It's your last chance to book for tonight's online talk: Wild Folk and the Illuminating Alchemy of Glass with Tamsin Abb...
30/09/2026

It's your last chance to book for tonight's online talk: Wild Folk and the Illuminating Alchemy of Glass with Tamsin Abbott which takes place tonight, Wednesday 30 September at 7pm (BST)

If you've loved visiting Tamsin Abbott's Wild Folk exhibition here at The Stained Glass Museum, been one of the hundreds who've visited the online exhibition or are planning your visit to come and see it soon - we think you'll really enjoy this evening!

Find out more about Tamsin Abbott's work, her creative practice and the beautiful Wild Folk book (which was recently shortlisted for The Wainwright Prize

All tickets include a link to an online recording of the talk too, perfect if you are unable to join us live!

More information about the talk, and the others in our autumn series, and tickets are available here: https://the-stained-glass-museum.myshopify.com/products/wild-folk-and-the-illuminating-alchemy-of-glass-tamsin-abbott

Karl Parsons died   in 1934, aged just 50 years old.His elder sister, Beatrice, a fellow artist, worked for stained glas...
30/09/2026

Karl Parsons died in 1934, aged just 50 years old.

His elder sister, Beatrice, a fellow artist, worked for stained glass artist Christopher Whall, and was instrumental in apprenticing her younger brother, aged just 15 at the time, to him. Parson’s learnt much from working with Whall, including working on commissions in Gloucester Cathedral, and, like Whall, teaching at the Central School of Arts and Crafts.

From 1908 to 1930 Parsons had his own studio in the Glass House in Fulham where he developed a number of innovative techniques to increase the technical richness of his windows. His first commission there was for Church of St Alban in Hindhead, Surrey.

We are fortunate to have 3 panels by Karl Parsons on display at The Stained Glass Museum. The first two, both made in 1913, were originally for St Michael’s Church in Sulhamstead, Berkshire

In the first, which depicts ‘Christ the Good Shepherd’ Parsons makes effective use of the sumptuous gold-pink slab glass of which he was so fond. Made by the addition of gold dust to the crucible of molten glass, it was one of the most expensive colours available.

The second 1913 panel from the same church features St Columba. St Columba was born in Donegal in the 6th century. He was one of thirteen monks to settle on the island of Iona and the leading figure in converting a tribe known as the Picts to Christianity.

Finally, this humorous panel, made c.1920 shows two characters in medieval costume attacking each other. It illustrates a comic poem written by the artist, Karl Parsons (1884–1934). 'O hark to the haut-boys (oboes), give ear to the gongs / That sound for the Tourney of Hammer and Tongs / The clang-tankerous sound to which everyone throngs...' is always popular with our visitors!

Did you know that you can support the museums collection directly by donating towards our Collections Fund, the only fund ringfenced to support the collection, conservation and display of our collection. You can find out more here: https://stainedglassmuseum.com/collectionsfund

🎄 Get your Christmas plans sorted early… with an evening to remember at The Stained Glass Museum 🎄Looking for something ...
28/09/2026

🎄 Get your Christmas plans sorted early… with an evening to remember at The Stained Glass Museum 🎄

Looking for something a little different for your group this Christmas? Our exclusive Festive Twilight Tours are now available to book for December.

Nestled high in Ely Cathedral, discover a remarkable collection as you’ve never seen it before. From medieval masterpieces to striking modern creations, explore the stories, artistry and craftsmanship behind the nation’s finest collection of stained glass. As evening falls, watch the museum’s exquisite collection sparkle after hours.

Enjoy a festive tipple as you take in the luminous colours and intricate details of this extraordinary art form, whilst an exclusive tour with a Curator brings this fascinating collection to life.

Perfect for friends, family, clubs, societies, work teams and groups looking to do Christmas a little differently. Enjoy a unique experience your group will be talking about long after the decorations come down ✨🎄

With strictly limited availability, get your group’s Christmas plans sorted early and book your Festive Twilight Tour online today: https://the-stained-glass-museum.myshopify.com/products/festive-twilight-tours

23/09/2026

Moving stained glass can be tricky! To do so safely takes care, preparation and teamwork 💪

In this video, stained glass conservator Isabelle shares practical advice for moving stained glass safely, helping to protect both you and the panel.

From planning your route and choosing the right equipment, to working together as a team and taking the necessary precautions, careful preparation can help minimise the risk of damage to the glass.

However, every panel is different and moving stained glass can carry significant risks. If you are in any doubt, we strongly recommend seeking the advice and support of a qualified stained glass conservator.

The Autumnal Equinox of 2026 takes place in the early hours of tomorrow morning It traditionally marks the beginning of ...
22/09/2026

The Autumnal Equinox of 2026 takes place in the early hours of tomorrow morning

It traditionally marks the beginning of autumn though many will already be noticing the shorter days and leaves changing colour! 🍁🍂🍁

This panel, 'Studies of a Leaf' depicts the autumn leaves in colours very synonymous with this time of year!

Made between 1850-1860 by James Powell & Sons and was originally located at the Hall Estate in north Devon. You can read more about the house here: http://www.hallestate.co.uk/

This panel is a 'quarry' panel, from the French 'carré' meaning 'square', and are often used in multiples to make up whole windows or as decorative backgrounds.

Stamped quarries were made in the nineteenth and twentieth centuries by pressing or rolling soft glass into patterned moulds, producing designs of stylised flowers or leaves, or copies of medieval bird quarries. Glass paint and yellow stain were then applied to the indented pattern, and the glass was fired in the conventional manner. Once very common, this type of glazing is becoming rare. You can find out more about quarry glass in our video here: https://www.youtube.com/watch?v=NU9iN1Ko3v8

If you've loved visiting Tamsin Abbott's Wild Folk exhibition here at The Stained Glass Museum, been one of the hundreds...
22/09/2026

If you've loved visiting Tamsin Abbott's Wild Folk exhibition here at The Stained Glass Museum, been one of the hundreds who've visited the online exhibition or are planning your visit to come and see it soon, we're delighted that Tamsin will be giving an online talk about her creative practice on Wednesday 30 September.

Join us online for Wild Folk and the Illuminating Alchemy of Glass with Tamsin Abbott at 7pm to learn more about her work, her practice and the beautiful Wild Folk.

All tickets include a link to an online recording of the talk too, perfect if you are unable to join us live!

More information about the talk, and the others in our autumn series, and tickets are available here: https://the-stained-glass-museum.myshopify.com/products/wild-folk-and-the-illuminating-alchemy-of-glass-tamsin-abbott

Today is the feast day of St Matthew. Matthew the Apostle, as he is also known, was, according to the Bible, one of the ...
21/09/2026

Today is the feast day of St Matthew. Matthew the Apostle, as he is also known, was, according to the Bible, one of the twelve apostles of Jesus and, to the Christian tradition is one of the four Evangelists.

This panel was made c.1830 and is attributed to Thomas Wright of Leeds. It was originally located in St Matthews Church in Holbeck, Yorkshire before becoming part of the collection The Stained Glass Museum in the 1980s.

This window demonstrates how the 18th Century technique of painting in enamel pigments on large rectangles of white glass continued well into the 19th Century. The panel was created using a combination of both enamel painted and pot metal coloured glass. The placement of the figure of St Matthew under a Gothic style architectural canopy reveals the impact of the early Gothic Revival.

The gospel of Matthew is found in the New Testament of the Bible and is said to be a creative reinterpretation of Mark, stressing Jesus' teachings as much as his acts, and making subtle changes to reveal his divine nature – Mark's "young man" who appears at Jesus' tomb, for example, becomes a radiant angel in Matthew. The gospel of Mark recounts prior revelations in Jesus' lifetime on earth, at his baptism and transfiguration, but Matthew goes back further still, showing Jesus as the Son of God from his birth, the fulfilment of Old Testament prophecy.

St Matthew is the patron saint of bankers, tax collectors, civil servants and accountants!

You can find out more about this panel, and others in our collection online here: https://stainedglassmuseum.com/object/ELYGM:1981.5

Address

Ely Cathedral
Ely
CB74DL

Opening Hours

Monday 10am - 5pm
Tuesday 10am - 5pm
Wednesday 10am - 5pm
Thursday 10am - 5pm
Friday 10am - 5pm
Saturday 10am - 5pm

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