Harun Farocki Institut

Harun Farocki Institut Yhteystiedot, kartta ja reittiohjeet, yhteydenottolomake, aukioloajat, palvelut, arvostelut, kuvat, videot ja ilmoitukset Harun Farocki Institut, Voittoa tavoittelematon järjestö, Aallonhalkoja 9, Helsinki :ltä.

HaFI 024 focuses on a lecture given by Harun Farocki in March 1994 at the “Cine City: Film and Perceptions of Urban Spac...
23/02/2026

HaFI 024 focuses on a lecture given by Harun Farocki in March 1994 at the “Cine City: Film and Perceptions of Urban Space, 1895–1995” conference at the Getty Center for the History of Art and the Humanities in Los Angeles. Here, Farocki wove an associative web of thoughts on the relationship between film, architecture, material worlds, political economy, dwelling, sexuality, space, and time. Although an interest in buildings, spatial relationships, and power relations, as well as the interpenetration of technical media and urban space, was central to Farocki’s practice, this is one of the few explicit explorations of the relationship between architecture and cinema.

The (German and English) manuscripts of Farocki’s lecture are supplemented by press material from the Getty Center’s extensive film and lecture series. In their postface, the editors provide elements of interpretation and contextualization with regard to Farocki’s previous and subsequent projects on spatiality and architecture.

HaFI 024
Harun Farocki: Building and Filmmaking. Document – Material – Commentary
Edited by Tom Holert and Volker Pantenburg
Paperback
16,5 x 24 cm
44 pages/Seiten
English/German
ISBN: 978-3-948546-36-6

Now available for the price of 8 Euro here
at Bierke.

HaFI 024 is realized with the support of Farocki Forum at the Dpt of Fulm Studies at the University of Zurich.

Inspiriert von Farockis Faszination für Wörterbücher und Bildsammlungen und ihre Klassifizierungs- und Adressierungsfunk...
06/02/2026

Inspiriert von Farockis Faszination für Wörterbücher und Bildsammlungen und ihre Klassifizierungs- und Adressierungsfunktionen, stellt das von Gerti Fietzek erstellte Register ein unabdingbares Werkzeug für die Erschließung von Farockis Textproduktion dar. Darüber hinaus macht der Band weitere 39 Texte Farockis zugänglich, die in den vorangegangenen Büchern nicht enthalten waren – neben Kurztexten zu eigenen Filmen und Seminarankündigungen vor allem Filmkritiken aus den Jahren 1980 und 1981. Der Band enthält darüber hinaus eine Gesamtbibliographie der Texte Farockis, Fotografien von Armin Linke und ein Nachwort des Herausgebers Volker Pantenburg.

Jetzt erschienen:

Harun Farocki: Eine indexikalische Spur. Nachträge und Register, hg. von Volker Pantenburg unter Mitarbeit von Gerti Fietzek, Berlin und Köln: Harun Farocki Institut; n.b.k.; Verlag der Buchhandlung Walther und Franz König 2026 [= Harun Farocki: Schriften, Bd. 7].

Friday, November 28, 2025, 2:00 pm – 5:00 pmScreening of Doireann O’Malley’s film “Conversations on a Cross-Town Algorit...
26/11/2025

Friday, November 28, 2025, 2:00 pm – 5:00 pm
Screening of Doireann O’Malley’s film “Conversations on a Cross-Town Algorithm” (2025)
followed by a response from, and guided discussion with Penny Yiou Peng

In this screening and discussion event, artist Doireann O’Malley will screen their film “Conversations on a Cross-Town Algorithm” (2025) and will then enter into a conversation with artist and academic Penny Yiou Peng about the actual and potential relationship between AI and art, before inviting the audience to give their views.

The event is very much open to the public, and will involve some drinks and snacks.

To register, please email Thomas Turnbull at [email protected]

Location: Bard College Berlin
Julie Johnson Kidd (JJK) Hall Cafe (W15)
Waldstr. 15, 13156 Berlin-Pankow

The event has been organized in collaboration with the Harun Farocki Institut and the Berlin Artistic Research Programm for their project ‘Terms and Conditions: The Legal Form of Image”, and the event forms part of an ongoing course at Bard College Berlin titled Critical Approaches to Artificial Intelligence taught by Alfred Freeborn and Thomas Turnbull.

We would like to draw your attention on the upcoming event at the contemporary art gallery Large Glass in London: In con...
29/10/2025

We would like to draw your attention on the upcoming event at the contemporary art gallery Large Glass in London:

In conversation Stanley Wolukau-Wanambwa with Tom Holert
01 November 2025
Large Glass
392 Caledonian Road
London N1 1DN
[email protected]

Artist, writer and editor Stanley Wolukau-Wanambwa is joined in conversation by writer and curator Tom Holert, to discuss Wolukau-Wanambwa’s recently published INDEX 2025 (Roma Publications), shortlisted for the Photobook of the Year by the Paris Photo—Aperture PhotoBook Awards.

INDEX 2025 is a book concerned with meaning made during a time of sustained, profound, often violent disarticulations of meaning. It’s a book made up of images and words, a book that explores the entanglements between reference, reality, description, feeling and fact.

Holert and Wolukau-Wanambwa have previously collaborated on the publication Hiding in Plain Sight, published by the Harun Farocki Institut (2020). Copies of both publications will be available via our newly launched Bride Stripped Bare Books.

Spaces are limited, to book your ticket please contact the gallery.

Image © Stanley Wolukau-Wanambwa, INDEX 2025 (Roma Publications), 2025

BOOKLET PRESENTATION / RENCONTRE LIBRAIRIETERI WEHN DAMISCHTransatlantic Crossings Between the Arts/Passages transatlant...
25/10/2025

BOOKLET PRESENTATION / RENCONTRE LIBRAIRIE
TERI WEHN DAMISCH
Transatlantic Crossings Between the Arts/Passages transatlantiques entre les arts
Tuesday, October 28, 2025 • 6:30 p.m.
Bookstore Jeu de Paume – Paris

The booklet HaFI 023: Teri Wehn Damisch: Transatlantic Crossings Between the Arts
contains four texts by French American documentarist Teri Wehn Damisch, attending to the conception of her films on artist Robert Morris, photographer Gisèle Freund and anthropologist Françoise Héritier. An essay by Enrico Camporesi examining the creative process behind her film On Snow’s Wavelength (2001) and a study of her portrait dedicated to set designer Alexandre Trauner, by Christa Blümlinger, complete the volume.

With: Teri Wehn Damisch, Christa Blümlinger (Professor of Film Studies at Paris 8 University), Enrico Camporesi (Head of Research and Documentation for the Film Collection at the Centre Pompidou’s National Museum of Modern Art) and Tom Holert (writer, exhibition curator and co-founder of the Harun Farocki Institut in Berlin).

In the educational space at the Jeu de Paume.
Admission is free with reservation (see the Librairie du Jeu de Paume website for details). The event will be held in French.



Publishing as Scaffolding Talks  # 4Tom Holert on Harun Farocki as PublisherMonday, September 29, 6 p.m.Museum of Imposs...
24/09/2025

Publishing as Scaffolding Talks # 4
Tom Holert on Harun Farocki as Publisher
Monday, September 29, 6 p.m.
Museum of Impossible Forms
Aallonhalkoja 9 L1, Helsinki

Publishing was central to Harun Farocki’s film practice. In this lecture, art historian, writer, and curator Tom Holert will reflect on the importance of writing and editing to Farocki’s filmmaking. The evening will include a display of Filmkritik (the magazine Farocki co-edited between 1974–1984), the Harun Farocki Institut pamphlet series, and a screening of Filmbooks (1986), Farocki’s essay film on books about movies. The event will also mark the launch of About Narration, a recent book by Rab-Rab Press published in collaboration with the Harun Farocki Institut.

Tom Holert has taught at art schools and universities in Stuttgart, Vienna, Hamburg, Berlin and elsewhere. In 2015, he co-founded the Harun Farocki Institut in Berlin. He has curated several thematic exhibitions (on educational architecture, interwar avant-garde art and theory, the genealogies of glamour and more) and publishes on subjects ranging from contemporary art to epistemic politics.

This is the fourth Publishing as Scaffolding talk organised by Rab-Rab Press.
The talks are supported by the Kone Foundation.

rabeas.net


“Scaffolding is made of cheaper materials, is put up only temporarily, and is dismantled or, if made of wood, scrapped for firewood once the shell of the structure is complete.
Scaffolding around a building also facilitates communication between the builders, enabling them to share the work and see the results of their collective labour.”

ENThe Harun Farocki Institut is looking for an apartment to sublet for our residency guest, a female filmmaker from Pale...
23/06/2025

EN
The Harun Farocki Institut is looking for an apartment to sublet for our residency guest, a female filmmaker from Palermo:
– a furnished 2- to 3-room private apartment with kitchen, bathroom, living room, and bedroom, as well as possibly an additional room or workspace.
– Location: within the Berlin Ring
– Period: approx. mid-August to mid-November

dm us if you are interested or know of anyone.

DE
Für unsere Residency-Stipendiatin, eine Filmemacherin aus Palermo, sucht das Harun Farocki Institut eine Wohnung zur Untermiete:
– eine möblierte 2- bis 3-Zimmer-Privatwohnung mit Küche, Bad, Wohn- und Schlafzimmer sowie eventuell einem zusätzlichen Zimmer oder einer Arbeitsfläche.
– Ort: innerhalb des Berliner Rings
– Zeitraum: ca. Mitte August bis Mitte November

Schreibt uns, wenn Ihr eine Wohnung habt or jmd kenny.

NEW RELEASE:HaFI 023 is the result of a first effort to enhance the visibility of Teri Wehn Damisch’s film and televisio...
10/06/2025

NEW RELEASE:
HaFI 023 is the result of a first effort to enhance the visibility of Teri Wehn Damisch’s film and television work, organized in 2022 at the Galerie Colbert (Paris) and the Centre Pompidou through a retrospective, an academic workshop and an exhibition. The booklet contains four texts by Teri Wehn Damisch, attending to the conception of her films on artist Robert Morris, photographer Gisèle Freund and anthropologist Françoise Héritier. An essay by Enrico Camporesi examining the creative process behind her film On Snow’s Wavelength (2001) and a study of her portrait dedicated to set designer Alexandre Trauner, by Christa Blümlinger, complete the volume.

The booklet emphasizes the singular pedagogical approach of Teri Wehn Damisch’s documentary films, resulting from her encounters with personalities from the transatlantic world of art and research. The Franco-American director began her career as a television producer in the early 1970s. From the outset, she has been deeply committed to transmitting the cultural, artistic and intellectual spirit of her time, inventing a special setting for each portrait feature. Over the years, she has developed a multi-faceted approach, demonstrating a wide variety of ways to make other people’s words perform.

HaFI 023 can be ordered from Bierke Verlag at a price of 10 euros.

Credits: Graphic: Daniela Burger
Post-editing and proofreading: François Lacire (FR) and Louise Pain (EN) for Gegensatz Translation Collective

This publication has been funded by the Graduate School ArTeC within the Investments for the Future Program of the French National Research Agency [ANR 17 EURE-0008]. With the support of the research centre Aesthetics, Sciences, and Technologies of Cinema and Audiovisual Arts (ESTCA) and the Research Commission of Paris 8 University as well as the Berlin University of the Arts – UdK Berlin/Filminstitut.

Terms and Conditions: “Monopoly, Monopsony and Fear: The Legal Clusterf*ck of Images“Presentation by Maryam JafriApril 1...
19/03/2025

Terms and Conditions: “Monopoly, Monopsony and Fear: The Legal Clusterf*ck of Images“

Presentation by Maryam Jafri
April 1, 2025, 6.30 pm
Location: Berlin Artistic Research Programme
Uferstr. 13
13357 Berlin

Invited in the framwork of HaFI’s „Terms and Conditions. The Legal Form of Images“, Maryam Jafri will present several works that situate contemporary image culture at the intersection of art, law and ethics. Jafri’s talk will address a range of topics including the role of originality, artist labor and copyright in our culture of sampling and remixing, the expectation that artists must shoulder any legal risk on their own, the status of the archive as a visual commons and the enclosure of that commons by commercial image banks via digitization and networked distribution. The increasing entanglement of art and artists with the law is occurring during a time when the status of the legal has never been more precarious, given the far right’s aim to nullify, hollow out, or simply abolish the judicial apparatus altogether as part of its ongoing evisceration of the postwar liberal democratic order.

Followed by a conversation with Tom Holert (HaFI) and the audience.



Image: video still from video Mariam Jafri Vs. Maryam Jafri

Release of the HaFI booklet: HaFI 022: On Ingo Kratisch: A Logic of Images, a Logic of Things / HaFI 022: Über Ingo Krat...
04/03/2025

Release of the HaFI booklet:
HaFI 022: On Ingo Kratisch: A Logic of Images, a Logic of Things /
HaFI 022: Über Ingo Kratisch: Eine Logik der Bilder. Eine Logik der Dinge

Edited by Daniel Eisenberg, Clio Nicastro and Ellen Rothenberg, this issue is dedicated to the work of filmmaker and artist Ingo Kratisch, who was also responsible for the camerawork in Harun Farocki’s films for over three decades.

Beginning with the realization of a series of “workers’ films” (Arbeiterfilme) at the start of the 1970’s and then developing a personal poetic style emphasizing collaborative practices and the recuperation of culture, spent material, and artifacts, Ingo Kratisch’s multivalent art practice has been prescient in anticipating many important trends in contemporary art: repair and reuse, city/rural community formation, and many lo-fi first-person documentary practices. Throughout, Kratisch worked collaboratively with many important filmmakers, artists, and writers, among them Harun Farocki, quietly influencing critically significant films and careers, while carving his own path outside the light of the projector.”

This volume introduces Kratisch’s work to a new generation of readers who may be unaware of his influence or generative esthetic principles. His work, actions of radical repair and reconstruction, model strategies for sustainable independent creative production.

On Ingo Kratisch
A Logic of Images. A Logic of Things
Editors: Daniel Eisenberg, Clio Nicastro, and Ellen Rothenberg
Paperback
21 x 29,7 cm
64 pages
English/German
It can now be ordered from Bierke Verlag for €10


daniel

On Wednesday, March 5, at 6:30 p.m., we will present an evening together with Wolf Kino (Berlin) as part of the HaFI pro...
01/03/2025

On Wednesday, March 5, at 6:30 p.m., we will present an evening together with Wolf Kino (Berlin) as part of the HaFI project Terms and Conditions. The Legal Form of Images. Following the screening of the essay films Terror Tales (2024) and Mapping Lessons (2020) by Philip Rizk – works that directly and painfully engage with the act of drawing, erasing, and redrawing lines on the map of the so-called “Middle East” –, the filmmaker will engage in a conversation with artist, filmmaker and researcher Marwa Arsanios.

The times and spaces of colonialisms and neocolonialism are connected in ways that demand forms and languages of analysis that cannot and must not be reduced to those of science and administration. Mapping Lessons and Terror Tales, two essay films by Philip Rizk from 2020 and 2024, consult and activate the audiovisual archives pertaining to the violence of the nation state and the counter-violence caused by it. They reassemble and recombine the visual, textual, and sonic documents of appropriation and dispossession, embarking on a quest for new traditions of resistance and old horizons of social possibility. Rizk sees his filmic work as preparation. Not in the sense of prepping, but of (self-)training with the images and sounds that are available but must be withdrawn from invisibilization.



Wir laden insbesondere ein zu den Live-Präsentationen am 13. Februar abends und 15. Februar 2025 ganztägig. Programm:13....
07/02/2025

Wir laden insbesondere ein zu den Live-Präsentationen am 13. Februar abends und 15. Februar 2025 ganztägig.

Programm:
13.-16. Februar 2025, Raum 3.04
Policing Images – Installationen

Donnerstag, 13. Februar 2025, Raum 2.41, 20:30 Uhr
C. Bain / Jannis Weu: Phantom Po*******hy
Eine forschende, performative Gegenüberstellung von Pornografie und dem operativen Bild

Freitag, 14. Februar 2025 und Sonntag 16. Februar 2025, Raum 2.41
Terms & Conditions Installationen und Videos

Samstag, 15. Februar 2025, Raum 2.41, 12:00 – 19:00 Uhr
Terms & Conditions – Der Tag der Live Präsentationen
12:00: Policing Images
mit Corinna Marie Wolff, Bo Heller, Pascal Schiffers, Mio Al-Hashimy
Einführung: Mareike Bernien
14:30: Evidence
mit Jakub Klíma, Elza Gubanova
Einführung: Clemens v. Wedemeyer
16:00: Ownership
mit Mio Al-Hashimy, Anastasia Grigoriadi, Zhengke Sun
Einführung: Ines Schaber
18:15: Ownership & Policing Images
Natalia Zaitseva, Yixuan Zhuang

Der Raum schließt um 21:00 Uhr.

Grafik: Nastia Grigoriadi
Raumgestaltung: Tobi Fabek, Dominik Schabel, David Frommhold

Das Projekt wurde vom Harun Farocki Institut (Berlin) initiiert. Die Auftaktveranstaltung fand im April 2024 in Kooperation mit der Galerie der HGB (Ilse Lafer) statt.

Das detaillierte Programm wird auch digital als Kalendereintrag publiziert
unter http://www.hgb-leipzig.de und auf der HaFI-Website: www.harun-farocki-institut.org

Osoite

Aallonhalkoja 9
Helsinki
00540

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