AD/AD - Project Space

AD/AD - Project Space ad/ad is an artist run Non-Profit Exhibition Space and Discourse Platform. As an independent, noncom

Following our participation with Palm Press  at this year’s „Miss Read 2026“ Miss Read at Silent Green in Berlin, and ah...
30/08/2026

Following our participation with Palm Press at this year’s „Miss Read 2026“ Miss Read at Silent Green in Berlin, and ahead of our upcoming participation at „Between Books 2026“ at Kunsthalle Düsseldorf Kunsthalle Düsseldorf, ad/ad continues its thematic focus on artistic publishing practices for this year’s „Zinnober“ weekend ZINNOBER-Hannover.

Our temporary „Palm Press Art Book Lounge“ installation invites visitors to browse a curated selection of publications — from the Palm Press publishing program, closely tied to ad/ad’s exhibition activities and a focus on artists living and working in Hannover, alongside a broader selection of books exploring „publishing as artistic practice“ and „independent self-publishing“.

Accompanying this, a curated screening presents a compilation of selected photobooks by a range of artists and photographers.

ZINNOBER-Hannover Opening Hours:
05.09. & 06.09. — 12-7pm

Installation views 03/03 of “Max Meyer – Baby don’t hurt me”, the exhibition was on view at ad/ad until June 14th. .de W...
01/07/2026

Installation views 03/03 of “Max Meyer – Baby don’t hurt me”, the exhibition was on view at ad/ad until June 14th. .de

With “Palm Press – Launch Lounge”, the ad/ad – Project Space is pleased to initiate a format that combines “pop-up exhibitions” with the launch of publications.

In the exhibition “Baby don’t hurt me,” Max Meyer turns to the fence as an aesthetic element — a motif that oscillates between boundary and ornament and shapes the image of German front yards and gardens. Using Window Color, that material situated between childhood craft practice and petit-bourgeois decoration, Meyer appropriates this iconography and returns painting to the kitchen table. The works are characterized by a formal lightness that, however, shifts at the moment the material is applied to canvas into a permanent, irreversible gesture and statement, recontextualizing the originally temporary use of Window Color into a painterly medium.

—————————————————————————

The exhibition is accompanied by the publication “Max Meyer – Finger im Gitter für immer (Fingers in the fence forever),“ which takes up motifs, engravings, and text fragments from the show and carries them forward into an independent format.
It is published by Palm Press in a limited print run and is the fourth entry in the „Palm Press Pocket“ series.

Information and orders via email:
[email protected]

Design & concept: & .de
Published by: ad/ad


—————————————————————————
Installation views: Samuel Henne

Images:

01-03:
„Innenansichten eines Pferdes“,
„Interior views of a horse“,
Window Color on canvas,
100 x 85 cm, 2026

04-07:
Installation views.

08-12:
Images of the publication
“Max Meyer – Finger im Gitter für immer (Fingers in the fence forever)“.

Installation views 02/03 of “Max Meyer – Baby don’t hurt me”, the exhibition was on view at ad/ad until June 14th. .de W...
01/07/2026

Installation views 02/03 of “Max Meyer – Baby don’t hurt me”, the exhibition was on view at ad/ad until June 14th. .de

With “Palm Press – Launch Lounge”, the ad/ad – Project Space is pleased to initiate a format that combines “pop-up exhibitions” with the launch of publications.

In the exhibition “Baby don’t hurt me,” Max Meyer turns to the fence as an aesthetic element — a motif that oscillates between boundary and ornament and shapes the image of German front yards and gardens. Using Window Color, that material situated between childhood craft practice and petit-bourgeois decoration, Meyer appropriates this iconography and returns painting to the kitchen table. The works are characterized by a formal lightness that, however, shifts at the moment the material is applied to canvas into a permanent, irreversible gesture and statement, recontextualizing the originally temporary use of Window Color into a painterly medium.

—————————————————————————

The exhibition is accompanied by the publication “Max Meyer – Finger im Gitter für immer (Fingers in the fence forever),“ which takes up motifs, engravings, and text fragments from the show and carries them forward into an independent format.
It is published by Palm Press in a limited print run and is the fourth entry in the „Palm Press Pocket“ series.

Information and orders via email:
[email protected]

Design & concept: & .de
Published by: ad/ad


—————————————————————————
Installation views: Samuel Henne

Images:

01:
Installation view.

02+03:
„Der Zaun, Topographie
Bauen und Bewahren“,
1981, video documentary
by Dieter Wieland

04:
Installation view.

05-07:
„Kronsberger Tanz“,
„Kronsberger Dance“,
Window Color on canvas,
81 x 85 cm, 2026

08:
Installation view.

09+10:
„Winterauftritt“,
„Winter performance,
Window Color on canvas,
65 x 44 cm, 2026

Installation views 01/03 of “Max Meyer – Baby don’t hurt me”, the exhibition was on view at ad/ad until June 14th. .de W...
30/06/2026

Installation views 01/03 of “Max Meyer – Baby don’t hurt me”, the exhibition was on view at ad/ad until June 14th. .de

With “Palm Press – Launch Lounge”, the ad/ad – Project Space is pleased to initiate a format that combines “pop-up exhibitions” with the launch of publications.

In the exhibition “Baby don’t hurt me,” Max Meyer turns to the fence as an aesthetic element — a motif that oscillates between boundary and ornament and shapes the image of German front yards and gardens. Using Window Color, that material situated between childhood craft practice and petit-bourgeois decoration, Meyer appropriates this iconography and returns painting to the kitchen table. The works are characterized by a formal lightness that, however, shifts at the moment the material is applied to canvas into a permanent, irreversible gesture and statement, recontextualizing the originally temporary use of Window Color into a painterly medium.

—————————————————————————

The exhibition is accompanied by the publication “Max Meyer – Finger im Gitter für immer (Fingers in the fence forever),“ which takes up motifs, engravings, and text fragments from the show and carries them forward into an independent format.
It is published by Palm Press in a limited print run and is the fourth entry in the „Palm Press Pocket“ series.

Information and orders via email:
[email protected]

Design & concept: & .de
Published by: ad/ad


—————————————————————————
Installation views: Samuel Henne

Images:

01+02:
„Schlösser für zwei“,
„Locks for two“,
Window Color on canvas,
115 x 190 cm, 2026

03:
Installation view.

04+05:
„Noch ein Schritt für
das goldene Tier“,
„One more step for
the golden beast“,
Window Color on canvas,
115 x 190 cm, 2026

06:
Installation view.

07-10:
„Nach der Jagd (Rekonstruktion)“,
„After the hunt (Reconstruction)“,
Window Color on canvas,
78 x 80 cm, 2025

Upcoming: “Max Meyer – Baby don’t hurt me”– Opening & Booklaunch – Friday, May 29th.With “Palm Press – Launch Lounge”, t...
07/05/2026

Upcoming: “Max Meyer – Baby don’t hurt me”
– Opening & Booklaunch – Friday, May 29th.

With “Palm Press – Launch Lounge”, the ad/ad – Project Space is pleased to initiate a format that combines “pop-up exhibitions” with the launch of publications.

In the exhibition “Baby don’t hurt me,” Max Meyer turns to the fence as an aesthetic element — a motif that oscillates between boundary and ornament and shapes the image of German front yards and gardens. Using Window Color, that material situated between childhood craft practice and petit-bourgeois decoration, Meyer appropriates this iconography and returns painting to the kitchen table. The works are characterized by a formal lightness that, however, shifts at the moment the material is applied to canvas into a permanent, irreversible gesture and statement, recontextualizing the originally temporary use of Window Color into a painterly medium.

Opening & Book Launch
Friday, 29.05.2026, 6pm

Duration: 29.05. – 14.06.2026
Opening hours by appointment by email:
[email protected]

The exhibition is accompanied by the publication “Max Meyer – Finger im Gitter für immer (Fingers in the fence forever),“ which takes up motifs, engravings, and text fragments from the show and carries them forward into an independent format.
It is published by Palm Press in a limited print run and is the fourth entry in the „Palm Press Pocket“ series.

Information and orders via email:
[email protected]

Design & concept: & .de
Published by:


——————————————————————

Images:

„Innenansichten eines Pferdes“,
„Interior views of a horse“,
Window Color on canvas,
100 x 85 cm, 2026

„Nach der Jagd (Rekonstruktion)“,
„After the hunt (Reconstruction)“,
Window Color on canvas,
78 x 80 cm, 2025

„360-Flip“,
engraved glass on rotating displays,
7,5 x 11 x 6 cm, 2024

Adresse

Deisterstraße 13
Hanover
30449

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