Sammlung Zander / Zander Collection

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Sammlung Zander / Zander Collection The Zander Collection focuses on what has been known as “naïve art.” Founded by Charlotte Zander, it is now a non-profit organization.

ON VIEWSeveral works by Sava Sekulić from the Zander Collection are part of the exhibition “Beyond Academia: Bosilj, Sek...
17/10/2026

ON VIEW

Several works by Sava Sekulić from the Zander Collection are part of the exhibition “Beyond Academia: Bosilj, Sekulić, Skurjeni, Tisnikar” Galerija Božidar Jakac, Kostanjevica na Krki

Beyond Academia: Bosilj, Sekulić, Skurjeni, Tisnikar
25.9.2026–28.2.2027
Galerija Božidar Jakac – Museum of Modern and Contemporary Art

Images:
1. Sava Sekulić, Napoleon, 1972, oil on pasteboard, 84 x 60.5 cm
2. Sava Sekulić, Untitled (Half Angel / Half Animal), 1976, oil on Masonite, 101 x 71.5 cm
3. Sava Sekulić, Untitled (Animals and Death), 1976, mixed media on pasteboard, 74 x 54 cm.

ON VIEWExhibition 9 | Adalbert TrillhaaseAdalbert Trillhaase is born in Erfurt in 1858 to a family of merchants. After c...
15/10/2026

ON VIEW

Exhibition 9 | Adalbert Trillhaase

Adalbert Trillhaase is born in Erfurt in 1858 to a family of merchants. After completing a commercial apprenticeship, he initially tries his hand at business in various places, running a linen weaving mill and an iron works—ventures that prove unsuccessful. After the death of his father-in-law, his wife inherits houses and pieces of land, which Trillhaase now manages and which secure the family’s financial independence. In 1920, they move into a home on Düsseldorf’s Hindenburgwall, just a stone’s throw from Johanna Ey’s gallery Junge Kunst—Frau Ey. The gallery is the hub of the Junges Rheinland—an artists’ association that Trillhaase will later join.
Trillhaase does not start painting before he is sixty. His first pictures show hunters and bellowing stags, which soon give way to biblical scenes, motifs from distant lands, and portraits.

Images:
1. The Attack of the Wolves, 1923, oil on canvas, 65.5 x 48.5 cm (detail), photo: Simon Vogel
2. The Attack of the Wolves, installation view, photo: Simon Vogel
3. Installation view, photo: Simon Vogel
4. Installation view, photo: Simon Vogel

From the collection: André Bauchant (1873 in Château-Renault – 1958 in Montoire-sur-le-Loir, France) 1. Vaches, 1944Oil ...
12/10/2026

From the collection: André Bauchant (1873 in Château-Renault – 1958 in Montoire-sur-le-Loir, France)

1. Vaches, 1944
Oil on canvas
33 x 42 cm

2. L’homme en fuite des loups, 1922
Gouache on paper
28 x 38,5 cm

3. L’heure du porcher, 1943
Oil on canvas
33 x 46 cm

4. Retour des champs, 1944
Oil on canvas
27 x 47 cm

ON VIEW Exhibition 9Adalbert Trillhaase5.9.–17.10.2026The human being stands at the center of Adalbert Trillhaase’s pain...
10/10/2026

ON VIEW

Exhibition 9
Adalbert Trillhaase
5.9.–17.10.2026

The human being stands at the center of Adalbert Trillhaase’s paintings and drawings. He portrays people or depicts them in relation to their surroundings: his daughter as a modern woman, the elegant passenger and his coachman battling a pack of wolves, the magician who seems to be conjuring a wild boar and a dog. Art and science make allegorical appearances in human form. Trillhaase expends great care on modeling the delicate faces of his figures; their postures are dynamic and vividly present. They strike the viewer as affecting and graceful, as though captured in mid-dance. In this way, he endows every one of his characters with their own personality and underscores their individuality. Some are set within richly detailed landscapes or before sketch-like backdrops; others are rendered entirely without such physical context. Their unconstrained arrangement and the dynamism of the compositions amplify the narrative impact of his works.

Images:
1. Adalbert Trillhaase, Scene with a Wild Boar and a Dog, undated, mixed media on cardboard, 22 x 28 cm.
2. Installation view, Photo: Simon Vogel.

From the collection: Emma Stern (1878 in St. Wendel, Germany – 1969 in Paris, France) Emma’s Door, 1956Oil on canvas170 ...
08/10/2026

From the collection: Emma Stern (1878 in St. Wendel, Germany – 1969 in Paris, France)

Emma’s Door, 1956
Oil on canvas
170 x 104 cm

ON VIEW Exhibition 9Adalbert Trillhaase5.9.–17.10.2026From the start, Trillhaase is a committed and active member of the...
06/10/2026

ON VIEW

Exhibition 9
Adalbert Trillhaase
5.9.–17.10.2026

From the start, Trillhaase is a committed and active member of the Junges Rheinland, which is founded in 1919. His work embodies the ideals to which the artists’ association aspires: in its quest for a new art, it breaks with academic convention to allow for a more open, freer form of creative articulation. Trillhaase forms personal bonds with the artists that speak from numerous portraits, including Otto Dix’s painting „The Family of the Painter Adalbert Trillhaase“ (1923) and Arthur Kaufmann’s group portrait „The Contemporaries“ (1925). At the same time, Trillhaase engages with the Expressionist and Dadaist tendencies of his time. His visual language grows increasingly expressive and surreal: his figures more and more often strike exaggerated poses, while the structure of his pictorial spaces disintegrates or vanishes entirely. Trillhaase’s contemporaries are fascinated by the liberties that he takes in his art.

The Junges Rheinland and its successor groups, including the Rheinische Sezession and the Rheingruppe, at times count over four hundred members. Among its most defining exponents are artists like Otto Dix, Max Ernst, Marta Hegemann, Arthur Kaufmann, and Gert Heinrich Wollheim, as well as art historians and art dealers like Walter Cohen, Johanna Ey, and Alfred Flechtheim.

Images:
1. Adalbert Trillhaase, Christ on the Mount of Olives, undated, oil on canvas, 56 x 74.5 cm, Photo: Simon Vogel.
2. Installation view, Photo: Simon Vogel.

From the collection: Friedrich Schröder-Sonnenstern (1892 in Kaukhemen – 1982 in Berlin, Deutschland) The Bride, 1964Oil...
02/10/2026

From the collection: Friedrich Schröder-Sonnenstern (1892 in Kaukhemen – 1982 in Berlin, Deutschland)

The Bride, 1964
Oil pastel on cardboard
70 x 48.5 cm

From the collection: Gérard Valcin (1923 in Port-au-Prince, Haiti – 1988) Healing of Pappa Doc, 1969 Oil on canvas82 x 1...
30/09/2026

From the collection: Gérard Valcin (1923 in Port-au-Prince, Haiti – 1988)

Healing of Pappa Doc, 1969
Oil on canvas
82 x 121,5 cm

From the collection: Camille Bombois (1883 in Venarey-les-Laumes – 1970 in Paris, France) Les bas noirs avec journal, ca...
26/09/2026

From the collection: Camille Bombois (1883 in Venarey-les-Laumes – 1970 in Paris, France)

Les bas noirs avec journal, ca. 1930
Oil on canvas
73 x 60 cm

From the collection: Anonymous (Ethiopia) 1. War Italy / Abyssinia, undatedOil on canvas90 x 139.5 cm 2. War Italy / Aby...
24/09/2026

From the collection: Anonymous (Ethiopia)

1. War Italy / Abyssinia, undated
Oil on canvas
90 x 139.5 cm

2. War Italy / Abyssinia, undated
Oil on canvas
90 x 103.5 cm

3. Untitled, undated
Oil on canvas
87 x 189.5 cm

Adresse

Jülicher Str. 24a
Cologne
50674

Öffnungszeiten

Dienstag 10:00 - 18:00
Mittwoch 10:00 - 18:00
Donnerstag 10:00 - 18:00
Freitag 10:00 - 18:00
Samstag 10:00 - 16:00

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