San Jacinto Bilingüe

San Jacinto Bilingüe Programas para los diferentes niveles (A1-C2) Así mismo, es un espacio abierto a todos los sanjacinteros y visitantes de nuestro querido pueblo.

El proyecto San Jacinto Bilingüe ofrece programas de formación en lengua inglesa, siguiendo los lineamientos curriculares y las competencias que evalúa la universidad de Cambridge según el MCRE. Centro Cultural ubicado en el Caribe Colombiano, en San Jacinto, Bolívar, tierra de la hamaca grande y Capital Mundial de La Cumbia. La tierra querida de Andrés Landero, Toño Fernández, Adolfo Pacheco y ta

ntos y tantas maestros y maestras que con las gaitas, los tambores, la poesía, el canto, la danza y los muchos artes montemarianos, han sabido guardar antiguos conocimientos que constituyen gran parte de nuestra identidad como Latinoamérica. Diego Torres, su fundador, es voluntario de La Fundación Mi Gaita, filósofo, gaitero y sanjacintero de corazón, quien ha dedicado parte de su vida académica a la cultura gaitera montemariana. De ahí el interés por promover el desarrollo y engrandecimiento de la cultura tradicional desde el territorio mismo y con sus habitantes como protagonistas. El Centro Cultural Fuego De Cumbia es un espacio para la música de gaitas y los cantos tradicionales, pero también para la educación, el emprendimiento, el turismo y el bilingüismo. Nuestros proyectos:

Escuela de Música de Gaitas y Cantos Tradicionales de La Fundación Mi Gaita - Maestro Rafael Pérez García (sede alterna)

Escuela Hermanos Yepes (Gaitas y Tambores)

San Jacinto Bilingüe: inglés para los habitantes del municipio con enfoque en la promoción cultural y empresarial de San Jacinto. Consultoria en Servicios Turísticos en alianza con operadores nacionales e internacionales

Taller de Lutheria en alianza con La Fundación Mi Gaita y Los Hermanos Yepes (Gaitas y Tambores de San Jacinto)


Cultural Center located in the Colombian Caribbean, in San Jacinto, Bolívar, land of The Great Hmmock and World Capital of Cumbia. The beloved land of Andrés Landero, Toño Fernández, Adolfo Pacheco and so many masters who, with wax-head flutes, drums, poetry, song, dance and the many Montemariano arts, have preserve ancient knowledge that constitutes a large part of of our identity as Latin America. Diego Torres, its founder, is a volunteer for La Fundación Mi Gaita, a philosopher, gaitero and sanjacintero at heart, who has dedicated part of his academic life to the Montemarian wax-head flutes culture. Hence the interest in promoting the development and enhancement of traditional culture from the territory itself and with its inhabitants as protagonists. Cumbia Fire Cultural Center is a place for wax-head flutes music and traditional songs, but also for education, entrepreneurship, tourism and bilingualism. Likewise, it is an inclusive place open to all Sanjacinteros and visitors to our beloved town. Our projects:

School of Wax-head Flutes de Music and Traditional Songs of the Fundación Mi Gaita - Maestro Rafael Pérez García (alternate venue)

Hermanos Yepes School (Gaitas y Tambores)

San Jacinto Bilingual: English for the inhabitants of the municipality with a focus on the cultural and business promotion of San Jacinto. Consulting in Tourist Services in alliance with national and international operators

Lutheria workshop in alliance with Fundación Mi Gaita and Los Hermanos Yepes (Gaitas y Tambores de San Jacinto)

25/11/2025

"Old McDonald had a farm" by the children of 3rd grade from Leo XIII School in San Jacinto, Bolivar. Show for the English Day. Feat. Maestro Gabriel Torregrosa from Los Gaiteros de San Jacinto Oficial.

Presentación con los niños y niñas de 3°-1 del Colegio León XIII Sede Anunciación. Con apoyo del maestro Gabriel Torregrosa, director de Los Gaiteros de San Jacinto Oficial.

Diego Torres Gaitas Colombianas Gaiteros De San Jacinto Los Gaiteros de San Jacinto Cerro Maco San Jacinto

23/11/2025

Spanish pop star Rosalía has received huge praise for her new album, Lux. A Vatican official is the latest to commend the awe-inspiring album.

More below ⬇️

❇️El proyecto San Jacinto Bilingüe ofrece un programa de inglés personalizado, 100% práctico, con metodologías híbridas,...
23/11/2025

❇️El proyecto San Jacinto Bilingüe ofrece un programa de inglés personalizado, 100% práctico, con metodologías híbridas, partiendo del currículo y materiales para exámenes internacionales de la universidad de Cambridge en Inglaterra.

❇️El programa realiza evaluaciones mensuales y entrega informes detallados de las habilidades alcanzadas. A partir del tercer mes o 60 horas entregamos constancia de asistencia.

❇️ Todos los materiales y herramientas usados son virtuales y abiertos para todos los estudiantes.

🟥Si deseas inscribirte o tener una reunión virtual o personal para más detalles, comunícate con nosotros y agenda un encuentro.

Inscripciones: wp 302-238-3571

23/11/2025

She rejected marriage proposals from Friedrich Nietzsche and Rainer Maria Rilke. Then she became Sigmund Freud's colleague—and influenced his theories on female sexuality. Meet Lou Andreas-Salomé.
In the summer of 1897, one of the greatest poets of the 20th century was writing desperate, passionate letters to a woman who had captivated him completely:
"Of all that is beautiful, you come to me. You, my spring breeze. You, my summer rain. You, my June night with a thousand paths, where no one has left their footprints before me..."
The writer was Rainer Maria Rilke, age 22.
The woman who inspired such devotion was Lou Andreas-Salomé, age 36—and she had already broken the hearts of some of Europe's greatest minds.
Lou was born February 12, 1861, in St. Petersburg, Russia, the only daughter among six children of General Gustav von Salomé and Louise Wilm. Her father adored her, calling her "Ljola," and encouraged her fierce intellect. Her mother was cold and distant, expecting Lou to conform to the restrictions of upper-class femininity.
Lou had other plans.
Her tutor, a Protestant pastor named Hendrik Gillot, introduced her to philosophy—Kant, Kierkegaard, Leibniz, Spinoza. Lou devoured these ideas with a hunger that matched any male scholar's. She was brilliant, curious, fearless in her thinking.
And then Gillot—married, with children Lou's age—proposed marriage to her.
Lou, barely in her late teens, was shattered. The man who'd opened the world of ideas to her now wanted to possess her romantically. It was a betrayal of the intellectual relationship she'd treasured.
She made a decision that would define her life: she would pursue intellectual and creative relationships with men, but she would not allow marriage or conventional sexuality to limit her freedom.
After her father died in 1879, Lou convinced her mother to take her to Zurich, where she could study theology at the university—extraordinary for a woman at that time. But her health was fragile (likely tuberculosis), and doctors recommended a warmer climate.
In 1882, they went to Rome.
And there, in the intellectual salon of writer Malwida von Meysenbug, Lou met two philosophers who would both fall deeply in love with her: Paul Rée and Friedrich Nietzsche.
Nietzsche was already famous—the author of groundbreaking philosophical works, a brilliant and troubled thinker. When he met Lou, he was entranced. She was the only woman he'd encountered who could match him intellectually, who understood his ideas, who challenged him rather than merely admiring him.
Within weeks, Nietzsche proposed marriage. Through Paul Rée as intermediary, he asked Lou to marry him.
Lou said no.
She had a different proposal: the three of them—Lou, Nietzsche, Rée—should live together in an intellectual commune, pursuing philosophy and ideas without the constraints of conventional relationships.
They even took a famous photograph: Lou sitting in a mock cart, holding a whip, while Nietzsche and Rée pretend to pull the cart like oxen. It was playful, provocative, and shocking for 1882.
The arrangement didn't last. Nietzsche's sister Elizabeth—fiercely possessive and deeply conventional—spread vicious rumors about Lou, calling her a manipulative seductress who was corrupting her brother. The intellectual friendship dissolved in bitterness.
Nietzsche would later write that no woman had ever understood him like Lou did. And no woman ever hurt him more deeply.
Paul Rée also proposed marriage. Lou also refused him—though they remained friends until his death in 1901, when he either fell or jumped from a cliff in the Swiss Alps.
In 1887, Lou made a decision that baffled everyone: she married Friedrich Carl Andreas, a German linguist and scholar of Persian and Oriental languages.
But there was a condition: the marriage would never be consummated.
According to accounts, Andreas had threatened su***de if she wouldn't marry him—even stabbing himself in front of her. Whether from guilt, compassion, or her own complex motivations, Lou agreed to marriage. But she insisted on complete sexual autonomy.
They lived together for 43 years in this arrangement. Andreas had his work. Lou had her freedom. It was unconventional, but it was honest.
And Lou's real romantic life happened elsewhere.
In 1897, she met Rainer Maria Rilke at a literary salon in Munich. He was 22—fourteen years younger than her. He was a struggling poet, uncertain and searching. She was established, confident, intellectually formidable.
Rilke fell completely in love.
For three years, they had an intense relationship. Lou became his mentor, his lover, his muse, and his editor. She guided his literary development, encouraged his talent, critiqued his work mercilessly. She taught him about Russia (they traveled there together twice), about literature, about seeing the world with clear eyes.
Rilke's greatest poetry would be influenced by what Lou taught him.
He wrote her hundreds of letters—desperate, passionate, worshipful. He called her his "first real experience," the woman who made him into the poet he became.
But in 1900, Lou ended the romantic relationship. She'd given him what she could; now he needed to find his own path. Rilke was devastated.
They remained friends until his death in 1926—but the passionate phase was over. Lou had moved on.
After Paul Rée's death in 1901, Lou fell into deep depression. She sought help from internist Friedrich Pineles (with whom she had an affair), and later from Swedish psychiatrist Poul Bjerre, who introduced her to the emerging field of psychoanalysis.
Lou was fascinated. Here was a discipline that explored the unconscious, sexuality, the hidden forces that shape human behavior. Here was intellectual territory that desperately needed a woman's perspective.
In 1911, at the Third International Psychoanalytic Congress in Weimar, the 50-year-old Lou Andreas-Salomé met Sigmund Freud.
It was the beginning of one of the most important intellectual friendships of both their lives.
Freud, who'd had complicated relationships with other women in the psychoanalytic movement, found in Lou someone he could respect as an equal. She wasn't intimidated by his authority. She challenged his ideas—particularly about female sexuality—with intelligence and evidence.
Lou became the first woman accepted into the Vienna Psychoanalytic Society. She studied with Freud, attended his lectures, and began practicing as a psychoanalyst herself, working from her office in Göttingen, Germany.
Her contributions to psychoanalysis were groundbreaking. She wrote extensively about female sexuality—arguing that women's erotic experiences were fundamentally different from men's, not inferior or deviant, just different. She explored narcissism in ways that influenced Freud's own later theories. She brought a woman's perspective to a field dominated by male theorists studying female "hysteria."
Freud wrote to her with genuine respect: "You have accomplished what others have aimed at but not achieved... you have harmonized sensuality and intellectuality."
Over the years, they exchanged more than 200 letters—discussing psychoanalysis, philosophy, life, and ideas with mutual admiration.
Lou continued working as a psychoanalyst and writer until her final years. She published over 20 books—novels, essays, memoirs, and psychoanalytic studies. She wrote about Nietzsche, about Rilke, about Freud. She wrote about women's sexuality, about creativity, about the tension between independence and intimacy.
And she never apologized for her choices.
She never apologized for rejecting Nietzsche's marriage proposal.
She never apologized for ending things with Rilke when the relationship no longer served her growth.
She never apologized for living in an unconsummated marriage while having passionate affairs elsewhere.
She never apologized for being intellectually demanding, sexually autonomous, and utterly herself.
On February 5, 1937, Lou Andreas-Salomé died at her home in Göttingen, Germany. She was 76 years old.
She'd lived through the Victorian era, World War I, the birth of psychoanalysis, and the early rise of N**i Germany (which would soon ban her books as "degenerate").
She'd known and influenced three of the most important figures in Western intellectual history: Nietzsche, Rilke, and Freud.
She'd written groundbreaking work on female sexuality decades before the sexual revolution.
She'd lived exactly the life she chose—unconventional, intellectually rich, sexually autonomous, and absolutely free.
Lou Andreas-Salomé proved something Victorian society didn't want to believe: that a woman could be a brilliant thinker, a sexual being, and completely independent—all at the same time.
That she could love passionately without being owned.
That she could inspire great men without diminishing herself.
That she could refuse marriage to philosophers and still become a philosopher in her own right.
Rilke called her his muse. But Lou was never anyone's muse. She was a mind, a force, a woman who refused to be anything less than fully herself.
And that's why we're still talking about her.
Because Lou Andreas-Salomé didn't just reject conventions—she proved they were unnecessary in the first place.

{PS}

17/11/2025
13/11/2025

🤔😃

08/11/2025

It's a life sentence. 🚓 👮‍♀️

05/11/2025

Zohran Mamdani will be the first Muslim and South Asian to lead America’s largest city, after winning NYC’s mayoral race https://aje.io/vrh1g8

05/11/2025

Tonight, Zohran Mamdani was elected mayor of New York City, winning by an election with higher turnout than any mayor’s race in 50 years. At a time when leading figures in the Democratic Party seem practically complicit in the abuses and outrages of the Trump era, Mamdani offered his supporters an unsullied message of hope.

During the campaign, Mamdani liked to remind his audiences that New York is the richest city in the richest country in the history of the world, and that its government could do more for its residents. While his opponents described New York as broke, dysfunctional, and crime-ridden, Mamdani talked about the city as a lovely, if chaotic, place—full of tumult and injustices, yes, but also of life and possibilities. In criticizing Israel’s destruction of Gaza, Mamdani has barely flinched. These things convinced many young voters, in particular, that Mamdani might have what it takes to follow through on his promises. They voted for him because they could imagine a city with free buses; because they thought that the idea of freezing rents in the city’s million or so rent-stabilized apartments sounded fair, even if they didn’t live in rent-stabilized apartments themselves; and because they liked the idea of New York being a place that offers universal child care to kids as young as six weeks old.

The status quo—obscenely high rents, ludicrous corruption in City Hall, Democratic officials skirting around the killing in Gaza—had gotten too bleak. Mamdani emerged, untainted by the past, and suggested that you didn’t need to accept any of these things in order to win. Read Eric Lach’s dispatch on Mamdani’s historic win: https://newyorkermag.visitlink.me/1olLYn

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