Verbier Art Summit

Verbier Art Summit The Verbier Art Summit empowers the art ecosystem to be a positive social change facilitator. ART, THE POLITICAL AND MULTIPLE TRUTHS.

Over the past century, science, politics and business have shaped our world. In our current global society, it is time for art and culture to play a dominant role. At the start of each year, the non-profit Verbier Art Summit brings together innovative thinkers with influential artists to kick-off debates on important social issues. The international platform’s sole aim is to generate new ideas and

drive social change through art. Through a series of talks and debates with an invited group of leading art world stakeholders, new visions and initiatives are born that will make a positive change and build global solidarity. The talks provide a unique chance to be inspired by international leading art world figures on topical issues. This way, Verbier Art Summit educates, provokes and inspires its Members and the wider community. Key insights of each Summit are shared digitally and documented in an annual publication designed by Irma Boom and published by Koenig Books, London. HISTORY

When you arrive at the Verbier Art Summit, you will have just climbed 1500 meters in altitude and with each turn winding higher up the mountain, you gain kilometres in visibility, and the distance between you and your everyday life becomes greater and greater…

This is exactly what happened when the Founder of the Verbier Art Summit, Anneliek Sijbrandij, moved from London to Verbier in the winter of 2013. Anneliek started dreaming about an annual art event in this beautiful, intimate - almost hidden - site where meaningful dialogue can take place. An event in a non-transactional context, where thought leaders would be connected to key figures in the art world, focussing on annually changing themes, generating new visions and initiatives with each edition. One of these leading figures in the art world, Beatrix Ruf, believed in the concept and an exciting exchange of long conversations started in the summer of 2014. The ideas continued to develop among the Founding Members and Board of Advisors in the winters of 2015 and 2016. By January 2017 we were ready: museum director Beatrix Ruf proposed for each Verbier Art Summit to be curated by a leading museum director, who will identify a theme of their focus for a conference and book. Together with the curatorial team at the Stedelijk Museum Amsterdam, she co-designed the format of the inaugural Verbier Art Summit, and our first group of innovative thinkers came to Verbier.

2020 SUMMIT

Organised in partnership with acclaimed museum director Jessica Morgan, Nathalie de Gunzburg Director of New York’s Dia Art Foundation. The 2020 Verbier Art Summit took place on 31 January & 1 February in Verbier, Switzerland around the theme: RESOURCE HUNGRY: OUR CULTURED LANDSCAPE AND ITS ECOLOGICAL IMPACT. The 2020 Verbier Art Summit asked how to envision a way forward in finding harmony between art, ecology and resources. Jessica Morgan comments on the theme, “How does culture move forward at a time of crisis such as now? It is essential to have artists, designers, architects, engineers and other thinkers be a part of this conversation.”

The speakers gathered for an extended dialogue in Verbier, Switzerland, to consider questions raised around resources, land and culture. The framework of the Summit allows for the exploration of a variety of subjects, ranging from the history of land art and work made in and about the land- and urban-scape; the resources consumed by art and institutions; engineering and other man made forms in the environment; real and imagined landscapes and the future of art in the context of an ecological crisis.

2019 SUMMIT

Organised in partnership with acclaimed museum director Jochen Volz — Pinacoteca de São Paulo, Brazil — the 2019 Verbier Art Summit took place on 1 & 2 February 2019 in Verbier, Switzerland around the theme: WE ARE MANY. In times of increasing uncertainty, we are in need of a deeper understanding of the multiplicity of narratives around us. Art has the potential to give voice to forgotten and silenced narratives, but also to envision entirely new possibilities. By bringing together artists, museum directors, activists and academics, the Verbier Art Summit engaged the art world in critical reflection on their social and political responsibilities. Together, we explored the political power of art.

2018 SUMMIT

Art can be a critical tool used to understand in what direction we are moving, and at the 2018 Summit we will explore the possibilities for art created by new digital technologies such as virtual reality and augmented reality. By carefully selecting artists, museum directors, writers, scientists and philosophers, we aim to bring together innovative thinkers to provide the art world with a better understanding of these emergent technologies and how they might fuel change in art, culture, economy and our environment. The 2018 Verbier Art Summit was organised in partnership with museum director Daniel Birnbaum, Moderna Museet, Stockholm. The Summit took place on 19 & 20 January 2018 in Verbier, Switzerland around the theme MORE THAN REAL. ART IN THE DIGITAL AGE .

2017 SUMMIT

The 2017 Summit was organised with Beatrix Ruf and her curatorial team at the Stedelijk Museum Amsterdam around the theme: SIZE MATTERS! (DE)GROWTH OF THE 21st CENTURY ART MUSEUM. The 2017 Summit publication, designed by Irma Boom, launched at Frieze Art Fair in London on 4 October and is now available.

18/09/2025

In his Talk at the 2025 Verbier Art Summit, artist Wang Tuo reflects on the complexities of history, memory, and collective struggle. Visiting Switzerland for the first time, the Chinese artist shared how his practice weaves together mythology, literature, and lived experience to reveal how personal and political narratives are deeply intertwined.

“My battle includes yours”—a powerful statement from his Talk on the 2025 Summit theme "Quarter Life Crisis. Art in a World on the Brink"—is a strong reminder of how globally connected we all are despite our differences. Through his work, Wang Tuo highlights how stories of resilience, resistance, and survival transcend borders, urging us to see ourselves as part of a shared human fabric. Watch the full Talk via: https://youtu.be/iPXxao1lpCg?si=x19863GFAnATU_7O

Christopher Kulendran Thomas, Being Human, 2019. The artist Christopher Kulendran Thomas, a 2017 Verbier Art Summit spea...
11/09/2025

Christopher Kulendran Thomas, Being Human, 2019.

The artist Christopher Kulendran Thomas, a 2017 Verbier Art Summit speaker, has a solo gallery including the work "Being Human" at MoMA The Museum of Modern Art, New York, USA, see also: https://www.moma.org/calendar/galleries/5849. The work reflects on Sri Lanka’s contemporary art after the civil war and the 2009 massacre of Tamil civilians. Combining his own works with pieces from Colombo galleries, Christopher, whose family is Tamil, explores how art, technology, and politics shape what it means to be human. Created with curator Annika Kuhlmann, the work immerses viewers in AI-generated paintings, sculptures, and video blending documentary and deepfakes, asking: What is the “human” protected by human rights? Is it a Western fiction? Or could there be an alternative?

Christopher’s talk at the 2017 Summit also centred on how art can interrogate the future of human rights by probing the blurred boundaries between reality, simulation, and institutional narratives. His presentation challenged audiences to reflect on how our definitions of “human” are shaped—and perhaps destabilised—by technology and cultural constructs. To listen to Christopher's Talk, go to: https://youtu.be/VIrHCy_2MXc?si=zKgnDiGv2-8i-eIi

© 2025 Christopher Kulendran Thomas

05/09/2025

Working and living between New York and Jeddah, artist Dana Awartani, of Palestinian descent, engages in critical and contemporary reinterpretations of the forms, techniques, concepts and spatial constructs that shape Arab culture. Dana draws on traditional craft, geometry, and ritual to explore cycles of destruction and renewal. With gestures both fragile and resilient, her practice asks: how do we mend what has been broken—whether in bodies, histories, or collective memory?

At the 2025 Verbier Art Summit, Dana’s Talk is a powerful reminder that art can be both an archive of loss and a vessel for healing. She shares how her multidisciplinary practice explores the themes of heritage, memory, and the act of repair—demonstrating how art can preserve cultural knowledge while offering pathways for healing. Watch the Talk via:https://youtu.be/gMqfNBQ5f_c?si=92IV7bqqsZsfmBRR

Dominique Gonzalez-Foerster, Meteorium, 2025. The 2020 Summit artist Dominique Gonzalez-Foerster presents "Meteorium", a...
28/08/2025

Dominique Gonzalez-Foerster, Meteorium, 2025.

The 2020 Summit artist Dominique Gonzalez-Foerster presents "Meteorium", a structure designed specifically for the central space of the Pina Luz building of , São Paulo, Brazil. The exhibition is curated by , Pinacoteca's director and partner of the 2019 Summit "We are Many". The installation projects a three-dimensional panorama, divided into eight chambers, with walls and floors painted in reference to natural elements. Dominique invites the public to enter the work and explore each of the chambers, composed of paintings that evoke specific elements of nature: rain, snow, lava, clouds, mud, dust, and petals. She reveals how natural forces shape not just our world, but also our emotions. Read more via: https://pinacoteca.org.br/en/programacao/exposicoes/dominique-gonzalez-foerster/

The cross-disciplinary artist always creates and reinvents ‘environments’ to study our relationship with urban utopia and architecture, and the ways we inhabit time, space, and memory. At the 2020 Summit, she contributed "Exotourism—Involution" to the Summit publication, which can be viewed in video form via: https://youtu.be/kGbHMkPnoKA?si=dpfdcLUPOte_hBK9

21/08/2025

In his 2025 Verbier Art Summit Talk, Yuk Hui, currently Professor of Philosophy at the Erasmus University Rotterdam, urged us to move beyond the idea of technology as a single, universal destiny—and to see it instead as something plural, rooted in culture, history, and imagination.

By asking questions such as "What futures become possible if we refuse the idea of one path of progress?" and "How might art help us sense other ways of living with technology?", Yuk Hui dissects our technological future, challenging conventional narratives about AI, global efficiency, and modernisation. He proposes a radical reimagining of intelligence and technology through a lens of diversity—introducing a conceptual matrix comprising biodiversity, noodiversity (diversity of thought), and technodiversity. This triad forms the foundation of his vision for ‘planetary thinking,’ which seeks to address global crises through a diversified and more nuanced, culturally sensitive approach to knowledge and technological innovation.

Instead of “one world, one technology,” Yuk Hui reminds us that there are many cosmotechnics—many ways of weaving together cosmos, ethics, and technique. A call to artists, thinkers, and makers: Can we expand our sense of the possible? To learn more, watch Yuk Hui's 2025 Summit Talk via: https://youtu.be/9wrlPIh8xuI?feature=shared

Pipilotti Rist, Your Palm is My Universe (video stills), 2025.Our 2025 Summit partner, UCCA Center for Contemporary Art ...
15/08/2025

Pipilotti Rist, Your Palm is My Universe (video stills), 2025.

Our 2025 Summit partner, UCCA Center for Contemporary Art in China, presents “Pipilotti Rist: Your Palm is My Universe” until 19 October 2025.

The immersive solo exhibition by the Swiss video artist pioneer Pipilotti Rist envisions a more inclusive, non-anthropocentric world. Anchoring the exhibition is the newly commissioned "掌心宇宙Your Palm is My Universe," which comes alive in the 1,800 m² Great Hall space with moving images layered with a specially-created soundscape of the same title by Surmaee. Projected videos ripple across flowing "skin"-like fabrics, landscapes bloom into surreal colour shifts, and close-ups of palms, faces, and feet become maps linking the intimate to the cosmic.

Like always, playfulness pulses through her exhibition: a pink swimsuit fountain (Spring Chaoyang Chandelier), a wallpaper poem in radiant colour (Heaven on Earth), and delicate sculptures of “instant diamonds” salvaged from everyday packaging (The Innocent Collection). Early video works—raw, feminist, and mischievous—remind us of Pipilotti’s enduring drive to dissolve barriers between viewer and screen.

"Your Palm is My Universe" invites us to feel, to connect, and to see the beauty in what’s often overlooked. A perfect example of art as a space for empathy, renewal, and imagination. Find out more via: https://ucca.org.cn/en/exhibition/pipilotti-rist

Images courtesy UCCA Center for Contemporary Art.

07/08/2025

In her 2025 Verbier Art Summit Talk, Chinese artist Cao Fei shares a powerful journey through her groundbreaking work, exploring the intersections of technology, labour, and social transformation in today’s China. From documenting factory life to crafting virtual avatars, her art captures the pulse of a rapidly shifting world, inviting us to pause, reflect, and connect.

As Cao Fei reminds us: in an age of constant change, we must move beyond reaction, and learn to truly engage with the forces reshaping our lives.

She also shares her belief that art has the potential to bring people together. That's the spirit of the Verbier Art Summit: a global platform collaborating with leading museums, and uniting artists and thinkers to explore how art can foster understanding and drive change. Watch Cao Fei's 2025 Summit Talk, via: https://youtu.be/69dEVWBmBNs?si=6gJBN1K5RVnIPMUe

Claudia Comte, installation view of three marble sculptures.As part of a special collaboration between the Verbier Art S...
25/07/2025

Claudia Comte, installation view of three marble sculptures.

As part of a special collaboration between the Verbier Art Summit and Verbier Festival, Swiss artist and 2025 Summit speaker Claudia Comte is presenting a group of three sculptures during the annual classical musical festival in Verbier. Much like music, Claudia Comte’s sculptures are shaped by rhythm, memory and structure. The smooth curves evoke not only the formal language of minimalism, but also the flowing logic of a musical phrase—each mark, each surface modulation a note in a larger compositional score. Grounded in the temporal rhythms of nature, these marble forms ask us to consider the evolving relationship between ecology, technology, and time.

Claudia Comte will join curator Samuel Leuenberger for a conversation about her work on Saturday 26 July at 15.00 at the Pavillon des Combins. Later that day, her video piece “La Danse Macabre” (2015) will be presented in the Festival’s Jukebox at 17.30.

Throughout the Verbier Festival, Claudia Comte's sculptures will be on view: “One Arm Earth Tongue (the marble mushrooms)” (2025), “Marble Oak Leaf (the marble leaves)” (2025), and “Five Fingers Marble Branched Coral (the marble corals)” (2025), at the Festival entrance, transforming the site into an open-air exhibition.

Final photo © Silvia Laurent

10/07/2025

At the 2025 Verbier Art Summit, writer and cultural critic Kyle Chayka delivered a fascinating deep dive into how algorithms are reshaping creativity and culture worldwide. From identical coffee shops to “Instagram-friendly” art, Kyle reveales how digital platforms are flattening cultural diversity and steering what we see, hear, and create. However, his Talk also sparks hope, spotlighting the artists and communities building niche spaces and resisting algorithmic sameness.

A compelling call to rethink how we engage with culture, and how we can reclaim creative freedom in a world increasingly driven by data. Watch Kyle’s Summit Talk now on the Summit YouTube channel: https://youtu.be/i3rOZwmih7U?feature=shared

Julian Charrière, The Gods Must Be Crazy, 2019.French-Swiss artist Julian Charrière invites us into the depths of underw...
03/07/2025

Julian Charrière, The Gods Must Be Crazy, 2019.

French-Swiss artist Julian Charrière invites us into the depths of underwater ecologies in his current exhibition “Midnight Zone”, on view at Museum Tinguely Basel, Switzerland, until 2 November 2025. The solo exhibition spans three floors and draws us into a world shaped by water in its different forms: lakes, seas, and ice.

Exploring how liquid ecosystems are affected by human impact, the exhibition blends photographs, sculptures, and new video works to examine the elemental power of water as both a life source and a geopolitical agent. From the nearby Rhine to distant seas, Julian challenges us to reckon with the fragility and depth of planetary systems shaped over millennia, now increasingly altered by climate change.

“Midnight Zone” echoes the 2020 Verbier Art Summit theme, “Resource Hungry: Our Cultured Landscape and its Ecological Impact”, and reflects on how art can illuminate the often-invisible networks that bind us to the natural world, inviting us to imagine more conscious ways of living. Learn more about the exhibition via: https://www.tinguely.ch/en/exhibitions/exhibitions/2025/julian-charriere.html

Copyright the artist; VG Bildkunst, Bonn 2025; Photo Jens Ziehe.

27/06/2025

At the 2025 Verbier Art Summit, Swiss artist Claudia Comte delivered a deeply moving Talk on art, nature, and human interconnectedness, reminding us that “We are not separate from nature. We are part of its rhythms, its cycles, its shifts.”

With roots in the Swiss countryside and a practice that spans sculpture and painting, Claudia invites us to rethink how we relate to nature, not as something separate, but as something we are fundamentally part of. Her work transforms wood, stone and other natural materials into powerful environmental statements.

Claudia will be returning to Verbier this summer, where she will exhibit her sculptures at the Verbier Festival, and also participate in a Verbier Festival Talk in the Pavillon Combins on Friday 26 July at 15.00. If you cannot make the date, watch Claudia’s 2025 Talk on the Summit YouTube channel via https://youtu.be/7MG0DV3ko4s?feature=shared.

Installation view of Allora & Calzadilla’s Penumbra, 2020.How do we begin to reimagine the world through art, philosophy...
20/06/2025

Installation view of Allora & Calzadilla’s Penumbra, 2020.

How do we begin to reimagine the world through art, philosophy, and ecology? “The Shape of a Circle in the Mind of a Fish” (2025) a new publication by Serpentine Galleries, gathers conversations and artworks that explore planetary consciousness and interconnectedness across species. It features contributions from artists and thinkers who also shaped the 2020 Verbier Art Summit, including Allora & Calzadilla and philosopher Federico Campagna, whose work challenges dominant narratives and opens space for new cosmologies. Watch Frederico's Talk via: https://youtu.be/BgP7zkUdkbY?feature=shared

This rich collection echoes the 2020 Summit theme “Resource Hungry: Our Cultured Landscape and its Ecological Impact,” and continues the conversation on how art can question extractivism, imagine alternative futures, and reconnect us with the living world. Read more about the book via: https://www.serpentinegalleries.org/whats-on/the-shape-of-a-circle-in-the-mind-of-a-fish-the-publication/

Digital projection with sound, dimensions variable. Courtesy of Gladstone Gallery, New York and Brussels; and Entelechy, 2020. Coal, vocalists, 171 ¼ × 374 3/16 × 581 ¼ in. (434.9 × 950.5 × 1476.4 cm). Courtesy of Galerie Chantal Crousel, Paris, and Lisson Gallery, New York and London. © Allora & Calzadilla. Photo: Paul Hester

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