grunt gallery

grunt gallery grunt gallery is an artist-run-centre founded in 1984 with a mandate to support the emergence of innovative, collaborative, and provocative art.

grunt gallery was founded in 1984 in Vancouver, BC with the vision to become an internationally renowned artist-run centre and further the practice of contemporary art. Through the exploration of our diverse Canadian cultural identity, we are able to offer public programming in the form of exhibitions, performances, artist talks, publications, and other special projects in the community. Our manda

te is to inspire public dialogue by creating an environment conducive to the emergence of innovative, collaborative, and provocative contemporary art.

Join us on Saturday, June 27th, from 1pm to 4pm for a free, drop-in art-making workshop and social. We specifically welc...
06/19/2026

Join us on Saturday, June 27th, from 1pm to 4pm for a free, drop-in art-making workshop and social. We specifically welcome Blind, low-vision and partially sighted community members, but everyone is welcome.

The event is supported by the Small Neighbourhood Grant for Central Vancouver - We welcome neighbours to come by and visit the gallery, try a tactile art-making activity, and enjoy a snack.

For more information, visit https://events.grunt.ca/ - tell your friends!

We are seeking volunteers and donations, so if you’re interested in helping out, please contact [email protected].

06/18/2026

Tonight, Arjun Lal’s Shrines and Rituals opens! From 6pm to 8pm, enjoy a beverage and delve into Lal’s speculations on expectation, negotiation, and role-specific instructions through leather, latex, and more.

Video credit: (Installing) Nandi reclining in a field, 2026, by Arjun Lal. Video by Kay Slater.

[Video description: A timelapse video inside grunt gallery. Kay is wheat pasting vibrant, colour, silk-paper sheets on a white gallery wall depicting a large scale picture of a body reclining in a field of grass and dandelions. The image is half completed, only limbs and the curve of a back in a white latex garment are visible until the end of the video when the torso is revealed to contain a protruding pink latex ni**le. The floor is polished cement, a yellow ladder appears at left, and other tools are spread throughout the perimeter of the gallery.]

We’re excited to welcome Rea Saxena as artist-in-residence for the Eco-Process Artist Residency at the Blue Cabin this A...
06/17/2026

We’re excited to welcome Rea Saxena as artist-in-residence for the Eco-Process Artist Residency at the Blue Cabin this August! Rea is interested in water as a site of flux, of layered histories, of things carried and deposited, in relation to their own experience as a third-culture-kid. Working with mentor Morgan Sears-Williams, Rea will experiment with lumen printing and phytograms using seaweed, sand, ocean water, light and time to speak to the traces left behind—marks made in conversation with the Blue Cabin by bodies that carry their own histories of displacement and transformation. Over their 4 weeks in residence, Rea will also be working on developing their installation practice, in which eco-processed, site-specific film performances are activated and transformed in real time.

Rea Saxena (they/she) is a multimedia artist currently based on the unceded, ancestral land of the xʷməθkʷəy̓əm, Sḵwx̱wú7mesh and səlilwətaɬ nations. Rea’s media-based practice pairs hand-processed, disruptive analogue filmmaking techniques with rhythmic editing for projection and spatial media experiences.

For them, a film often begins with physical material—such as cyanotype printmaking, Hi-8 tape, 16mm or Super 8 film—before it inevitably gets reconfigured through digital code. By colliding old and new media, Rea explores cultural dysphoria, q***rness and grounding rituals through their filmmaking and community-centred practices.

Their films have been featured across Canada at WNDX Festival of the Moving Image, XINEMA, WUFF (Winnipeg Underground Film Festival) and Capture Photography Film Festival. She holds a BFA from Emily Carr University of Art + Design in Film, Video, and Integrated Media. Rea has also taught several workshops on analogue practices at The Blue Cabin, Slice of Life, Cineworks, Echo Park Film Centre North and Still Moon Arts Society.

You can learn more about Rea’s practice at reasaxena.com.

Stay tuned for public programming announcements later this summer!

This residency is produced by grunt gallery, a member of the Blue Cabin Cooperative.

Join us in celebrating grunt co-founder Glenn Alteen’s recent Honorary Doctor of Letters from Emily Carr University! Thi...
06/12/2026

Join us in celebrating grunt co-founder Glenn Alteen’s recent Honorary Doctor of Letters from Emily Carr University! This Degree recognizes Alteen’s innovative and influential contributions to the arts, grunt gallery, and the incredible array of people and projects he has supported throughout his career. Huge congratulations, Glenn! You are a visionary force within Vancouver’s visual arts community, and have left a lasting imprint on how we create, connect, and imagine new possibilities through art.

If you'd like to help carry forward Glenn's vision, please consider donating to grunt's Glenn Alteen Legacy Fund! This fund is held in an endowment with the Vancouver Foundation, which provides vital annual funding towards our operations. During his 37 years as grunt’s Program Director, Alteen developed grunt’s programming archive, secured a permanent space for the gallery and created the endowment fund, helping to cement the longevity of grunt and the sustainability of artist-driven culture in Vancouver. Contributions to the Glenn Alteen Legacy Fund help ensure effective stewardship of our organization’s exciting history and expands our ability to support artists and creative innovation for years to come. Please visit www.canadahelps.org/en/charities/grunt-gallery to donate.

For a deeper dive into Glenn Alteen’s work, visit archives.grunt.ca or check out his contribution to the Curatorial Portraits library collection at the Gibson Art Museum, an archival project by Daina Augaitis highlighting notable curators active in the Lower Mainland between 1980 and 1999.

Shrines and Rituals opens next Thursday, June 18 from 6pm to 8pm! Join us for refreshments as we revel in Arjun Lal’s so...
06/11/2026

Shrines and Rituals opens next Thursday, June 18 from 6pm to 8pm! Join us for refreshments as we revel in Arjun Lal’s solo exhibition. On view until August 1, Shrines and Rituals is an adaptation of sacred Indian stories that speculates new narratives, relationships, and other ways of being. Informed by their lived experiences navigating contemporary q***r culture as a person from Indian ancestry, Lal investigates role-play.

“Throughout my life, I have moved through many roles, alongside others performing theirs, a continuous choreography of expectation, negotiation, and consent. When roles harden—when I am trapped in one, or others cling too tightly to theirs—sensation becomes constricted, reduced to the repetitions of role-specific instructions. While I am alive, I want to feel as much as possible, to inhabit the fullness of experience. I wonder: do repeated sensations disintegrate, intensify, or peak?

I am compelled by the possibility of liberating, reimagining, and fluidly exchanging roles, opening wider pathways to sensation and intimacy. What new desires, pleasures, and intimacies might emerge if vulnerability, curiosity, and consent guide performance rather than hierarchy or tradition?”

–Arjun Lal

Lal will be in attendance for the exhibition opening. We’re excited to welcome you!

Image credit: Arjun Lal, Nandi, performance, 2026. Citadel Hill, Halifax, Nova Scotia. Documented by Wren Tian-Morris.

Shrines and Rituals.Arjun Lal.Curated by Vance Wright.Opening Thursday, June 18 from 6pm to 8pm.June 18 to August 1, 202...
05/31/2026

Shrines and Rituals.
Arjun Lal.
Curated by Vance Wright.

Opening Thursday, June 18 from 6pm to 8pm.
June 18 to August 1, 2026.

By intersecting themes of contemporary q***r pop culture, Indian iconographies, and Arjun Lal’s own lived experiences and future fantasies, Shrines and Rituals is a speculation on post-colonial world-building through the medium of textiles, sculpture, performance and photography. From the perspective of a second-generation member of Indian Diaspora, Lal reimagines ways of existing through characters, dress and environments. In referencing symbolism and deities from Indian iconographies, such as Kali, the goddess of death and rebirth, Lal opens a portal to dream up what q***rness, kink, culture and spirituality can be; sacred, authentic, and new.

Arjun Lal is an interdisciplinary artist based between Kjipuktuk and Berlin. Through playful and otherworldly explorations of identity, experience, and cultural trajectory, Lal uses sculpture and performance to fuel cultural critique, shifts, and possibilities for new ways of being.

In response to their experiences navigating contemporary q***r culture as a person from Indian ancestry, Lal’s works are confrontational. Driven by an ongoing desire for a q***rer world, his works equip audiences with symbols, colours, shapes, actions, perspective, gestures… fragments of conversations and dreams carefully assembled into social/cultural abstraction. Lal is fascinated by the roles we inhabit—whether inherited, assigned, assumed, or chosen. They explore the choreography of expectation, sensation, and liberation from the unspoken repetitions of role-specific instructions.

Visit the link in bio to read about Lal's inspirations for the exhibition.

As In a Body closes Saturday, May 30! Join us for a free tour or workshop, immerse yourself in our tactile exhibition ma...
05/25/2026

As In a Body closes Saturday, May 30! Join us for a free tour or workshop, immerse yourself in our tactile exhibition materials located at the welcome cart station, or try out our brand new Woojer belt while experiencing Kwiigay iiwaans' audio piece ḵ’eláḵ‘ela, spəlal, isgyaan k’áalts’adaa. The belt is a wearable haptic device that provides vibrations to accompany iiwaans’ audio work. We hope you enjoy this device as much as we do!

Pizza Box Sculpture Workshop with Eliot White-Hill, Kwulasultun
Tuesday, May 26 | 5:30pm to 7:30pm | Free, RSVP required.

Enjoy a slice of complimentary pizza and transform pizza boxes with artist Eliot White-Hill, Kwulasultun (he/they) in this sculpture workshop. Email [email protected] to register, space is limited. Cardboard cutters and mats will be provided.

Eliot White-Hill, Kwulasultun’s three cardboard sculptures in our current exhibition, As In a Body, respond to an archeological dig that took place on Gabriola Island, territory of the Snuneymuxw First Nation to which Eliot belongs, and historical Salish art. A critique of appropriation of Indigenous forms and playing with the absurdity of artifacts as a concept, Eliot works with pizza box cardboard as an artifact of his own life.

Blind-led Tour Series | Fridays: May 22, 29 | 4pm | 30 mins with Q&A.

Join Gagan Kaur (she/they) for free blind-led tours of As In a Body at grunt gallery this May!
All are welcome—sighted, low-vision, and blind visitors!
No registration is required.
Questions? Email [email protected]

How is it Done? Behind-the-scenes Tour | Saturday, May 30 | 1pm to 2pm.
English live captions available.

Curious how exhibitions are installed?

Exhibitions and Accessibility Manager, Kay Slater (they/them) leads a behind-the-scenes tour exploring the tools, techniques, and problem-solving particularities for each exhibition at grunt gallery. These informal, question-driven tours open up the often invisible labour of installation, access, and exhibition-making.

Ask questions, learn practical skills, and see how exhibitions come together.

Photos by Dennis Ha, 2026.

Sharing our transition to charcoal text and signage.Our spring exhibition, As In a Body, marks grunt gallery’s transitio...
05/22/2026

Sharing our transition to charcoal text and signage.
Our spring exhibition, As In a Body, marks grunt gallery’s transition away from using vinyl for indoor exhibition titles, signs and didactics. Going forward, exhibition signage and show titles will be hand-painted using a mixture of rice paste or nori and charcoal.

This method, developed by the Centre for Sustainable Curating, minimizes our reliance on vinyl and allows for a clean, waste-free removal process between exhibitions. We are thrilled to implement this innovative technique.

Jessica Fletcher, our archives assistant, introduced us to this process after seeing it presented at the Morris and Helen Belkin Art Gallery, where she also serves as the Exhibitions and Collections Assistant. We did a test run of different methods during the winter before deciding to start with the new lettering technique as of As In a Body, April 2026. We will also be experimenting using Beam Paints when wall text calls for a splash of colour.

Jessica hand-painted the lettering for all the internal exhibition signage for As In a Body, resulting in a unique, slightly raised texture once the solution dried.

For additional resources regarding sustainable installation and curation, please visit https://sustainablecurating.ca/. Throughout the year, we look forward to sharing further insights into these techniques via our social media channels and during our Behind-the-Scenes tours. These free tours, led by our Exhibitions and Accessibility manager, Kay Slater, take place at the conclusion of every exhibition. Please join us on May 30th at 1pm for our next tour, which coincides with the final day of As In a Body.

Slide 3 photo by Dennis Ha, 2026.

Pizza Box Sculpture Workshop with Eliot White-Hill, Kwulasultun.Tuesday, May 26 | 5:30pm to 7:30pm | Free, RSVP required...
05/20/2026

Pizza Box Sculpture Workshop with Eliot White-Hill, Kwulasultun.
Tuesday, May 26 | 5:30pm to 7:30pm | Free, RSVP required.
At grunt gallery

Come have a slice of pizza on us and join artist Eliot White-Hill, Kwulasultun for a workshop on making sculptures out of pizza boxes! Email [email protected] to register, space is limited. Cardboard cutters and mats will be provided.

Eliot White-Hill, Kwulasultun’s three cardboard sculptures in our current exhibition, As In a Body, respond to an archeological dig that took place on Gabriola Island, territory of the Snuneymuxw First Nation to which Eliot belongs, and historical Salish art. A critique of appropriation of Indigenous forms and playing with the absurdity of artifacts as a concept, Eliot worked with pizza box cardboard as an artifact of his own life.

Eliot White-Hill, Kwulasultun (he/they) is a Coast Salish and Nuu Chah Nulth artist and storyteller from the Snuneymuxw First Nation. His family has roots in Penelakut, Hupacasath and further abroad up and down the Northwest Coast. His interdisciplinary art practice is rooted in honouring and celebrating the teachings and stories passed down by his family, community, and culture. His practices include digital art, painting, sculpture, creative writing, public installation, and curation. He currently resides on the unceded territories of the xʷməθkʷəy̓əm, Sḵwx̱wú7mesh, and səlilwətaɬ peoples. Eliot loves Hawaiian pizza from Domino’s!

Photo: Ancestors’ Hands, Stqe:ye’ (Wolf)/Meatlover, Beetle, 2021 by Eliot White-Hill, Kwulasultun. Photographed by Dennis Ha, 2026

Address

350 East 2nd Avenue #116
Vancouver, BC
V5T4R8

Opening Hours

Tuesday 12pm - 5pm
Wednesday 12pm - 5pm
Thursday 12pm - 5pm
Friday 12pm - 5pm
Saturday 12pm - 5pm

Telephone

+16048759516

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