Gallery Gachet

Gallery Gachet Gallery Gachet is a unique artist-run centre located in Vancouver’s Downtown Eastside.

“Executor’s Folly is a Victorian style dollhouse she grew up with, left behind in her mother’s garage and only picked up...
06/05/2026

“Executor’s Folly is a Victorian style dollhouse she grew up with, left behind in her mother’s garage and only picked up again for this exhibition. The dream home becomes so impossible to inhabit here, that there is no threat of being held captive by a trick mirror of patrimonial frills. With these inheritances unpacked and laid bare, now the real homemaking can begin.”

— from To What End? by curator Maya Rodrigo-Abdi

Settle Down, Not There continues at Gallery Gachet through June 20.

Image credits: Exhibition documentation by Dennis Ha.

Join writer and illustrator Sierra Louie for a found poetry workshop presented alongside Settle Down, Not There.Working ...
06/03/2026

Join writer and illustrator Sierra Louie for a found poetry workshop presented alongside Settle Down, Not There.

Working with magazines and existing texts, participants will explore processes of selection, erasure, and rearrangement to create new poetic forms. Attending to language as material, the workshop invites a close engagement with what is revealed, obscured, and reimagined through acts of reading and rewriting.

All materials will be provided. No prior experience required.

This workshop is offered as public programming in conjunction with Settle Down, Not There, curated by Maya Rodrigo-Abdi and currently on view at Gallery Gachet.

This Friday, Ian Wallace and Gibson Switzer will participate in an artist talk presented in conjunction with Settle Down...
05/06/2026

This Friday, Ian Wallace and Gibson Switzer will participate in an artist talk presented in conjunction with Settle Down, Not There, moderated by Helga Pakasaar. The conversation will consider image-making, site, conceptual practice, and the evolving relationship between photography, installation, and space across generations of Vancouver art histories.

Please swipe to read speaker biographies and additional event information.

Image credit: Magazine Piece Schema, 1970, ink on vellum, 24 × 40 in. (62 × 102 cm), Ian Wallace. Courtesy of Catriona Jeffries Gallery.

Gallery Gachet is pleased to participate as a Community Partner in the 25th edition of DOXA Documentary Film Festival, t...
04/21/2026

Gallery Gachet is pleased to participate as a Community Partner in the 25th edition of DOXA Documentary Film Festival, taking place April 30–May 10, 2026.

As part of this year’s programme, we are highlighting The Sandbox, directed by Kenya Jade Pinto, presented within DOXA’s Justice Forum. The film examines the technological infrastructures shaping global border enforcement, tracing how surveillance systems increasingly structure the conditions of movement, visibility, and control.

We are also pleased to share that we have two (2) ticket codes available for this screening. Please stay tuned for details on how to access.

For more information and to explore the full festival programme, visit .

Image credit: Still from The Sandbox (Kenya Jade Pinto).

May–June Programming at Gallery GachetJoin us for a series of conversations and workshops unfolding alongside Settle Dow...
04/20/2026

May–June Programming at Gallery Gachet
Join us for a series of conversations and workshops unfolding alongside Settle Down, Not There:

— May 8, 6–7PM
Artist Talk with Gibson Switzer and Ian Wallace
Moderated by Helga Pakasaar

— May 29, 6–7PM
Curator Talk with Ophelia Zhao in conversation with Maya Rodrigo-Abdi

— June 10, 6–8PM
Found Poetry Workshop with Sierra Louie

— June 19, 6–7PM
Artist Talk with Vanessa Mercedes Figueroa and Philip McCrum
Moderated by Gareth James

Image credits:
Cover: Gibson Switzer, Basement Workshop (2022)
Slide 1: Gibson Switzer, The Artist’s Hand (2025)
Slide 2: Ian Wallace, detail from magazine piece (1970/2026), courtesy of Catriona Jeffries Gallery
Slide 3: Vanessa Mercedes Figueroa, Executor’s Folly (2026)
Slide 4: Vanessa Mercedes Figueroa, Not Much of a Brawler (2023)

CALL FOR WORKSHOP FACILITATORGallery Gachet Gallery Gachet is seeking one artist to curate, develop, and facilitate a se...
04/10/2026

CALL FOR WORKSHOP FACILITATOR
Gallery Gachet

Gallery Gachet is seeking one artist to curate, develop, and facilitate a series of four workshops taking place on Tuesdays between August 11 – September 15.

Workshops may be conceived as a continuous series building week to week, or as four distinct sessions. Each workshop should be designed so that participants are able to create something within a two-hour timeframe.

We are looking for an artist with experience working in the Downtown Eastside, and who brings a strong sense of care, compassion, and understanding to community-based practice.

This is a paid opportunity.

To apply:
Please submit a single PDF to [email protected]
that includes:

A brief description of your workshop idea(s)
Relevant experience

You may also include:

Portfolio (optional)
CV (optional)

Deadline: Friday, April 24 at 12:00 PM (PDT)

This is the final week to view Act 3: As Visible as Blood, on view at Gallery Gachet through Saturday, March 28.The exhi...
03/23/2026

This is the final week to view Act 3: As Visible as Blood, on view at Gallery Gachet through Saturday, March 28.

The exhibition marks the culmination of a year-long curatorial arc that began with the public art intervention Prelude… Venus Lives!, continued through the symposium CODA: As Told by the Living, and finds its fullest articulation in Act 3. Across these moments, the project traces Black femme sexuality and subjectivity through the figure of Venus , following her many iterations, refusals, and returns, while engaging the afterlives of the image through questions of visibility, embodiment, and power.

Gallery Gachet extends deep gratitude to the exhibiting artists, speakers, community partners, and funders who have held this work with care and rigor.

As this chapter closes, we carry its questions forward. We look ahead to Toronto, where we will gather at Gallery TPW for CODA: To Embrace the Break.

We are continuing our screening series Act III (Revisited): To Be Seen with a presentation of Sugar Island (2024), direc...
03/03/2026

We are continuing our screening series Act III (Revisited): To Be Seen with a presentation of Sugar Island (2024), directed by Johanné Gómez Terrero and curated by the Akojo Film Collective.

March 14, 6:00 PM
SCA Theatre, SFU Goldcorp Centre for the Arts

Situated within the conceptual framework of Act 3: As Visible as Blood, Sugar Island extends the exhibition’s inquiry into labour, embodiment, and the intimate economies that shape Black life across the diaspora. Set amid the sugarcane fields of the Dominican Republic, the film follows Makenya, a young Dominican-Haitian woman confronting an unwanted pregnancy while navigating the intertwined legacies of colonial extraction, racial discrimination, and agricultural labour. 

Through Makenya’s journey toward self-determination, Gómez Terrero crafts a visually rich and emotionally layered film that blends documentary realism, spiritual symbolism, and theatrical gesture. The result is a kaleidoscopic meditation on migration, gender, and resistance, foregrounding the persistence of Black femme life within structures designed to discipline it. 

The screening will include an extended introduction facilitated by Moroti George, Director-Curator of Gallery Gachet, with Kika and Fegor of the Akojo Film Collective.

Curated by the Akojo Film Collective in conjunction with Act 3: As Visible as Blood, on view at Gallery Gachet through March 28, 2026.

Tickets available via our Linktree.

From the artist’s statement of Kariyana Calloway-ScottOutdoor girl moves through the fragile architecture of memory unde...
02/24/2026

From the artist’s statement of Kariyana Calloway-Scott

Outdoor girl moves through the fragile architecture of memory under the repetition of state violence, tracing the artist’s attempt to render what resists visibility. Through choppy edits and abrupt transitions, the work mirrors the rhythm of intrusive thought—circling flesh, interiority, imagination, and the unstable terrain of remembrance. Layered with Tina Fulker’s Outdoor Girl, the video becomes a sensory field where memory flickers, fragments, and reforms—an elegy for what hovers just beyond the frame, where presence and absence remain in constant negotiation. 

Image credits
Kariyana Calloway-Scott, A Word from the Lorde, 2024. Single-channel video, color, sound.
Kariyana Calloway-Scott, Outdoor girl, 2025. Single-channel video, color, sound.
Kariyana Calloway-Scott, Score, 2022–2023. Digital collage. 

As Visible as Blood is still on view.
Gallery hours: Wednesday–Friday, 11am–6pm | Saturday, 11am–5pm.

We still have limited spaces for To Be Held and Held (Saturday) and our screening of Alma’s Rainbow (Thursday evening). Reserve your spot.

Gallery Gachet stands at a transformative moment in its history. From recent renovations to theexpansion of our programm...
02/23/2026

Gallery Gachet stands at a transformative moment in its history. From recent renovations to the
expansion of our programming, this period marks a significant shift in how we continue to
grow, adapt, and serve our communities. None of this work would be possible without the care,
labour, and vision of our Board of Directors, whose stewardship has sustained the organization
across its rich and evolving history.
We are currently seeking new board members for the 2026–2028 term to help guide Gallery
Gachet into its next chapter , strengthening our role as a vital voice in contemporary and
experimental art, while continuing to operate as a community-rooted space in Vancouver’s
Downtown Eastside and Chinatown.
Our work centers BIPOC artists, artists living with mental health experiences, emerging and
experimental practitioners, and those working at the core of critical engagement with the
urgent social and political conditions of our time. We remain committed to art grounded in lived
experience , where artistic growth, care, and cultural production function not only as
expression, but as survival, resistance, and collective transformation.
We welcome applicants from a wide range of backgrounds, including artists, social workers,
and individuals with experience in mental health, community-based practice, governance,
finance, or organizational leadership. We are especially open to younger and emerging arts
workers who are interested in learning more about non-profit governance and contributing
meaningfully to the cultural sector.
Board service involves an average time commitment of approximately four hours per month,
including meetings and occasional committee participation. Gallery Gachet offers professional
development support for board members as part of our commitment to shared learning,
growth, and collective stewardship.
If you are invested in the role art can play within community, care, and social transformation,
we warmly encourage you to apply.
Applications are open until March 20, 2026.
To express interest, please contact: [email protected]

Address

9 West Hastings Street
Vancouver, BC
V6B1G4

Opening Hours

Tuesday 12pm - 6pm
Wednesday 12pm - 6pm
Thursday 12pm - 6pm
Friday 12pm - 6pm
Saturday 12pm - 6pm

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