07/20/2026
“I'm a collage maker; I've made collages forever,” Erin O’Connor shares (erin_o_connor). “I've always had a making practice. Even as a girl, I had the easel and the desk. And the desk ‘won out’ at the end of the day.”
Learn more about the breadth of Dr. Erin E. O’Connor’s studio practice, from field research to collagework. Erin, author of “Fire Craft: Art, Body, and World Among Glassblowers,” gives a tour of her studio: from some of the books that influence her writing to her favorite Micron pens.
“Much of the ‘easel’ part of my studio practice takes place as field work. I'm going out, doing field work at the batch company, making glass, and I write about it. A lot is happening outside of these walls in one way, shape, or form, and it's connected to making.”
“The other part of the practice is the actual writing. I think about typing as possibilities, like sketching, and then I start doing the weaving work by hand,” Erin explains. “If I could have saved all of my papers from writing ‘Fire Craft’, I imagine it filling up an entire gallery space. It would be hinged on a binder like 20 feet long.”
Watch "Studio Practice: Studying Glassmaking with Erin O'Connor" on YouTube! This GEEX Short is a highlight from Erin's GEEX Talks episode, available on the GEEX Talks Subscriber Archive.
➜ Watch Erin O’Connor’s GEEX Shorts episode now! Link in bio.