Rather, as an effect, it questions vision. When viewed in duration, what comes into focus is an overlapping of materiality and immateriality. This enhanced visibility is accrued in the crossing of singular paths to make patterns. Slipping, skewing, and swaying, the friction between patterns adjusts (slightly and/or radically) to reveal a process of re-composing | de-composing. Moire is an artist p
roject established by Liza Eurich, Ella Dawn McGeough, and Colin Miner in 2012. Each project includes texts, interviews, photographs, publication, and collaborative projects. Previous issues have featured the practices of Raymond Boisjoly, Amy Brener, and Tiziana La Melia. In the summer of 2015, Moire organized the exhibition, and corresponding publication, A kind of graphic unconscious at Susan Hobbs Gallery with work by Liz Deschenes, Eileen Quinlan, Erin Shirreff, and Erika Vogt. The content exists and is made available in pdf format for download at www.moire.ca.
