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KIOSK Contemporary Art Space in Ghent, Belgium
www.kiosk.art

From 2006 on, KIOSK has been organizing a changing exhibition program for both emerging and established contemporary artists. KIOSK started in a small glass pavilion and moved in February 2010 to a permanent and larger gallery space. This venue is located in the former anatomical theatre of Cloquet Insitute, a renovated historical building on the Bijloke site in Ghent. KIOSK was initiated jointly by non-profit organization Kunstensite and KASK, the faculty of Fine Arts at the University College Ghent. KIOSK is generously supported by the Flemish Authorities and the city of Ghent.
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Opening hours during exhibitions:
Monday โ€“ Sunday 12:00 โ€“ 18:00
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Directions:
http://kioskgallery.be/contact/

๐—ž๐—œ๐—ข๐—ฆ๐—ž ๐—˜๐˜…๐—ต๐—ถ๐—ฏ๐—ถ๐˜๐˜€ ๐—œ ๐—ฉ๐—ฒ๐˜ƒ๐—ฎ ๐—Ÿ๐—ฒ๐˜†๐—ฒ & ๐—๐—ฒ๐—น๐—น๐—ฒ ๐— ๐—ฎ๐—ฟ๐˜๐—ฒ๐—ป๐˜€, ๐™ค๐™ง๐™™๐™š๐™–๐™ก ๐™ข๐™ค๐™ง๐™š ๐™ฅ๐™ง๐™ž๐™ฃ๐™ฉDrawing from seemingly endlessly proliferating word sequenc...
08/10/2026

๐—ž๐—œ๐—ข๐—ฆ๐—ž ๐—˜๐˜…๐—ต๐—ถ๐—ฏ๐—ถ๐˜๐˜€ ๐—œ ๐—ฉ๐—ฒ๐˜ƒ๐—ฎ ๐—Ÿ๐—ฒ๐˜†๐—ฒ & ๐—๐—ฒ๐—น๐—น๐—ฒ ๐— ๐—ฎ๐—ฟ๐˜๐—ฒ๐—ป๐˜€, ๐™ค๐™ง๐™™๐™š๐™–๐™ก ๐™ข๐™ค๐™ง๐™š ๐™ฅ๐™ง๐™ž๐™ฃ๐™ฉ

Drawing from seemingly endlessly proliferating word sequencesโ€”which arise from a single word through a simple rule and through associationโ€”Veva Leye creates montages that present the same words in completely different ways. Uncannily coagulating, these word images expand and contract in an accordion-like movement. A similar rhythm characterizes Jelle Martensโ€™ (photo)graphic registrations that combine fragments, reproductions and trivial observations into layered prints and drawings. Every print layer, every drawing operates as a temporary frame bringing together images that only temporarily solidify, overlap, and fall apart again. Image and language tumble along, stumble upon. Letters form words form images reading looking.

๐—ฉ๐—ฒ๐˜ƒ๐—ฎ ๐—Ÿ๐—ฒ๐˜†๐—ฒ & ๐—๐—ฒ๐—น๐—น๐—ฒ ๐— ๐—ฎ๐—ฟ๐˜๐—ฒ๐—ป๐˜€, ๐™ค๐™ง๐™™๐™š๐™–๐™ก ๐™ข๐™ค๐™ง๐™š ๐™ฅ๐™ง๐™ž๐™ฃ๐™ฉ
open daily 12:00-18:00
until 22.11
https://kiosk.art/nl/ordeal-more-print

ยฉ Isabelle Arthuis

๐——๐—ฎ๐—ฑ๐˜€, ๐˜„๐—ฒ ๐˜„๐—ฎ๐—ป๐˜ ๐˜†๐—ผ๐˜‚๐—ฟ ๐—ฏ๐—ถ๐—ฟ๐˜๐—ต ๐—ฎ๐—ป๐—ป๐—ผ๐˜‚๐—ป๐—ฐ๐—ฒ๐—บ๐—ฒ๐—ป๐˜ ๐—ฐ๐—ฎ๐—ฟ๐—ฑ๐˜€!For a group exhibition on fathering and fatherhood opening at the end of Oct...
06/10/2026

๐——๐—ฎ๐—ฑ๐˜€, ๐˜„๐—ฒ ๐˜„๐—ฎ๐—ป๐˜ ๐˜†๐—ผ๐˜‚๐—ฟ ๐—ฏ๐—ถ๐—ฟ๐˜๐—ต ๐—ฎ๐—ป๐—ป๐—ผ๐˜‚๐—ป๐—ฐ๐—ฒ๐—บ๐—ฒ๐—ป๐˜ ๐—ฐ๐—ฎ๐—ฟ๐—ฑ๐˜€!

For a group exhibition on fathering and fatherhood opening at the end of October 2026, KIOSK is looking for birth cards created by father-artists to celebrate the birth of their own child(ren).
If you designed the birth card for your own child(ren) and would be happy for it to be exhibited, please send it to us by post before October 18.

ยฉ Birth announcement cards of Roberta, Marty, Mio, Jean, Boris, Elion, Zsa Zsa, Tauba, Kati & Kor.

Thanks to Michaรซl Bussaer & Elke Vanlerberghe, Bieke & Kasper Demeulemeester, Nele De Smet & Jeroen De Wandel, Sarah & Charles Blondeel, Simone Trum & Koen Taselaar, Lenja Van Laeken & Lukas Verstraete.

https://kiosk.art/nl/stress-test

This is the final weekend to visit Ommery De Zutterโ€™s solo exhibition ๐˜ฅ๐˜ฆ ๐˜ž๐˜ฆ๐˜ณ๐˜ฆ๐˜ญ๐˜ฅ๐˜จ๐˜ฆ๐˜ฆ๐˜ด๐˜ต.In the side space you can discover ...
03/10/2026

This is the final weekend to visit Ommery De Zutterโ€™s solo exhibition ๐˜ฅ๐˜ฆ ๐˜ž๐˜ฆ๐˜ณ๐˜ฆ๐˜ญ๐˜ฅ๐˜จ๐˜ฆ๐˜ฆ๐˜ด๐˜ต.

In the side space you can discover the work of Jelle Martens and Veva Leye in their duo presentation โ€˜๐˜ฐ๐˜ณ๐˜ฅ๐˜ฆ๐˜ข๐˜ญ ๐˜ฎ๐˜ฐ๐˜ณ๐˜ฆ ๐˜ฑ๐˜ณ๐˜ช๐˜ฏ๐˜ตโ€™ until November 22.

๐—ข๐—บ๐—บ๐—ฒ๐—ฟ๐˜† ๐——๐—ฒ ๐—ญ๐˜‚๐˜๐˜๐—ฒ๐—ฟ, ๐™™๐™š ๐™’๐™š๐™ง๐™š๐™ก๐™™๐™œ๐™š๐™š๐™จ๐™ฉ
open daily 12:00-18:00
until 04.10

๐—ฉ๐—ฒ๐˜ƒ๐—ฎ ๐—Ÿ๐—ฒ๐˜†๐—ฒ & ๐—๐—ฒ๐—น๐—น๐—ฒ ๐— ๐—ฎ๐—ฟ๐˜๐—ฒ๐—ป๐˜€, ๐™ค๐™ง๐™™๐™š๐™–๐™ก ๐™ข๐™ค๐™ง๐™š ๐™ฅ๐™ง๐™ž๐™ฃ๐™ฉ
open daily 12:00-18:00
until 22.11

ยฉ Isabelle Arthuis

Installation views of Veva Leye and Jelle Martensโ€™ duo presentation ๐˜ฐ๐˜ณ๐˜ฅ๐˜ฆ๐˜ข๐˜ญ ๐˜ฎ๐˜ฐ๐˜ณ๐˜ฆ ๐˜ฑ๐˜ณ๐˜ช๐˜ฏ๐˜ต.๐—ฉ๐—ฒ๐˜ƒ๐—ฎ ๐—Ÿ๐—ฒ๐˜†๐—ฒ & ๐—๐—ฒ๐—น๐—น๐—ฒ ๐— ๐—ฎ๐—ฟ๐˜๐—ฒ๐—ป๐˜€, ๐™ค๐™ง๐™™๐™š๐™–๐™ก ...
02/10/2026

Installation views of Veva Leye and Jelle Martensโ€™ duo presentation ๐˜ฐ๐˜ณ๐˜ฅ๐˜ฆ๐˜ข๐˜ญ ๐˜ฎ๐˜ฐ๐˜ณ๐˜ฆ ๐˜ฑ๐˜ณ๐˜ช๐˜ฏ๐˜ต.

๐—ฉ๐—ฒ๐˜ƒ๐—ฎ ๐—Ÿ๐—ฒ๐˜†๐—ฒ & ๐—๐—ฒ๐—น๐—น๐—ฒ ๐— ๐—ฎ๐—ฟ๐˜๐—ฒ๐—ป๐˜€, ๐™ค๐™ง๐™™๐™š๐™–๐™ก ๐™ข๐™ค๐™ง๐™š ๐™ฅ๐™ง๐™ž๐™ฃ๐™ฉ
open daily 12:00-18:00
until 22.11
https://kiosk.art/nl/ordeal-more-print

ยฉ Isabelle Arthuis

๐—ž๐—œ๐—ข๐—ฆ๐—ž & ๐—ต๐—ฒ๐˜ ๐—ฏ๐—ฎ๐—น๐—ฎ๐—ป๐˜€๐—ฒ๐—ฒ๐—ฟ ๐—Ÿ๐—ฎ๐˜‚๐—ป๐—ฐ๐—ต ๐—œ ๐—›๐—ฒ๐˜ ๐—ธ๐˜„๐—ฎ๐—ฎ๐—ฑ & ๐——๐—ฒ ๐—ฆ๐—ฝ๐—ถ๐—ท๐˜๐—ถ๐—ด๐—ฒ ๐—›๐—ฒ๐—ฟ๐—ฑ๐—ฒ๐—ฟ ๐ŸฏKIOSK and het balanseer invite you tomorrow, Thursday Oct...
30/09/2026

๐—ž๐—œ๐—ข๐—ฆ๐—ž & ๐—ต๐—ฒ๐˜ ๐—ฏ๐—ฎ๐—น๐—ฎ๐—ป๐˜€๐—ฒ๐—ฒ๐—ฟ ๐—Ÿ๐—ฎ๐˜‚๐—ป๐—ฐ๐—ต ๐—œ ๐—›๐—ฒ๐˜ ๐—ธ๐˜„๐—ฎ๐—ฎ๐—ฑ & ๐——๐—ฒ ๐—ฆ๐—ฝ๐—ถ๐—ท๐˜๐—ถ๐—ด๐—ฒ ๐—›๐—ฒ๐—ฟ๐—ฑ๐—ฒ๐—ฟ ๐Ÿฏ

KIOSK and het balanseer invite you tomorrow, Thursday October 1, to the book launches of "Het kwaad" (Frank Vande Veire) and "De Spijtige Herder 3".

"Het kwaad" by Frank Vande Veire explores the concepts of evil and sin through philosophical, literary and personal reflections. A selection of Vande Veireโ€™s โ€˜werpselsโ€™ will be read aloud by Lena Vande Veire, Melissa Mabesoone, Veva Leye, Elias Grootaers and Sรฉbastien Conard.

The third issue of "De Spijtige Herder" brings together art and poetry and is edited by Gerard Herman, Nel Aerts, Jan Op de Beeck, Arne Bastien, and Vincent Geyskens.

This issue also features an interview with Maria Lassnigโ€™s former assistant Hans Werner Poschauko, drawings by Jolijn Baeckelandt, and texts on painting in the contemporary art world. The back cover reproduces a recent self-portrait by Vincent Geyskens as an unnumbered screen print.

The evening includes poetry performances by Brunhilde Von Braun, Veva Leye, Vincent Geyskens and others, followed by live music by Rimov Rimov (Simon Joostens & Robbe De Pestel).

๐Ÿ“† Welcome between 19:00 and 21:00 in KIOSK.

https://kiosk.art/nl/het-kwaad
https://kiosk.art/nl/de-spijtige-herder-3

๐—ž๐—œ๐—ข๐—ฆ๐—ž ๐—˜๐˜…๐—ต๐—ถ๐—ฏ๐—ถ๐˜๐˜€ ๐—œ ๐—ข๐—บ๐—บ๐—ฒ๐—ฟ๐˜† ๐——๐—ฒ ๐—ญ๐˜‚๐˜๐˜๐—ฒ๐—ฟ, ๐™™๐™š ๐™’๐™š๐™ง๐™š๐™ก๐™™๐™œ๐™š๐™š๐™จ๐™ฉ๐˜š๐˜ค๐˜ข๐˜ฏ ๐˜”๐˜ฆ ๐˜‰๐˜ข๐˜ฃ๐˜บ offers an unfiltered glimpse into the everyday life and cr...
30/09/2026

๐—ž๐—œ๐—ข๐—ฆ๐—ž ๐—˜๐˜…๐—ต๐—ถ๐—ฏ๐—ถ๐˜๐˜€ ๐—œ ๐—ข๐—บ๐—บ๐—ฒ๐—ฟ๐˜† ๐——๐—ฒ ๐—ญ๐˜‚๐˜๐˜๐—ฒ๐—ฟ, ๐™™๐™š ๐™’๐™š๐™ง๐™š๐™ก๐™™๐™œ๐™š๐™š๐™จ๐™ฉ

๐˜š๐˜ค๐˜ข๐˜ฏ ๐˜”๐˜ฆ ๐˜‰๐˜ข๐˜ฃ๐˜บ offers an unfiltered glimpse into the everyday life and creative process of Ommery De Zutter. Presented as a large roll of paper containing 10,000 unique QR codes, the work gives visitors access to the photographs stored on the artistโ€™s phone.

Rather than selecting or organising images according to a predetermined narrative, De Zutter presents them without filtering, reflecting a practice driven by impulses, encounters and everyday experiences. Together, the images form a personal archive in which life itself becomes part of the artistic process.

๐˜š๐˜ค๐˜ข๐˜ฏ ๐˜”๐˜ฆ ๐˜‰๐˜ข๐˜ฃ๐˜บ, 2026
Print, 10800 x 900 mm

๐—ข๐—บ๐—บ๐—ฒ๐—ฟ๐˜† ๐——๐—ฒ ๐—ญ๐˜‚๐˜๐˜๐—ฒ๐—ฟ, ๐™™๐™š ๐™’๐™š๐™ง๐™š๐™ก๐™™๐™œ๐™š๐™š๐™จ๐™ฉ
open daily 12:00-18:00
until 04.10
https://kiosk.art/nl/de-wereldgeest

ยฉ Isabelle Arthuis

๐—ž๐—œ๐—ข๐—ฆ๐—ž ๐—˜๐—บ๐—ฏ๐—ฟ๐—ฎ๐—ฐ๐—ฒ๐˜€ ๐—œ ๐—๐—ฎ๐—ป๐—ฎ ๐——๐—ผ๐—ฏ๐—ฟ๐—ฒ๐˜ƒ๐—ฎ, ๐™‰๐™š๐™ช๐™ง๐™ค-๐™Ž๐™ฅ๐™ž๐™˜๐™š & ๐™€๐™ซ๐™š๐™ง๐™ฎ๐™ฉ๐™๐™ž๐™ฃ๐™œ ๐™‰๐™ž๐™˜๐™šPart IV: ๐˜›๐˜ฉ๐˜ฆ ๐˜•๐˜ถ๐˜ต๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜‰๐˜ฐ๐˜ญ๐˜ต๐˜ด: ๐˜•๐˜ฆ๐˜ถ๐˜ณ๐˜ฐ๐˜ฃ๐˜ช๐˜ฐ๐˜ญ๐˜ฐ๐˜จ๐˜ช๐˜ค๐˜ข๐˜ญ ๐˜”๐˜ข๐˜ณ๐˜ฌ๐˜ฆ๐˜ณ๐˜ด ๐Ÿง  Neuro...
29/09/2026

๐—ž๐—œ๐—ข๐—ฆ๐—ž ๐—˜๐—บ๐—ฏ๐—ฟ๐—ฎ๐—ฐ๐—ฒ๐˜€ ๐—œ ๐—๐—ฎ๐—ป๐—ฎ ๐——๐—ผ๐—ฏ๐—ฟ๐—ฒ๐˜ƒ๐—ฎ, ๐™‰๐™š๐™ช๐™ง๐™ค-๐™Ž๐™ฅ๐™ž๐™˜๐™š & ๐™€๐™ซ๐™š๐™ง๐™ฎ๐™ฉ๐™๐™ž๐™ฃ๐™œ ๐™‰๐™ž๐™˜๐™š

Part IV: ๐˜›๐˜ฉ๐˜ฆ ๐˜•๐˜ถ๐˜ต๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜‰๐˜ฐ๐˜ญ๐˜ต๐˜ด: ๐˜•๐˜ฆ๐˜ถ๐˜ณ๐˜ฐ๐˜ฃ๐˜ช๐˜ฐ๐˜ญ๐˜ฐ๐˜จ๐˜ช๐˜ค๐˜ข๐˜ญ ๐˜”๐˜ข๐˜ณ๐˜ฌ๐˜ฆ๐˜ณ๐˜ด

๐Ÿง  Neurotypical Brain โ€“ ACC
The anterior cingulate cortex (ACC) supports attention, emotional regulation, error detection, and goal-directed behaviour. Its development generally follows a consistent trajectory.

๐Ÿง  Autistic Brain โ€“ ACC
In autistic people, the ACC may develop along a different trajectory. This can involve differences in attention, emotional regulation, impulse control, decision-making, and brain connectivity

ใ€‚ใ€‚ใ€‚ใ€‚โ€‹โ€‹ใ€‚ใ€‚ใ€‚ใ€‚ใ€‚ใ€‚ใ€‚ใ€‚ใ€‚ใ€‚
๐™‰๐™š๐™ช๐™ง๐™ค-๐™Ž๐™ฅ๐™ž๐™˜๐™š & ๐™€๐™ซ๐™š๐™ง๐™ฎ๐™ฉ๐™๐™ž๐™ฃ๐™œ ๐™‰๐™ž๐™˜๐™š ๐˜ช๐˜ด ๐˜ข ๐˜ต๐˜ฆ๐˜ฏ-๐˜ฑ๐˜ข๐˜ณ๐˜ต ๐˜ค๐˜ฐ๐˜ฎ๐˜ช๐˜ค ๐˜ฑ๐˜ณ๐˜ฐ๐˜ซ๐˜ฆ๐˜ค๐˜ต ๐˜ฃ๐˜บ ๐˜‘๐˜ข๐˜ฏ๐˜ข ๐˜‹๐˜ฐ๐˜ฃ๐˜ณ๐˜ฆ๐˜ท๐˜ข ๐˜ต๐˜ฉ๐˜ข๐˜ต ๐˜ฆ๐˜น๐˜ฑ๐˜ญ๐˜ฐ๐˜ณ๐˜ฆ๐˜ด ๐˜ฏ๐˜ฆ๐˜ถ๐˜ณ๐˜ฐ๐˜ฅ๐˜ช๐˜ท๐˜ฆ๐˜ณ๐˜จ๐˜ฆ๐˜ฏ๐˜ค๐˜ฆ ๐˜ต๐˜ฉ๐˜ณ๐˜ฐ๐˜ถ๐˜จ๐˜ฉ ๐˜ข ๐˜ด๐˜ค๐˜ช๐˜ฆ๐˜ฏ๐˜ต๐˜ช๐˜ง๐˜ช๐˜ค, ๐˜ฆ๐˜ท๐˜ฐ๐˜ญ๐˜ถ๐˜ต๐˜ช๐˜ฐ๐˜ฏ๐˜ข๐˜ณ๐˜บ, ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฅ๐˜ฆ๐˜ฆ๐˜ฑ๐˜ญ๐˜บ ๐˜ฉ๐˜ถ๐˜ฎ๐˜ข๐˜ฏ ๐˜ญ๐˜ฆ๐˜ฏ๐˜ด. ๐˜—๐˜ญ๐˜ข๐˜บ๐˜ช๐˜ฏ๐˜จ ๐˜ฐ๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ณ๐˜ฉ๐˜บ๐˜ฎ๐˜ฆ โ€œ๐˜ž๐˜ฉ๐˜ข๐˜ต ๐˜ข๐˜ณ๐˜ฆ ๐˜ญ๐˜ช๐˜ต๐˜ต๐˜ญ๐˜ฆ ๐˜จ๐˜ช๐˜ณ๐˜ญ๐˜ด ๐˜ฎ๐˜ข๐˜ฅ๐˜ฆ ๐˜ฐ๐˜ง? ๐˜š๐˜ถ๐˜จ๐˜ข๐˜ณ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ด๐˜ฑ๐˜ช๐˜ค๐˜ฆ, ๐˜ข๐˜ฏ๐˜ฅ ๐˜ข๐˜ญ๐˜ญ ๐˜ต๐˜ฉ๐˜ข๐˜ตโ€™๐˜ด ๐˜ฏ๐˜ช๐˜ค๐˜ฆโ€ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ต๐˜ฆ๐˜ณ๐˜ฎ โ€œ๐˜ฏ๐˜ฆ๐˜ถ๐˜ณ๐˜ฐ-๐˜ด๐˜ฑ๐˜ช๐˜ค๐˜บ,โ€ ๐˜ช๐˜ต ๐˜ณ๐˜ฆ๐˜ง๐˜ญ๐˜ฆ๐˜ค๐˜ต๐˜ด ๐˜ข๐˜ฏ ๐˜ข๐˜ต๐˜ต๐˜ฆ๐˜ฎ๐˜ฑ๐˜ต ๐˜ต๐˜ฐ ๐˜ฎ๐˜ฐ๐˜ท๐˜ฆ ๐˜ข๐˜ธ๐˜ข๐˜บ ๐˜ง๐˜ณ๐˜ฐ๐˜ฎ ๐˜ฑ๐˜ข๐˜ต๐˜ฉ๐˜ฐ๐˜ญ๐˜ฐ๐˜จ๐˜ช๐˜ป๐˜ช๐˜ฏ๐˜จ, ๐˜ญ๐˜ข๐˜ฃ๐˜ฆ๐˜ญ๐˜ช๐˜ฏ๐˜จ, ๐˜ข๐˜ฏ๐˜ฅ ๐˜ด๐˜ฐ๐˜ค๐˜ช๐˜ข๐˜ญ ๐˜ด๐˜ต๐˜ช๐˜จ๐˜ฎ๐˜ข.
๐˜‰๐˜ญ๐˜ฆ๐˜ฏ๐˜ฅ๐˜ช๐˜ฏ๐˜จ ๐˜ฆ๐˜ท๐˜ฐ๐˜ญ๐˜ถ๐˜ต๐˜ช๐˜ฐ๐˜ฏ๐˜ข๐˜ณ๐˜บ ๐˜ช๐˜ฏ๐˜ด๐˜ช๐˜จ๐˜ฉ๐˜ต ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜ญ๐˜ช๐˜ท๐˜ฆ๐˜ฅ ๐˜ฆ๐˜น๐˜ฑ๐˜ฆ๐˜ณ๐˜ช๐˜ฆ๐˜ฏ๐˜ค๐˜ฆ, ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฑ๐˜ณ๐˜ฐ๐˜ซ๐˜ฆ๐˜ค๐˜ต ๐˜ด๐˜ฉ๐˜ฐ๐˜ธ๐˜ด ๐˜ฉ๐˜ฐ๐˜ธ ๐˜ฏ๐˜ฆ๐˜ถ๐˜ณ๐˜ฐ๐˜ฅ๐˜ช๐˜ท๐˜ฆ๐˜ณ๐˜จ๐˜ฆ๐˜ฏ๐˜ค๐˜ฆ ๐˜ด๐˜ฉ๐˜ข๐˜ฑ๐˜ฆ๐˜ด ๐˜ฑ๐˜ฆ๐˜ณ๐˜ค๐˜ฆ๐˜ฑ๐˜ต๐˜ช๐˜ฐ๐˜ฏ, ๐˜ฆ๐˜ฎ๐˜ฐ๐˜ต๐˜ช๐˜ฐ๐˜ฏ, ๐˜ค๐˜ณ๐˜ฆ๐˜ข๐˜ต๐˜ช๐˜ท๐˜ช๐˜ต๐˜บ, ๐˜ข๐˜ฏ๐˜ฅ ๐˜ด๐˜ถ๐˜ณ๐˜ท๐˜ช๐˜ท๐˜ข๐˜ญ, ๐˜ฉ๐˜ช๐˜จ๐˜ฉ๐˜ญ๐˜ช๐˜จ๐˜ฉ๐˜ต๐˜ช๐˜ฏ๐˜จ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ท๐˜ข๐˜ญ๐˜ถ๐˜ฆ ๐˜ฐ๐˜ง ๐˜ค๐˜ฐ๐˜จ๐˜ฏ๐˜ช๐˜ต๐˜ช๐˜ท๐˜ฆ ๐˜ฅ๐˜ช๐˜ท๐˜ฆ๐˜ณ๐˜ด๐˜ช๐˜ต๐˜บ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ง๐˜ถ๐˜ฏ๐˜ฅ๐˜ข๐˜ฎ๐˜ฆ๐˜ฏ๐˜ต๐˜ข๐˜ญ ๐˜ฏ๐˜ฆ๐˜ฆ๐˜ฅ ๐˜ต๐˜ฐ ๐˜ฃ๐˜ฆ ๐˜ถ๐˜ฏ๐˜ฅ๐˜ฆ๐˜ณ๐˜ด๐˜ต๐˜ฐ๐˜ฐ๐˜ฅ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ด๐˜ฆ๐˜ฆ๐˜ฏ.

https://kiosk.art/embraces

๐—ž๐—œ๐—ข๐—ฆ๐—ž ๐—”๐—ฑ๐˜ƒ๐—ฒ๐—ฟ๐˜๐—ถ๐˜€๐—ฒ๐˜€ ๐—œ ๐—ฆ๐—ถ๐—บ๐—ผ๐—ป ๐—ช๐—ฎ๐—น๐—ฑ-๐—Ÿ๐—ฎ๐˜€๐—ผ๐˜„๐˜€๐—ธ๐—ถ ๐—ถ๐—ป ๐— ๐—ฒ๐˜๐—ฟ๐—ผ๐—ฝ๐—ผ๐—น๐—ถ๐˜€ ๐— KIOSK asked Simon Wald-Lasowski to fill this year's advertising sp...
28/09/2026

๐—ž๐—œ๐—ข๐—ฆ๐—ž ๐—”๐—ฑ๐˜ƒ๐—ฒ๐—ฟ๐˜๐—ถ๐˜€๐—ฒ๐˜€ ๐—œ ๐—ฆ๐—ถ๐—บ๐—ผ๐—ป ๐—ช๐—ฎ๐—น๐—ฑ-๐—Ÿ๐—ฎ๐˜€๐—ผ๐˜„๐˜€๐—ธ๐—ถ ๐—ถ๐—ป ๐— ๐—ฒ๐˜๐—ฟ๐—ผ๐—ฝ๐—ผ๐—น๐—ถ๐˜€ ๐— 

KIOSK asked Simon Wald-Lasowski to fill this year's advertising space in the magazine Metropolis M.

Simon Wald-Lasowski developed a series of advertisements for Metropolis M composed of details drawn from historical satirical public-domain images. By combining these archival fragments with strange objects and references from popular culture, he explores the enduring themes of imperialism, corruption, and power. The unexpected juxtapositions create absurd visual encounters that invite curiosity, imagination, and a shift in perspective.

Find all previous advertisments on our website: https://kiosk.art/metropolis-m-2026-simon-wald-lasowski-1

๐—ž๐—œ๐—ข๐—ฆ๐—ž ๐—˜๐˜…๐—ต๐—ถ๐—ฏ๐—ถ๐˜๐˜€ ๐—œ ๐—ข๐—บ๐—บ๐—ฒ๐—ฟ๐˜† ๐——๐—ฒ ๐—ญ๐˜‚๐˜๐˜๐—ฒ๐—ฟ, ๐™™๐™š ๐™’๐™š๐™ง๐™š๐™ก๐™™๐™œ๐™š๐™š๐™จ๐™ฉLast week to visit Ommery De Zutterโ€™s solo exhibition ๐˜ฅ๐˜ฆ ๐˜ž๐˜ฆ๐˜ณ๐˜ฆ๐˜ญ๐˜ฅ๐˜จ๐˜ฆ๐˜ฆ๐˜ด๐˜ต in...
28/09/2026

๐—ž๐—œ๐—ข๐—ฆ๐—ž ๐—˜๐˜…๐—ต๐—ถ๐—ฏ๐—ถ๐˜๐˜€ ๐—œ ๐—ข๐—บ๐—บ๐—ฒ๐—ฟ๐˜† ๐——๐—ฒ ๐—ญ๐˜‚๐˜๐˜๐—ฒ๐—ฟ, ๐™™๐™š ๐™’๐™š๐™ง๐™š๐™ก๐™™๐™œ๐™š๐™š๐™จ๐™ฉ

Last week to visit Ommery De Zutterโ€™s solo exhibition ๐˜ฅ๐˜ฆ ๐˜ž๐˜ฆ๐˜ณ๐˜ฆ๐˜ญ๐˜ฅ๐˜จ๐˜ฆ๐˜ฆ๐˜ด๐˜ต in our anatomical theater.

๐—ฃ๐—ฟ๐—ฎ๐—ฐ๐˜๐—ถ๐—ฐ๐—ฎ๐—น ๐—ถ๐—ป๐—ณ๐—ผ๐—ฟ๐—บ๐—ฎ๐˜๐—ถ๐—ผ๐—ป
open daily 12:00-18:00
until 04.10
http://kiosk.art/nl/de-wereldgeest

ยฉ Isabelle Arthuis

๐—ž๐—œ๐—ข๐—ฆ๐—ž ๐—ฆ๐˜‚๐—ฝ๐—ฝ๐—ผ๐—ฟ๐˜๐˜€ ๐—œ ๐—–๐—ฎ๐—บ๐—ถ๐—น๐—น๐—ฒ ๐—Ÿ๐—ฒ๐—บ๐—ถ๐—น๐—น๐—ฒ, ๐˜ฝ๐™ž๐™š๐™ฃ๐™ฃ๐™–๐™ก๐™š'๐™จ ๐™ž๐™ฃ๐™ซ๐™ž๐™จ๐™ž๐™—๐™ก๐™š ๐™ฌ๐™ค๐™ง๐™ ๐™š๐™ง๐™จTicket controllers paid โ‚ฌ3.80 an hour, cultural mediators ...
24/09/2026

๐—ž๐—œ๐—ข๐—ฆ๐—ž ๐—ฆ๐˜‚๐—ฝ๐—ฝ๐—ผ๐—ฟ๐˜๐˜€ ๐—œ ๐—–๐—ฎ๐—บ๐—ถ๐—น๐—น๐—ฒ ๐—Ÿ๐—ฒ๐—บ๐—ถ๐—น๐—น๐—ฒ, ๐˜ฝ๐™ž๐™š๐™ฃ๐™ฃ๐™–๐™ก๐™š'๐™จ ๐™ž๐™ฃ๐™ซ๐™ž๐™จ๐™ž๐™—๐™ก๐™š ๐™ฌ๐™ค๐™ง๐™ ๐™š๐™ง๐™จ

Ticket controllers paid โ‚ฌ3.80 an hour, cultural mediators paid a pittance, security guards working 6 days a week, 8 hours a day, with no lunch break and paid less than โ‚ฌ800 a monthโ€ฆ

Camille Lemille invites you to meet the people who work behind the scenes of the Biennale: security guards, ticket controllers, cleaning staff, mediators, guides, and many others. Yet, remarkably, very few of them are directly employed by the Venice Biennale. For her self-published book ๐˜‰๐˜ช๐˜ฆ๐˜ฏ๐˜ฏ๐˜ข๐˜ญ๐˜ฆโ€™๐˜ด ๐˜ช๐˜ฏ๐˜ท๐˜ช๐˜ด๐˜ช๐˜ฃ๐˜ญ๐˜ฆ ๐˜ธ๐˜ฐ๐˜ณ๐˜ฌ๐˜ฆ๐˜ณ๐˜ด, Lemille spent two months listening, asking questions, and joining a discussion group with these workers to explore their experiences of precarious contracts and poor working conditions.

The book gives voice to their experiences through a performative reading drawn from their real-life stories, shedding light on the working conditions behind one of the worldโ€™s most prominent art events.

KIOSK supported the publication by funding a Dutch and Italian translation of the book. To purchase a copy, please contact Camille Lemille directly by email: [email protected]

ยฉ Camille Lemille introducing her book to the students of curatorial studies at School of arts.m

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