Moussem Nomadic Arts Centre

Moussem Nomadic Arts Centre Moussem is an arts centre based in Brussels Belgium. It speaks directly to a varied urban audience.

Moussem provides support to artists and creates programmes that help shape the global contemporary art scene and engage in the creation of a new common cultural heritage. It plays a unique, intercultural part in the art world by integrating the work it offers into established arts institutions on the basis of long-term reciprocal partnerships.

๐—›๐—ผ๐˜„ ๐˜๐—ผ ๐—ฑ๐—ฒ๐—ณ๐—ถ๐—ป๐—ฒ ๐—ผ๐—ฟ๐—ถ๐—ฒ๐—ป๐˜๐—ฎ๐—น๐—ถ๐˜€๐—บ, ๐—ฎ๐—ป๐—ฑ ๐˜„๐—ต๐—ฒ๐—ฟ๐—ฒ ๐—น๐—ถ๐—ฒ๐˜€ ๐—ถ๐˜๐˜€ ๐˜€๐˜‚๐—ฏ๐—ท๐˜‚๐—ด๐—ฎ๐˜๐—ถ๐—ป๐—ด ๐—ฝ๐—ผ๐˜„๐—ฒ๐—ฟ ๐˜๐—ผ๐—ฑ๐—ฎ๐˜†? On Orientalism is a video podcast project hosted ...
16/06/2026

๐—›๐—ผ๐˜„ ๐˜๐—ผ ๐—ฑ๐—ฒ๐—ณ๐—ถ๐—ป๐—ฒ ๐—ผ๐—ฟ๐—ถ๐—ฒ๐—ป๐˜๐—ฎ๐—น๐—ถ๐˜€๐—บ, ๐—ฎ๐—ป๐—ฑ ๐˜„๐—ต๐—ฒ๐—ฟ๐—ฒ ๐—น๐—ถ๐—ฒ๐˜€ ๐—ถ๐˜๐˜€ ๐˜€๐˜‚๐—ฏ๐—ท๐˜‚๐—ด๐—ฎ๐˜๐—ถ๐—ป๐—ด ๐—ฝ๐—ผ๐˜„๐—ฒ๐—ฟ ๐˜๐—ผ๐—ฑ๐—ฎ๐˜†? On Orientalism is a video podcast project hosted by Moroccan writer, editor and broadcaster Yassin Adnan. Spoken in Arabic, philosophers and historians from research centres across the Arab world and Europe are invited to probe orientalismโ€™s logic, contemporary manifestations, and historic origins โ€“ from a scholarly operation to a global institution that itself has become synonymous with colonialism and imperialism.

Originally produced by the Mujtama for Critical and Historical Studies, Moussem is thrilled to release a first season with five episodes subtitled in English. A new English introduction by the host and the first episode with dr. George Al Faar (professor at the Jordan University, Amman) on orientalism and the justification of Western colonialism are out now.

Listen to On Orientalism on our website, Spotify, Vimeo and Youtube now, with Apple Podcasts coming soon!

Swipe to read the show notes.

>> link in bio
>> https://www.moussem.be/en/projects/on-orientalism

Last Saturday, we explored Nabila Halimโ€™s web platform and audio creation, vol. 1 of 7seera ูˆ T9seera. Thank you to ever...
11/06/2026

Last Saturday, we explored Nabila Halimโ€™s web platform and audio creation, vol. 1 of 7seera ูˆ T9seera. Thank you to everyone who came to listen and discuss the creation of a participatory sonic piece, places to channel your anger, and the moments when anger is necessary. Relive the event through the soft images of photographer Britt Ryckebosch. ๐Ÿ“ธ๐Ÿ“ท ยฉ Britt Ryckebosch

The interactive audio platform is now online at https://t9seera.com!

๐˜ˆ ๐˜ฑ๐˜ข๐˜ณ๐˜ต๐˜ช๐˜ค๐˜ช๐˜ฑ๐˜ข๐˜ต๐˜ฐ๐˜ณ๐˜บ ๐˜ข๐˜ถ๐˜ฅ๐˜ช๐˜ฐ ๐˜ฑ๐˜ณ๐˜ฐ๐˜ซ๐˜ฆ๐˜ค๐˜ต ๐˜ฃ๐˜บ ๐˜•๐˜ข๐˜ฃ๐˜ช๐˜ญ๐˜ข ๐˜๐˜ข๐˜ญ๐˜ช๐˜ฎ, ๐˜ค๐˜ณ๐˜ฆ๐˜ข๐˜ต๐˜ฆ๐˜ฅ ๐˜ช๐˜ฏ ๐˜ค๐˜ฐ๐˜ญ๐˜ญ๐˜ข๐˜ฃ๐˜ฐ๐˜ณ๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜“๐˜ข๐˜ถ๐˜ณ๐˜ฆ ๐˜”๐˜ฆ๐˜ณ๐˜ญ๐˜ฐ (๐˜›๐˜œ๐˜‰๐˜ˆ ๐˜ค๐˜ฐ๐˜ญ๐˜ญ๐˜ฆ๐˜ค๐˜ต๐˜ช๐˜ท๐˜ฆ, ๐˜ข๐˜ถ๐˜ฅ๐˜ช๐˜ฐ ๐˜ฆ๐˜ฅ๐˜ช๐˜ต๐˜ช๐˜ฏ๐˜จ), ๐˜š๐˜ฐ๐˜ง๐˜ช๐˜ข ๐˜๐˜ข๐˜ฉ๐˜ญ๐˜ช (๐˜ˆ๐˜ต๐˜ฐ๐˜ฏ๐˜ข๐˜ญ๐˜ฆ, ๐˜ฅ๐˜ฆ๐˜ด๐˜ช๐˜จ๐˜ฏ), ๐˜“๐˜ข๐˜ถ๐˜ณ๐˜ฆ ๐˜๐˜ฆ๐˜ด๐˜ญ๐˜ฆ๐˜ณ (๐˜ธ๐˜ฆ๐˜ฃ ๐˜ฅ๐˜ฆ๐˜ท๐˜ฆ๐˜ญ๐˜ฐ๐˜ฑ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ต), ๐˜๐˜•โ€™๐˜๐˜” (๐˜ต๐˜ฆ๐˜ค๐˜ฉ๐˜ฏ๐˜ช๐˜ค๐˜ข๐˜ญ ๐˜ด๐˜ถ๐˜ฑ๐˜ฑ๐˜ฐ๐˜ณ๐˜ต) ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฎ๐˜ข๐˜ฏ๐˜บ ๐˜ฐ๐˜ต๐˜ฉ๐˜ฆ๐˜ณ ๐˜ฑ๐˜ข๐˜ณ๐˜ต๐˜ช๐˜ค๐˜ช๐˜ฑ๐˜ข๐˜ฏ๐˜ต๐˜ด. ๐˜—๐˜ณ๐˜ฐ๐˜ฅ๐˜ถ๐˜ค๐˜ต๐˜ช๐˜ฐ๐˜ฏ: ๐˜”๐˜ฐ๐˜ถ๐˜ด๐˜ด๐˜ฆ๐˜ฎ. ๐˜™๐˜ฆ๐˜ด๐˜ต๐˜ช๐˜ต๐˜ถ๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐˜ฐ๐˜ง ๐˜ท๐˜ฐ๐˜ญ. ๐˜ ๐˜ฑ๐˜ณ๐˜ฆ๐˜ด๐˜ฆ๐˜ฏ๐˜ต๐˜ฆ๐˜ฅ ๐˜ฃ๐˜บ ๐˜๐˜ข๐˜ข๐˜ณ๐˜ต๐˜’๐˜ข๐˜ฑ๐˜ฐ๐˜ฆ๐˜ฏ.

7seera ูˆ T9seera (๐˜๐˜ด๐˜ช๐˜ณ๐˜ข ๐˜ธ ๐˜›๐˜ฌ๐˜ด๐˜ช๐˜ณ๐˜ข) is a participatory audio project in which Moroccan multidisciplinary artist Nabila Hal...
15/05/2026

7seera ูˆ T9seera (๐˜๐˜ด๐˜ช๐˜ณ๐˜ข ๐˜ธ ๐˜›๐˜ฌ๐˜ด๐˜ช๐˜ณ๐˜ข) is a participatory audio project in which Moroccan multidisciplinary artist Nabila Halim uses music, cooking and conversation as frameworks for collective encounters of care.
For its first volume, a group of fifteen people discussed pieces of music together that resonated with the following phrase: โ€œAnger, I flee from you, Anger, I dwell in youโ€. The recorded encounters were compiled into a sound archive, distributed in both digital form and through physical gatherings, assembled by Laure Merlo (collective Tuba) and built into an interactive platform by Laure Fesler.
What emerges is a collective playlist of words and songs, a field of relations and reverbations, mapping out a many-voiced narrative about anger - an emotion that is so politically laden and often heavily contained. ๐—ฌ๐—ผ๐˜‚ ๐—ฎ๐—ฟ๐—ฒ ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ถ๐—ฎ๐—น๐—น๐˜† ๐—ถ๐—ป๐˜ƒ๐—ถ๐˜๐—ฒ๐—ฑ ๐˜๐—ผ ๐—ท๐—ผ๐—ถ๐—ป ๐˜‚๐˜€ ๐—ผ๐—ป ๐—ฆ๐—ฎ๐˜๐˜‚๐—ฟ๐—ฑ๐—ฎ๐˜† ๐—๐˜‚๐—ป๐—ฒ ๐Ÿฒ ๐—ฎ๐˜ ๐—ฉ๐—ž ๐—ณ๐—ผ๐—ฟ ๐—ฎ ๐—ฝ๐˜‚๐—ฏ๐—น๐—ถ๐—ฐ ๐—น๐—ถ๐˜€๐˜๐—ฒ๐—ป๐—ถ๐—ป๐—ด ๐˜€๐—ฒ๐˜€๐˜€๐—ถ๐—ผ๐—ป ๐—ถ๐—ป ๐˜„๐—ต๐—ถ๐—ฐ๐—ต ๐˜„๐—ฒ ๐˜„๐—ถ๐—น๐—น ๐—ฑ๐—ถ๐˜€๐—ฐ๐—ผ๐˜ƒ๐—ฒ๐—ฟ ๐˜๐—ต๐—ฒ ๐˜€๐—ผ๐—ป๐—ถ๐—ฐ ๐—ฐ๐—ผ-๐—ฐ๐—ฟ๐—ฒ๐—ฎ๐˜๐—ถ๐—ผ๐—ป ๐˜๐—ผ๐—ด๐—ฒ๐˜๐—ต๐—ฒ๐—ฟ, ๐—ฟ๐—ฒ๐˜๐˜‚๐—ฟ๐—ป๐—ถ๐—ป๐—ด ๐˜๐—ผ ๐˜๐—ต๐—ฒ ๐—ถ๐—ป๐˜๐—ถ๐—บ๐—ฎ๐—ฐ๐˜† ๐—ผ๐—ณ ๐˜๐—ต๐—ฒ ๐—ณ๐—ถ๐—ฟ๐˜€๐˜ ๐—ฒ๐—ป๐—ฐ๐—ผ๐˜‚๐—ป๐˜๐—ฒ๐—ฟ๐˜€ ๐—ฎ๐—ป๐—ฑ ๐˜๐—ต๐—ฒ ๐—ฐ๐—ผ๐—ป๐˜ƒ๐—ฒ๐—ฟ๐˜€๐—ฎ๐˜๐—ถ๐—ผ๐—ป๐˜€ ๐˜๐—ต๐—ฒ๐˜† ๐˜€๐—ฝ๐—ฎ๐—ฟ๐—ธ๐—ฒ๐—ฑ.

๐——๐—ฎ๐˜๐—ฒ ๐—ฎ๐—ป๐—ฑ ๐—น๐—ผ๐—ฐ๐—ฎ๐˜๐—ถ๐—ผ๐—ป: Saturday 06/06/26, 16h30 - 20h00 (with break) at VK Hangar - (Rue Saint Joseph 14, 1080 Molenbeek Saint-Jean)
๐—Ÿ๐—ฎ๐—ป๐—ด๐˜‚๐—ฎ๐—ด๐—ฒ: French
๐—˜๐—ป๐˜๐—ฟ๐˜†: admission ticket (3,5 EUR + reservation fee) via the link in bio or at (link)
Free drinks and snacks will be provided!

NL / FR in the commentsโ†“

A participatory audio project by Nabila Halim, co-created in collaboration with Laure Merlo (TUBA collective), Sofia Fahli (Atonale edition), Laure Fesler (Web development) and numerous other participants. Hosted and produced by Moussem Nomadic Arts Centre and VaartKapoen.

Poster design .edition

We are delighted to welcome Cleo Diรกra for a residency at Moussem for two weeks, as part of our annual exchange programm...
05/05/2026

We are delighted to welcome Cleo Diรกra for a residency at Moussem for two weeks, as part of our annual exchange programme with Alkantara!

Cleo Diรกra (she/her) is a multidisciplinary artist working across theatre, film, and performance. Born in Praia, Cape Verde, in 1987, she moved to Lisbon during her childhood and graduated at the Lisbon Theatre and Film School. Co-founder of the collective Aurora Negra, she has collaborated with some of Portugalโ€™s leading directors and appeared in numerous national and international theatre projects and film productions. In 2025, she received the Best Actress award at Cannes (Un Certain Regard) for O Riso e a Faca, directed by Pedro Pinho โ€“ a historic first for a Portuguese production and for the representation of Portuguese-speaking African countries.

๐˜ˆ๐˜ฃ๐˜ฐ๐˜ถ๐˜ต ๐˜ต๐˜ฉ๐˜ฆ ๐˜ณ๐˜ฆ๐˜ด๐˜ช๐˜ฅ๐˜ฆ๐˜ฏ๐˜ค๐˜บ ๐˜ฆ๐˜น๐˜ค๐˜ฉ๐˜ข๐˜ฏ๐˜จ๐˜ฆ: ๐˜ฃ๐˜ฐ๐˜ต๐˜ฉ ๐˜”๐˜ฐ๐˜ถ๐˜ด๐˜ด๐˜ฆ๐˜ฎ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ˆ๐˜ญ๐˜ฌ๐˜ข๐˜ฏ๐˜ต๐˜ข๐˜ณ๐˜ข ๐˜ฐ๐˜ฑ๐˜ฆ๐˜ณ๐˜ข๐˜ต๐˜ฆ ๐˜ง๐˜ณ๐˜ฐ๐˜ฎ ๐˜ฅ๐˜ช๐˜ท๐˜ฆ๐˜ณ๐˜ด๐˜ฆ ๐˜ค๐˜ช๐˜ต๐˜ช๐˜ฆ๐˜ด ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜ด๐˜ต๐˜ณ๐˜ฐ๐˜ฏ๐˜จ ๐˜ฅ๐˜ช๐˜ข๐˜ด๐˜ฑ๐˜ฐ๐˜ณ๐˜ช๐˜ค ๐˜ค๐˜ฐ๐˜ฎ๐˜ฎ๐˜ถ๐˜ฏ๐˜ช๐˜ต๐˜ช๐˜ฆ๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฉ๐˜ข๐˜ท๐˜ฆ ๐˜ข ๐˜ฌ๐˜ฆ๐˜ฆ๐˜ฏ ๐˜ฆ๐˜บ๐˜ฆ ๐˜ง๐˜ฐ๐˜ณ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ณ๐˜ฆ๐˜ญ๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ๐˜ด๐˜ฉ๐˜ช๐˜ฑ ๐˜ฃ๐˜ฆ๐˜ต๐˜ธ๐˜ฆ๐˜ฆ๐˜ฏ ๐˜ข๐˜ณ๐˜ต ๐˜ข๐˜ฏ๐˜ฅ ๐˜ด๐˜ฐ๐˜ค๐˜ช๐˜ฆ๐˜ต๐˜บ. ๐˜›๐˜ฉ๐˜ณ๐˜ฐ๐˜ถ๐˜จ๐˜ฉ ๐˜ต๐˜ฉ๐˜ช๐˜ด ๐˜ฆ๐˜น๐˜ค๐˜ฉ๐˜ข๐˜ฏ๐˜จ๐˜ฆ, ๐˜ธ๐˜ฆ ๐˜ฉ๐˜ฐ๐˜ฑ๐˜ฆ ๐˜ต๐˜ฐ ๐˜ด๐˜ถ๐˜ฑ๐˜ฑ๐˜ฐ๐˜ณ๐˜ต ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฅ๐˜ฆ๐˜ท๐˜ฆ๐˜ญ๐˜ฐ๐˜ฑ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ต ๐˜ฐ๐˜ง ๐˜ฏ๐˜ฆ๐˜ธ ๐˜ฏ๐˜ข๐˜ณ๐˜ณ๐˜ข๐˜ต๐˜ช๐˜ท๐˜ฆ๐˜ด ๐˜ฃ๐˜บ ๐˜ข๐˜ณ๐˜ต๐˜ช๐˜ด๐˜ต๐˜ด ๐˜ธ๐˜ฉ๐˜ฐ ๐˜ณ๐˜ฆ๐˜ง๐˜ญ๐˜ฆ๐˜ค๐˜ต ๐˜ต๐˜ฉ๐˜ฆ๐˜ด๐˜ฆ ๐˜ฅ๐˜บ๐˜ฏ๐˜ข๐˜ฎ๐˜ช๐˜ค๐˜ด ๐˜ช๐˜ฏ ๐˜ฐ๐˜ถ๐˜ณ ๐˜ค๐˜ช๐˜ต๐˜ช๐˜ฆ๐˜ด. ๐˜—๐˜ข๐˜ด๐˜ต ๐˜ณ๐˜ฆ๐˜ด๐˜ช๐˜ฅ๐˜ฆ๐˜ฏ๐˜ต๐˜ด ๐˜ช๐˜ฏ๐˜ค๐˜ญ๐˜ถ๐˜ฅ๐˜ฆ ๐˜ ๐˜ฐ๐˜ถ๐˜ฏ๐˜ฆ๐˜ด๐˜ด ๐˜’๐˜ฉ๐˜ฐ๐˜ถ๐˜ฌ๐˜ฉ๐˜ฐ๐˜ถ (2023), ๐˜”๐˜ข๐˜ณ๐˜ค๐˜ฐ ๐˜”๐˜ฆ๐˜ฏ๐˜ฅ๐˜ฐ๐˜ฏรง๐˜ข (2023), ๐˜ˆ๐˜ญ๐˜ช๐˜น ๐˜’๐˜ฐ๐˜ฏ๐˜ข๐˜ฅ๐˜ถ (2024), ๐˜‹๐˜ช๐˜ฆ๐˜จ๐˜ฐ ๐˜‰๐˜ณ๐˜ข๐˜จร  (2024) ๐˜ข๐˜ฏ๐˜ฅ ๐˜๐˜ฏรฉ๐˜ด ๐˜š๐˜บ๐˜ฃ๐˜ช๐˜ญ๐˜ญ๐˜ฆ ๐˜๐˜ฐ๐˜ฐ๐˜ฅ๐˜ถ๐˜ฏ๐˜ฆ๐˜ด๐˜ด (2025).

Portrait picture ยฉ Filipe Ferreira

This weekend on May 2 and 3, more than 2,500 studio doors will open to visitors, including those of the Moussemstudio in...
01/05/2026

This weekend on May 2 and 3, more than 2,500 studio doors will open to visitors, including those of the Moussemstudio in Anderlecht!
๐—ฃ๐—ฎ๐˜€๐˜€ ๐—ฏ๐˜† ๐—ฎ๐˜ ๐—ฅ๐˜‚๐—ฒ ๐—ฑ๐˜‚ ๐—–๐—ต๐—ถ๐—บ๐—ถ๐˜€๐˜๐—ฒ 16 1070 ๐˜๐—ต๐—ถ๐˜€ ๐—ฆ๐—ฎ๐˜๐˜‚๐—ฟ๐—ฑ๐—ฎ๐˜†, ๐˜„๐—ต๐—ฒ๐—ฟ๐—ฒ ๐˜†๐—ผ๐˜‚โ€™๐—น๐—น ๐—ณ๐—ถ๐—ป๐—ฑ ๐—”๐˜†๐—ฎ ๐—ž๐—ผ๐—ปรฉ ๐—ผ๐—ป ๐˜๐—ต๐—ฒ ๐—ณ๐—ถ๐—ฟ๐˜€๐˜ ๐—ณ๐—น๐—ผ๐—ผ๐—ฟ. ๐—”๐˜†๐—ฎโ€™๐˜€ ๐˜€๐—ฐ๐˜‚๐—น๐—ฝ๐˜๐˜‚๐—ฟ๐—ฒ๐˜€ ๐˜‚๐˜€๐—ฒ ๐—น๐—ถ๐˜ƒ๐—ถ๐—ป๐—ด ๐—ผ๐—ฟ ๐—ฒ๐—ฝ๐—ต๐—ฒ๐—บ๐—ฒ๐—ฟ๐—ฎ๐—น ๐—บ๐—ฎ๐˜๐—ฒ๐—ฟ๐—ถ๐—ฎ๐—น๐˜€ ๐˜๐—ผ ๐—ฒ๐˜…๐—ฝ๐—น๐—ผ๐—ฟ๐—ฒ ๐—ต๐—ผ๐˜„ ๐—ฐ๐˜‚๐—น๐˜๐˜‚๐—ฟ๐—ฎ๐—น ๐—บ๐—ฒ๐—บ๐—ผ๐—ฟ๐˜† ๐˜๐—ฎ๐—ธ๐—ฒ๐˜€ ๐˜€๐—ต๐—ฎ๐—ฝ๐—ฒ ๐˜๐—ต๐—ฟ๐—ผ๐˜‚๐—ด๐—ต ๐—ฟ๐˜‚๐—ฝ๐˜๐˜‚๐—ฟ๐—ฒ, ๐—ฟ๐—ฒ๐˜€๐˜๐—ผ๐—ฟ๐—ฎ๐˜๐—ถ๐—ผ๐—ป, ๐—ฎ๐—ป๐—ฑ ๐—ฟ๐—ฒ๐—ฝ๐—ฒ๐˜๐—ถ๐˜๐—ถ๐—ผ๐—ป.

Swipe along to get a feel of the atmospheres and materials from Ayaโ€™s research, and discover more at the studio tomorrow!

๐Ÿ” Check out the other open studios in the neighbourhood participating in Atelier in Beeld via the interactive map online at https://planatelier.vgc.be โ€“ youโ€™ll find werkplaats walter, Dekoratelier, Globearoma, Kiosk, Max, paraplufabrique, level five Brussels, figs&pears and Mona at walking distance from moussem!

๐—ง๐—ต๐—ฒ ๐˜„๐—ผ๐—ฟ๐—ฑ ๐—ถ๐˜€ ๐—ผ๐˜‚๐˜ - ๐— ๐—ผ๐˜‚๐˜€๐˜€๐—ฒ๐—บ ๐—–๐—ถ๐˜๐—ถ๐—ฒ๐˜€ ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿณ ๐—ต๐—ผ๐—บ๐—ฒ๐˜€ ๐—ถ๐—ป ๐—ผ๐—ป ๐—๐—ผ๐—ต๐—ฎ๐—ป๐—ป๐—ฒ๐˜€๐—ฏ๐˜‚๐—ฟ๐—ด!A full month of literature, poetry, film, performance, mu...
29/04/2026

๐—ง๐—ต๐—ฒ ๐˜„๐—ผ๐—ฟ๐—ฑ ๐—ถ๐˜€ ๐—ผ๐˜‚๐˜ - ๐— ๐—ผ๐˜‚๐˜€๐˜€๐—ฒ๐—บ ๐—–๐—ถ๐˜๐—ถ๐—ฒ๐˜€ ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿณ ๐—ต๐—ผ๐—บ๐—ฒ๐˜€ ๐—ถ๐—ป ๐—ผ๐—ป ๐—๐—ผ๐—ต๐—ฎ๐—ป๐—ป๐—ฒ๐˜€๐—ฏ๐˜‚๐—ฟ๐—ด!
A full month of literature, poetry, film, performance, music, photography, urbanism, and print โ€” animated by the artistic creatives of one of the worldโ€™s most charged and uncontainable cities.

The core of Johannesburg is rhythm, mobility, self-determination: ๐˜‘๐˜ฐ๐˜ฃ๐˜ถ๐˜ณ๐˜จ ๐˜ช๐˜ด ๐˜ง๐˜ข๐˜ด๐˜ต, ๐˜‘๐˜ฐ๐˜ฃ๐˜ถ๐˜ณ๐˜จ ๐˜ช๐˜ด ๐˜ช๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ง๐˜ถ๐˜ต๐˜ถ๐˜ณ๐˜ฆ. ๐˜๐˜ตโ€™๐˜ด ๐˜ข๐˜ฃ๐˜ฐ๐˜ถ๐˜ต ๐˜‰๐˜ญ๐˜ข๐˜ค๐˜ฌ ๐˜ธ๐˜ข๐˜บ๐˜ด ๐˜ฐ๐˜ง ๐˜ฎ๐˜ฐ๐˜ท๐˜ช๐˜ฏ๐˜จ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฎ๐˜ช๐˜จ๐˜ณ๐˜ข๐˜ต๐˜ช๐˜ฏ๐˜จ - ๐˜ข๐˜ญ๐˜ญ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ธ๐˜ข๐˜บ๐˜ด ๐˜ช๐˜ฏ ๐˜ธ๐˜ฉ๐˜ช๐˜ค๐˜ฉ ๐˜ข ๐˜ฃ๐˜ฐ๐˜ฅ๐˜บ ๐˜ค๐˜ข๐˜ฏ ๐˜ฎ๐˜ฐ๐˜ท๐˜ฆ, ๐˜ณ๐˜ฆ๐˜ฎ๐˜ฆ๐˜ฎ๐˜ฃ๐˜ฆ๐˜ณ, ๐˜ฆ๐˜น๐˜ฑ๐˜ณ๐˜ฆ๐˜ด๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜จ๐˜ช๐˜ท๐˜ฆ ๐˜ฎ๐˜ฆ๐˜ข๐˜ฏ๐˜ช๐˜ฏ๐˜จ (Maneo Refiloe Mohale). A city whose history is filled with conflict, carrying deep traces of post/apartheid. In Johannesburg, violence and the intensity of the public space go hand in hand with animated forms of togetherness that challenge power and refuse to be categorised. Artists operate in fluid collectives, a collaborative ethos that is deeply connected to the cultural and spiritual pulse of the city.

This multifaceted artistic vitality is programmed for an entire month, spread across Brusselsโ€™ cultural institutes. Moussem Cities Johannesburg will take place throughout February 2027: programme details this autumn.

A programme by Moussem in collaboration with , , .architecture, , , , , and others who will join us on the way. Supported by the Flemish Authority and the Flemish Community Commission.

Artwork: Solo Match, digital image, 2026 - Minenkulu Ngoyi & Nathaniel Sheppard III

10 years ago, the first edition of Moussem Cities invited Tunisian artists, thinkers and cultural operators to tell the ...
27/04/2026

10 years ago, the first edition of Moussem Cities invited Tunisian artists, thinkers and cultural operators to tell the story of Tunis through their work. A festival series was born: going from Tunis to Beirut, Casablanca, Algiers, Damascus, Dakar, Teheran, to Istanbul in 2025, Moussem Cities turns to a different metropolis in the SWANA region and broader African continent each edition, in an endeavour to channel their artistic vitality to Brussels.

Together with local artists, diasporic creatives, and various partner organisations in Brussel, the festival explores urbanity across geographies: a platform of recognition, exchange, and collision.

Swipe along for a trip down memory lane while we are in the midst of preparations for a new edition of Moussem Cities in 2027 โ€“ more info will follow very soon!

๐˜”๐˜Š ๐˜›๐˜ถ๐˜ฏ๐˜ช๐˜ด - ๐˜Š๐˜ฆ ๐˜ฒ๐˜ถ๐˜ฆ ๐˜ญ๐˜ฆ ๐˜ฅ๐˜ช๐˜ค๐˜ต๐˜ข๐˜ต๐˜ฆ๐˜ถ๐˜ณ ๐˜ฏโ€™๐˜ข ๐˜ฑ๐˜ข๐˜ด ๐˜ฅ๐˜ช๐˜ต ยฉ ๐˜”๐˜ข๐˜ด๐˜ฉ๐˜ช๐˜ฅ ๐˜”๐˜ฐ๐˜ฉ๐˜ข๐˜ฅ๐˜ซ๐˜ฆ๐˜ณ๐˜ช๐˜ฏ

๐˜”๐˜Š ๐˜‰๐˜ฆ๐˜ช๐˜ณ๐˜ถ๐˜ต - ๐˜‘๐˜ฐ๐˜จ๐˜จ๐˜ช๐˜ฏ๐˜จ ยฉ ๐˜๐˜ข๐˜ฏ๐˜ข๐˜ฏ๐˜ฆ ๐˜๐˜ข๐˜ซ๐˜ซ ๐˜ˆ๐˜ญ๐˜ช

๐˜”๐˜Š ๐˜Š๐˜ข๐˜ด๐˜ข๐˜ฃ๐˜ญ๐˜ข๐˜ฏ๐˜ค๐˜ข - ๐˜™๐˜ˆ๐˜ž ๐˜ฑ๐˜ฐ๐˜ฆ๐˜ต๐˜ณ๐˜บ / ๐˜Š๐˜ข๐˜ด๐˜ข๐˜ฃ๐˜ญ๐˜ข๐˜ฏ๐˜ค๐˜ข ๐˜‰๐˜ฐ๐˜ณ๐˜ฅ๐˜ฆ๐˜ณ๐˜ญ๐˜ช๐˜ฏ๐˜ฆ๐˜ด ยฉ ๐˜‹๐˜ข๐˜ข๐˜ฏ ๐˜‰๐˜ณ๐˜ฐ๐˜ฐ๐˜ด

๐˜”๐˜Š ๐˜ˆ๐˜ญ๐˜จ๐˜ช๐˜ฆ๐˜ณ๐˜ด โ€“ ๐˜š๐˜ธ๐˜ฆ๐˜ฆ๐˜ต ๐˜๐˜ฐ๐˜ฎ๐˜ฆ, ๐˜–๐˜ถ๐˜ด๐˜ด๐˜ข๐˜ฎ๐˜ข ๐˜›๐˜ข๐˜ฃ๐˜ต๐˜ช ยฉ ๐˜–๐˜ถ๐˜ด๐˜ด๐˜ข๐˜ฎ๐˜ข ๐˜›๐˜ข๐˜ฃ๐˜ต๐˜ช

๐˜”๐˜Š ๐˜‹๐˜ข๐˜ฎ๐˜ข๐˜ด๐˜ค๐˜ถ๐˜ด โ€“ ๐˜’๐˜ˆ๐˜š๐˜๐˜ˆ๐˜š๐˜ ๐˜ค๐˜ถ๐˜ณ๐˜ข๐˜ต๐˜ฆ๐˜ฅ ๐˜ฃ๐˜บ ๐˜ˆ๐˜ญ๐˜ฎ๐˜ข ๐˜š๐˜ข๐˜ญ๐˜ฆ๐˜ฎ ยฉ ๐˜‹๐˜ข๐˜ข๐˜ฏ ๐˜‰๐˜ณ๐˜ฐ๐˜ฐ๐˜ด

๐˜”๐˜Š ๐˜‹๐˜ข๐˜ฌ๐˜ข๐˜ณ - ๐˜Œ๐˜น๐˜ฉ๐˜ช๐˜ฃ๐˜ช๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐˜๐˜ข๐˜ฎ๐˜ฆ๐˜ฅ๐˜ช๐˜ฏ๐˜ฆ ๐˜’๐˜ข๐˜ฏ๐˜ฆ & ๐˜š๐˜ฐ๐˜ญ๐˜บ ๐˜Š๐˜ช๐˜ด๐˜ด ๐˜ค๐˜ถ๐˜ณ๐˜ข๐˜ต๐˜ฆ๐˜ฅ ๐˜ฃ๐˜บ ๐˜ˆ๐˜ถ๐˜ฅ๐˜ฆ ๐˜›๐˜ฐ๐˜ถ๐˜ณ๐˜ฏ๐˜ข๐˜บ๐˜ฆ

๐˜”๐˜Š ๐˜›๐˜ฆ๐˜ฉ๐˜ฆ๐˜ณ๐˜ข๐˜ฏ - ๐˜Š๐˜ข๐˜ณ๐˜ต๐˜ฆ ๐˜‰๐˜ญ๐˜ข๐˜ฏ๐˜ค๐˜ฉ๐˜ฆ ๐˜Š๐˜ฐ๐˜ฎ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ต ๐˜ฑ๐˜ฆ๐˜ถ๐˜ต-๐˜ฐ๐˜ฏ รช๐˜ต๐˜ณ๐˜ฆ ๐˜ฑ๐˜ฆ๐˜ณ๐˜ด๐˜ข๐˜ฏ? ๐˜๐˜ข๐˜ญ๐˜ฆ๐˜ฉ ๐˜Š๐˜ฉ๐˜ช๐˜ฏ๐˜ช๐˜ฌ๐˜ข๐˜ณ / ๐˜”๐˜ฐ๐˜ฃ๐˜ช๐˜ฏ๐˜ข ๐˜”๐˜ฐ๐˜ฉ๐˜ข๐˜ฎ๐˜ฎ๐˜ข๐˜ฅ๐˜ช ๐˜›๐˜ข๐˜ฃ๐˜ข๐˜ณ, ๐˜๐˜ฏ๐˜ฏ๐˜ฆ๐˜ณ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฐ๐˜ถ๐˜ต๐˜ฆ๐˜ณ ๐˜ช๐˜ฏ๐˜ด๐˜ต๐˜ข๐˜ฏ๐˜ต๐˜ด ยฉ ๐˜”๐˜ฐ๐˜ถ๐˜ด๐˜ด๐˜ฆ๐˜ฎ

๐˜”๐˜Š ๐˜๐˜ด๐˜ต๐˜ข๐˜ฏ๐˜ฃ๐˜ถ๐˜ญ โ€“ ๐˜‰๐˜ฐ๐˜ป๐˜ข๐˜ณ ๐˜Š๐˜ฐ๐˜ฏ๐˜ค๐˜ฆ๐˜ณ๐˜ต ๐˜ˆ๐˜บ๐˜บ๐˜ถ๐˜ฌ๐˜ข, ๐˜”๐˜ถ๐˜ณ๐˜ข๐˜ต & ๐˜Œ๐˜ด๐˜ฎ๐˜ข ๐˜Œ๐˜ณ๐˜ต๐˜ฆ๐˜ญ, ๐˜๐˜ถ๐˜ฏ ๐˜๐˜ถ๐˜ฏ ยฉ ๐˜‰๐˜ฐ๐˜ป๐˜ข๐˜ณ

๐—•๐—ฒ๐˜๐˜„๐—ฒ๐—ฒ๐—ป ๐—ฑ๐—ฒ๐˜€๐˜๐—ฟ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐—ฎ๐—ป๐—ฑ ๐—ฏ๐—ฒ๐—ฐ๐—ผ๐—บ๐—ถ๐—ป๐—ด, ๐—ฑ๐—ฒ๐˜ƒ๐—ผ๐˜‚๐—ฟ๐—ถ๐—ป๐—ด ๐—ฎ๐—ป๐—ฑ ๐—ฟ๐—ฒ๐—ป๐—ฒ๐˜„๐—ฎ๐—น. ๐—œ๐—ป ๐—ฝ๐—ถ๐—ฐ๐˜๐˜‚๐—ฟ๐—ฒ๐˜€: ๐—ฌ๐—ฎ๐—ฟ๐—ฎ ๐—•๐—ผ๐˜‚๐˜€๐˜๐—ฎ๐—ป๐˜†โ€™๐˜€ ๐—ผ๐—ฝ๐—ฒ๐—ป ๐˜€๐˜๐˜‚๐—ฑ๐—ถ๐—ผ, in which we stepped i...
17/04/2026

๐—•๐—ฒ๐˜๐˜„๐—ฒ๐—ฒ๐—ป ๐—ฑ๐—ฒ๐˜€๐˜๐—ฟ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐—ฎ๐—ป๐—ฑ ๐—ฏ๐—ฒ๐—ฐ๐—ผ๐—บ๐—ถ๐—ป๐—ด, ๐—ฑ๐—ฒ๐˜ƒ๐—ผ๐˜‚๐—ฟ๐—ถ๐—ป๐—ด ๐—ฎ๐—ป๐—ฑ ๐—ฟ๐—ฒ๐—ป๐—ฒ๐˜„๐—ฎ๐—น. ๐—œ๐—ป ๐—ฝ๐—ถ๐—ฐ๐˜๐˜‚๐—ฟ๐—ฒ๐˜€: ๐—ฌ๐—ฎ๐—ฟ๐—ฎ ๐—•๐—ผ๐˜‚๐˜€๐˜๐—ฎ๐—ป๐˜†โ€™๐˜€ ๐—ผ๐—ฝ๐—ฒ๐—ป ๐˜€๐˜๐˜‚๐—ฑ๐—ถ๐—ผ, in which we stepped into the emerging universe of mฤtri-phagรญa โ€” a transformative rite that seeks to assimilate violence in its most visceral, embodied form. This work-in-progress is inspired by by matriphagy, the act of offspring consuming their mother: through fragments of choreography, projections, and soundscape, Yara Boustany holds Beirut as a city forever reshaping itself through cycles of violence, itself a mother whose essence gets absorbed and transformed in a dance of devouring and rebirth.

We want to thank Yara, Nancy, and everyone who witnessed the first unfoldings of mฤtri-phagรญa with us and shared their reflections during the collective conversation afterwards.

Pictures by Navid Fayaz .fayyaz
boustany .nd

๐—ช๐—ฒโ€™๐—ฟ๐—ฒ ๐˜๐—ต๐—ฟ๐—ถ๐—น๐—น๐—ฒ๐—ฑ ๐˜๐—ผ ๐—ฝ๐—ฟ๐—ฒ๐˜€๐—ฒ๐—ป๐˜ ๐—›๐˜‚๐˜€๐˜€๐—ฒ๐—ถ๐—ป ๐—ฆ๐—ต๐—ถ๐—ธ๐—ต๐—ฎ, ๐—ฎ ๐—ป๐—ฒ๐˜„ ๐—น๐—ผ๐—ป๐—ด-๐˜๐—ฒ๐—ฟ๐—บ ๐—ฟ๐—ฒ๐˜€๐—ถ๐—ฑ๐—ฒ๐—ป๐—ฐ๐˜† ๐—ฎ๐—ฟ๐˜๐—ถ๐˜€๐˜ ๐—ฎ๐˜ ๐— ๐—ผ๐˜‚๐˜€๐˜€๐—ฒ๐—บ!Hussein Shikha (ยฐ1995) works at th...
31/03/2026

๐—ช๐—ฒโ€™๐—ฟ๐—ฒ ๐˜๐—ต๐—ฟ๐—ถ๐—น๐—น๐—ฒ๐—ฑ ๐˜๐—ผ ๐—ฝ๐—ฟ๐—ฒ๐˜€๐—ฒ๐—ป๐˜ ๐—›๐˜‚๐˜€๐˜€๐—ฒ๐—ถ๐—ป ๐—ฆ๐—ต๐—ถ๐—ธ๐—ต๐—ฎ, ๐—ฎ ๐—ป๐—ฒ๐˜„ ๐—น๐—ผ๐—ป๐—ด-๐˜๐—ฒ๐—ฟ๐—บ ๐—ฟ๐—ฒ๐˜€๐—ถ๐—ฑ๐—ฒ๐—ป๐—ฐ๐˜† ๐—ฎ๐—ฟ๐˜๐—ถ๐˜€๐˜ ๐—ฎ๐˜ ๐— ๐—ผ๐˜‚๐˜€๐˜€๐—ฒ๐—บ!
Hussein Shikha (ยฐ1995) works at the intersection of experimental film, animation, textile, and video game design to engage with layered symbologies that reflect his heritage and family history. Through repetition, variation, and subtly interconnected forms, his intricate pixel drawings unfold beautiful if manipulated personal recollections forged from his PlayStation Memory Card and situated experience. Rather than following a linear narrative, Shikha searches for meaning through heightened, dispersed associations that invite viewers into moments of reflection, recognition, and spiritual resonance. Pixelation becomes both a visual signifier and philosophical tool that fragments, encodes, and eludes clarity, also echoing traditions of concealment found in Islamic art. Shikha was born and raised in Iraq. He moved to Antwerp in 2009 where he is currently based.

During his residency at Moussem, Hussein will continue developing Legend of Sumeria, a project that explores how video games can function as a tool to archive and reinterpret visual cultures embedded in endangered iraqi heritage. Drawing from Mesopotamian mythology, Islamic visual cultures, and Marsh Arab weaving, the work translates textile motifs and symbols into a digital environment while engaging with the sociopolitical histories surrounding cultural heritage, memory, and representation, all the while challenging dominant orientalist portrayals of Arab, Islamic, and Middle Eastern cultures with video games.

๐Ÿ“ธ portrait ยฉ Areej Ashab โ€“ Legend of Sumeria: work-in-progress documentation โ€“ GARDEN_OF_EDEN.ISO (2023) videography by Hussein Shikha

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