Roxy Lane Theatre

Roxy Lane Theatre Roxy Lane Theatre is an award-winning not-for-profit community theatre who has settled into its home in Maylands.

Supporting our local emerging artists through our 100% volunteer involvement. Showcasing classics, twisting the old & trying new works.

21/03/2026

🎭 LAST 2 SHOWS - Tonight 7.30pm, Tomorrow 2.30pm. Marjorie Prime at Roxy Lane Theatre in Maylands - check out the reviews in this image !! More info and to secure your preferred seats go to www.TAZtix.com.au or ph TAZ Tix 9255 3336 🎭

What people are saying with our current season of Marjorie Prime. www.TAZtix.com.au/roxylanetheatre or ph TAZ Tix 9255 3...
13/03/2026

What people are saying with our current season of Marjorie Prime.
www.TAZtix.com.au/roxylanetheatre or ph TAZ Tix 9255 3336

🎭 SHOWING NOW Roxy Lane Theatre (Maylands) "Marjorie Prime" is receiving rave reviews. Featuring: Janet Dickinson, Finn Happ / Sam Yeo, Chris Harris, Julia Webster / Liza Black. More info and to secure your preferred seats go to www.TAZtix.com.au or ph TAZ Tix 9255 3336

Thank you Whats The Show for your generous review and for celebrating the work of our cast and creative team. It means a...
07/03/2026

Thank you Whats The Show for your generous review and for celebrating the work of our cast and creative team. It means a great deal to us that the production resonated with you. We’re grateful for your support of live theatre.
Don't miss out on tickets. Book now at https://taztix.com.au/roxylanetheatre or call 9255 3336
https://whatstheshow.com.au/marjorie-prime/

What would you say to someone you lost, if you could see them again? What if they’re a better listener now than when they were alive?

Was great seeing the Roxy Lane Theatre up on the big screen as a filming location for Bleederville. Huge congratulations...
05/03/2026

Was great seeing the Roxy Lane Theatre up on the big screen as a filming location for Bleederville. Huge congratulations to Jason Jones and all at Wedge Tales for a successful film, Bleederville, and night. It was an honour to be a part of the festivities at the WA Made Film Festival.

🎭 OPENS THIS WEEK:  Pulitzer Prize finalist Jordan Harrison's 'Marjorie Prime' is a witty, moving reinvention of the fam...
02/03/2026

🎭 OPENS THIS WEEK: Pulitzer Prize finalist Jordan Harrison's 'Marjorie Prime' is a witty, moving reinvention of the family drama. Directed by Liza Black, this unforgettable play explores aging, memory, and the uncanny role of artificial intelligence. More info and to secure your preferred seats go to www.TAZtix.com.au/roxylanetheatre or ph TAZ Tix 9255 3336.

🎭 OPENS THIS WEEK: Marjorie Prime Roxy Lane Theatre (Maylands) Pulitzer Prize finalist Jordan Harrison's play is a witty, moving reinvention of the family drama. Directed by Liza Black, this unforgettable play explores aging, memory, and the uncanny role of artificial intelligence. More info and to secure your preferred seats go to www.TAZtix.com.au or ph TAZ Tix 9255 3336.

R.U.R. (Rossum’s Universal Robots)About the PlayWritten in 1920, R.U.R. (Rossum’s Universal Robots) by Karel Čapek is th...
28/02/2026

R.U.R. (Rossum’s Universal Robots)
About the Play
Written in 1920, R.U.R. (Rossum’s Universal Robots) by Karel Čapek is the groundbreaking science-fiction drama that introduced the word “robot” to the world. Set in a remote industrial factory, the play follows the executives and scientists of Rossum’s Universal Robots, a company that manufactures artificial workers designed to serve humanity. As global dependence on these engineered labourers grows, ethical tensions begin to surface: What defines humanity? Can life be manufactured? And what happens when creation begins to question its purpose? Blending sharp satire, political allegory, and prophetic insight, R.U.R. explores ambition, conscience, revolution, and the fragile line between maker and made.
CHARACTERS
Harry Domin, General Manager of R.U.R. Age: 30–45
Helena Glory / Helena Domin, Humanitarian F Age: 20s–30s
Alquist, Chief Builder / Architect M/F Age: 50s–70s
Dr. Gall, Head of Physiology M/F Age: 40s–60s
Dr. Hallemeier, Psychologist / Educator M/F Age: 40s–60s
Fabry, Chief Engineer M/F Age: 35–55
Busman, Financial Director, M/F Age: 40s–60s
Nana, Housekeeper, F Age: 60s–80s
Radius, Robot Revolutionary, Age (appearance): 20s–30s
Primus, Robot, Age (appearance): M 20s–30s
Helena-R (Robot Helena), Robot, F Age (appearance): 20s–30s
Disclaimer: This production envisions the Robots as a visually unified and physically disciplined ensemble. These roles will involve sustained physical control, coordinated movement, and strong stage presence. Actors interested in Robot roles should be in good health and prepared for a physically engaged rehearsal process.
Actors interested in auditioning should prepare a short monologue which they think best represents the character they’re auditioning for.
Character Breakdown
Harry Domin
General Manager of R.U.R.
Age: 30–45
Domin is the charismatic, visionary executive who believes utterly in progress, efficiency, and human mastery over creation. He is persuasive, confident, and intellectually agile — a man who sells the future with ease. Emotionally guarded and pragmatically ruthless, Domin views robots as tools rather than beings. His marriage to Helena exposes the fault line between idealism and industrial ambition. Domin embodies the arrogance of unchecked technological optimism.
Helena Glory / Helena Domin
Humanitarian
Age: 20s–30s
Helena is the moral heart of the play. Idealistic, empathetic, and politically awakened, she arrives believing robots deserve rights and dignity. Her compassion clashes with the utilitarian logic of the factory. Her desperate final choice is driven by ethical conviction rather than calculation. Helena represents conscience, empathy, and tragic idealism.
Alquist
Chief Builder / Architect
Age: 50s–70s
Alquist is the only human who works with his hands — a builder rather than a theorist. He distrusts abstraction and reveres labour. After humanity’s destruction, he becomes the last human alive, burdened with preserving meaning and hope. A role of humility, gravitas, and spiritual weight.
Dr. Gall
Head of Physiology
Age: 40s–60s
Gall is the scientist who gave robots human traits. Compassionate but naĂŻve, he believes refinement equals improvement. His growing guilt reflects the unintended consequences of creation without restraint.
Dr. Hallemeier
Psychologist / Educator
Age: 40s–60s
Bombastic and ideological, Hallemeier prides himself on shaping robot consciousness. Often comic, he becomes chilling as his confidence collapses. A role balancing satire with menace.
Fabry
Chief Engineer
Age: 35–55
Fabry is the practical technologist: inventive, efficient, and emotionally detached. He treats progress as a technical puzzle rather than a moral question.
Busman
Financial Director
Age: 40s–60s
Busman sees the world in numbers and returns. Blunt and often darkly comic, he reduces catastrophe to an accounting problem. Cynicism hardens into realism.
Nana
Housekeeper
Age: 60s–80s
Deeply religious and superstitious, Nana fears the robots from the outset. Often dismissed, she ultimately proves prophetic. A grounding role rooted in instinct and tradition.
Radius
Robot Revolutionary
Age (appearance): 20s–30s
Radius is the first robot to openly defy humans. Strong, commanding, and uncompromising, he embodies revolutionary fury and inevitability.
Primus
Robot
Age (appearance): 20s–30s
Gentle and curious, Primus develops emotion and love. His relationship with Robot Helena represents emergent humanity and hope.
Helena-R (Robot Helena)
Robot
Age (appearance): 20s–30s
Modeled after Helena Glory, she evolves from imitation to authentic feeling. Alongside Primus, she represents the birth of a new humanity.
Actors interested in auditioning should prepare a short monologue which they think best represents the character they’re auditioning for.
AUDITION DETAILS
When: Saturday 7th March 2026 from 10am – please email to
book a time slot
Where: Roxy Lane Theatre, 55 Ninth Ave, Maylands
Book your audition: [email protected]
We are not-for-profit community theatre and these are unpaid roles.

R.U.R. (Rossum’s Universal Robots)About the PlayWritten in 1920, R.U.R. (Rossum’s Universal Robots) by Karel Čapek is th...
25/02/2026

R.U.R. (Rossum’s Universal Robots)
About the Play
Written in 1920, R.U.R. (Rossum’s Universal Robots) by Karel Čapek is the groundbreaking science-fiction drama that introduced the word “robot” to the world. Set in a remote industrial factory, the play follows the executives and scientists of Rossum’s Universal Robots, a company that manufactures artificial workers designed to serve humanity. As global dependence on these engineered labourers grows, ethical tensions begin to surface: What defines humanity? Can life be manufactured? And what happens when creation begins to question its purpose? Blending sharp satire, political allegory, and prophetic insight, R.U.R. explores ambition, conscience, revolution, and the fragile line between maker and made.
CHARACTERS
Harry Domin, General Manager of R.U.R. Age: 30–45
Helena Glory / Helena Domin, Humanitarian F Age: 20s–30s
Alquist, Chief Builder / Architect M/F Age: 50s–70s
Dr. Gall, Head of Physiology M/F Age: 40s–60s
Dr. Hallemeier, Psychologist / Educator M/F Age: 40s–60s
Fabry, Chief Engineer M/F Age: 35–55
Busman, Financial Director, M/F Age: 40s–60s
Nana, Housekeeper, F Age: 60s–80s
Radius, Robot Revolutionary, Age (appearance): 20s–30s
Primus, Robot, Age (appearance): M 20s–30s
Helena-R (Robot Helena), Robot, F Age (appearance): 20s–30s
Disclaimer: This production envisions the Robots as a visually unified and physically disciplined ensemble. These roles will involve sustained physical control, coordinated movement, and strong stage presence. Actors interested in Robot roles should be in good health and prepared for a physically engaged rehearsal process.
Actors interested in auditioning should prepare a short monologue which they think best represents the character they’re auditioning for.
Character Breakdown

Harry Domin
General Manager of R.U.R.
Age: 30–45
Domin is the charismatic, visionary executive who believes utterly in progress, efficiency, and human mastery over creation. He is persuasive, confident, and intellectually agile — a man who sells the future with ease. Emotionally guarded and pragmatically ruthless, Domin views robots as tools rather than beings. His marriage to Helena exposes the fault line between idealism and industrial ambition. Domin embodies the arrogance of unchecked technological optimism.

Helena Glory / Helena Domin
Humanitarian
Age: 20s–30s
Helena is the moral heart of the play. Idealistic, empathetic, and politically awakened, she arrives believing robots deserve rights and dignity. Her compassion clashes with the utilitarian logic of the factory. Her desperate final choice is driven by ethical conviction rather than calculation. Helena represents conscience, empathy, and tragic idealism.

Alquist
Chief Builder / Architect
Age: 50s–70s
Alquist is the only human who works with his hands — a builder rather than a theorist. He distrusts abstraction and reveres labour. After humanity’s destruction, he becomes the last human alive, burdened with preserving meaning and hope. A role of humility, gravitas, and spiritual weight.

Dr. Gall
Head of Physiology
Age: 40s–60s
Gall is the scientist who gave robots human traits. Compassionate but naĂŻve, he believes refinement equals improvement. His growing guilt reflects the unintended consequences of creation without restraint.

Dr. Hallemeier
Psychologist / Educator
Age: 40s–60s
Bombastic and ideological, Hallemeier prides himself on shaping robot consciousness. Often comic, he becomes chilling as his confidence collapses. A role balancing satire with menace.

Fabry
Chief Engineer
Age: 35–55
Fabry is the practical technologist: inventive, efficient, and emotionally detached. He treats progress as a technical puzzle rather than a moral question.

Busman
Financial Director
Age: 40s–60s
Busman sees the world in numbers and returns. Blunt and often darkly comic, he reduces catastrophe to an accounting problem. Cynicism hardens into realism.

Nana
Housekeeper
Age: 60s–80s
Deeply religious and superstitious, Nana fears the robots from the outset. Often dismissed, she ultimately proves prophetic. A grounding role rooted in instinct and tradition.

Radius
Robot Revolutionary
Age (appearance): 20s–30s
Radius is the first robot to openly defy humans. Strong, commanding, and uncompromising, he embodies revolutionary fury and inevitability.

Primus
Robot
Age (appearance): 20s–30s
Gentle and curious, Primus develops emotion and love. His relationship with Robot Helena represents emergent humanity and hope.

Helena-R (Robot Helena)
Robot
Age (appearance): 20s–30s
Modeled after Helena Glory, she evolves from imitation to authentic feeling. Alongside Primus, she represents the birth of a new humanity.
Actors interested in auditioning should prepare a short monologue which they think best represents the character they’re auditioning for.

AUDITION DETAILS
When: Saturday 28th February and 7th March 2025 from 10am – please email to
book a time slot
Where: Roxy Lane Theatre, 55 Ninth Ave, Maylands
Book your audition: [email protected]
We are not-for-profit community theatre and these are unpaid roles.

R.U.R. (Rossum’s Universal Robots)About the PlayWritten in 1920, R.U.R. (Rossum’s Universal Robots) by Karel Čapek is th...
21/02/2026

R.U.R. (Rossum’s Universal Robots)
About the Play
Written in 1920, R.U.R. (Rossum’s Universal Robots) by Karel Čapek is the groundbreaking science-fiction drama that introduced the word “robot” to the world. Set in a remote industrial factory, the play follows the executives and scientists of Rossum’s Universal Robots, a company that manufactures artificial workers designed to serve humanity. As global dependence on these engineered labourers grows, ethical tensions begin to surface: What defines humanity? Can life be manufactured? And what happens when creation begins to question its purpose? Blending sharp satire, political allegory, and prophetic insight, R.U.R. explores ambition, conscience, revolution, and the fragile line between maker and made.

CHARACTERS
Harry Domin, General Manager of R.U.R. Age: 30–45
Helena Glory / Helena Domin, Humanitarian F Age: 20s–30s
Alquist, Chief Builder / Architect M/F Age: 50s–70s
Dr. Gall, Head of Physiology M Age: 40s–60s
Dr. Hallemeier, Psychologist / Educator M Age: 40s–60s
Fabry, Chief Engineer M Age: 35–55
Busman, Financial Director, Age: 40s–60s
Nana, Housekeeper, F Age: 60s–80s
Radius, Robot Revolutionary, Age (appearance): 20s–30s
Primus, Robot, Age (appearance): M 20s–30s
Helena-R (Robot Helena), Robot, F Age (appearance): 20s–30s

Disclaimer: This production envisions the Robots as a visually unified and physically disciplined ensemble. These roles will involve sustained physical control, coordinated movement, and strong stage presence. Actors interested in Robot roles should be in good health and prepared for a physically engaged rehearsal process.
Actors interested in auditioning should prepare a short monologue which they think best represents the character they’re auditioning for.

Character Breakdown
Harry Domin
General Manager of R.U.R.
Age: 30–45
Domin is the charismatic, visionary executive who believes utterly in progress, efficiency, and human mastery over creation. He is persuasive, confident, and intellectually agile — a man who sells the future with ease. Emotionally guarded and pragmatically ruthless, Domin views robots as tools rather than beings. His marriage to Helena exposes the fault line between idealism and industrial ambition. Domin embodies the arrogance of unchecked technological optimism.

Helena Glory / Helena Domin
Humanitarian
Age: 20s–30s
Helena is the moral heart of the play. Idealistic, empathetic, and politically awakened, she arrives believing robots deserve rights and dignity. Her compassion clashes with the utilitarian logic of the factory. Her desperate final choice is driven by ethical conviction rather than calculation. Helena represents conscience, empathy, and tragic idealism.

Alquist
Chief Builder / Architect
Age: 50s–70s
Alquist is the only human who works with his hands — a builder rather than a theorist. He distrusts abstraction and reveres labour. After humanity’s destruction, he becomes the last human alive, burdened with preserving meaning and hope. A role of humility, gravitas, and spiritual weight.

Dr. Gall
Head of Physiology
Age: 40s–60s
Gall is the scientist who gave robots human traits. Compassionate but naĂŻve, he believes refinement equals improvement. His growing guilt reflects the unintended consequences of creation without restraint.

Dr. Hallemeier
Psychologist / Educator
Age: 40s–60s
Bombastic and ideological, Hallemeier prides himself on shaping robot consciousness. Often comic, he becomes chilling as his confidence collapses. A role balancing satire with menace.

Fabry
Chief Engineer
Age: 35–55
Fabry is the practical technologist: inventive, efficient, and emotionally detached. He treats progress as a technical puzzle rather than a moral question.

Busman
Financial Director
Age: 40s–60s
Busman sees the world in numbers and returns. Blunt and often darkly comic, he reduces catastrophe to an accounting problem. Cynicism hardens into realism.

Nana
Housekeeper
Age: 60s–80s
Deeply religious and superstitious, Nana fears the robots from the outset. Often dismissed, she ultimately proves prophetic. A grounding role rooted in instinct and tradition.

Radius
Robot Revolutionary
Age (appearance): 20s–30s
Radius is the first robot to openly defy humans. Strong, commanding, and uncompromising, he embodies revolutionary fury and inevitability.

Primus
Robot
Age (appearance): 20s–30s
Gentle and curious, Primus develops emotion and love. His relationship with Robot Helena represents emergent humanity and hope.

Helena-R (Robot Helena)
Robot
Age (appearance): 20s–30s
Modeled after Helena Glory, she evolves from imitation to authentic feeling. Alongside Primus, she represents the birth of a new humanity.

Actors interested in auditioning should prepare a short monologue which they think best represents the character they’re auditioning for.

AUDITION DETAILS
When: Saturday 28th February 2025 from 10am – please email to
book a time slot
Where: Roxy Lane Theatre, 55 Ninth Ave, Maylands
Book your audition: [email protected]

We are not-for-profit community theatre and these are unpaid roles.

🎉 Big cheers for our very own Theatre Manager, Jim Chantry! 🎉He’s just been named the City of Bayswater's Senior Communi...
28/01/2026

🎉 Big cheers for our very own Theatre Manager, Jim Chantry! 🎉
He’s just been named the City of Bayswater's Senior Community Citizen of the Year, and honestly… we’re not even a little bit surprised.
Jim is the kind of person who can spend the morning helping the Kiwanis of Perth make the world a kinder place, then roll straight into the theatre and build a set so good it deserves its own standing ovation. If it needs painting, hammering, fixing, lifting, tweaking, or magically conjuring out of thin air — Jim’s your guy.
His energy, generosity, and unstoppable enthusiasm have shaped our theatre (literally — have you seen those sets?) and strengthened our community in ways that go far beyond the stage.
👏 Congratulations, Jim!
You’ve built stages, supported countless performers, and lifted an entire community along the way. This award is just the cherry on top.

As we mark the 50th Finley Awards, heartfelt thanks go to the Independent Theatre Association whose dedication keeps our...
23/01/2026

As we mark the 50th Finley Awards, heartfelt thanks go to the Independent Theatre Association whose dedication keeps our community stages vibrant and thriving.

To all our community theatres, casts, and crews: your dedication is the heartbeat of this art form. You rehearse late, build big, dream boldly, and give everything you have so audiences can experience the magic. This milestone belongs to you as much as anyone.
And to our own 2025 finalists: you didn’t just shine — you roared. Your work pushed boundaries, lifted spirits, and showed exactly why WA’s theatre community is one of the most fearless and vibrant in the country.

Roxy Finalists:
Catherine Jane: WINNER Best Supporting Actress in a One Act
Celeste Lopez: FINALIST Best Costume in a Play
Kezia George: FINALIST Best Supporting Actress in a Play
Sandhya Krishnan: FINALIST Best Director for a One Act

And to the cast and crew of 'Flushed' for making the Top Ten One Acts of 2025!

Thank you for fifty years of brilliance, grit, and unstoppable creativity. Here’s to the next fifty — louder, bolder, and brighter than ever. Roxy Lane Theatre are proud to be a part of it.

Part 2 of the 50th Annual Finley Awards photographs ✨

📸 Photos from Independent Theatre Association by Perfectly Picturesque Photography.

Address

55 Ninth Avenue
Maylands, WA
6051

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