Collecting the West

Collecting the West How collections create Western Australia Indeed, some of the first objects through which Europeans understood and imagined Australia came from WA.

In the last 400 years, objects from Western Australia have circulated through global, national and local collecting networks. Shells collected by Dampier in 1699 went to the Ashmolean Museum in Oxford and to The British
Museum (BM). The inscribed plate left by Dirk Hartog on a small island off the westernmost part of Australia in 1616 was found by De Vlamingh in 1697 and taken to Batavia (Jakarta)

, and is now held in the Rijksmuseum in Amsterdam. However, we know very little about the making of these collections and the institutional, political and
social contexts of individual collectors. Nor do we fully understand the role of these collections in the creation of knowledge about WA, the shaping of its social relations, or the production of collective memories and sense of place
over the course of WA’s history to the present. What images of Australia did these fragments from WA present to the world? How did these growing collections eventually inform Western Australian identity, shape its historiography, collective memory and sense of place? Equally important, how did this collecting activity shape social relations, both during the colonial encounter and its aftermath, and between different communities? This project is
unique in examining collecting from pre-colonial to modern contexts, and at local, national and international scales, to achieve a new understanding of how it has framed WA’s place in the world. The project partners an
interdisciplinary team of scholars with the three primary collecting institutions in WA—its Museum, Library and Art Gallery—and the British Museum to use the resulting knowledge to inform future uses of these collections and new collecting practices.

01/12/2024
This may be of interest....and fully on line!CfP: Imperial Lives Conferenceby Carl DeussenDate: 30.-31.3.2023Place: Onli...
11/12/2022

This may be of interest....and fully on line!

CfP: Imperial Lives Conference

by Carl Deussen
Date: 30.-31.3.2023
Place: Online/Rautenstrauch-Joest-Museum Cologne (RJM).
For reasons of greater accessibility and sustainability, the conference will be held completely online.

After years of struggle, deflection, and hesitation, ethnographic museums are increasingly accepting the need for decolonization. Often, this is framed in terms of diversity and empowerment and with a special focus on creator communities and their diaspora. We agree: the victims of imperial violence and their descendants need to be at the centre of any fruitful decolonization process.
However, this leaves a momentous gap: what about the creators of the museum, the collectors who often violently amassed the collections, as well as those who are implicated in their legacy today? Whose acts of perpetration, violence, transgression, betrayal, superiority, exploitation, and misunderstanding lie at the foundation of the museum? When it comes to the actors in question and their agency, what prevails is often absence or a retreat into abstraction, both in academia and the museum.
The “Imperial Lives” conference wants to widen this perspective and offer a complementary approach: it aims at exploring ways of overcoming this colonial aphasia by focussing on the concrete, often messy biographies behind the institution “ethnographic museum”. We propose that the encounter with the personified past of empire – the biographies of imperial collectors – creates a space of unsettlement in which the personal implication of all members of a post-imperial democratic society can be explored and collective memory transformed.
Ethnographic museums, as one of the most visible sites of imperial continuity, offer an exemplary field for the exploration of imperial perpetration and implication that goes beyond the bounds of anthropology – especially when it comes to the interaction with broader audiences. This is why the conference will focus on both research and narration, inviting transdisciplinary perspectives from history, cultural, and literary studies as well as artistic, journalistic and activist practices.
We call for contributions addressing issues of biographic knowledge generation and representation, including questions such as:
· How can biographic approaches to the legacy of empire contribute to the decolonisation of ethnographic museums?
· What may be the archival foundation for biographic approaches to the imperial past? How can imperial personas be portrayed if the only archival material available was produced by themselves? What is the role of ethnographic collections as archives?
· What kind of biographies are suited for such decolonial biographic research?
· Who should be doing this research? How does the personal situatedness of the researcher affect the outcome?
· What forms of representation, what narrative strategies should be used to depict imperial biographies?
· With museums as the sites of a society’s collective memory: Which narrative approaches are fruitful contributions to the “work of remembrance”?
· What is the relationship between historical factuality and biographic fiction, especially concerning the archival inequalities of empire?
· In how far can artistic research and practice enrich modes of biographic display?

Conference language: English
There will be a recording of all papers, keynotes, and panels.

We are inviting scholars from the fields of:
ethnography, anthropology, literary studies, historical science, cultural studies, museology, art history, arts (e.g. fine arts, film, literature etc.), provenance research, journalism.

CfP:
Please hand in your abstract of max. 500 words (in English, + short bio) until 2023/01/30 via:
https://tinyurl.com/abstract-imperiallives2023

For any questions, feel free to get in touch via [email protected]

Access Google Forms with a personal Google account or Google Workspace account (for business use).

Really excited to be supported to run this workshop!
23/11/2022

Really excited to be supported to run this workshop!

We propose to explore the ways museum collections have shaped perceptions of settler-colonialism and Indigenous peoples through a comparison of two “Wests”: western North America and western Australia. We will bring together scholars working with the Berndt Museum of Anthropology at The Universi...

18/11/2022

At least 1,600 shipwrecks—and countless tales of pirates and plunder—lie offshore, under Indian Ocean waters. Now maritime explorers are diving down to reveal their secrets.

Collected coins to return to WAM
01/09/2022

Collected coins to return to WAM

Stolen artefacts from the infamous Batavia shipwreck will be returned to the Western Australian Museum, 30 ...

Really thrilled to get funded for our ARC LP: 'Mobilising Dutch East India Company collections for new global stories'. ...
24/08/2022

Really thrilled to get funded for our ARC LP: 'Mobilising Dutch East India Company collections for new global stories'. Project starts 2023. Call for researchers and PhD students soon.

The print version of this great paper now available!
04/08/2022

The print version of this great paper now available!

Abstract. Overlooked among the collections of the Western Australian Museum and Art Gallery, opened in Perth in 1895, is a large cross-disciplinary photograph c

Wonderful story on ABC radio featuring CTW CI Jane Lydon and PI Kate Gregory: 'The State Library of Western Australia's ...
15/07/2022

Wonderful story on ABC radio featuring CTW CI Jane Lydon and PI Kate Gregory: 'The State Library of Western Australia's collection holds a handful of daguerreotypes -- the earliest form of photography -- and a research project, Collecting the West, is unearthing more information about those early images.'

Monochrome portraits of unsmiling people might seem dull at first glance, but a re-examination of some of the oldest photographs in WA's state collection is turning up surprising stories.

Great story of Gaye's research
08/07/2022

Great story of Gaye's research

A water container made from bull kelp was collected by French expeditioners in the 1700s, but the incredibly rare artefact became mislabelled and lost in various museums for more than 100 years.

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