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OJS Media Solutions, Malamulele (2026)

05/06/2026

Bonani Crochet Couture: The Artistry of Vhonani Mikosi

By Basani Gaaba

From the quiet village of Ngwenani ya Themeli near Sibasa, emerges a creative force whose hands transform yarn into timeless fashion. Vhonani Mikosi, founder of Bonani Crochet Couture, has built a journey defined by passion, perseverance, and the joy of creation.

Vhonani has always loved working with her hands, but yarn became her greatest challenge and inspiration. Crochet is not just a skill for her—it is a way of expressing creativity, discipline, and uniqueness. Holding yarn and a crochet hook, she brings imagination to life, one stitch at a time.

Becoming a fashion designer was always her dream. Today, she creates pieces that stand out because of the love and dedication woven into every thread. Her specialty lies in kids’ clothing—from hats and pants to sweaters. The joy on parents’ faces when they see her work is her greatest reward.

Among her many creations, one stands out: a dress she made for her baby’s first birthday. As a beginner in crochet at the time, she wanted something unique for such a special day. That dress remains her most treasured piece, symbolizing both love and growth.

Her favorite yarn is Charity yarn, a versatile material that works beautifully for any project. Whether following patterns or creating her own, Vhonani ensures each design carries her signature touch.

Like any artist, she faces challenges—especially when working with complex patterns for customers. Yet, she always pushes through, determined to satisfy them. The reality of South Africa’s unemployment rate motivates her to sharpen her skills, proving that creativity can open doors to opportunity.

Her advice to fellow creators: stay true to yourself, challenge yourself with yarn, and never give up.

Connect with Bonani Crochet Couture
📞 Contact: 0606949125
🎵 TikTok:
📘 Facebook: vhonani mikosi sigwa

This intiative is proudly sponsored by the Human Sciences Research Council (HSRC) internship program in partnership with the Department of Science,Technology and Innovation SA and The National Skills Fund hosted by OJS Media Solutions

05/06/2026

OJS Media Solutions & OJS Foundation NPC

A Message From The Founder

Foreigners are not our crisis. Unemployment is.

South Africa is the most unequal country in the world_ with 32.7% unemployment. For youth 15-34, it’s 45.8% that's 4.7 million young people are unemployed.

The solution: Get young people into the economy. Into business. Into education. Into work.

To every young person facing the harshness of unemployment:The labour market is brutal. Especially to those who just earned a matric, diploma, degree, or even a doctorate do not be discouraged. The world owes you nothing, but you owe it your fight. Upskill. Adapt. Your breakthrough will come from persistence, not promises.

“Young person, your qualification matters. Yes, your destiny is not yet written. But do remember it was never promised. So go for it and change the world.” ~Tiyani Sithole

My proposal to my fellow South African government, people, and stakeholders who care about the youth is:

We need to remove barriers for youth to start businesses by providing funding and mentorship, even if their ideas are still concepts. We must upskill our youth in trades still in demand like plumbing, electrical, welding, solar installation, and more but we cannot stop there. We are in the Fourth Industrial Revolution. Young people know AI exists, but they don’t know how to earn from it. They don’t know the careers behind digitalisation, technology, and AI.

Organisations like OJS Media Solutions and OJS Foundation should be used to bring this knowledge and these opportunities to rural and urban communities in South Africa where they are based. Through these partnerships, young people can learn how to fix phones, laptops, or machinery, build digital systems, develop software, become AI technicians, and earn a living. These partnerships can also take the form of learnerships, internships, and work-integrated learning opportunities, as well as entrepreneurship incubation programmes backed by funding or grants, which will develop these skills to prepare our youth for the jobs of tomorrow.

If you believe in our statement and want to help us bring these ideas to life:
We at OJS are ready to partner with you as stakeholders, government agencies, departments, or any organisation looking to fulfill Corporate Social Investment (CSI), Socio-Economic Development (SED) obligations, or improve Broad-Based Black Economic Empowerment (B-BBEE) levels. Partner with us to create real social impact and youth employment opportunities in Limpopo through work-integrated learning, internships, learnerships, and youth empowerment programmes that put young people to work.

To partner with us email us at : [email protected]

We also thank those who are already investing or partnering with OJS to ensure young people in Limpopo are not sitting at home. Because of you, young people get to upskill and participate in the economy.

We say NO to xenophobic and tribalistic attacks. We say YES to jobs, skills, business development, and integration for our youth.

– Tiyani Sithole
Founder, OJS Media Solutions & OJS Foundation NPC

National Lotteries Commission The Trevor Noah Foundation Nelson Mandela Childrens Fund Hollywood Foundation The Learning Trust National Skills Fund

04/06/2026

Stitching Dreams from Scratch: How Self-Taught Designer Rixongile Maluleke is Redefining Cultural Fashion

By Basani

Born and raised in the vibrant Nhlengani village, 40-year-old Rixongile Maluleke embodies resilience, passion, and ingenuity. Without the benefit of a formal fashion degree, she has carved a niche for herself in the world of cultural fashion—proving that determination and self-education can lead to extraordinary success.

For Maluleke, fashion is more than just clothing—it's a form of artistic expression and a celebration of heritage. “I love fashion so much,” she shares. “I like to create beautiful designs that make people look unique and gorgeous.” Her designs are a vivid tribute to her roots, blending traditional motifs with contemporary silhouettes to celebrate individuality and culture.

What makes Maluleke’s journey truly inspiring is her unconventional path. With no formal training, she turned to the internet as her classroom. Relying heavily on YouTube tutorials, she self-educated herself in sewing techniques, pattern drafting, and fabric manipulation. Each tutorial became a stepping stone, expanding her skills and fueling her creative vision.

Her portfolio spans casual wear to modern, culturally inspired pieces. Yet, her true passion lies in African cultural fashion. Her signature style boldly experiments with diverse fabrics and striking colors, creating pieces that are both stylish and culturally meaningful.

Among her favorite pieces to craft are T-shirts and dresses. “They are very simple, and I don't have to stress too much when I'm busy drafting and cutting,” she explains. “It is very easy for me to produce a nice final product.” Her favorite piece remains a blue and white long-sleeved dress with dramatic puffed shoulders—her first major creation for herself. “That dress allowed me to be flexible and confident in my skills,” she recalls with pride.

Mastering fashion design without formal education was not without hurdles. Equipped with essential tools—sewing machine, needles, thread, patterns, and measuring tapes—Maluleke learned through trial and error. A common early mistake was forgetting to leave a seam allowance, resulting in ill-fitting garments.

“Sometimes I would do exact measurements instead of leaving an allowance,” she admits. “If I didn't, the dress wouldn't fit the client because it would be too small. I had to start over, losing fabric and time.”

Rather than giving up, she viewed these setbacks as opportunities to improve. Today, her workflow includes meticulous double-checking and precise measurement practices that ensure every piece fits perfectly.

Maluleke’s self-taught journey has imbued her with a powerful message: resilience is as vital as creativity. She encourages beginners to persevere through challenges. “No matter how difficult the challenges you face, do not give up,” she advises. “Keep practicing and sewing. You will eventually produce the beautiful designs you dream of.”

She emphasizes that success in fashion demands patience, strength, and a long-term vision. “In this industry, you need to be strong and patient because there are many obstacles. But with dedication, you can turn your passion into a thriving career.”

Today, Rixongile Maluleke stands as a testament to self-made success—an inspiring example of how one can transform a lifelong love for fashion into a meaningful brand that celebrates culture and individuality. Her story reminds us that with determination, continuous learning, and a deep pride in one’s roots, dreams can be stitched into reality, one thread at a time.

Follow her journey on Facebook: Tofolax Toffee Maluleke

This intiative is proudly sponsored by the Human Sciences Research Council (HSRC) internship program in partnership with the Department of Science,Technology and Innovation SA and The National Skills Fund hosted by OJS Media Solutions

03/06/2026

03 June 2026

Mavuyisi primary school

OJS participants were helping learners practice Sarafina dance💃 🕺

This programme is brought to you by ASSITEJ South Africa ASSITEJ South Africa ASSITEJ South Africa Art4Youth Programme sponsored by the Social Employment Fund in collaboration with OJS Media Solutions

03/06/2026

Xitlhelani-Based Artist Vee Gold Advances Tsonga Rap Genre Since 2018

By Ndimande Suprise

Chauke Prodigious Vukahle, popularly known as Vee Gold, has been a pioneering force in the Tsonga rap scene since launching his musical career in 2018. Hailing from the serene village of Xitlhelani in Limpopo, Vee Gold's mission has been to elevate Xitsonga language within the vibrant landscape of contemporary hip-hop.

Vee Gold attributes his inspiration to the legendary Tsonga rapper Simefree. Having grown up listening to Simefree’s impactful lyrics and storytelling, Vee Gold recognized the potential of Tsonga language and culture to resonate powerfully through modern rap. This realization fueled his determination to create music that not only entertains but also preserves and promotes Tsonga identity in the evolving genre.

Embarking on his musical journey, Vee Gold faced significant hurdles. During his early days, the scarcity of recording studios in Xitlhelani and surrounding areas posed a major obstacle. Limited access to professional production facilities meant that recording and releasing music required ingenuity and perseverance. Despite these setbacks, Vee Gold remained committed, often traveling to nearby towns to access recording spaces or utilizing makeshift setups to bring his vision to life.

Vee Gold emphasizes that Tsonga rap is more than just a musical style; it is a vital tool for cultural expression and storytelling. His lyrics often reflect the realities, aspirations, and struggles of young people in his community, fostering a sense of pride and belonging. Through his work, he aims to inspire other aspiring artists from rural Limpopo to pursue their craft and share their stories with the world.

Since his debut, Vee Gold has dedicated himself to refining his artistry and expanding his reach. His perseverance exemplifies the resilience of emerging artists in rural South Africa, striving to gain recognition for Xitsonga rap on larger platforms. As he continues to produce and perform, Vee Gold remains committed to enriching the genre and ensuring that Tsonga language maintains its rightful place in South Africa’s dynamic music industry.

With a growing fan base and a passion for cultural preservation, Vee Gold stands as a testament to the transformative power of music rooted in heritage. His journey underscores the importance of regional artists in shaping the future of South African hip-hop, ensuring that traditional languages like Tsonga are celebrated and heard.

Connect with Vee Gold on
Facebook@ : Ma Go Li De
Instagram@: Ma Go Li De
Contact :+27 78 263 0494

This intiative is proudly sponsored by the Human Sciences Research Council (HSRC) internship program in partnership with the Department of Science,Technology and Innovation SA and The National Skills Fund hosted by OJS Media Solutions

01/06/2026

The Cultural Architect: How Hlavutelo Winston is Shaping Modern Design from Limpopo

By Ripfumelo Zaba

In an era dominated by uniform digital aesthetics, graphic designer Hlavutelo Winston is carving out a distinct creative space. From Hlengani Village in Limpopo, Winston bridges the gap between clean, modern visual communication and deep-rooted local culture. His journey is remarkable not only for his growing design business but also for his academic pursuits, as he works toward a Bachelor of Education at the University of South Africa (UNISA).

Winston’s entry into the design world began in 2019 while working at Davenell Printing. He recalls being tasked with transforming messy ideas into clear, attractive visuals. That experience revealed the potential of design to combine creativity with practical impact, sparking his passion for the craft.

Rather than following the traditional art school route, Winston built his foundation through self-directed study. He immersed himself in the principles of typography, color theory, and composition via YouTube tutorials, sharpening his skills through practice projects and real client work. This blend of independent learning and hands-on experience shaped his signature style: functional layouts with bold yet restrained color palettes and sharp typographic clarity, always attentive to cultural context.

For Winston, design is not just about aesthetics but about identity. “A piece feels distinctly mine when it balances practicality with place,” he explains. His creative process is highly research-driven, beginning with client objectives and competitor analysis, then extending to conversations with stakeholders to uncover the stories behind each brief. He builds moodboards from
Pinterest, but also draws inspiration from local crafts, signage, and photography, ensuring his work remains rooted in community identity.

Balancing his design business with university studies is no easy feat. Winston admits that time constraints often force him to sacrifice sleep to meet client deadlines. Yet his commitment has already yielded impressive results. His proudest achievement is the visual identity for Rocket Live News, titled Hikwala Sweswi. What started as a small leaflet evolved into a full brand launch, selling more than 500 T-shirts. By incorporating local colors and glyphs inspired by regional craft, Winston created a design that was both practical and empowering, strengthening client trust and community pride.

For aspiring designers, Winston offers clear advice: master the basics before chasing trends. Focus on composition, color theory, and typography.Share your work, seek feedback, and collaborate. Community projects, volunteer briefs, and small businesses provide invaluable lessons in working within real-world constraints.

Winston’s story demonstrates that design can be more than visual appeal—it can be a tool for cultural storytelling and empowerment. By weaving Limpopo’s heritage into modern design, he is shaping a creative language that feels both global and deeply local.

📌 Follow his work on Facebook: Graphix

This intiative is proudly sponsored by the Human Sciences Research Council (HSRC) internship program in partnership with the Department of Science,Technology and Innovation SA and The National Skills Fund hosted by OJS Media Solutions

29/05/2026

Eskay Pictures: Capturing Life Through the Lens of Ndamulelo Daswa

By Basani Gaaba

In the quiet village of Gondeni Strekstroom, a storyteller was born — not with pen and paper, but with a camera. His name is Ndamulelo Daswa, though in the creative world he is better known as Eskay Pictures. Since 2019, Daswa has been weaving narratives through photography, driven by a passion for capturing authentic human experiences.

Photography, for Daswa, is more than a profession; it is a language. His journey began with a simple yet profound realization: images can tell stories words often cannot “Photographs narrate emotions and moments,” he reflects, “and that motivates me to capture scenes that resonate with viewers.” This philosophy has shaped his work, making every frame a chapter in a larger narrative.

Without formal qualifications, Daswa’s artistry is self-taught, nurtured by curiosity and relentless practice. He describes his style as lifestyle photography— a genre that thrives on authenticity. His lens gravitates toward candid interactions, genuine emotions, and everyday beauty. Each photograph is a slice of life, unpolished yet profoundly human.

Daswa’s favorite subjects are everyday moments — the laughter shared between friends, the quiet reflection of a passerby, or the fleeting glow of a sunset. One of his most treasured works was captured in 2021, when he recreated a sunset scene using minimal equipment. That image, simple yet striking, marked a turning point in his creative journey, proving that vision outweighs resources.

Armed with a Nikon DSLR D750 and Godox rechargeable lights, Daswa crafts his visual stories with precision. He admires the innovation of the Nikon Z series and the artistry of Sigma Art lenses, though he resists choosing favorites. For him, equipment is merely a tool — creativity is the true engine of photography.

Every shoot begins with a concept. Daswa carefully plans the storyline, selecting locations, props, and poses that align with the narrative. Yet, he knows that spontaneity is key. “The challenge,” he admits, “is achieving the right mood and natural flow with subjects.” His solution lies in building rapport, creating comfort, and letting genuine interactions unfold.

To stay inspired, Daswa immerses himself in new techniques, workshops, and collaborations. He believes growth comes from experimentation and openness — testing new narratives, learning from peers, and embracing the evolving landscape of photography.

For aspiring photographers, Daswa offers advice rooted in his own journey: embrace storytelling. “Focus on capturing authentic moments and emotions,” he says. “Practice consistently, and treat every experience as a lesson.” His message is clear — photography is not about perfection, but about connection.

Through Eskay Pictures, Ndamulelo Daswa has carved a space where everyday life becomes art. His lens does not just capture images; it captures stories, emotions, and the essence of human experience. In a world saturated with visuals, his work reminds us that the most powerful photographs are those that speak to the heart.

For more you can contact Eskay pictures:

Facebook: Eskay Pictures
Instagram: Eskay Pictures

This intiative is proudly sponsored by the Human Sciences Research Council (HSRC) internship program in partnership with the Department of Science,Technology and Innovation SA and The National Skills Fund hosted by OJS Media Solutions

29/05/2026

29 May 2026

Mavuyisi primary school

OJS participants were helping learners practice Sarafina dance💃 🕺

This programme is brought to you by ASSITEJ South Africa ASSITEJ South Africa ASSITEJ South Africa Art4Youth Programme sponsored by the Social Employment Fund in collaboration with OJS Media Solutions

29/05/2026

🚨 100 000 NATIONAL YOUTH SERVICE OPPORTUNITIES NOW AVAILABLE |

Looking for an opportunity to serve your community, gain practical experience, and earn a stipend?

The National Youth Service (NYS) programme is offering young people across all 9 provinces the opportunity to participate in a 6-month programme focused on community service, skills development, and meaningful work experience that can help strengthen future career pathways.

WHO CAN APPLY?
• South African citizen with a valid ID
• Must be between 18 and 35 years old
• Live within the local municipality or community where the programme site is located
• Be able to travel easily to the implementing partners site
• Preference for unemployed youth not in education, employment, or training (NEET)
• Must be able to contribute positively to the community and complete the programme to a high standard
• Must not have participated in previous phases of the programme
• People living with disabilities are encouraged to apply

HOW TO APPLY
• Go to sayouth.me/NYS. SA Youth is free, no data needed.
• Register on sayouth.mobi - The process will take ±4 mins.
• If you have already registered on SA Youth, just log in using the same log in details.
• Once you have registered, NYS opportunities nearest to the address you provided will appear, enabling you to apply.
• Follow the instructions on the opportunity card and apply.
• No opportunities showing up? You can search for NYS in the search box.

NB: Make sure your SA Youth CV is complete before applying.

APPLICATION CLOSING DATES
Closing dates differ by site, with the final application deadline on 1 September 2026.

NEED HELP?
• Call 0800 72 72 72 (Toll-free, Mon–Fri | 9:00am–4:30pm)
• WhatsApp us 24/7 by saving the number and start the chat with a “Hi”
• Visit any NYDA Centre for registration support

National Youth Development Agency

Department of Women, Youth and Persons with Disabilities
National Youth Development Agency

27/05/2026

27 May 2026

Mavuyisi primary school

OJS participants were helping learners practice Mango groove dance💃 🕺

This programme is brought to you by ASSITEJ South Africa ASSITEJ South Africa ASSITEJ South Africa Art4Youth Programme sponsored by the Social Employment Fund in collaboration with OJS Media Solutions

OJS Media Solutions

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