13/06/2026
“For Ropes, I wove community care into every layer. The Double Dutch ropes braided like hair, intertwined like lineage. The family gathered at the celestial arc, shoulder to shoulder, carefree. In the pace of the poem evoking the rhythm of Double Dutch while our protagonist leaps in the air. In Mami Wata resting in the deep intuitive ocean, not drowning, but holding the watery life force of our planet. The piece honors the ways that women and girls have always reached for one another across time, across water, across the street, and how Black girlhood has helped communities turn play into preservation and joy into an act of radical continuity.
This piece is a love letter to every woman within me. It remembers my grandmother braiding my hair, but I'll leave out the part about being tender-headed and her fussing about it. It drops into gatherings with family, play cousins, and sister friends. Some of my favorite childhood moments were jumping Double Dutch: finding my timing to leap into the ropes, seeing how many fancy moves I could land before crashing out, everyone cheering, clapping, singing together. It was showing off, but it was also about bonding and celebrating each other.
Community care means showing up where the need is greatest. Planned Parenthood has done that consistently. In the places where the health care system barely exists, Planned Parenthood fills essential gaps in reproductive health. They have been the place where people could go when they had nowhere else to go.
Bodily autonomy is the first territory of liberation. You cannot be free in the world if you are not free in your own body. Reproductive health care is how we protect that territory, how we ensure that every person has the right to decide the rhythm of their own life.” –Joy Donnell (Joy Donnell • writer. producer. conversationalist.) of Marina del Rey, California