American Ceramic Circle

American Ceramic Circle The American Ceramic Circle creates and supports a community for the appreciation and study of ceramics of all kinds, periods, and origins.

The American Ceramic Circle congratulates ACC member Mara Superior on the exhibition and promised gift of her “The Pursu...
06/05/2026

The American Ceramic Circle congratulates ACC member Mara Superior on the exhibition and promised gift of her “The Pursuit of Happiness” porcelain tableau at the Metropolitan Museum of Art

“This one-of-a-kind architectural tableau is an unabashedly patriotic celebration of the founding aspirations of the United States. Superior’s witty interpretations of “American” symbols–apple pie, a Phrygian cap, a copy of the Declaration of Independence, a picnic plate with a hamburger and hotdog–embellish the surface and are interspersed with miniature presidential portraits and historical references, rewarding close inspection. The material–porcelain–constructed in successive slab-built lavers atop a robust foundation, signals both strength and fragility. The Pursuit of Happiness is a hopeful expression of the country’s ideals, and a timely reminder that democracy is a delicate experiment.” -The Metropolitan Museum of Art

Ceramics Exhibition on view now: Sally Silberberg: Shifting Ground23 April - 30 May 2026Berry Campbell 524 W 26th Street...
05/24/2026

Ceramics Exhibition on view now:

Sally Silberberg: Shifting Ground
23 April - 30 May 2026
Berry Campbell
524 W 26th Street, New York

“Shifting Ground, an exhibition of porcelain sculptures by Sally Silberberg, is an extraordinary and largely unseen body of work that marks a pivotal moment in the artist’s practice. Curated by Glenn Adamson

Created during the 1980s, a concentrated period of experimentation for Silberberg, these sculptures are a decisive shift away from functional ceramics and toward a radical new sculptural language. After years of working on the potter’s wheel, Silberberg developed a new method built from solid blocks of porcelain. Layered with pigment, cut, torn, and carved, each work introduces both risk and unpredictability and pushes porcelain to its structural and perceptual limits.

These works challenge perception, and Silberberg asks whether porcelain, ‘an elegant material hovering between rough clay and glass’ as the artist put it, could instead be experienced as dense and geological. The resulting sculptures are angular, striated, and weighty, their layered surfaces and sharp angles evoking fractured stone or exposed strata. Both controlled and unstable, the sculptures balance precision with disruption, and give the impression of forms under pressure caught in a state of continual transformation.”

Upcoming Ceramics Auction: Post War & Contemporary Ceramics  Rago / Wright / LAMAJune 11, 2026“Post War & Contemporary C...
05/24/2026

Upcoming Ceramics Auction:
Post War & Contemporary Ceramics
Rago / Wright / LAMA
June 11, 2026


“Post War & Contemporary Ceramics on June 11th presents an exemplary selection of important works by artists whose influence continues to define the discipline. Led by an untitled 1958 sculpture from Peter Voulkos, highlights include John Mason's 1963 Cross Form, Dark Brown, a Toshiko Takaezu Moon, and Ken Price's Variant, as well as works from Betty Woodman, Jun Kaneko, and Viola Frey, Marilyn Levine, Doyle Lane, Ruth Duckworth, Magdalena Suarez Frimkess, Gertrud and Otto Natzler, and more.”
Auction / Lambertville
11 June 2026, 11 am eastern

Select Preview / New York
27 May – 11 June 2026, 11 am – 5 pm, Mon – Fri

Select Preview / Lambertville
4 – 11 June 2026, 11 am – 4 pm, Mon – Fri

Additional Information
[email protected]
609 397 9374



Images: Viola Frey, Two Men and Figurines; Betty Woodman, Pillow Pitcher; Toshiko Takaezu, Double Form (with rattle); Doyle Lane, W**d pot; Ruth Duckworth, Untitled; Peter Voulkos, Untitled

Ceramics Exhibition on view now: Nature / NurtureRaina Lee and Anna Danyang Song1 May - 14 June 2026LaiSun Keane Gallery...
05/21/2026

Ceramics Exhibition on view now:

Nature / Nurture
Raina Lee and Anna Danyang Song
1 May - 14 June 2026
LaiSun Keane Gallery
460C Harrison Ave, C8A, Boston, MA 02118
.art

“Nature/Nurture features new works by ceramic artists Raina Lee and Anna Danyang Song. Lee and Song created work in dialogue, focusing on the themes of nature in the cultural context of Chinese medicinal plants and scholar rocks. Heavily informed by each artist’s background and cultural history, the works incorporate ancient ceramics techniques and modern technology to express their view points in vessel and sculptural forms.

Lee was born in Torrance, California of Taiwanese immigrant parents and she grew up helping out in her parents’ pizzeria. She recently sold out shows at Felix LA and NADA NYC. Song was born in Shenyang, China and lives in New Jersey. She received her MFA from RISD and continues to explore the intersection of analog and digital through 3D clay printing.

LaiSun Keane is proud to have placed both artists’ works in the permanent collection of the Harvard Art Museums.”

Upcoming Ceramics event: Celebrating Antique Ceramics - a selling exhibition25th to 27th June 2026, LondonThe Caledonian...
05/17/2026

Upcoming Ceramics event:

Celebrating Antique Ceramics - a selling exhibition
25th to 27th June 2026, London
The Caledonian Club, 9 Halkin Street, London SW1X 7DR
Michele Beiny, E & H Manners, Adrian Sassoon and John & James Whitehead

Thursday 25th June 18.00-21.00 by invitation
Friday 26th June 10.00-18.00
Saturday 27th June 10.00-17.00

Four leading dealers are delighted to announce that they will be joining forces for a selling exhibition of exceptional antique ceramics for three days at the Caledonian Club in the heart of Belgravia, London.

A carefully selected range of Sèvres, Meissen, English, Italian and other ceramics will be revealed in this delightful setting. Researching, collecting and dealing in some of the most remarkable historic ceramics has been a mission for all of us for many decades. We look forward to sharing our passion for this captivating field with our exciting new discoveries.

Contact
Michele Beiny [email protected]
E & H Manners
[email protected]
Adrian Sassoon [email protected]
John & James Whitehead
[email protected]

Image 1: detail from Ludwigsburg Coffeepot, ca. 1760-65 (E&H Manner)
Image 2: detail of one of a pair of Berlin rollers (European birds), ca. 1765, (Michele Beiny)
Image 3: Sèvres vase, 1786 (John Whitehead)

Ceramics Exhibition on view now: Chenlu Hou and Chiara No: What the Hands Remember to HearThe Aldrich, 258 Main Street, ...
05/04/2026

Ceramics Exhibition on view now:

Chenlu Hou and Chiara No: What the Hands Remember to Hear
The Aldrich, 258 Main Street, Ridgefield, CT
Open until May 25, 2026


“A joint exhibition of two artists who use ceramic sculpture to explore storytelling and spirituality.
Chenlu Hou’s objects draw from her Chinese heritage, blending folklore, remembrance, and the layered experiences of diaspora and cultural hybridity. Chiara No creates chiming bells that personify idols, demons, and goddesses inspired by ancient, pagan, and Christian mythologies. Both artists make objects that suggest the potential for sound to invoke ceremony and shared histories across cultures and time.
Chenlu Hou works across drawing, animation, and ceramic sculpture. Her vivid objects, ranging in scale from palm-sized to torso-sized, reference ancient Chinese folklore and ritual vessels, Buddhist and Taoist temples, and memories of home. Hand-built in terracotta using slabs of rolled clay, her forms are airbrushed in bright underglazes and patterned with handmade stencils, often ornamented with playful charms suspended from nylon zip-ties. Hou’s totemic forms and handheld rattles channel humor and imagination to explore ancestry, identity, and belonging. The rattles, each fitted to the palm and made as part of a daily practice, connect her to ancient pottery traditions where sound was used in ceremony and play. Her surreal sculptures blend memory, dreams, and mythic description, reflecting personal journeys, collective histories, and a deep reverence for the physical world. This marks her first museum exhibition.

Together, Hou and No create a dialogue through clay and implied sound. Their works resonate with themes of transformation and cultural inheritance through reimagined storytelling. Their shared attention to material and mythology invites viewers into a space where living, ever-evolving storylines mirror our collective present.
A publication will accompany the exhibition featuring an interview between the artists and curators, installation views, full-color plates, and a checklist.”

Upcoming Ceramics Auction: Royal Worcester from the Estate of Stuart BrownToomey & Co. Auction / Chicago12 May 2026, 11 ...
05/04/2026

Upcoming Ceramics Auction:
Royal Worcester from the Estate of Stuart Brown
Toomey & Co.
Auction / Chicago
12 May 2026, 11 am central

Preview / Lambertville by appointment

Additional Information
[email protected]
312 563 0020

“Toomey & Co. will auction over 100 striking examples of English art pottery in Royal Worcester from The Estate of Stuart Brown. Under Richard William Binns in the late-19th century, Royal Worcester evolved into one of Britain’s leading porcelain manufacturers, earning international recognition for its craftsmanship and innovation. Influenced by global artistic exchange—especially Japanese art after 1853—the company developed a distinctive "japanesque" style, with designers like James Hadley creating decorative works featuring exotic forms and motifs in richly enameled "ivory porcelain" that helped secure its reputation as a premier pottery.”

Ceramics Exhibition on view: MARIT TINGLEFFInto The GreenHB381 Gallery  May 8 – June 20, 2026Opening Reception: Friday, ...
05/04/2026

Ceramics Exhibition on view:

MARIT TINGLEFF
Into The Green
HB381 Gallery
May 8 – June 20, 2026
Opening Reception:
Friday, May 8, 6–8 pm

"HB381 is delighted to announce Into the Green, a solo exhibition by one of Scandinavia’s leading ceramic artists, Marit Tingleff (b. 1954, Norway). A painter among ceramicists, Tingleff is known for her gestural application of slips and oxides on monolithic coil-built clay slabs. By marking her surfaces with turbid, scrawled lines and streaking rivulets of slip, she produces roiling, epistolary abstractions on vast ceramic surfaces. Their blunt linear markings and dark, circuitous contours bear the quality of writing or sketch; in their proportions, her ceramics mimic the slow kinetics of natural forces etching landscape. The alternations of dense rhythmic patterning and areas of muted erosion are intrinsic to her process. Tingleff applies manganese, cobalt, chromium, and iron oxides over the earthenware clay body, only to selectively wash away sections, leaving a translucent imprint of her actions. As these traces accrete, they leave stains on the surface of the clay. The process of working and reworking, making and unmaking, produces an indeterminate yet complex visual inscription of her daily labor. "

Ceramics Exhibition on view: SUBCONSCIOUS SURFACEDOn view May 1, 2026 – August 29, 2026Opening Reception:Friday, May 1, ...
05/04/2026

Ceramics Exhibition on view:

SUBCONSCIOUS SURFACED
On view May 1, 2026 – August 29, 2026

Opening Reception:
Friday, May 1, 2026 | 5 – 7 pm

Moderne Gallery
1705 N American St. STE 3
Philadelphia, PA

"Moderne Gallery presents Subconscious Surfaced, a group exhibition featuring works from the 1960s through the early 2000s. The exhibition explores a shared thread of surreal, otherworldly sculptural form across a range of expressions, techniques, and contexts.

A number of works in the exhibition derive from the esteemed collection of Marc and Diane Grainer, renowned patrons, collectors, and champions of the arts, who assembled a singular collection over the course of more than forty-five years. We are proud to present these works and to serve as stewards as they find their way into new collections.

On view are works featuring figures, narratives, and compositions drawn from deep within the subconscious, emerging from a realm beyond the threshold of immediate awareness.

Through incongruous forms and psychologically charged imagery, the artists give material presence to subconscious visions, bringing into view what ordinarily remains beyond immediate perception. Situated between the imagined and the tangible, these works offer insight into psychological dimensions that exceed the limits of ordinary experience."

FEATURED ARTISTS:
Ralph Bacerra
Mark Burns
Nancy Carman
Michele Oka Doner
Jack Earl
Sergei Isupov
Michael Lucero
Louis Marak
Beverly Mayeri
Norma Minkowitz
Sunkoo Yuh

Photography courtesy Moderne Gallery and Christian Giannelli Photography

Upcoming Ceramics Lecture: Transferware Worldwide Lecture SeriesCaribbean Blues: Excavating Transfer-printed Ceramics on...
04/07/2026

Upcoming Ceramics Lecture:

Transferware Worldwide Lecture Series
Caribbean Blues: Excavating Transfer-printed Ceramics on the Island of Nevis
Speaker: David Barker
Presented by the Transferware Collectors Club (TCC)
Save the date: April 30, 2026 1:00 PM EDT

Join Zoom Meeting
https://us02web.zoom.us/j/89163653545
Meeting ID: 891 6365 3545

“Ceramic finds from excavations on the Caribbean Island of Nevis include a significant quantity of transfer-printed wares. These feature a wide range of patterns from well-known and lesser-known British manufacturers. This talk will highlight some of the more popular printed wares in use on the island during the 19th century and will consider their roles in a variety of domestic contexts. The island’s changing economic fortunes and the decline of sugar production provide a backdrop for a discussion of these wares, as does the state of the British trade in ceramics to its colonies and other transatlantic markets.

Dr. David Barker is a well-known researcher and author on the history of the ceramics industry, its processes and its products. Formerly City Archaeologist and Keeper of Archaeology for Stoke on Trent Museums, he currently works as an archaeological consultant and ceramics specialist (and musician).
He was a recipient of a TCC Research Grant for a study of transfer-printed wares on the Caribbean Island of Nevis and has many more on-going ceramic research projects. He has taught on Staffordshire University’s MA in Ceramic History and has lectured widely at all levels in the UK, Europe and North America. His publications include the books William Greatbatch, a Staffordshire Potter and Slipware in the Potteries Museum & Art Gallery, as well as numerous journal articles. David is a past President of the Society for Post-Medieval Archaeology, a Fellow of the Society of Antiquaries of London and has received an Award of Merit from the Society for Historical Archaeology.

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PO Box 224
Williamsburg, VA
23187

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