A Midsummer Night's Dream, September 3-25, in four Pittsburgh parks, including Westinghouse Park for the first time and returning to Frick and Highland Parks, and Schenley Plaza for a 9 performance run. Celebrating its 18th season in 2022, Pittsburgh Shakespeare in the Parks' brings accessible, high-quality, free Shakespeare to fans of all ages through live performances in Pittsburgh parks and our
first live indoor production, THE COMPLEAT WORKS OF SHAKESPEARE (Abridged). WHAT WE DO: The troupe encourages the enjoyment and preservation of our natural public places and parks. Each autumn, the company presents one play during four weekend afternoons. Audience members are invited to bring chairs, blankets, picnics, and anything permitted in Pittsburgh city parks. The performances often include an additional pre-show performance and the plays run for about 1.5 hours with no intermission. HISTORY: Pittsburgh Shakespeare in the Parks was started in 2005 by Artistic Director Jennifer Tober, a Pittsburgh actress/director who has appeared in The Queens, Macbeth 3, Salome, The Red Shoes, and directed several shows for PSIP. In 2005 Tober was so inspired by the natural amphitheater at the bottom of the sledding hill in Frick Park in Squirrel Hill that she started the company with As You Like It in November 2005. The company grew and gained popularity quickly, and has offered FREE theater in parks including Frick, Highland, Arsenal, Schenley, West Park, and other outdoor settings. In 2021, PSIP gave its first events in North Park and Schenley Plaza in Oakland with HAMLET during a record 11 performance run. Digital productions carried the company through 2020 and 2021. Tober was approached by an avid fan and radio personality, Kate Borger, about starting a monthly reading group. "We liked the idea right away and immediately one of us came up with the name Bring Your Own Bard, which I think encapsulates exactly what we do. In the city parks, we use only the park as our set, and we tell the story in a very physical way that makes the story immediately clear to the audience. Our emphasis is on the words, and on the unique collaborative relationship among the actors, the language, and the audience," says Tober. See the complete production history on www.pittsburghshakespeare.com.