More Art

More Art More Art fosters collaborations between contemporary artists and communities to create socially-engaged public art and educational programs.

➕Meet the performers of Holy Ground: The Oyster, composed by Danielle Jagelski➕Tap the link in our bio to RSVP for this ...
10/08/2026

➕Meet the performers of Holy Ground: The Oyster, composed by Danielle Jagelski➕

Tap the link in our bio to RSVP for this Sunday’s performances 🔗

Bo Shimmin is a vocalist and tenor from the Pueblo of Acoma whose work spans opera, recital, and contemporary vocal performance. He is committed to expanding the vocal canon and uplifting contemporary Indigenous voices. He frequently collaborates with other composers and is currently developing new operatic works that center Native experiences and histories. A two-time Fulbright grantee to Italy, he has built an international career rooted in both classical training and cultural advocacy.

Performer-composer Damian Norfleet ‘is a gifted improvisational singer, performance artist, actor, and social justice activist who has occupied a rare multi-dimensional space in the performing arts.’ - I Care If You Listen

Lorena Navarro is a percussionist, educator, and composer. She performs regularly as a solo, chamber, and orchestral percussionist. She has had the honor of sharing the stage with members from Sō Percussion, Sandbox Percussion, Bang on a Can All Stars, Akropolis Reed Quintet, and the Parker Quartet. As an educator, Lorena serves as the Visiting Assistant Instructor of Percussion at the University of Central Missouri. As a composer, she explores writing for percussion and mixed chamber ensembles. Her snare drum solo, “toe-ness” will be premiered by Genevieve Hilburn at the 2026 Percussive Arts Society International Convention in November.

Join us this Sunday for Holy Ground: The Oyster by Danielle Jagelski, our 2026 Engaging Artists Commission awardee! Tap ...
10/06/2026

Join us this Sunday for Holy Ground: The Oyster by Danielle Jagelski, our 2026 Engaging Artists Commission awardee!

Tap the link in our bio to RSVP 🔗

Danielle Jagelski is a composer, conductor, and creative producer, and the Artistic Director and Co-founder of Renegade Opera.

Described by I Care If You Listen as “a prime example of socially responsive artistry in the 21st century,” her work has been presented nationwide at venues including Roulette Intermedium, the National Gallery of Art, and Performance Space New York.

An enrolled citizen of the Oneida Nation of Wisconsin and Red Cliff Band of Ojibwe, Danielle centers collaboration with Indigenous artists and is deeply committed to kinship building and decolonial practice. She also serves as a consultant on equitable producing, working with institutions such as NYU, University of Portland, Handel and Haydn Society, and First Nations Performing Arts.

As a conductor, she is recognized for her work in contemporary repertoire by the National Opera Association with engagements including projects with International Contemporary Ensemble, Beth Morrison Projects, Harlem Opera Theatre, Voices of Ascension, and Anchorage Opera, among others.

Her recent commissions and upcoming commissions include Portland Opera, American Composers Forum, ChamberQUEER, Voices of Ascension, and New Native Theatre. Danielle is a recipient of the 2026 Opera America Discovery Grant, a First Peoples Fund Performing Arts Fellowship, More Art Engaging Artists Commission, and additional support from organizations including the Native Arts and Cultures Foundation and Opera America.

Image by Dark Listed Photography, courtesy of the artist.

➕This Saturday: George Emilio Sanchez in UPRISING DOWNFALL at the Brooklyn Public Library➕On October 10, artist George E...
10/05/2026

➕This Saturday: George Emilio Sanchez in UPRISING DOWNFALL at the Brooklyn Public Library➕

On October 10, artist George Emilio Sanchez will take part in the Brooklyn Public Library’s UPRISING/DOWNFALL: Repression and Resistance in the Making of Democracy, a late-night teach-in about political resilience and hope, with music, performances and conversations looking back on the U.S.’s major democratic movements and Americans’ continuous struggles for equity.

Tap the link in our bio to RSVP! 🔗

Presented by More Art, Beyond Acknowledgment: Reclamation and the Work of Democracy brings together performance and reflection as artist George Emilio Sanchez adapts Acknowledgement & Reclamation, created with artist Patty Ortiz and commissioned and produced by More Art in 2026. Moving from the voice of Nahuavia, Sanchez’s performative alter ego, into his own voice as artist, he shifts from provocation to reflection, considering what reclamation might demand beyond recognition alone. The intervention culminates in a single question—If acknowledgment looks backward, what does reclamation ask us to do now?—which moves from artist to audience, opening the performance into a brief collective reflection.

Image by Manuel Molina Martagon.

Join us on Sunday, October 11th for Holy Ground: The Oyster, a site-responsive sound performance by Danielle Jagelski (R...
10/04/2026

Join us on Sunday, October 11th for Holy Ground: The Oyster, a site-responsive sound performance by Danielle Jagelski (Red Cliff Ojibwe and Oneida) that activates Alan Michelson’s large scale public artwork and explores the wisdom of the oyster, land, and human relationship to the Earth.

The work brings together voice, percussion, and spatial movement to create an immersive sonic experience rooted in land, ancestry, and collective gathering. Inspired by Indigenous traditions in which music, sound, storytelling, and ritual function as interconnected systems, the performance considers how these forms can serve as vessels for cultural continuity and communal reflection.

Performers:
Lorena Navarro (Shoshone-Paiute Tribes of the Duck Valley Indian Reservation), percussionist
Bo Shimmin (Pueblo of Acoma), tenor
Damian Norfleet, baritone

Holy Ground is commissioned and produced by More Art, and co-presented with Governors Island Arts.

The project and is supported in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council, the Native Arts + Cultures Foundation, and the New Music USA Creator Fund (supported by the Claudette Sorel Endowment for Women in Music), with additional support from the American Indian Community House (AICH).

➕This Wednesday, we set sail!➕There’s still time to join us for TIDES, More Art’s annual benefit—a beautiful evening on ...
09/20/2026

➕This Wednesday, we set sail!➕

There’s still time to join us for TIDES, More Art’s annual benefit—a beautiful evening on New York Harbor as daylight fades into dusk.

Gather with artists and friends aboard the Manhattan II for fresh seafood, wines and our signature TIDES Spritz, and a special live performance by acclaimed experimental violinist and composer Laura Ortman (White Mountain Apache).

Come celebrate the artists, ideas, and relationships that shape More Art and the city we share, while supporting our work bringing ambitious public art to communities across New York City.

Tap the link in our bio to get your tickets 🎟️ We hope you’ll be aboard!

Sending a huge thank you to our unstoppable team members this summer, Kendall & Yen! 💫Kendall, our ArtTable Fellow, and ...
09/19/2026

Sending a huge thank you to our unstoppable team members this summer, Kendall & Yen! 💫

Kendall, our ArtTable Fellow, and Yen, our Summer Intern, worked hard to install Alan Michelson’s The Oyster on the hottest days this summer: painting the mural, shoveling tons of oysters, and keeping morale up! Kendall also gave tours as a docent for the installation and Yen captured amazing photos at multiple events this year. But of course, they both did so much more to support our work at More Art.

We are so grateful to you two for your work & spirit! We truly couldn’t have done it without you 🫶🏻

➕Save the Date for Holy Ground: The Oyster on October 11th➕Holy Ground: The Oyster is a site-responsive sound performanc...
09/18/2026

➕Save the Date for Holy Ground: The Oyster on October 11th➕

Holy Ground: The Oyster is a site-responsive sound performance by Danielle Olana Jagelski (Red Cliff Ojibwe and Oneida) that activates Alan Michelson’s large scale public artwork and explores the wisdom of the oyster, land, and human relationship to the Earth.

Tap the link in our bio 🔗 to RSVP & to learn more about this project!

Holy Ground was selected via More Art’s 2025/26 Engaging Artists Commission open call, which supports early-career artists creating socially engaged work in the public realm.

We’re thrilled to announce that acclaimed experimental violinist and composer Laura Ortman will join us for a special li...
09/17/2026

We’re thrilled to announce that acclaimed experimental violinist and composer Laura Ortman will join us for a special live performance on New York Harbor!

Tap the link in our bio to get your tickets to TIDES 🎟️

Musician, composer, artist, and vibrant collaborator Laura Ortman (White Mountain Apache) creates across multiple platforms, from recorded albums and live performance to artistic soundtracks and field recordings. An inquisitive, exquisite amplified violinist, she is also versed in Apache violin, piano, electric guitar, and vocals.

Ortman has collaborated with artists including Raven Chacon, Jeffrey Gibson, Layli Long Soldier, Tanya Lukin Linklater, Caroline Monnet, and Kronos Quartet, and has performed at the Whitney Museum of American Art, MoMA, the Guggenheim Museum, La Biennale di Venezia, Centre Pompidou, MASS MoCA, Pioneer Works, and museums and experimental venues across North America and Europe.

In April 2026, Ortman made her Carnegie Hall debut with Kronos Quartet, performing new music commissioned by Carnegie Hall for amplified violin, Apache violin, string quartet, field recordings, and customized visuals and poetry. A 2019 Whitney Biennial artist, she is the recipient of a 2022 United States Artists Fellowship, the 2026 First Peoples Fund Native Performing Arts Fellowship, and is the 2027 DAAD Artist-in-Residence.

In 2008, Ortman founded the Coast Orchestra, an all-Indigenous orchestra that performed a live soundtrack to Edward Curtis’s In the Land of the Head Hunters (1914), the first silent feature film to star an all-Native cast.

WEATHER UPDATE: Due to rain and for the safety of our artists and audience, today’s performance has been moved to 4 PM, ...
09/13/2026

WEATHER UPDATE: Due to rain and for the safety of our artists and audience, today’s performance has been moved to 4 PM, when the weather will have significantly improved. See you then!

Tap the link in our bio for directions to the performance site.

Join us this weekend for Acknowledgement & Reclamation, a new public performance and temporary installation on Governors...
09/10/2026

Join us this weekend for Acknowledgement & Reclamation, a new public performance and temporary installation on Governors Island by Ortiz y Sanchez.

Tap the link in our bio to RSVP & read on to learn more about the artists!

Patty Ortiz lives and works in San Antonio, Texas and Brooklyn, New York. Ortiz holds both a BFA and an MFA from the University of Texas at San Antonio. Her work has been exhibited throughout the United States and internationally including in Mexico City, Valdivia, Chile, Amsterdam, the Netherlands. Collaborations with Dreamers—DACA recipients—include Citizenship Parade (2020) with MCA DENVER; I AM HERE, Luminaria Festival, San Antonio, TX and I EXIST, Boulder Museum of Contemporary Art, CO. Recent collaborations and video projects with New York based performance artist george emilio sanchez includes the traveling performance project In the Court of the Conqueror (2022) and the durational performance unlocking the cages of captivity while sitting on a park bench (2022), Columbus Park Brooklyn, NY.

george emilio sanchez is a writer, performance artist and social justice activist. He was born in Los Angeles, raised in Orange County, California, and became a New York transplant in 1978. He began making original pieces in 1992 and has continued making performance work and social justice projects to this day. He is currently in the process of crafting a new performance series titled “Performing the Constitution.” The first installment of the series, titled XIV, premiered at Dixon Place in 2019. This work melds autobiography and history in a performance that gives narrative to the injustices racialized communities face as they fight for “equal protection of the laws.” The second performance in the series, titled In the Court of the Conqueror, confronts the over 200 year-old history of U.S. Supreme Court rulings that have diluted the Tribal Sovereignty of Native Nations. This second installment premiered at Abrons Arts Center in the spring of 2022. As the Abrons Social Practice AIR he works with youth groups on the Lower East Side to use the arts as a restorative tool while addressing the reality and trauma of gun violence.

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