10/14/2026
Spinning Wheels
This year marks the 10th anniversary of the pottery studio tour Clay Way. Local potter Jane Herold served as chair of the annual event for six years, getting involved soon after she and her husband, painter and sculptor Robert Adzema, settled in Cornwall. While she started throwing and firing her beautiful, functional tableware and other works in the barn behind their house—filling orders for local chefs, international hospitality groups, and individuals looking to elevate their table settings—she recognized the need for community.
“Potters mostly work alone,” Jane explains. “One reason I got involved is because this event builds community.” Beyond that, Jane says the sale is also quite lucrative; some potters make up to $6,000 over the two-day event.
“No one potter could do the work of the group. Promoting together expands the reach significantly, and the tour attracts people from as far as New York City,” Jane says.
Besides bringing many people to Cornwall during a peak leaf-peeping weekend, another benefit of the event is that “the tour creates a stage for more established potters to support newer ones who may not have a studio of their own,” Jane shares. “This year, Todd Piker (owner of Cornwall Bridge Pottery) and I are both hosting three guest potters who will have the opportunity to show and sell their work more broadly.”
At one time, Sanah Petersen was one of those “newer” potters. Sanah has worked with Todd at Cornwall Bridge Pottery for seven years and has now taken the reins from Jane to become chair. As a past participant, she sees the value in the collective event. “It’s a special collection of potters with quality work,” she says. “The show is juried, so each artist’s work is considered before approval to participate.”
This year, the Clay Way tour includes nine studios and 25 artists. To visit each one, tour participants will enjoy the fall foliage while they drive from Wingdale to Washington, then stop at studios in Kent and Warren on the way to Cornwall.
More people visit Clay Way year over year. While growth is generally good, Todd offers that the event will always retain an intimacy and is not at all like an arts-and-crafts fair.
“People like to see the magic happen. See the kilns. Many people who come are potters themselves,” he shares.
The wood-fired kiln at Cornwall Bridge Pottery is a site to see: an impressive 35-feet long, 625-cubic feet capacity, with two “doors”—at the front and in the middle—where wood is fed in every few minutes once the kiln is firing.
On whether the 10th year will draw the largest crowd yet, Todd notes that “the scalability depends on how many cars can park in each of our driveways.” Luckily for Cornwall residents, both Jane and Todd welcome visitors at almost any time, and parking is typically abundant.
—Mare Rubin
📸: The scene at the 2025 Clay Way Studio Tour at Jane Herold's location.