07/30/2026
What happens when an iconic sculptor, a visionary collector, and a jazz musician collaborate? You get "Bigger Bridge" (1983)—a masterpiece in welded steel by Richard Hunt.
Commissioned by art collector, Dr. Walter O. Evans, Richard Hunt's "Bigger Bridge" was sparked by a moving passage in Richard Wright’s "American Hunger" about building a "bridge of words" across darkness. Hunt set out to capture Wright's written emotional fury in metal by welding chromed steel automobile bumpers together with branching chair and table legs onto a triangular steel base to form a dynamic, arching structure.
The sculpture became the focal point for jazz musician Kamau Kenyatta’s LP "Bigger." Photographed by Balthazar Korab, Hunt's "Bigger Bridge" graced the album cover, symbolizing the connection between musical notes and metal forms.
Read the full story about Hunt's "Bigger Bridge" and more in the Georgia Museum of Art's second edition catalogue of "Richard Hunt: Synthesis," now available (link in bio).
Images © 2026 The Richard Hunt Estate / Artists Rights Society (ARS), New York.
1) Richard Hunt (right middle) at the unveiling of "Bigger Bridge" at Walter O. Evans’s house in Detroit, on September 18, 1983. Also featured are Walter O. Evans (far left), Kamau Kenyatta (left middle), and Les Payne (far right).
2) "Bigger Bridge," (1983), welded chromed steel, 57 x 79 x 23 in., SCAD Museum of Art Permanent Collection, Gift of Dr. Walter O. Evans and Mrs. Linda J. Evans
3) Balthazar Korab’s photograph of Richard Hunt’s "Bigger Bridge" on the cover of jazz musician Kamau Kenyatta’s album "Bigger," 1984.