Tracing Patterns Foundation

Tracing Patterns Foundation We create international collaborations to promote textile study and support indigenous scholarship.

This is the famous Powhatan's ‘mantle’ at the Ashmolean museum in Oxford. It is made of deer hides with embroidered shel...
04/30/2026

This is the famous Powhatan's ‘mantle’ at the Ashmolean museum in Oxford. It is made of deer hides with embroidered shells forming a central human figure, deer on either side, and scattered circles. This piece stands as crucial evidence of the early encounters between indigenous American Indians in Virginia and the British in the 1600s. It likely was part of the gift exchange between Chief Powhatan and Christopher Newport in the name of King James I. Although called a mantle, it was never worn and probably only meant for display. Interesting fact: Chief Powhatan was the father of Pocahontas. The last image show the map of Virginia dated to 1612. It became part of the Royal colony in 1624.

“Chiharu Shiota: Two Home Countries” at the Asian Art Museum from April 3 - July 20, 2026.
04/11/2026

“Chiharu Shiota: Two Home Countries” at the Asian Art Museum from April 3 - July 20, 2026.

Morocco Water Seller’s Bag at the Bowers Museum, Santa Ana, California. Gift of The David Poiry Trust, 2022.4.1Caption: ...
02/22/2026

Morocco Water Seller’s Bag at the Bowers Museum, Santa Ana, California. Gift of The David Poiry Trust, 2022.4.1

Caption: Made of leather and adorned with coins from around the world, such bags are traditionally worn by Moroccan water sellers, who provided a vital service before modern plumbing became widespread in the city. The coins come from all over the world, making the bag both a record of the water seller’s life and a testament to Morocco as a cultural crossroads.

Photograph of the water seller dressed in traditional attire is by Ellen Rooney, taken in Marrakech, Morocco, 2012.

02/12/2026

Join us for a free virtual roundtable on the cultural history of horses as expressed through textiles.

Hosted by the Cotsen Textiles Traces Study Center, the Global Equine Cultures roundtable brings together artists, scholars and other professionals to complement our upcoming exhibition “Adorning the Horse: Equestrian Textiles for Power and Prestige.”

When: February 26-27, 10 a.m.-12:30 p.m.

Where: Virtual

Register: https://museum.gwu.edu/cotsen-textile-traces-roundtable-global-equine-cultures

02/12/2026

If you are in the Bay Area, here is a date for your diary ...

McDermott Intern for Asian Art -- Dallas Museum of Art. Job TypePart-time, InternshipFor those who are interested, pleas...
02/10/2026

McDermott Intern for Asian Art -- Dallas Museum of Art.

Job Type
Part-time, Internship

For those who are interested, please find more information here:

 Position: McDermott Intern for Asian ArtReports to: The Cecil and Ida Green Curator of Asian ArtClassification: Non-Exempt, Full-Time, HourlyBenefits: Medical, dental, and vision insurance; paid holiday, personal and sick time; $500 for professional developmentSchedule: Monday-Friday, 9:00 am....

01/27/2026

Coming up with our next CORDITEX WEBINAR SERIES!
Learn about bast and barkcloth!

BAST FIBER TEXTILE AND BARKCLOTH IN CAMBULO,
BANAUE, IFUGAO
February 4, 2026(Wednesday), 10:00-11:30 am

We are pleased to have Yukiko and Tetsu Ito, our esteemed Japanese scholars working with the communities in Cambulo in Banaue, Ifugao. They will talk about the traditional culture of bast fiber textile and barkcloth that has largely disappeared over the past thirty years. However, the community sustained this tradition by passing it down through generations while expanding the range of tree varieties that can be used for fiber materials.

The talk will feature the recent reciprocal learning exchanges among the Cambulo bast fiber and barkcloth community, along with Japanese textile artists that generated new ideas about processing methods, weaving and product variations. From these recent translocal learning opportunities, the Cambulo bast fiber textile and barkcloth community is experiencing revitalization, contributing to the growing momentum to preserve and further enrich this culture in collaboration with individuals both inside and outside the village. The cultural commons is being created as an open space for the participants to learn from and enrich together the bast fiber textile and barkcloth culture.

Yukiko Ito is a Visiting Research Fellow, Coastal Cities at Risk in the Philippines at the Ateneo de Manila University. She worked as a social development specialist over twenty years at multilateral and bilateral organizations to address poverty and inequalities in Asia and the Caribbean. Yuki continued to learn backstrap weaving from different weavers around Asia. In recent years, she has been interacting with the backstrap weavers in Cambulo, Ifugao in the Philippines that produces bast fiber textiles. Yuki has a master’s degree in social development from the Ateneo de Manila University.

Tetsu Ito is a Specially Appointed Researcher at the Institute of Regional Studies, Okinawa University in Japan. He has worked as an economist for bilateral and multilateral development banks as well as academic institutions across Asia, the Caribbean and Africa for over thirty-five years. His current research interests include agroecology, cultural commons, trans-local learning, and social and solidarity economy. He holds a PhD in economics from the University of Manchester.

To listen to this interesting talk, you can register to the link below:
https://up-edu.zoom.us/webinar/register/WN_7wPDlBK_RP6P1498LfUH4g

At 75 years old, Mama Rosa is still spinning wool, dyeing the threads, and weave. In this region of Saraguro in Ecuador,...
01/26/2026

At 75 years old, Mama Rosa is still spinning wool, dyeing the threads, and weave. In this region of Saraguro in Ecuador, weaving was traditionally done by men. But today more women weave. Mama Rosa uses both natural dyes (for brown, black, and green) and aniline dyes (for red, yellow, and blue). She showed how the brown color is produced by boiling the leaves from walnut tree. No other substance was added. Its depth of shade is determined by the length of the immersion.

She welcomes visitors who want to learn the traditional textile making. Find her at page: AWANA WASI - La Casa Del Tejido

This is also a great place to purchase authentic, handwoven ponchos and belts ($120 and $50 respectively in Jan 2026).

Although Salasaca in Ecuador is most famous for tapestry weavings on frame looms, band weavings on backstrap looms are a...
01/25/2026

Although Salasaca in Ecuador is most famous for tapestry weavings on frame looms, band weavings on backstrap looms are also still being made. Alonzo Pilla (54 years) is a weaver who still maintains the old tradition of making warp-patterned belts. All the patterns are picked up by hands.
You can reach Alonzo via Facebook at: Tegodos Tipicos de Salasaca.

The Macana is a traditional shawl worn by women in Ecuador’s Azuay province. It is produced in Gualeceo county in the Az...
01/25/2026

The Macana is a traditional shawl worn by women in Ecuador’s Azuay province. It is produced in Gualeceo county in the Azuay province, located in the southern Andes of Ecuador. Learn how these cotton ikat shawls with macrame fringes are made . The shawls shown here are examples of old ones made during the times of José Jiménez’s grandmothers and great grandmothers. The family is the sixth generation of macana weavers. The price of a newly-made macana in Jan 2026 is $100.

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