Association for Curators and Programmers of Asian Cinemas

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ACPAC is a global organisation that supports curators and programmers in the field and promotes their innovative curatorial practices, showcasing the diversity and richness of Asian cinemas.

We are delighted to welcome (SFS) as an ACPAC Institutional Member. Founded in 1958, SFS has played an important role i...
24/05/2026

We are delighted to welcome (SFS) as an ACPAC Institutional Member. Founded in 1958, SFS has played an important role in cultivating film culture and supporting film appreciation in Singapore through screenings, discussions, and public engagement. We look forward to future exchanges and collaborations across the ACPAC network.

We welcome applications for ACPAC Institutional Membership.

Institutional members include film festivals, archives, cinematheques, museums, universities, cultural organisations, and other institutions engaged with Asian cinemas and screen cultures.

Don’t miss out Early Bird registration!
20/05/2026

Don’t miss out Early Bird registration!

Check out our programme and don’t miss out the deadline for Early Bird Registration.
11/05/2026

Check out our programme and don’t miss out the deadline for Early Bird Registration.

Check out our updated programme, and don’t miss the early bird registration deadline on 18 May!
08/05/2026

Check out our updated programme, and don’t miss the early bird registration deadline on 18 May!

Registration is now OPEN for ACPAC 2026!We offer 20 reduced-fee registration slots for Thai citizens whose country of re...
06/05/2026

Registration is now OPEN for ACPAC 2026!

We offer 20 reduced-fee registration slots for Thai citizens whose country of residency is Thailand, allocated on a first-come, first-served basis.

Join us for an exciting programme of inspiring conversations, presentations, and networking with colleagues across the field.

Registration is now OPEN for ACPAC 2026!With the generous support of the Asian Film Archive in Singapore, ACPAC was laun...
04/05/2026

Registration is now OPEN for ACPAC 2026!

With the generous support of the Asian Film Archive in Singapore, ACPAC was launched last year with the symposium “Rethinking Film Curation in Asian Cinemas.” This year, the Executive Director of the Asian Film Archive, Karen Chan, will open the ACPAC Annual Conference 2026 by sharing her perspectives on film curation and programming in Asia.

Registration is now OPEN for ACPAC 2026!Join us for an exciting programme of inspiring conversations, presentations, and...
04/05/2026

Registration is now OPEN for ACPAC 2026!

Join us for an exciting programme of inspiring conversations, presentations, and networking with colleagues across the field.

Registration is now OPEN for ACPAC 2026! Check out our programme here.
02/05/2026

Registration is now OPEN for ACPAC 2026! Check out our programme here.

Registration is now OPEN for ACPAC 2026!Due to the high volume of strong applications, we are delighted to extend the co...
02/05/2026

Registration is now OPEN for ACPAC 2026!
Due to the high volume of strong applications, we are delighted to extend the conference to three days (19–21 June).
Join us for an exciting programme of inspiring conversations, presentations, and networking with colleagues across the field.

ACPAC Member Spotlight: Individual Member Xiang FanWe are delighted to spotlight ACPAC member Xiang Fan and warmly cong...
27/04/2026

ACPAC Member Spotlight: Individual Member Xiang Fan
We are delighted to spotlight ACPAC member Xiang Fan and warmly congratulate her on the success of her recent book and major recognition.
Xiang Fan is the author of Contemporary Art Cinema Culture in China, which was awarded Runner-up in the British Association of Film, Television and Screen Studies 2026 Best First Monograph Awards.
The book offers a timely exploration of the dynamic networks of art cinema culture in twenty-first-century China, foregrounding the often-overlooked role of intermediaries such as independent programmers, internet critics, and fan translators. Drawing on original ethnographic research, Xiang Fan examines how these cultural actors shape taste, circulation, and cinephile communities while negotiating the tensions between alternative film culture, state structures, and market forces.
At ACPAC, we are proud to celebrate members whose work expands the field of film curation, programming, and screen studies through fresh perspectives and internationally significant research.
Please join us in congratulating Xiang Fan on this outstanding achievement.

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