Asian Film Archive

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Asian Film Archive The Asian Film Archive's (AFA) mission is to save, share and explore the art of Asian Cinema.

The Asian Film Archive (AFA) is a charity that focuses on culturally important works by independent Asian filmmakers. It preserves Asia's rich film heritage in a permanent collection and promotes a wider critical appreciation of Asia's cinematic works through initiating programmes like screenings and talks. More than just a repository of film and tape, AFA aspires to be a hub for the film community, contributing to culture, scholarship and industry. The Archive’s collection includes works by some of Asia's renowned filmmakers like Lino Brocka, Hussain Haniff, U-Wei Hajisaari, Eric Khoo and Mike de Leon. The Archive was the 2007 winner of the New Non-Profit Initiative Award presented by the National Volunteers and Philanthropy Centre (Singapore), which recognises organisations for their originality, sustainability, impact, and best practices. We are an affiliate of the prestigious International Federation of Film Archives (FIAF) and a member of the Southeast Asia-Pacific Audiovisual Archives Association (SEAPAVAA). On 1 January 2014, the Archive became a subsidiary of the National Library Board in continuing its mission to preserve and share the film heritage of Asia, and to inspire greater appreciation for film, its art and industry.

AFA has teamed up with the Central Arts Library (Level 5) Public Libraries Singapore  at the National Library Singapore ...
05/10/2026

AFA has teamed up with the Central Arts Library (Level 5) Public Libraries Singapore at the National Library Singapore to curate a reading and watchlist to accompany Twin Tales: Kon Ichikawa and Yasuzo Masumura.

Head over to the National Library to borrow these titles after watching the the Twin Tales films at Oldham Theatre!

Twin Tales runs from 9-18 October at Oldham Theatre and is part of the Japanese Film Festival SG : https://bit.ly/AFAJFF26

In 1957, Yasuzo Masumura worked as Assistant Director on Kon Ichikawa’s A Full-Up Train, which was a satirical reflectio...
02/10/2026

In 1957, Yasuzo Masumura worked as Assistant Director on Kon Ichikawa’s A Full-Up Train, which was a satirical reflection on the anxieties of the rapid post-war development industrialisation of Japan. Masumura would go on to make his first two feature films that year: Kisses, and Cheerful Girl, which reflected on the growing youth culture and evolving attitudes to sexuality and identity. It can be said that thanks to these two directors, 1957 acts as the precursor for what would become the Japanese New Wave in the 1960s.

A Full Up Train and Kisses screen on Saturday, 17 October, both with an introduction by Assistant Professor Zhao Xinyi from the Department of Japanese Studies (NUS). Get tickets: https://asianfilmarchive.org/event-calendar/a-full-up-train-1957/

Considered one of the greatest figures in Japanese literature, Jun'ichirō Tanizaki’s provocative works have inspired man...
01/10/2026

Considered one of the greatest figures in Japanese literature, Jun'ichirō Tanizaki’s provocative works have inspired many film adaptations.

Kon Ichikawa himself adapted both Kagi (The Key, 1956) into Odd Obsession (1959) and later The Makioka Sisters (1983), which is one of Park Chan-Wook’s Criterion Closet picks! His four way bisexual love square novel Manji (1928), has been adapted five times, the first (and best) of which is by Yasuzo Masumura in 1964.

The 4K restorations of Odd Obsession and All Mixed Up/Manji will screen next Saturday, 10
October. Get tickets: bit.ly/AFAJFF26

Cheerful Girl (1957) is the first collaboration between Yasuzo Masumura and Ayako Wakao. The duo would go on to make 20 ...
30/09/2026

Cheerful Girl (1957) is the first collaboration between Yasuzo Masumura and Ayako Wakao. The duo would go on to make 20 films together. Wakao stars as the wide-eyed ingenue in Cheerful Girl and transforms into a femme fatale in Manji, becoming one of Japanese cinema's greatest actresses through her work with Masumura.

The 4K restoration of Cheerful Girl screens Sunday, 11 October at 5pm. Get tickets: https://asianfilmarchive.org/event-calendar/cheerful-girl-1957-1/

What is Japanese New Wave Cinema? And how were Kon Ichikawa and Yasuzo Masumura key figures that paved the way for filmm...
29/09/2026

What is Japanese New Wave Cinema? And how were Kon Ichikawa and Yasuzo Masumura key figures that paved the way for filmmakers like Nagisa Oshima and Shohei Imamura?

Assistant Professor Zhao Xinyi from both the Department of Japanese Studies, National University of Singapore and Chinese Studies at NUS whose expertise is in the cultural history of cinema in East Asia, will be introducing both Ichikawa and Masumura’s 1957 films on 17 October, which could be said to be the starting point of the Japanese New Wave. Get tickets: bit.ly/AFAJFF26

Want to learn about the historical, social and cultural context of Manji’s provocative portrayal of female sexuality? In...
28/09/2026

Want to learn about the historical, social and cultural context of Manji’s provocative portrayal of female sexuality? Intrigued by Jun'ichirō Tanizaki’s literature?

Associate Professor Deborah Shamoon from the Department of Japanese Studies, National University of Singapore, who has written extensively about female portrayals in Japanese cinema, will be introducing the 4K screening of All Mixed Up/Manji (1964, Yasuzo Masumura) on Saturday, 10 October at 5pm. Get tickets: https://asianfilmarchive.org/event-calendar/all-mixed-up-manji-1964/

Kon Ichikawa’s breakthrough film The Burmese Harp (1956) along with Isao Takahata’s Grave of the Fireflies (1988) are co...
24/09/2026

Kon Ichikawa’s breakthrough film The Burmese Harp (1956) along with Isao Takahata’s Grave of the Fireflies (1988) are considered to be key Japanese anti-war cinematic masterpieces.

Both were unique in that they did not shy away from educating children about the effects of war. The Burmese Harp was adapted from a children’s book by Michio Takeyama, while Grave of the Fireflies was made by Studio Ghibli and released alongside Hayao Miyazaki’s animated children’s classic My Neighbor Totoro in 1988 as a double bill.

Focusing on the devastating human toll of World War II, both films also use music as an emotional anchor, with The Burmese Harp centering on a former soldier using a traditional Burmese harp while Grave of the Fireflies famously features the tune Hanyū no Yado.

The 4K restoration of The Burmese Harp screens Friday, 9 October at 8pm. Get tickets: https://asianfilmarchive.org/event-calendar/the-burmese-harp-1956-1/

AFA held its first all-day screening of Tie Xi Qu: West of the Tracks (2002) accompanied by a mini-exhibition organised ...
23/09/2026

AFA held its first all-day screening of Tie Xi Qu: West of the Tracks (2002) accompanied by a mini-exhibition organised by TBC Bookstore and pop-up coffee station by Magliner. Thank you to everyone who helped make this event a success.

Cheers for audience members who stayed all 12 hours to the end for director Wang Bing’s post-screening Q&A session! 🎉

2026 marks the 140th anniversary of writerJun’ichirō Tanizaki, widely known as one of the greatest figures in Japanese l...
21/09/2026

2026 marks the 140th anniversary of writerJun’ichirō Tanizaki, widely known as one of the greatest figures in Japanese literature, and known for his transgressive depictions of sexuality.

Both directors Kon Ichikawa and Yasuzo Masumura have adapted his works, two of which are featured in our Twin Tales lineup: Odd Obsession (鍵, 1959) and All Mixed Up/Manji (卍, 1964), which are both thorny, provocative psychosexual tales that are ahead of its time, even today.

Catch Odd Obsession and Manji both on Saturday, 10 October. Manji will have an introduction by Associate Professor Deborah Shamoon, an expert on the depiction of female sexuality on screen. Get tickets: https://bit.ly/AFAJFF26

🤎☕ Small-batch, home-based coffee roaster Kopistan will be joining us for Sátántangó, our second all-day screening! Thei...
21/09/2026

🤎☕ Small-batch, home-based coffee roaster Kopistan will be joining us for Sátántangó, our second all-day screening! Their goal is to create a platform where people can enjoy and learn about coffee without the intimidation factor. Come support them and our adventurous cinephiles taking on Bela Tarr’s black and white 7 hour long magnum opus.

🗓️ Saturday, 26 September 2026
🕒 10:30am - 4:30pm
📍 Oldham Theatre

Address

Singapore

Opening Hours

Monday 10:00 - 18:00
Tuesday 10:00 - 18:00
Wednesday 10:00 - 18:00
Thursday 10:00 - 18:00
Friday 10:00 - 18:00

Telephone

+6567773243

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