Davao Writers Guild

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Davao Writers Guild The Davao Writers Guild is an SEC-registered organization of literary writers of Davao City. de Ungria when he settled in Davao City in May 1999.

The Davao Writers Guild, Inc., was founded on 11 May 1999 by poet Ricardo M. Its first officers were Don Pagusara (president), Tita Lacambra Ayala (vice president), Eva Aranas (secretary), Margarita Marfori (treasurer), and Macario Tiu and Ricardo de Ungria (press officers). Other original members were Aida Rivera Ford, Saturnino Apoyon, and Josefina Tejada. The Guild was intended to serve as the home of the literary writers in Davao City, to provide channels for them to hone their craft and publish their works, to hold activities like workshops for the advancement of new writers, to stimulate Davao writers to attain literary excellence, and to pave the way for a vigorous literary movement in Davao that will put it on the literary map of the country and thereby contribute to the establishment of national literatures. It held its induction rites at Hotel Mario a few months after and initiated a series of poetry readings at various colleges and universities in the city under the Bukambibig project of the Committee on Literary Arts of the National Commission on Culture and the Arts. In August 2001, it finally became a SEC-registered organization, with the following as incorporators: Don Pagusara, Margarita Marfori, Eva Aranas, Ricardo de Ungria, and Saturnino Apoyon. By that time, a second set of officers had been elected: Saturnino Apoyon (president), Aida Rivera Ford (vice president), Margarita Marfori (treasurer), Josefina Tejada (secretary), and Tim Montes (press officer). In the same year, the first issue of Dagmay came out. The literary journal was meant to showcase the literary works not only of the members of the guild but also of other writers—old and new—from other parts of Mindanao. It accepted contributions in English, Pilipino, Cebuano, Waray, and the other languages, whether poetry, fiction, or creative nonfiction. It was funded through private donations and contributions and distributed for free to libraries and universities and interested individuals.

CALL FOR SUBMISSIONS | Dagmay October 2026The Davao Writers Guild invites submissions of short stories, essays, poems, a...
02/10/2026

CALL FOR SUBMISSIONS | Dagmay October 2026

The Davao Writers Guild invites submissions of short stories, essays, poems, and plays from Mindanao-born or Mindanao-based writers. Submissions may be in English, Binisaya, Tagalog, or any Mindanawon language (with accompanying translation), and can be about any topic.

Accepted works will be published in SunStar Davao and on dagmay.online. For full submission details, visit dagmay.online/submissions.

Jewelyn Rose Mansia (Jewel Mansia), a writer and educator, is the editor for October 2026. She is a graduate of the Master of Arts in Literature program at the University of Southeastern Philippines, where she works as a part-time literature instructor while also working full-time as an online content writer. Her works have been published in Katitikan, Dagmay, Sunstar Davao, The Best of Dagmay 3, and Candy Magazine.

CALL FOR SUBMISSIONS | Dagmay September 2026The Davao Writers Guild invites submissions of short stories, essays, and po...
01/09/2026

CALL FOR SUBMISSIONS | Dagmay September 2026

The Davao Writers Guild invites submissions of short stories, essays, and poems from Mindanao-born or Mindanao-based writers. Submissions may be in English, Binisaya, Tagalog, or any Mindanawon language (with accompanying translation), and can be about any topic.

Accepted works will be published in SunStar Davao and on dagmay.online. For full submission details, visit dagmay.online/submissions.

Raphael Salise is the editor for September 2026. He earned his degree in Creative Writing at the University of the Philippines Mindanao in 2022. His stories and poems have appeared in UNESCO, Dagmay, SunStar Davao, Sands & Coral, Cordite Poetry Review, Katitikan, and Likhaan. He has been a fellow of the Sunday Club National Writers Workshop, CDO Young Writers Studio, Cebu Writers Workshop, Davao Writers Workshop, and Ateneo Summer Writers Workshop. Raph is currently a law student at the Ateneo de Davao University.

DWW2026 DAY 4 | The fourth day (May 30) of the 2026 Davao Writers Workshop began with a lecture by Errol Merquita, “Writ...
04/08/2026

DWW2026 DAY 4 | The fourth day (May 30) of the 2026 Davao Writers Workshop began with a lecture by Errol Merquita, “Writing from Ground Zero,” which asked why research matters even in fiction.

Merquita argued that research is necessary even when writers draw on personal experience or work with fictional characters: there is truth in fiction, representation carries responsibility, historical inaccuracy is dangerous, and the ideological implications of a point of view demand care.

After the lecture, the workshop moved into its final critiquing sessions. Jeff Raiven Iway’s plays were the first to be discussed, with Jhoanna Lynn Cruz guiding the session. The conversation focused on Iway’s use of both Mandaya and English, as well as on determining the central question a play’s main character must answer.

During Peter Grumo Jr.'s session, facilitated by Dominique Cimafranca, the panel commended Grumo's choice of themes across his stories, which move through OFW migration and childhood in rural Mindanao. In one story in particular, “The Durian Catcher,” which follows a boy in a mountain tribe learning to catch durian from the trees, the panel raised the possibility of q***ring the narrative.

Critiquing sessions ended by noon. In the afternoon, the panelists went to the workshop’s community outreach program while the fellows prepared for Fellows’ Night. Photos and details of the outreach and Fellows’ Night will be posted soon.

📸 New Sight Studios

CALL FOR SUBMISSIONS AUGUST 2026 | The Davao Writers Guild invites submissions of short stories, essays, poems, and play...
01/08/2026

CALL FOR SUBMISSIONS AUGUST 2026 | The Davao Writers Guild invites submissions of short stories, essays, poems, and plays from Mindanao-born or Mindanao-based writers. Submissions may be in English, Binisaya, Tagalog, or any Mindanawon language (with accompanying translation), and can be about any topic.

Accepted works will be published in 𝘚𝘶𝘯𝘚𝘵𝘢𝘳 𝘋𝘢𝘷𝘢𝘰 and on dagmay.online. For full submission details, visit dagmay.online/submissions.

Rene Estremera is the editor for August 2026. He is a reader and an occasional writer, photographer, singer, and filmmaker.

EVENTS | Meet us on the second day of Duaw Davao: The All-In Expo at Abreeza Mall, Davao City.Davao Writers Guild member...
23/06/2026

EVENTS | Meet us on the second day of Duaw Davao: The All-In Expo at Abreeza Mall, Davao City.

Davao Writers Guild member Elizabeth Joy Serrano-Quijano will be signing copies of her award-winning short story collection, “Dili Pwede Mogawas ug Ubang mga Sugilanon.”

See you!

EVENTS | The Davao Writers Guild is at Duaw Davao: The All-In Expo at Abreeza Mall, Davao City!Drop by our booth and che...
22/06/2026

EVENTS | The Davao Writers Guild is at Duaw Davao: The All-In Expo at Abreeza Mall, Davao City!

Drop by our booth and check out books authored by members of the Guild.

We’ll be here until Wednesday, June 24, 2026.

See you!

(From left to right: Guild members Errol Merquita, Amalia Cabusao, and Jade Mark Capiñanes.)

DWW2026 DAY 3 | The third day (May 29) of the 2026 Davao Writers Workshop opened with a lecture by Melona Grace Mascariñ...
01/06/2026

DWW2026 DAY 3 | The third day (May 29) of the 2026 Davao Writers Workshop opened with a lecture by Melona Grace Mascariñas on her confessional poetry and filmmaking.

Mascariñas shared how her collection “Wild Fire” came to be, then screened a short film of her own that gathered images of everyday objects (electric fans, clocks, washing machines, tricycle wheels) and closed with “The shape of waiting is a circle.”

From this, she encouraged the fellows to keep glimpses of everyday life as fragments. In her own practice, she keeps a journal of poetic lines alongside photographs of events and objects that have moved her personally, material she returns to when she begins a new piece.

After the lecture, the workshop moved into critiquing. Paloma Vaflor’s Binisaya poems were the first to be discussed, with Errol Merquita guiding the session. Her work, rooted in Banga, South Cotabato, includes a piece about leaving Negros aboard a Super Ferry as a child. Comments centered on the raw voice that permeates the suite.

Two stories from Divine Ashley Irog-irog were next on the table: a psychological portrait of a fisherman in Samal and a piece about a person falling in love with a shaman. Dominique Gerald Cimafranca led the conversation toward Irog-irog’s language and toward the maturity she brings to her subject matter.

The afternoon began with John Vincent Pon. His two Binisaya stories (one about a boy whose pedicab-driver father is rushed to the hospital, another about a grandson at the wake of an estranged grandmother) drew the panel into questions of grief and labor in working-class families. Merquita facilitated.

Cimafranca returned for Nissi Odessa Mandanao’s session. The panel praised the range across her two stories: one set in a dystopian future where the drug Nocturnex has erased sleep, the other a piece about a Manila-raised teenager visiting their paternal grandmother in the province for the first time.

The final session went to Jamil Mabandis, whose Maguindanaon poems move through burial rites and romantic devotion. Under Merquita’s facilitation, the discussion centered on what it takes to write q***rness in one’s mother tongue and religion.

📸 New Sight Studios

CALL FOR SUBMISSIONS JUNE 2026 | The Davao Writers Guild invites submissions of short stories, essays, poems, and plays ...
01/06/2026

CALL FOR SUBMISSIONS JUNE 2026 | The Davao Writers Guild invites submissions of short stories, essays, poems, and plays from Mindanao-born or Mindanao-based writers. Submissions may be in English, Binisaya, Tagalog, or any Mindanawon language (with accompanying translation), and can be about any topic.

Accepted works will be published in 𝘚𝘶𝘯𝘚𝘵𝘢𝘳 𝘋𝘢𝘷𝘢𝘰 and on dagmay.online. For full submission details, visit dagmay.online/submissions.

Jhoanna Lynn Cruz is the editor for June 2026. She is Full Professor of literature and creative writing at the University of the Philippines Mindanao. She holds a creative practice PhD from RMIT University, Australia. Her first book, 𝘞𝘰𝘮𝘦𝘯 𝘓𝘰𝘷𝘪𝘯𝘨: 𝘚𝘵𝘰𝘳𝘪𝘦𝘴 𝘢𝘯𝘥 𝘢 𝘗𝘭𝘢𝘺 (DLSU and Anvil, 2010), is the first sole-author collection of le***an stories published in the Philippines. Her memoir about rebuilding her life in Davao City, 𝘈𝘣𝘪 𝘕𝘢𝘬𝘰, 𝘰𝘳 𝘚𝘰 𝘐 𝘛𝘩𝘰𝘶𝘨𝘩𝘵 (UP Press, 2020), is the first le***an memoir in the Philippines. She has received Don Carlos Palanca Memorial Awards for Literature for her writing. Among the anthologies she has edited is 𝘛𝘪𝘯𝘨𝘭𝘦: 𝘈𝘯𝘵𝘩𝘰𝘭𝘰𝘨𝘺 𝘰𝘧 𝘗𝘪𝘯𝘢𝘺 𝘓𝘦𝘴𝘣𝘪𝘢𝘯 𝘞𝘳𝘪𝘵𝘪𝘯𝘨 (2021), 𝘋𝘢𝘷𝘢𝘰 𝘏𝘢𝘳𝘷𝘦𝘴𝘵 3 (2018), 𝘔𝘰𝘳𝘦 𝘔𝘪𝘯𝘥𝘢𝘯𝘢𝘸𝘰𝘯 𝘛𝘩𝘢𝘯 𝘞𝘦 𝘈𝘥𝘮𝘪𝘵 (2024), and 𝘛𝘩𝘦 𝘉𝘦𝘴𝘵 𝘰𝘧 𝘋𝘢𝘨𝘮𝘢𝘺 3 (2026). Her latest book, 𝘓𝘶𝘨𝘢𝘳 𝘓𝘢𝘯𝘨: 𝘋𝘪𝘴𝘱𝘢𝘵𝘤𝘩 𝘧𝘳𝘰𝘮 𝘋𝘢𝘷𝘢𝘰 (2024), is a collection of essays from her now-defunct opinion column in 𝘔𝘪𝘯𝘥𝘢𝘯𝘢𝘰 𝘛𝘪𝘮𝘦𝘴.

DWW2026 DAY 2 | The second day (May 28) of the 2026 Davao Writers Workshop (DWW) opened with a lecture by Dr. Jhoanna Ly...
29/05/2026

DWW2026 DAY 2 | The second day (May 28) of the 2026 Davao Writers Workshop (DWW) opened with a lecture by Dr. Jhoanna Lynn Cruz, one of the workshop mentors, on the possibilities of reimagining the creative writing workshop.

Drawing from Mary Ann Cain’s essay “‘A Space of Radical Openness’: Re-Visioning the Creative Writing Workshop,” Cruz introduced the fellows to the Observe-Interpret-Evaluate (OIE) model of critique.

Where the traditional workshop asks what works and what doesn’t in a text, the OIE model asks how the elements work to achieve the project of the writer. Within this framework, what might typically be seen as “errors” are reframed as “excesses” in need of representation.

Lastly, Cruz argued for a creative writing workshop where participants “cut with compassion.”

The critiquing sessions followed. This year’s DWW departs from the traditional setup where fellows sit as passive receivers of comments and only reveal their identities at the end of a blind review. Each fellow now begins their slot with an introduction on why and how they wrote the work they submitted, and their assigned mentor facilitates the conversation from there.

Reina Allysa Chelsey Cloma opened the round. Her poetry manuscript touched on studying at a Catholic school, the plight of the Lumad as inextricable from environmental concerns, and growing up in General Santos City. Her session was facilitated by Melona Grace Mascariñas.

Mentored by Cruz, Angelo Pacheco III followed with a nonfiction manuscript that included a q***r travel essay about the difficulties of finding home and a lyric essay on makeup as both a concealing and revealing act.

In the afternoon, Prince Marlo Montadas’s suite of poems was discussed, with particular attention to its handling of everyday struggles in Butuan and its sophisticated use of imagery. Mascariñas facilitated the session.

Francis Reginio came next with essays drawn from his research on the indigenous peoples of Mindanao. Under Cruz’s guidance, the conversation turned to weaving the personal with the political and emphasizing the writer’s responsibility in depicting the stories of marginalized communities.

The day closed with the session for Aleah Bantas’s poems, facilitated by Mascariñas, where the experimentation with form and language emerged as a strength alongside clear influences from q***r writing.

📸 New Sight Studios

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