07/08/2026
We are so grateful for such a beautiful review from Backstage Christchurch - Theatre Reviews. Check out what she thought, after watching our dress rehearsal on Wednesday!
"This production showcases some exceptional young theatrical talent and is another reminder of the incredible artistic work being created in Christchurch" - Courtenay Washington
You still have 4 more chances to watch this incredible show, so get your tickets asap!!
|NEW REVIEW|
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'The 25th Annual Putnam County Spelling Bee'
Black Box Theatre at Papa Hou
Director Kathleen Burns
Musical Director Elian Pagalilawan
Choreographer Hana Pearce
Until 9 August
Reviewed by Courtenay Washington for Backstage Christchurch - Theatre Reviews
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I was lucky enough to catch the final dress rehearsal of ‘The 25th Annual Putnam County Spelling Bee’ last night ahead of its opening tonight, and if you're looking for something a little different, a little quirky, and a whole lot of fun, this is well worth prioritising on your calendar.
Firstly, I have to say how much I enjoy this venue. It's the perfect size for productions like this. Rather than getting swallowed up in the vastness of a larger theatre, the intimacy of the space allows every moment to land, making the audience feel like they're right in the middle of the action. The central location is another winner, and let's be honest – having a dedicated Papa Hou car park is an unexpected luxury that's also worth celebrating (if you’re lucky enough to get one).
This is one of those musicals that often flies under the radar. It's not one of the blockbuster titles, but that's part of its charm. It's delightfully odd, wonderfully quirky, and packed with heart. Director Kathleen Burns and Musical Director Elian Pagalilawan prove they're a formidable creative partnership, bringing together a relatively small cast and orchestra to produce a wonderfully big sound.
The company numbers are a particular highlight. The group harmonies are terrifyingly difficult, yet the cast navigates them with remarkable precision. It's a genuine example of the whole being greater than the sum of its parts, with every performer contributing to an ensemble that is energetic and full of life.
Comedy is never far away, and some of the biggest laughs arrive completely out of nowhere. The script has a knack for catching you off guard, while the wonderfully ridiculous word definitions only add to the fun. One of the show's coolest inclusions is the audience participation. A handful of audience members are invited to become contestants in the spelling bee, meaning every performance will have its own unique flavour. If you're feeling brave, sign yourself up before the show — you never know what might happen!
Performance-wise, Ben Camm is outstanding as William Barfée, capturing both the awkwardness and determination of the character beautifully. Tessa de Wit also delivers a genuine star turn, which is not ignore the fact that every member of the cast brings something unique and memorable to their wonderfully eccentric characters. Eden Taylor's vocals were an unexpected highlight for me, with a voice that seemingly comes out of nowhere, but holy cow (spelt C-O-W)– that kid can sing!
While the laughs come thick and fast, Spelling Bee also has surprising emotional depth. Beneath the absurdity are moments of genuine tenderness that reveal the insecurities and hopes of these delightfully bizarre young people. By the end, you'll probably find yourself caring about every single one of them. And yes... keep an eye out for a cameo appearance from the Son of God himself. It's exactly as unexpected, and hilarious, as it sounds.
This production showcases some exceptional young theatrical talent and is another reminder of the incredible artistic work being created in Christchurch. With a short season ahead, you'll want to be quick to grab your tickets. Go along ready to laugh, ready to cringe in sympathy, and maybe even ready to spell.
