Alumni association of Sirjana COFA

04/08/2024

17/05/2024

Live Painting Competition, Student Festival 2024, organized by - ANNFSU
Proud moment - Congratulations Sumira Tamang(Stood 2nd) & Sony Gurung (Stood 3rd) from Sirjana School of Fine Arts.
Navindra Rajbhandari Samjhana Rajbhandari

12/03/2024

Few of works @ Music Art Gallery Cafe jhamsikhel.
You all are welcome 🙏 to the ongoing group show ❤️❤️❤️🙏

12/03/2024

Presenter: शाहारा महर्जन
Presentation: Anastasia trusova
Bfa 3rd year
Painting department
Subject: composition

06/02/2024

07/01/2024

‘The Next - 2024' presents works by 23 young artists working across diverse media of drawing, painting, mixed media, ceramic and sculpture. The show brings together artists who are pursuing or have completed fine art studies from different art colleges in Nepal in order to present the queries and reflections of the next generation of Nepali artists.
The young artists weave themes of identity, culture, and lived experience to create portraits of the world as they see it. For most, the works take a personal, introspective note to draw the viewers where they stand. Through nuanced observation and symbolic motifs, they invite viewers to reflect on their individual ideas and themes. Through colors, textures, text and material, the artists invoke their particular ways of seeing the world. Their various ideas and themes come together to embrace the diversity and ability of the next generation of artists.

Curated by
Roshan Bhandari
(The Studio of Roshan Bhandari)

Join us for the opening reception from 4-7pm, Saturday, 13 January 2024

On view from January 13 - February 4, 2024

21/12/2023

17/12/2023

According to the Catalogue Raisonné, "Bacon regarded Painting 1946 as epochal, and as a defining event in his career."

"He claimed he had intended to paint a bird of prey landing in a ploughed field (although on other occasions he added that this had evolved from a prior image of a chimpanzee in long grass), before what he referred to as his ‘butcher’s shop picture’ emerged on the canvas. Bacon was, of course, discussing the painting’s iconography: this is distinct from both Cézanne’s notion of ‘paint-as-sensation’ and the ‘accidental’ accumulation of ‘irrational’ or ostensibly abstract paint- marks that constituted a figurative (or ‘figural’) image."

Martin Harrison, Francis Bacon: Catalogue Raisonné (London: The Estate of Francis Bacon Publishing, 2016) p.172